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Freud's Trip to Orvieto: The Great Doctor's Unresolved Confrontation with Antisemitism, Death, and Homoeroticism; His Passion for Paintings; and the Writer in His Footsteps
     

Freud's Trip to Orvieto: The Great Doctor's Unresolved Confrontation with Antisemitism, Death, and Homoeroticism; His Passion for Paintings; and the Writer in His Footsteps

by Nicholas Fox Weber
 

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Freud’s Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired.” —John Banville, author of The Sea and The Blue

Overview


Freud’s Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired.” —John Banville, author of The Sea and The Blue Guitar

“This is an ingenious and fascinating reading of Freud’s response to Signorelli’s frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty.” —Colm Tóibín, author of Brooklyn and Nora Webster

After a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorelli’s frescoes the greatest artwork he’d ever encountered; yet, a year later, he couldn’t recall the artist’s name. When the name came back to him, the images he had so admired vanished from his mind’s eye. This is known as the “Signorelli parapraxis” in the annals of Freudian psychoanalysis and is a famous example from Freud’s own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues.

What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freud’s biography. As he sounds the depths of Freud’s feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman.

Freud’s Trip to Orvieto is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes art’s singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires.

Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications.

Editorial Reviews

From the Publisher

Advance Praise for Freud’s Trip to Orvieto

Freud’s Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired.” —John Banville, author of The Sea and The Blue Guitar

“This is an ingenious and fascinating reading of Freud’s response to Signorelli’s frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty.” —Colm Tóibín, author of Brooklyn and Nora Webster

“This sui generis volume displays the author’s polymathic talents at their exhilarating best. Not content with his role as critic, autobiographist, analysand, Freud scholar, Bauhaus curator, textual sleuth, and reflective Talmudist, Weber infuses familiar territory with freshness and vitality. His journey starts at Signorelli’s Orvieto and Freud’s legendary moment of forgetting. Via Breuer, Solnit, Sartre, Klee, Zweig, Raphael, Titian, as well as his personal inamoratas, we are granted new visions from the art and psychoanalytic worlds. Breathless but still upright, the reader understands better what it means to be a child, a parent, and a living, desiring, failing, dying, struggling, and ultimately triumphant human.” —Jeremy Holmes, author of John Bowlby and Attachment Theory and The Therapeutic Imagination

Product Details

ISBN-13:
9781942658269
Publisher:
Bellevue Literary Press
Publication date:
05/09/2017
Pages:
352
Sales rank:
379,101
Product dimensions:
6.00(w) x 9.00(h) x (d)

Meet the Author


Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and founder and president of Le Korsa, a nonprofit organization devoted to medical care, education, and the arts in isolated villages in rural Senegal. He is the author of fourteen books, including Freud’s Trip to Orvieto (forthcoming from Bellevue Literary Press), biographies of Balthus and Le Corbusier, and numerous exhibition catalogs. His writing has also appeared in the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications. He is married to the novelist Katharine Weber, has two adult daughters, and lives in Connecticut, Paris, and southwest Ireland.