Friend of the Devil (Inspector Alan Banks Series #17)

Friend of the Devil (Inspector Alan Banks Series #17)

4.5 14
by Peter Robinson

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New York Times bestselling and Edgar award-winning author Peter Robinson—a riveting double homicide leaves two seasoned detectives baffled as they race against the clock before more corpses surface.

Two murders . . . two towns . . .

A woman sits in a wheelchair perched on a cliff high above the sea, her throat slit from ear to ear . .

…  See more details below


New York Times bestselling and Edgar award-winning author Peter Robinson—a riveting double homicide leaves two seasoned detectives baffled as they race against the clock before more corpses surface.

Two murders . . . two towns . . .

A woman sits in a wheelchair perched on a cliff high above the sea, her throat slit from ear to ear . . .

In a maze of narrow alleys behind a market square, a teenaged girl has been murdered after a night of drunken revelries with her friends.

The seemingly senseless Cliffside killing falls to Inspector Annie Cabbot, on loan to a local police department. The terrible death of young Hayley Daniels becomes Chief Inspector Alan Banks's investigation. But shattering revelations threaten to awaken the slumbering demons of earlier, darker times, and more blood is in the offing when the two cases brutally and unexpectedly collide.

Friend of the Devil is a chilling, brilliant, and utterly mesmerizing novel of suspense.

Editorial Reviews

Publishers Weekly

Corpses may pile up in Robinson's thrillers about Yorkshire Chief Insp. Alan Banks and his now former lover, Det. Insp. Annie Cabbot, but rock and roll will never die. In Robinson's 17th novel, named for a Grateful Dead song, Banks frequently departs from his sleuthing to listen to enough rock anthems that it seems odd for an audio version to limit its music to just a few seconds of ominous introductory notes. Prebble's pitch-perfect rendition clarifies a complex tale of two serial murders that harks back to an earlier Banks-Cabbot investigation. His narration remains on cue and unruffled even when describing a paraplegic's severed neck (victim number one), the brutalized corpse of a beautiful young girl (victim number two) or Annie Cabbot's sad fall from grace at the end of a very boozy evening. Robinson's yarn comprises intriguing police procedure and the even more intriguing personal and professional relationships of his investigators. It's an engaging medley, and Prebble's vocal expertise makes it sing. Simultaneous release with the Morrow hardcover (Reviews, Oct. 8). (Mar.)

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Library Journal

A teenage girl is found dead in a warehouse, and the same morning, another body turns up: this time, it's a quadriplegic, murdered in her wheelchair. Numerous possible suspects in one killing and a lack of logical motives in the other make these crimes difficult to investigate. Only the insightful Det. Chief Insp. Alan Banks and his sidekick, Annie Cabbot, could manage to dig up the clues they need to track down the killer. At the same time, the two continue to navigate their messy personal lives that make them real and likable and question themselves as to whether they belong together romantically. In this latest installment in the Inspector Banks series (after Piece of My Heart), best-selling author Robinson once again engages readers with the thoughtful characterizations that make his novels unique. The plot isn't as original as what readers encounter in Robinson's other mysteries, but his talent for twists and turns makes it enjoyable nonetheless. Highly recommended. [See Prepub Alert, LJ9/15/07.]
—Linda Oliver

Kirkus Reviews
A pair of Mother's Day homicides seem equally sinister-until one of them takes DCI Alan Banks and his squad (Piece of My Heart, 2006, etc.) back to an even more horrifying series of past crimes. The body of Eastvale College student Hayley Daniels, raped and strangled, is found in the Maze, a warren of alleys where the girl went to relieve herself after the loo at her local pub, The Fountain, got trashed. Miles away, a dog-walker comes upon quadriplegic Karen Drew, savagely slashed to death in her wheelchair on a seaside cliff that a simple push would have sent tumbling over. The first investigation falls to Banks's Western Area Major Crimes Squad, the second to the Eastern Area Squad, where Banks's ex-lover Annie Cabbot has been seconded. Despite the distracting pugnacity of both squads, Annie soon realizes that "Karen Drew" is actually the wife of Terence Payne, who was killed 20 years ago after butchering five teenaged girls and one of the officers who came after him. Who could have pierced Lucy Payne's disguise, and why would anyone end such a minimal life after so many years? And who'll work through the endless list of suspects first, Eastern or Western?As usual with Robinson, the characters are beautifully drawn, the frequent conflicts sharply etched and the soundtrack of pop tunes ubiquitous. The resolution to both cases seems almost beside the point. Agent: Dominick Abel/Dominick Abel Literary Agency
From the Publisher
“Peter Robinson is a writer I know I can trust…. Without writers like him I couldn’t do an eighteen-month-long tour.”
— Pete Townshend, The Who

“Robinson has kept up an astonishingly high standard . . . make no mistake, he’s among the very best.”
The Times (U.K.)

“If Elmore Leonard is the ‘Dickens of Detroit,’ as the mystery world has long proclaimed, then Peter Robinson is, undeniably, the ‘Tennyson of Toronto.’ Who else but this Canadian crime writer can, like a literary shaman, pull tragedy from a bag and transform it into a good thing — with haunting, remarkable murder stories as complex as they are redemptive, as profound as poetic?”
Ottawa Citizen

“A fine series . . . a first-rate writer.”
Washington Post Book World

Product Details

HarperCollins Publishers
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Inspector Alan Banks Series , #17
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Read an Excerpt

Sunday mornings were hardly sacrosanct to Detective Chief Inspector Alan Banks. After all, he ­didn’t go to church, and he rarely awoke with such a bad hangover that it was painful to move or speak. In fact, the previous evening he had watched The Black Dahlia on DVD and had drunk two glasses of Tesco’s finest Chilean Cabernet with his reheated pizza funghi. But he did appreciate a lie-­in and an hour or two’s peace with the newspapers as much as the next man. For the afternoon, he planned to phone his mother and wish her a happy Mother’s Day, then listen to some of the Shostakovich string quartets he had recently purchased from iTunes and carry on reading Tony Judt’s Postwar. He found that he read far less fiction these days; he felt a new hunger to understand, from a different perspective, the world in which he had grown up. Novels were all well and good for giving you a flavour of the times, but he needed facts and interpretations, the big picture.

That Sunday, the third in March, such luxury was not to be. It started innocently enough, as such momentous sequences of events often do, at about half past eight, with a phone call from Detective Sergeant Kevin Templeton, who was on duty in the Western Area Major Crimes squad room that weekend.

“Guv, it’s me. DS Templeton.”

Banks felt a twinge of distaste. He ­didn’t like Templeton, would be happy when his transfer finally came through. There were times when he tried to tell himself it was because Templeton was too much like him, but that ­wasn’t the case. Templeton ­didn’t only cut corners, he trampled on far too many people’s feelings and, worse, he seemed to enjoy it. “What is it?” Banks grunted. “It had better be good.”

“It’s good, sir. You’ll like it.”

Banks could hear traces of obsequious excitement in Templeton’s voice. Since their last run-­in, the young DS had tried to ingratiate himself in various ways, but this kind of phony breathless deference was too Uriah Heep for Banks’s liking.

“Why ­don’t you just tell me?” said Banks. “Do I need to get dressed?” He held the phone away from his ear as Templeton laughed.

“I think you should get dressed, sir, and make your way down to Taylor’s Yard as soon as you can.”

Taylor’s Yard, Banks knew, was one of the narrow passages that led into the Maze, which riddled the south side of the town centre behind Eastvale’s market square. It was called a yard not because it resembled a square or a garden in any way, but because some bright spark had once remarked that it ­wasn’t much more than a yard wide. “And what will I find there?” he asked.

“Body of a young woman,” said Templeton. “I’ve checked it out myself. In fact, I’m there now.”

“You ­didn’t —”

“I ­didn’t touch anything, sir. And between us, Police Constable Forsythe and me have got the area taped off and sent for the doctor.”

“Good,” said Banks, pushing aside the Sunday Times crossword he had hardly started and looking longingly at his still-­steaming cup of black coffee. “Have you called the super?”

“Not yet, sir. I thought I’d wait till you’d had a butcher’s. No sense in jumping the gun.”

“All right,” said Banks. Detective Superintendent Catherine Gervaise was probably enjoying a lie-­in after a late night out to see Orfeo at Opera North in Leeds. Banks had seen it on Thursday with his daughter, Tracy, and enjoyed it very much. He ­wasn’t sure whether Tracy had. She seemed to have turned in on herself these days. “I’ll be there in half an hour,” he said. “Three-­quarters at the most. Ring DI Cabbot and DS Hatchley. And get DC Jackman there, too.”

“DI Cabbot’s still on loan to Eastern, sir.”

“Of course. Damn.” If this was a murder, Banks would have liked Annie’s help. They might have problems on a personal level, but they still worked well as a team.

Banks went upstairs and showered and dressed quickly, then back in the kitchen he filled his travel mug with coffee to drink on the way, making sure the top was pressed down tight. More than once he’d had a nasty accident with a coffee mug. He turned everything off, locked up and headed for the car.

He was driving his brother’s Porsche. Though he still ­didn’t feel especially comfortable in such a luxury vehicle, he was finding that he liked it better each day. Not so long ago, he had thought of giving it to his son, Brian, or to Tracy, and that idea still held some appeal. The problem was that he ­didn’t want to make one of them feel left out, or less loved, so the choice was proving to be a dilemma. Brian’s band had gone through a slight change of personnel recently, and he was rehearsing with some new musicians. Tracy’s exam results had been a dis­appointment to her, though not to Banks, and she was passing her time rather miserably working in a bookshop in Leeds and sharing a house in Headingley with some old student friends. So who deserved a Porsche? He could hardly cut it in half.

It had turned windy and cool, so Banks went back to switch his sports jacket for his zip-­up leather jacket. If he was going to be standing around in the back alleys of Eastvale while the SOCOs, the photographer and the police surgeon did their stuff, he might as well stay as warm as possible. Once snug in the car, he started the engine and set off through Gratly, down the hill to Helmthorpe and on to the Eastvale Road. He plugged his iPod into the adapter, on shuffle, and Ray Davies’s “All She Wrote” came on, a song he particularly liked, especially the line about the big Australian barmaid. That would do for a Sunday-­morning drive to a crime scene, he thought; it would do just fine.

Meet the Author

One of the world’s most popular and acclaimed writers, Peter Robinson is the bestselling, award-winning author of the Inspector Banks series; he has also written two short-story collections and three standalone novels, which combined have sold more than ten million copies around the world. Among his many honors and prizes are the Edgar Award, the CWA (UK) Dagger in the Library Award, and Sweden’s Martin Beck Award.

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