| Guns N' Roses | Primary Artist |
| Izzy Stradlin | Guitar, Percussion, Background Vocals |
| Steven Adler | Drums, Background Vocals |
| West Arkeen | Percussion |
| Duff McKagan | Acoustic Guitar, Bass Guitar, Rhythm Guitar, Background Vocals |
| Rick Richards | Percussion |
| Axl Rose | Percussion, Vocals |
| Slash | Guitar, Background Vocals |
| Howard Teman | Percussion |
| Guns N' Roses | Arranger, Composer, Producer, Concept |
| Izzy Stradlin | Composer |
| Steven Adler | Composer |
| Mike Clink | Producer, Engineer |
| Barry Diament | Mastering |
| George Marino | Mastering |
| Duff McKagan | Composer |
| Niven | Producer, Engineer, Contributor |
| Axl Rose | Composer |
| Slash | Composer |
| Steven Tyler | Composer |
| Deborah Norcross | Art Direction |
| Hanspeter Heuser | Engineer |
| Doug Hyun | Sleeve Photo |
| Jack Lue | Sleeve Photo |
Anonymous
Posted October 1, 2010
This was an amazing album! It had alot of energy which you usally expect for Guns N Roses alubms. I would defently recomend this album to any one whos into hard rock.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
This is very good ablum, controversial and the better for it, songs like 'used to love her' are excellent - dont let the pc brigaide put you off! you dont have to hate women to like this song, honestly. One in a million is no more racist than black groups or asian culture plus it a top class musical piece. acoustic stuff better than the live but live is still good
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.KhleoZumas
Posted November 2, 2010
No one ever listens... ON THE SUBJECT OF ONE IN A MILLION Slash ignored the controversy and said it was untrue; he was half-black. Duff apologized. Izzy lit a cigarette and combed his hair. Steven passed out and apologized for it (the passing out). Axl explained it. Lies was awesome, everyone knows it, and it wasn't sappy. The whole point was to stick a finger at life. Watch the Headbangers Ball 1988 interview with Slash and Axl. It's all there.
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Posted February 3, 2012
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Anonymous
Posted April 10, 2009
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Anonymous
Posted October 30, 2008
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Posted January 10, 2010
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Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Once Appetite for Destruction finally became a hit in 1988, Guns N' Roses bought some time by delivering the half-old/half-new LP G N' R Lies as a follow-up. Constructed as a double EP, with the "indie" debut Live ?!*@ Like a Suicide coming first and four new acoustic-based songs following on the second side, G N' R Lies is where the band metamorphosed from genuine threat to joke. Neither recorded live nor released by an indie label, Live ?!*@ Like a Suicide is competent bar band boogie, without the energy or danger of Appetite for Destruction. The new songs are considerably more problematic. "Patience" is Guns N' Roses at their prettiest and their sappiest, the...