Funky Nassau: Roots, Routes, and Representation in Bahamian Popular Music

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This book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands’ location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, Funky Nassau illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.
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Editorial Reviews

Journal Of Anthropological Research - Stephen Stuempfle

“Rommen . . . offers the most extensive publication to date on Bahamian music. It is a major contribution to Caribbean music scholarship.”
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Product Details

  • ISBN-13: 9780520265684
  • Publisher: University of California Press
  • Publication date: 5/19/2011
  • Series: Music of the African Diaspora
  • Pages: 332
  • Sales rank: 1,102,944
  • Product dimensions: 6.10 (w) x 9.10 (h) x 1.00 (d)

Meet the Author

Timothy Rommen is Associate Professor in the Department of Music at the University of Pennsylvania. He is the author of Mek Some Noise: Gospel Music and the Ethics of Style in Trinidad (UC Press), which in 2008 was awarded the Alan Merriam Prize from the Society for Ethnomusicology.
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Table of Contents

List of Illustrations
Map of the Bahamas

1. Nassau’s Gone Funky: Sounding Some Themes in Bahamian Music
2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape
3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay
4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation
5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony
6. "Back to the Island": Travels in Paradox—Creating the Future-Past


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