Funeral for a Dog

by Thomas Pletzinger, Ross Benjamin (Translator)

Overview

"The kind of writing that makes us want to read the whole book as soon as possible; a shot of adrenaline that immediately takes us to a new world."—David Varno, Words Without Borders

Journalist Daniel Mandelkern leaves Hamburg on assignment to interview Dirk Svensson, a reclusive children's book author who lives alone on the Italian side of Lake Lugano with his three-legged dog. Mandelkern has been quarreling with his wife (who is also his editor); he suspects she has other reasons for sending him away.After stumbling on a manuscript of Svensson's about a complicated ménage à trois, Mandelkern is plunged into mysteries past and present. Rich with anthropological and literary allusion, this prize-winning debut set in Europe, Brazil, and New York, tells the parallel stories of two writers struggling with the burden of the past and the uncertainties of the future. Funeral for a Dog won the prestigious Uwe-Johnson Prize, and critics raved: "Pletzinger's debut is a real smash hit. It's been a long time since a young German writer has thrown himself into the hurly-burly of life and literature with so much intelligence and bravado" (Wolfgang Hobel, Der Spiegel).

Product Details

ISBN-13:	9780393080346
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	04/25/2025
Sold by:	Barnes & Noble
Format:	eBook
Pages:	338
File size:	1 MB

About the Author

Thomas Pletzinger is an award-winning German novelist, screenwriter, and basketball fanatic. He has won fellowships and teaching positions at the University of Iowa, New York University, and Grinnell College. He lives in Berlin with his wife and three daughters.

What People are Saying About This

David Varno

“The kind of writing that makes us want to read the whole book as soon as possible; a shot of adrenaline that immediately takes us to a new world.”—David Varno, Words Without Borders

Editorial Reviews

…full of strangeness, but it is not satirical strangeness or magical strangeness. It is, instead, realistic, and its main theme is the strangeness of loss…brilliantly constructed and finely written. The novel's greatest success is its intricacy of plot—an intricacy that is revealed only gradually. After a thoroughly confusing first few pages, the narrative settles into a story that is easy to follow and that slowly and artfully arrives at the point where those first confusing words make rich and moving sense…Ross Benjamin's translation is stunningly fine, capturing as it does the wry wit, gentle despair and merry confusion of the original.
—The New York Times

Leland de la Durantaye

"An incredibly moving, fascinating and original novel. We are looking at a young novelist who is going to make an amazing mark on not only German literature, but on world literature. I can’t praise it enough."

Gerald Stern

"Funeral for a Dog bristles with wit and intellectual ferocity: a comic novel full of insights into the predicaments of our age. Like Etgar Keret or Haruki Murakami, Pletzinger has found a translator who bridges the distance between two languages and almost makes it disappear. He should win a large, and devoted, American readership."

Jess Row

"In addition to being compelling on structural and philosophical levels, Funeral for a Dog is damn good on a line-by-line basis. Pletzinger’s writing (and Ross Benjamin’s translation) is graceful and evocative. Mandelkern’s voice is great, Svensson’s sections are sharp. It’s clear why this won the Uwe Johnson Prize and why Pletzinger is considered to be one of the most promising German writers of his generation."

Quarterly Conversation - Chad Post

"Funeral for a Dog is an unalloyed delight. If Thomas Pletzinger’s ballsy novel is any indication, things are happening in German fiction right now that we owe it to ourselves to pay attention to."

John Wray

"Thomas Pletzinger’s Funeral for a Dog is a formally innovative, rigorously intellectual novel that also happens to be extremely funny and tender. Another way of saying this is that it’s the rare experimental novel that, astonishingly, does not have its head up its own ass. Pletzinger has looked at the United States just as hard as he’s looked at everything else, and allowed me to see my own country in a new way."

Tom Bissell

All narrators are unreliable in this bewildering fencing match between a children's-book author and a cultural anthropologist-turned-journalist.

The debut novel by Pletzinger, translated from the German, employs a surprisingly unique style to advance its unusual tale of storytellers and their self-deceptions. It opens with seven postcards written by journalist Daniel Mandelkern to his estranged wife Elisabeth, who also happens to be his editor. Daniel is chafing because he's been assigned to interview the mysterious and reclusive children's-book writer Dirk Svensson, author of the world-famous The Story of Leo and the Notmuch. "For almost two years, I've been writing for Elisabeth's editorial department," he complains. "I've questioned and profiled people for her, I've taken down life stories in shorthand and summarized worldviews, I've fulfilled her requests...I take notes because I want to put things in order (I want to sort myself out)."With his wife's dried blood—left unexplained—on his hands, Mandelkern reluctantly journeys to a remote area northeast of Milan, where he's met by a taciturn Svensson, his three-legged dog, a small but pretty Finnish woman and a young boy. The woman's relationship to the writer is unclear, but she provides insight into Svensson's character. "Everything Svensson says is made up, Manteli, you can write that," she says. "Svensson collects fragments and assembles them into a world he can bear."Along the way, Mandelkern meets an insane neighbor; finds a house full of artwork surrounding a person who cannot paint; and unearths a mysterious manuscript.

The story often meanders and can be somewhat frustrating, but those who make it to the end of this eccentric tale will have enjoyed an undeniably uncommon journey. Pletzinger is a unique young voice emerging from the hotbed of the German literary scene.

Kirkus Reviews