FUEL [NOOK Book]

Overview

Timothy Malcolm Smith, a young Creative Director at a cosy ad agency in East Central London, has warmed the hearts of an entire nation with his creativity and charisma, and is being hailed as one of London’s best creative minds ever. Having arrived at the pinnacle of fame in England, Timmy has shifted his sights beyond his home shores, to New York City. Since he began his career in advertising, it had been Timmy’s ambition to one day set foot in the Big Apple unannounced, and astound the city within days of his ...
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FUEL

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Overview

Timothy Malcolm Smith, a young Creative Director at a cosy ad agency in East Central London, has warmed the hearts of an entire nation with his creativity and charisma, and is being hailed as one of London’s best creative minds ever. Having arrived at the pinnacle of fame in England, Timmy has shifted his sights beyond his home shores, to New York City. Since he began his career in advertising, it had been Timmy’s ambition to one day set foot in the Big Apple unannounced, and astound the city within days of his arrival, not with his mind, but with his feet.

Training in secret from the time he was a young boy, Timmy diligently perfected his running time till he was within reach of some of the world’s best. He had never before run in competition, and for many years held but one aspiration close to his heart, to win his maiden race, the New York Marathon.

With every Brit in the country tuned in to watch him, Timmy flew like the wind through the streets of New York, and built an insurmountable lead. On the cusp of victory, with an entire nation holding its breath, Timmy did what all his countrymen had come to expect from him. The unexpected.
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Editorial Reviews

Alexandra Wong (Writer (The Star, Quill, Going Places)
I don't remember reading a book that affected me so acutely. And that's saying a lot, considering I had just read Imran Ahmad's critically acclaimed Unimagined before yours. It was brilliant but didn't sink its claws and fangs into my psyche like yours did.
Anandhi Gopinath
Fuel proves to be an easy read and informative and manages to be inspiring without being preachy. It is riveting and there is this sense of anticipation as the protagonist works towards achieving his lifelong dream and learning many other lessons along the way.
Anner Ngiau
I really liked it! I found your writing style very descriptive, poetic and well paced. I say you have a winner on your hands :)
Joshua Lee
"Fuel" is a story you can wake up to every morning like the aroma of good coffee or the smell of roses before the dew has fallen. Not the typical romance novel, this book is a refreshing and welcomed addition to my collection of great reads. Packed with a wide array of solid but "i-didn't-know-that" facts, "Fuel" is for the hopelessly romantic but cerebral reader. The world has waited too long for Jeremy Chin to dish this one out.
Ju En
This debut novel is like a breath of fresh air. His writing style is lyrical yet poignant. It left me wanting more from Chin, and I sure hope this book won't be his last.
Umapagan Ampikaipakan
It must be said that there are no great revelations in Fuel. There are no deep philosophical insights. No philippics against God. No "I returned home only to find what I was looking for was there all along" moments. All there is, is a great story, and wonderfully told. What more could anyone possibly want?
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Product Details

  • BN ID: 2940012697202
  • Publisher: Jeremy Chin
  • Publication date: 7/5/2011
  • Sold by: Barnes & Noble
  • Format: eBook
  • Sales rank: 567,026
  • File size: 362 KB

Meet the Author

Jeremy Chin was born in Petaling Jaya, Malaysia, and was un-outstanding through his school years. In fact he flunk out of high school on his final exam.

He however obtained good grades in Junior College and secured a place at one of the world's most prestigious journalism schools, the University of Missouri-Columbia. He came away with a Bachelor of Journalism in 1998, after which he packed his world into his rust-eaten car, and drove west for two days till he reached California.

To make ends meet, he held three part-time jobs; as a telemarketer selling tax software, as a computer tutor for senior citizens (they sometimes used bagels for currency) and as a graphic designer at the Barali Group, a boutique ad agency in San Diego.

CORPORATE CAREER
In 1999, Jeremy moved to Los Angeles as a web designer, churning out websites for some of the biggest names in Hollywood. Following the dot com bust, to save his job, he morphed into a programmer and became proficient at coding, setting up networks, managing databases and staring at black and green screens for days on end.

After 10 years in the US, Jeremy moved to London. He found a job as a programmer and a Flash animator at Miller Bainbridge, a mid-sized ad agency in Central London.

In 2007, Jeremy returned to Malaysia and assumed the role as Creative Director at Amphibia Digital, an online advertising and marketing agency. Two years later, he went on sabbatical to write FUEL, his first novel.

WRITING CAREER
Jeremy Chin's freshman novel, FUEL, was launched on Dec 11, 2010. It is available globally in print and e-book formats. His poem IF, which appears in the book, has been published by the Malaysian Poetic Chronicles and the Orthodox Christians For Life in Chicago.

Don't f*ck with Mother Earth, a short story by Jeremy Chin, was published in 2011 in this collection -- Malaysian Tales: Retold & Remixed.

TODAY
Despite poor support for his book locally, Jeremy continues to fight for his dream to be a fulltime novelist. His decision to go against the grain, to not fall into society’s cookie cutter ways, have been an inspiration to the many, who just like him, yearn to follow their life’s passion.

Does this ‘question mark’ have enough fuel to take him across the finish line? Follow his progress through his blog: www.justjezza.com/blog
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Customer Reviews

Average Rating 4
( 2 )
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Sort by: Showing all of 2 Customer Reviews
  • Posted April 23, 2012

    more from this reviewer

    My thoughts on Fuel are varied, inconsistent, and probably contr

    My thoughts on Fuel are varied, inconsistent, and probably contradictory.

    With few exceptions, when I start a new book, issues with writing style are apparent early, within a couple chapters, if not a couple paragraphs. It is rare to encounter significant improvements as the book continues.

    At a higher level, the structure of most novels is like a three act play. The characters and story might pull you in during Act I, but then many sag in the middle, making it a struggle to stay interested through Act II. If I were to graph many different aspects of how I relate to a story – interest, entertainment, or my emotional attachment to the characters and story, for example – the normal graph would quickly hit some level in Act I, sag a bit in Act II, and then climb to a level somewhat higher than Act I during Act III.

    My reaction to Fuel was much different from the norm. I got off to a shaky start. The first thing to give me pause was describing a company this way:

    Common Grounds Coffee had been around for ages. They’d been around longer than penicillin. Longer than tea bags. Before sliced bread.

    Do we need more than the first sentence? If so, do we need all three comparisons and do they even work? I have doubts about the first two. While I like the last, some may find it a touch too clever. On a positive note, what this example does have is an attempt to say something without relying on the same old clichés (unless “been around for ages” qualifies). That is more than I can say about several other instances of clichés I encountered in the first portion of the book, this example being one of the more egregious:

    But the partners were also gravely aware that their ship had entered uncharted depths, and that their vessel was now more a sunken treasure than a ship. They needed to pull a Lazarus to fish Common Grounds out of the deep.

    We’ve got rabbits being pulled from hats, room made for the new guard, and dragons being figuratively slain, all within the first twenty-five to thirty percent of the book. It doesn’t get much more clichéd than this.

    In my mind, Fuel was headed for a review of three stars, at best. And then something happened. I found that I started to care about the characters and rather than being a slog, Act II is when I started enjoying the read and caring how the story was going to turn out. If the clichés were there, I didn’t see them. I didn’t notice the author telling me the same thing three or four times. Act II read like a four star book.

    Then I hit the last part, Act III, and things changed again. Here the tone of the book went from that of an interesting story to inspirational, almost spiritual. Some of the events that happened here would have had me yelling “I call BS” if they’d happened earlier, yet given the different tone or feel I accepted them without question. The emotion drenched finish left me feeling that I’d just read a five star book, until I started thinking back to the struggle at the beginning and reviewed my notes. As I said at the beginning, my thoughts on Fuel are varied, inconsistent, and probably contradictory.

    **Originally written for "Books and Pals" book blog. May have received a free review copy. **

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 10, 2013

    No text was provided for this review.

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