Fun Life

Editorial Reviews

All Music Guide - William Ruhlmann
Still only in her mid-twenties, Diahann Carroll had a varied career leading up to her sole Atlantic Records album, including nightclub appearances, several albums on RCA Victor and United Artists, and appearances in such musical films as Carmen Jones and Porgy & Bess although her singing was dubbed in by others. But she remained best-known for her appearance in the 1954 Broadway musical House of Flowers, a succès d'estime that annotator Roger Whitaker brought up immediately in his liner notes to Fun Life. It was that credit which legitimized Carroll's credentials as an interpreter of show music, but she further made her case here, handling favorites by Irving ...
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Editorial Reviews

All Music Guide - William Ruhlmann
Still only in her mid-twenties, Diahann Carroll had a varied career leading up to her sole Atlantic Records album, including nightclub appearances, several albums on RCA Victor and United Artists, and appearances in such musical films as Carmen Jones and Porgy & Bess although her singing was dubbed in by others. But she remained best-known for her appearance in the 1954 Broadway musical House of Flowers, a succès d'estime that annotator Roger Whitaker brought up immediately in his liner notes to Fun Life. It was that credit which legitimized Carroll's credentials as an interpreter of show music, but she further made her case here, handling favorites by Irving Berlin and the Gershwins. The obvious antecedent for Carroll was Lena Horne, but her voice had a purer tone and much less archness. She was content to float where Horne might have pounced, and this was most noticeable in her versions of two songs associated with the quintessentially arch Marlene Dietrich, "Falling in Love Again, Can't Help It" and "The Boys in the Backroom." Where Dietrich sang the former with a bored sophistication and the latter with a raucous lustiness, Carroll remained playful and kittenish throughout. As usual, arranger/conductor Peter Matz contoured his charts to match his singer's style and energy; he even contributed a good tune, "Once Is Enough for Me." Carroll's lightness of tone made her an excellent choice for her next defining stage role, which was less than a year away, the black lover of a white writer in Richard Rodgers' No Strings.
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Product Details

  • Release Date: 9/10/2002
  • Label: Collectables
  • UPC: 090431619223
  • Catalog Number: 6192
  • Sales rank: 162,218

Album Credits

Performance Credits
Diahann Carroll Primary Artist, Vocals
Peter Matz Conductor
Technical Credits
Elton John Composer
Peter Matz Arranger
Rube Bloom Composer
Nesuhi Ertegun Producer
Gary Osborne Composer
Arthur Gibbs Composer
Loring Eutemey Cover Design
Ted Koehler Composer
Frederick Hollander Composer
Leo Wood Composer
Sammy Lerner Composer
W. Benton Overstreet Composer
Joe Grey Composer
Billy Higgins Composer
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