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From the Publisher"In examining Washington Irving, George Eliot, Elizabeth Gaskell, and Edgar Allan Poe, Garcha sees the sketch, no longer dismissed in favor of the novel, as providing a warrant for the formal fragmentation of Walter Pater and tacitly for modernism and poststructuralism. Garcha's methodological acuteness is a sign that Victorian studies is waking from its empirico-historicist slumber and moving into a more intellectually confident mode. Summing Up: Recommended."
-N. Birns, The New School, CHOICE