Full Moon City

Full Moon City

3.7 4
by Darrell Schweitzer, Martin Harry Greenberg
     
 

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DANGER LURKS IN THE HEART OF THE CITY . . . BUT NOT ALWAYS WHERE YOU EXPECT IT.

From New York to Los Angeles to Bucharest, fifteen never-before-published tales by some of the world’s finest fantasy and horror writers celebrate the newest incarnations of an age-old terror that strikes when the moon is full . . . the werewolf. No longer confined to the

Overview

DANGER LURKS IN THE HEART OF THE CITY . . . BUT NOT ALWAYS WHERE YOU EXPECT IT.

From New York to Los Angeles to Bucharest, fifteen never-before-published tales by some of the world’s finest fantasy and horror writers celebrate the newest incarnations of an age-old terror that strikes when the moon is full . . . the werewolf. No longer confined to the forests, these modern monsters can be found in places you frequent every day—and never before thought to fear.

CARRIE VAUGHN’s popular werewolf radio host Kitty Norville is drawn into a controversy as to whether it’s fair to ban lycanthropy from professional sports. New York’s famous Plaza Hotel is the setting for ESTHER M. FRIESNER’s tale of one very grisly little girl, while Beverly Hills may never quite recover from RON GOULART’s middle-aged Hollywood screenwriter who falls prey to a most unusual problem. Celebrated fantasy author PETER S. BEAGLE tells a chillingly lyrical story of three Louisiana loup garoux locked into a deadly dance of death. Plus many more biting tales from award-winning authors:

HOLLY BLACK • P.D. CACEK • GREGORY FROST • TANITH LEE

HOLLY PHILLIPS • MIKE RESNICK • DARRELL SCHWEITZER • LISA TUTTLE

IAN WATSON • GENE WOLFE • CHELSEA QUINN YARBRO

Editorial Reviews

Publishers Weekly
Weird Tales co-editor (and occasional PW reviewer) Schweitzer and anthology powerhouse Greenberg offer up an uneven collection of urban werewolf tales written by some of fantasy's biggest names. Given the theme, Schweitzer's own contribution, the humorous vampire-centric piece “Kvetchula's Daughter,” is out of place. Far stronger is Holly Black's “The Aarne-Thompson Classification Revue,” in which a werewolf actress explores the power of transformation. Tanith Lee's “Sea Warg” focuses on a more amphibious shape-shifter, while Esther Friesner's “No Children, No Pets” is cleverly executed and entertaining. Very few other stories rise above satisfactory or mildly memorable. For every tale that pushes the boundaries, two more are content to go through the motions, making this a fairly average affair. (Mar.)
Library Journal
Riding the new wave of werewolf fiction, this anthology meets—and exceeds—expectations. With contributions from Tanith Lee, Holly Black, Mike Resnick, and other top horror and fantasy writers, the 15 never-before-published stories range from funny to horrific. Some, like Gene Wolfe's tale of a human-eating werewolf told from its culinary perspective ("Innocent"), are disturbing and hold a rightful place in the horror genre. Other stories, such as Resnick's "A Most Unusual Greyhound," are incredibly funny. Like Shakespeare's plays, the humorous seems hilarious when juxtaposed with the gruesome. Every story features a different writing style and perspective. On the one hand, the change can be refreshing. On the other, a nice light story followed by one about a psychotic cannibal can be rather disconcerting. VERDICT This collection offers an excellent introduction to the horror genre, but it is definitely not for paranormal romance fans who think werewolves are sexy. [For more werewolf fiction, see Mario Acevedo's Werewolf Smackdown and Gregory Lamberson's The Frenzy Way, reviewed on p. 96 and p. 97, respectively.—Ed.]—Jennifer Draper, Pickering P.L., Ont.

Product Details

ISBN-13:
9781416585008
Publisher:
Pocket Books
Publication date:
03/09/2010
Sold by:
SIMON & SCHUSTER
Format:
NOOK Book
Pages:
320
File size:
2 MB

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Full Moon City 3.8 out of 5 based on 0 ratings. 4 reviews.
Anonymous More than 1 year ago
alexia561 More than 1 year ago
It's no secret that I love anthologies! And what could be better than a book full of werewolf stories? Almost nothing! One of the reasons I love anthologies so much is that I can revisit old favorites as well as discover new writers, and this collection was no exception. There are stories from some of my favorites, like Holly Black and Carrie Vaughn, and stories from new-to-me writers that I want to further explore. Rather than dissect each story in this collection, I just want to touch on a few. "I Was a Middle-Age Werewolf" by Ron Goulart was an amusing look at a down on his luck Hollywood writer who finds himself cursed with being a werewolf. I also got a kick out of Darrell Schweitzer's "Kvetchula's Daughter", about a nice Jewish girl whose life is "ruined" when her parents become vampires. What can I say, I like wacky humor! In a different vein, "No Children, No Pets" by Esther M. Friesner is about a six year old city werewolf who lives in Central Park. Don't think I've ever read a story where the main character was a child werewolf before. Or would that be a werewolf cub? Very original! My two favorite stories were "Kitty Learns the Ropes" by Carrie Vaughn and "The B*tch" by P.D. Cacek. I've read several books in the Kitty series, so it was nice to see her again. And while I haven't read Cacek before, this story about an old girlfriend who refuses to let go was really good! Loved the ending! All in all, I think this was a really nice collection of werewolf stories. Some were not as strong as others, but it's a good anthology. The good stories outweigh the weaker contenders, and the authors are all talented writers. Definitely recommend this one!
Anonymous More than 1 year ago
harstan More than 1 year ago
Full Moon City contains fourteen dark werewolf and one leaning more towards vampire (Darrell Schweitzer's "Kvetchula's Daughter") urban fantasies written by some of the genre's most renowned authors. None are clinkers, but only a few can be considered as super. For the most part the environs are places not anticipated in werewolf tales such as the Plaza Hotel in Esther M. Friesner's where "No Children, No Pets" prevail but six years old Emmeline lives next door in Central Park; at Houston Community College where the Lycanthropy Support Group meets in "The Truth About Werewolves" by Lisa Tuttle and Carrie Vaughn's Kitty returns to Vegas in "Kitty learns the Ropes". More typical locales are used too but less frequently like in Ian Watson's "The Weredog of Bucharest"; the Bayou is the setting for Peter S. Beagle's "La Lune D'Attend" and Hollywood in "I Was a Middle Aged Werewolf" by Ron Goulart. In my opinion the best contribution is Holly Black's "The Aarne-Thompson Classification Revue" as the werewolf actress looks deeply at conversion. Overall this is a very good collection worth reading only by fans of the modern take on the werewolf mythos. Harriet Klausner