From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate
For the last two centuries biblical interpretation has been guided by perspectives that have largely ignored the oral context in which the gospels took shape. Only recently have scholars begun to explore how ancient media inform the interpretive process and an understanding of the Bible. This collection of essays, by authors who recognize that the Jesus tradition was a story heard and performed, seeks to reevaluate the constituent elements of narrative, including characters, structure, narrator, time, and intertextuality. In dialogue with traditional literary approaches, these essays demonstrate that an appreciation of performance yields fresh insights distinguishable in many respects from results of literary or narrative readings of the gospels. ""From Text to Performance presents a set of suggestive new essays on various key issues in performance of texts, including how a text-in-performance can have a powerfully moving impact on a community of listeners. The essays offer several sensitive insights into the significant differences between literary criticism deeply rooted in print culture and the emerging performance criticism that considers the effects of performed texts on the audience."" --Richard Horsley, University of Massachusetts Boston, Boston, MA Kelly R. Iverson is Associate Professor of New Testament at Baylor University. He is the author of Gentiles in the Gospel of Mark (2007), and coeditor of Mark as Story (2011) and Unity and Diversity in the Gospels and Paul (2012).
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From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate
For the last two centuries biblical interpretation has been guided by perspectives that have largely ignored the oral context in which the gospels took shape. Only recently have scholars begun to explore how ancient media inform the interpretive process and an understanding of the Bible. This collection of essays, by authors who recognize that the Jesus tradition was a story heard and performed, seeks to reevaluate the constituent elements of narrative, including characters, structure, narrator, time, and intertextuality. In dialogue with traditional literary approaches, these essays demonstrate that an appreciation of performance yields fresh insights distinguishable in many respects from results of literary or narrative readings of the gospels. ""From Text to Performance presents a set of suggestive new essays on various key issues in performance of texts, including how a text-in-performance can have a powerfully moving impact on a community of listeners. The essays offer several sensitive insights into the significant differences between literary criticism deeply rooted in print culture and the emerging performance criticism that considers the effects of performed texts on the audience."" --Richard Horsley, University of Massachusetts Boston, Boston, MA Kelly R. Iverson is Associate Professor of New Testament at Baylor University. He is the author of Gentiles in the Gospel of Mark (2007), and coeditor of Mark as Story (2011) and Unity and Diversity in the Gospels and Paul (2012).
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From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate

From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate

From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate

From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate

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Overview

For the last two centuries biblical interpretation has been guided by perspectives that have largely ignored the oral context in which the gospels took shape. Only recently have scholars begun to explore how ancient media inform the interpretive process and an understanding of the Bible. This collection of essays, by authors who recognize that the Jesus tradition was a story heard and performed, seeks to reevaluate the constituent elements of narrative, including characters, structure, narrator, time, and intertextuality. In dialogue with traditional literary approaches, these essays demonstrate that an appreciation of performance yields fresh insights distinguishable in many respects from results of literary or narrative readings of the gospels. ""From Text to Performance presents a set of suggestive new essays on various key issues in performance of texts, including how a text-in-performance can have a powerfully moving impact on a community of listeners. The essays offer several sensitive insights into the significant differences between literary criticism deeply rooted in print culture and the emerging performance criticism that considers the effects of performed texts on the audience."" --Richard Horsley, University of Massachusetts Boston, Boston, MA Kelly R. Iverson is Associate Professor of New Testament at Baylor University. He is the author of Gentiles in the Gospel of Mark (2007), and coeditor of Mark as Story (2011) and Unity and Diversity in the Gospels and Paul (2012).

Product Details

ISBN-13: 9781498222648
Publisher: Cascade Books
Publication date: 10/31/2014
Series: Biblical Performance Criticism , #10
Pages: 240
Product dimensions: 6.00(w) x 9.00(h) x 0.69(d)

About the Author

Kelly R. Iverson is Associate Professor of New Testament at Baylor University. He is the author of Gentiles in the Gospel of Mark (2007), and coeditor of Mark as Story (2011) and Unity and Diversity in the Gospels and Paul (2012).

Table of Contents

"Preface
Abbreviations
Contributors

1 Performance Criticism: A Paradigm Shift in New Testament Studies
David Rhoads and Joanna Dewey

2 Those Sitting around Jesus: Situating the Storyteller within Mark’s Gospel
Philip Ruge-Jones

3 Characters in Text and Performance: The Gospel of John
Holly E. Hearon

4 Audience Asides and the Audiences of Mark: The Difference Performance Makes
Thomas E. Boomershine

5 Sound and Structure in the Gospel of Matthew
Margaret E. Lee

6 The Present Tense of Performance: Immediacy and Transformative Power in Luke’s Passion
Kelly R. Iverson

7 From Performance to Text to Performance: The New Testament’s Use of the Hebrew Bible in a Rhetorical Culture
Kathy Maxwell

8 ""This Is My . . . "": Toward a Thick Performance of the Gospel of Mark
Richard W. Swanson

Bibliography
Author Index"

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From the Publisher

"From Text to Performance presents a set of suggestive new essays on various key issues in performance of texts, including how a text-in-performance can have a powerfully moving impact on a community of listeners. The essays offer several sensitive insights into the significant differences between literary criticism deeply rooted in print culture and the emerging performance criticism that considers the effects of performed texts on the audience."
—Richard Horsley, University of Massachusetts Boston, Boston, MA

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