Howard Wooden, best known as a singer/bassist in the Vermont-based
folk group
Wood's Tea Company, moves beyond the realm of self-released albums to an independent record company with
Friends Gone By, issued by Vermont's
Gadfly Records. He performs in a pleasant
folk-pop style, coming up with attractive melodies that are played with one or two solo instruments adding flavor. For example,
"Do You Love Me?" has a jazzy flavor and features guest solos by
Chas Eller on piano and
Dave Grippo on saxophone.
Wooden sings in a reedy tenor that occasionally recalls
Tom Paxton and
Gordon Lightfoot in their more contemplative moods. Unfortunately, when you've listened to the songs a few times and the lyrics begin to sink in (or if you just consult the lyric sheet), the songs start to become less impressive. Co-writing with
Josh Mitchell or
Janine Hubbard on some songs,
Wooden devotes himself to a variety of complaints, starting with
"Living on the Iceberg," which, with its mixed metaphors and imperfect rhyming, seems to be a general philosophical query about personal existence in which the singer "[wonders] what's inside my head."
"I Want to Be Free," the second of three consecutive songs that begin with the narrator waking up, also would seem like a generalized expression of discontent if
Wooden did not provide a footnote in the CD booklet: "This came from the years I worked in mindless factory jobs." In
"The Sun's Still in My Eyes (Roll Over)," the narrator can't even manage to get out of bed, while
"Do You Love Me?" and
"Can't Find a Friend" speak to the difficulty of acquiring and maintaining lovers and friends, and
"Living on the Road" explains that part of this difficulty has to do with the singer's peripatetic life. But if
Wooden is good at describing his problems, he isn't as effective at analyzing them or evoking sympathy. Rather, he often comes across as self-pitying and fatalistic. The album also contains some pretty instrumentals, though
Wooden's admission about
"1002 Intro" that it is "[a] combination of various guitar riffs I stole from
Leo Kottke and
Jefferson Airplane is no joke; the
Airplane's
Jorma Kaukonen deserves a songwriting credit. ~ William Ruhlmann
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