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The Fury [NOOK Book]


Am I my brother's keeper?

If I'd known I had a brother, I might have been. But he's dead?shot point-blank in a rat-hole apartment, wasted by hunger and heroin. Stephen Gaines, a man with whom I shared nothing?except a father.

For some reason this stranger who shared my blood came to me for help?and I ...

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The Fury

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Am I my brother's keeper?

If I'd known I had a brother, I might have been. But he's dead—shot point-blank in a rat-hole apartment, wasted by hunger and heroin. Stephen Gaines, a man with whom I shared nothing…except a father.

For some reason this stranger who shared my blood came to me for help…and I blew him off thinking he was just some junkie. Now I'm forced to question everything I ever knew…and figure out why this man was murdered in cold blood.

All I can do for Stephen Gaines now is find his killer—and with the help of Amanda Davies uncover the whole, hard truth. If it means tracking down a vicious drug kingpin—who may or may not exist—then so be it….

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Editorial Reviews

Romantic Times
A well-crafted mystery that leaves some intriguing questions unanswered, this story will whet readers' appetites for the next Parker book. As always, the hero's wisecracking first-person point of view is a highlight. Four Stars.
Library Journal
A homeless man confronts newspaper reporter Henry Parker and then runs away. Later, the police inform him that the vagrant has been murdered and that evidence points to his being Parker's brother. The idea that he had a sibling he never knew about proves too tantalizing to resist, and Parker sets out to solve the crime and confront his father. When the evidence points to his father as the killer, however, Parker must use all of the tricks of his trade to establish his father's innocence, even though he hates the man. VERDICT Pinter does it again with his fourth Henry Parker outing (after the Crimespree-nominated The Stolen), an emotional and suspenseful journey with an engaging protagonist. While this one, the first of a two-book saga, ends on an obvious note, it's still a solid page-turner that would have been worthwhile value at a hardcover price. [The second half, The Darkness, will be published in December.—Ed.]—Jeff Ayers, Seattle P.L.
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Product Details

  • ISBN-13: 9781460304853
  • Publisher: Harlequin
  • Publication date: 10/15/2012
  • Series: A Henry Parker Novel
  • Sold by: HARLEQUIN
  • Format: eBook
  • Edition description: Original
  • Pages: 400
  • Sales rank: 369,662
  • File size: 784 KB

Meet the Author

Jason Pinter is the bestselling author of THE MARK and THE GUILTY. A graduate of Wesleyan University, he wrote his first novel while working as a book editor. He is a member of Mystery Writers of America and International Thriller Writers, and is a co-founder of Killer Year. He lives in New York City . Visit him as

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Read an Excerpt

At nine in the morning, the offices of the New York Gazette are quiet. Reporters read the morning papers, prepare to call their sources and blink off hangovers over steaming cups of coffee. Today, however, it was a different kind of quiet. The kind of quiet where everyone seems to be waiting for the roof to cave in, or the floor to suddenly give way and fall out from under you.

Every morning I would swipe my ID card, wave hello to the security guards who'd gradually warmed to me over the years and wait for the elevator with lots of other people who also looked like they'd rather still be in bed. I would exit the elevators at the twelfth floor, passing the receptionist, always too busy to acknowledge staffers, and walk to my desk. The offices of the New York Gazette towered over Rockefeller Center, giving me a panoramic view of one of the busiest streets in the city. Yet when I navigated the mess of chairs and debris and entered the cubicle farm on this day, I noticed the other journalists who shared my row were nowhere to be seen. There were no faces hunched far too close to computer screens, no whispered chats about the umpteenth death knell sounded for our industry. No reporters haggling over verb usage and tense like it was a matter of life or death. It seemed every day across our industry there were more layoffs, more cutbacks, more reasons to fear the end. And it had been drilled repeatedly into us by our corporate overlords and the media that if the sickle wasn't already lancing the air above our heads, it was in the midst of being lowered into place.

I couldn't worry about that. Still a few years shy of thirty, it had been my lifelong ambition to work at a prestigious, thriving newspaper. And while one could debate whether the Gazette was thriving, in my short time here I'd had the chance to work alongside some of the greats, including my idol, Jack O'Donnell.

I'd also been wanted for murder and targeted by a deranged serial killer. Hey, who doesn't complain about their job sometimes?

Externally, you might think I looked the same. Internally, though, I was a different man. A man learns who he is when his life, innocence and freedom are challenged. I was stronger than I ever knew I could be, but deep down I wished I hadn't needed to find that out.

When I navigated the maze of empty desks to arrive at mine, I put my coffee and muffin on the desk, sat down and debated whether to ignore the silence or see what was causing the sound vacuum. I reached for the plastic tab on my coffee, but immediately thought twice. To ignore the strange stillness of the office would have gone against every bone in my body, and probably triggered some sort of spontaneous combustion. Curiosity not only killed the cat, but made my breakfast grow cold. So I stood back up and took a lap around the news floor to see what the hell was going on.

I didn't have to go far.

A group of half a dozen reporters were huddled around the desk of Evelyn Waterstone, the Gazette's Metro editor. They were talking under their breaths, worried looks in their eyes. I wondered if there were going to be layoffs. If some of my colleagues—perhaps even myself—would be out of a job. That Evelyn's desk had seemingly replaced the watercooler as center of office scoop was itself noteworthy. Evelyn stayed as far away from gossip as those who gossiped stayed away from her. Whatever happened had to be big enough to pique her interest. I walked up casually, inserting myself into the conversation through proximity alone.

Evelyn Waterstone was a short, squat woman whose haircut resembled a well-manicured putting green— only this particular green was gray with age—and whose broad shoulders would have been a welcome addition to most offensive lines. She was a disciplinarian in the gentlest sense of the word. It took several years for her to warm up to me, but when my work ethic and the quality of my reporting became clear, Evelyn began to grudgingly show me a modicum of respect. Still, I don't think you'd ever see the two of us tossing back a couple of longnecks after hours. I made an effort never to stop by her desk unless I had a specific question, and Evelyn never stormed by mine unless I'd made some terrible grammatical mistake that, to Evelyn, was only slightly worse of an offense than treason.

"Morning, Parker," Evelyn said. She held a black thermos between her fleshy hands, and took a long, drawn-out sip. "Another beautiful day at your friendly local newspaper." She sniffed the air. "Glad to see you've begun showering regularly again."

"Morning, Evelyn," I said, nodded to the other reporters, who offered the same.

"You hear about Rourke?" she said. I hadn't, and told her so. She raised her arms dramatically as if recounting some heroic tale. "This paper's most controversial sportswriter—who incidentally once told a linebacker he would 'whup his ass like a donkey'—got mugged yesterday on his way home from the office. Well, I shouldn't say mugged, because the guy didn't take any money, but Frank ended up getting the donkey side of the whupping."

"Really?" I said, incredulous. "Rourke?" I had no love lost for Frank Rourke, considering the man had once left a bag of excrement on my desk—but the man's swagger seemed to come from years of always being the one guy who was able to leave the fight on his own two feet.

"Seems some hothead took umbrage to Frank's calling the Yankees 'the most poorly run organization since FEMA.' Some disgruntled asshat from the Bronx. Anyway, this guy waits outside of the office until Frank leaves. Then he yells, 'Yo, Rourke!' Frank turns his head, and gets a sockful of quarters up against the side of his temple."

"That's terrible, is he okay?"

"Concussion, he'll be fine. Police arrested the fan, I'm just hoping he might have damaged the area of Frank's brain that makes him such an asshole. Maybe he'll have one of those Regarding Henry kind of epiphanies and come back a better man."

"That's probably too much to expect."

"We can dream, Parker. We can dream."

As we chatted, I noticed another group of reporters huddled together in the hallway looking like they'd just been told management had decided to restructure by throwing them out the twelfth floor windows. The group shifted nervously, whispering amongst themselves. Never wanting to be the last one in the know, I approached, said, "I thought Frank was going to be fine, what gives?"

Jonas Levinson, the Gazette's science editor, said, "Frank is the least of our concerns. Though, as a matter of fact, something has died this morning. Something to be mourned as long as we're employed by this godforsaken newspaper. As of today, good taste, my friend, has kicked the bucket."

I stared at Jonas, waiting for some kind of an explanation. Levinson was a tall man, balding, who wore a different bow tie to the office every day. He very seldom exaggerated his feelings, so at Jonas's remark a flock of butterflies began to flutter around in my stomach.

"I'm not following you," I said to Jonas. "Good taste? Jonas, care to explain?"

"Just follow the eyes, Parker," Jonas said. "Follow the eyes."

I opened my mouth to ask another question, but then I realized what he was saying. The eyes of every member of our group were focused on two individuals making their way across the Gazette's floor. They were stopping at every desk, popping into each office for a few moments. It looks like some sort of introduction ritual was taking place.

Immediately this struck me as odd. I'd never met another employee during a walkaround, and had not received one myself. The fact that this one person was being given the grand tour made it clear he was someone the brass wanted to coddle.

One of the two men I recognized immediately as Wallace Langston, editor in chief. Wallace was in his midfifties, lean with a neatly trimmed beard. His brown hair was flecked with gray, and he had the slightly bent posture of a man who'd spent the majority of his years hunched over a keyboard. Wallace had been a staunch supporter of mine in the years I'd been employed by the paper, and even though now more than ever he was feeling the crunch of his corporate masters insisting on higher profit margins, he knew what it took to print good news. If not my idol, he was a good, loyal mentor.

"Is he," I said, "introducing someone around the office?"

"That is precisely what it looks like," Jonas replied.

Evelyn walked up and said, "I never met a damn person until my first staff meeting. I got as much of an introduction as my stove has to a cooking pot."

"Me, neither," I said. When I started at the Gazette, I didn't know anybody other than Jack O'Donnell. Jack was my boyhood idol, the man most aspiring reporters dreamt of becoming. He and I had grown close over the last few years, but recently he'd lost his battle with the bottle and left the Gazette. I hadn't spoken to him in a few months. I'd tried his home, his cell phone, even walked by his Clinton apartment a few times, but never got a hold of the man. It was clear Jack needed some time alone with his demons.

Ironically the first reporter I'd met was a woman named Paulina Cole. We worked next to each other when I first started at the Gazette. Soon she left for a job at the rival Dispatch, where through a combination of balls, brass and more balls she'd become one of the most talked-about writers in the city. Paulina was cold, calculating, ruthless and, worst of all, damn smart. She knew what people wanted to read—namely, anything where if you squeezed a page, dirt or juice came out— and gave it to them. She was part of the reason Jack had left the Gazette. She'd managed to pay off numerous people in order to discover the extent of Jack's drinking habits, and then ran a front-page article (with unflattering pictures) depicting Jack as the second coming of Tara Reid. Saying there was no love lost between us was like saying there was no love lost between east and west coast rappers.

Wallace was still too far away for us to make out just who he was introducing around the office, but I got the feeling he would prefer if he didn't have to do it en masse.

"I'm going back to my desk," I said. "Jonas, if you see good taste anywhere, I'll get the paddles and we'll resuscitate the bastard."

"Thank you for the offer, Henry, but I do believe it's too late."

I walked back to my desk, trying not to think about what this could mean. Since Jack left, the Gazette had been on a hiring freeze. We were in a war with the Dispatch over circulation rates, advertising dollars and stories, and our expenses were taking a toll. If Harvey Hillerman, the president and owner of the Gazette, had hired a new reporter, he or she had to be important enough to cause a stir. Not to mention someone who would be approved of by the other reporters whose pay raises had been nixed last holiday season.

I sat down and continued working on a story I'd been following up on for several weeks, about the homeless population of New York. According to the New York City Department of Homeless Services, there were over thirty-five thousand homeless individuals living within the city's borders. Including over nine thousand families. That number had increased by fifteen percent in the last five years.

I was about to pick up the phone, when I heard the sound of footsteps approach and then stop by my desk. I looked up to Wallace Langston. And his mystery hire.

"Henry Parker," Wallace said, hand outstretched, "meet Tony Valentine."

Tony Valentine was six foot three, looked to be a hundred and eighty svelte pounds and had the smile of a cruise-ship director. His hair was bleached blond, and his teeth glistened. His tan was clearly sprayed on, as I noticed when he extended his hand to shake mine that his palms were a much paler shade. He wore a designer suit, and wore it well. A red pocket square was neatly tucked into his suit jacket. The initials TV were embroidered in white script on the cloth.

As he offered his hand, I noticed his sleeves were held together by two gold cuff links. Also monogrammed with TV Clearly this man did not want his name to be forgotten.

"Henry Parker," Valentine said, gushing insincere admiration. "It's just a pleasure to finally meet you. I've been following your career ever since that nasty business of your murder accusation. All those guns and bullets, and now here I am, working with you. Sir, it is an honor."

While I pried the goop from my brain, I shook Valentine's hand, then looked at Wallace. The name Tony Valentine did sound familiar, but I couldn't quite place it…

"Tony is our new gossip reporter," Wallace said enthusiastically. "We were able to pluck him from Us Weekly. Today is his first day."

"And not a day too soon," Tony said, pressing the back of his hand against his forehead, as though diagnosing a strange malady. "As much as I admire your paper—and Wallace, please don't think otherwise—it was lacking a certain pizzazz. A certain panache, if you will. A certain sexiness."

"Let me guess," I said. "You're here to bring sexy back."

Tony pursed his lips and smiled. "You're a clever one, Henry. I'm going to have to keep my eye on you. So, guess what my new column is going to be called?"

"Do I have to?"

"You most certainly do." Tony waited a moment, then blurted out, "'Valentine's Day.' Isn't that a riot?"

"Better than the ones in L.A."

"True, true. By the way, Wallace told me you covered the Athena Paradis murder a while back. Is that so?"

"You heard right," I said. Athena Paradis was a professional celebrity/diva who was gunned down outside a nightclub where she was performing tracks off her upcoming album. I investigated the murder, and nearly lost my life in the process.

"Let me tell you, the day that girl died, it was like the day I learned Diana had been killed. Athena was just one more reason for me to get up in the morning. I don't think I slept for a week after that. I can't imagine how you must have felt."

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Customer Reviews

Average Rating 4
( 15 )
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Sort by: Showing 1 – 20 of 15 Customer Reviews
  • Posted December 5, 2009

    more from this reviewer

    I Also Recommend:


    The Fury is Jason Pinter's 4th novel about his engaging, sharp witted protagonist, Henry Parker, an investigative reporter for one of the two largest newspapers in NY city. As readers, we have the opportunity to watch Parker, and his equally dynamic girlfriend, Amanda Davies, mature with each book. Without giving away the plot, it involves murders, drugs, violence, loyalty and action. Mr. Pinter, as an author, is also growing and maturing with each new book. He is destined to be ranked along side David Baldacci and Michael Connelly in the not so distant future. His writing is loose ends...with great characters and plots. The best compliment that I can give him is that he is a great STORY TELLER. At times you forget you are reading a book. You slip into a zone where you feel like you are sitting across from Mr. Pinter in your den, with a roaring firing going, and he is telling you a riveting story. He is quickly becoming my favorite author.

    1 out of 1 people found this review helpful.

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  • Posted October 29, 2009

    more from this reviewer

    Good Short Thriller

    Pinter tackles the recent economic crisis that hit Wall Street and shows what could happen to some of the desperate individuals that lost their high paying jobs. Henry Parker seems to stumble into an unknown world of these individuals. After avoiding a crazed "homeless looking" guy, Henry finds out that the homeless guy was murdered and not only that but the guy was his unknown brother. Add to that, is that Henry's father is the chief suspect.

    Henry decides to use his investigative reporting skills to prove his father's innocence. As the plot thickens, Henry realizes that he should not have avoided his brother as he had something important to tell him regarding the world he had been involved in. It is a world where those desperate men are turned to we;; dressed criminals that carry briefcases and go to work for illicit means.

    The book is very short and can be finished in one setting. Henry is an intriguing character and there are several references to previous books that makes the reader want to scramble to find them. The story continues in Pinters next book due out soon. Pinter does a masterful job of sucking the reader into buying his succeeding books!

    1 out of 1 people found this review helpful.

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  • Posted September 8, 2009

    more from this reviewer

    a terrific suspense laden thriller

    New York Gazette reporter Henry Parker feels good as he leaves the office overlooking Rockefeller center because the obnoxious sports reporter got a well deserved "donkey-whupping". On the street, a homeless man accosts Parker begging to talk with him as he claims the city is burning, but the journalist is in a rush to meet Amanda Davies and besides has images of a donkey whupping on his mind; Henry tells the man to call him tomorrow.

    Later the police inform Henry the man who approached him earlier is dead, a murder victim; and evidence exists that this Stephen Gaines was Parker's half-brother. They shared the same father though Henry had no idea he even had sibling. Unable to resist and feeling remorse for blowing away his apparent brother, Parker investigates the homicide starting with confronting his father, who the cops suspect is the killer.

    The latest Henry Parker investigation (see THE STOLEN, THE MARK and GUILTY) is a terrific suspense laden thriller with a personal angst twist to the reporter's current inquiry. The super story line is fast-paced from the onset and never takes a breather. However, THE FURY is part one of a duology with THE DARKNESS coming out in December so fans might want wait for part two and read both one after another.

    Harriet Klausner

    1 out of 1 people found this review helpful.

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  • Posted April 11, 2010

    I Also Recommend:

    Could not put it down!

    After reading the free eBook "The Hunters" Jason Pinter had me hooked. This is very much an edge of your seat page turner and will leave you wanting more.

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