Fyodor Mikhailovich Dostoevsky (November 11 [O.S. October 30] 1821 – February 9 [O.S. January 28] 1881) is considered one of two greatest prose writers of Russian literature, alongside close contemporary Leo Tolstoy. Dostoevsky's works have had a profound and lasting effect on twentieth-century thought and world literature. Dostoevsky's chief ouevre, mainly novels, explore the human psychology in the disturbing political, social and spiritual context of his 19th-century Russian society. Considered by many as a founder or precursor of 20th-century existentialism, his Notes from Underground (1864), written in the anonymous, embittered voice of the Underground Man, is considered by Walter Kaufmann as the "best overture for existentialism ever written." Source: Wikipedia
Crime and Punishment (1866)
The Brothers Karamazov (1880)
The Idiot (1868)
The Dream of a Ridiculous Man (1877)
Notes From The Underground (1864)
The Possessed (The Devils) (1872)
A Raw Youth (1875)
Poor Folk (1846)
The Gamblerby Fyodor Mikhailovich Dostoyevsky
n the morrow she said not a word to me about gambling. In fact, she purposely avoided me, although her old manner to me had not changed: the same serene
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The Gambler was written under the pressure of crushing debt. It is a stunning psychological portrait of a young man’s exhilarating and destructive addiction, a compulsion that Dostoevsky–who once gambled...
n the morrow she said not a word to me about gambling. In fact, she purposely avoided me, although her old manner to me had not changed: the same serene coolness was hers on meeting me—a coolness that was mingled even with a spice of contempt and dislike. In short, she was at no pains to conceal her aversion to me. That I could see plainly. Also, she did not trouble to conceal from me the fact that I was necessary to her, and that she was keeping me for some end which she had in view. Consequently there became established between us relations which, to a large extent, were incomprehensible to me, considering her general pride and aloofness. For example, although she knew that I was madly in love with her, she allowed me to speak to her of my passion (though she could not well have showed her contempt for me more than by permitting me, unhindered and unrebuked, to mention to her my love).
"You see," her attitude expressed, "how little I regard your feelings, as well as how little I care for what you say to me, or for what you feel for me." Likewise, though she spoke as before concerning her affairs, it was never with complete frankness. In her contempt for me there were refinements. Although she knew well that I was aware of a certain circumstance in her life of something which might one day cause her trouble, she would speak to me about her affairs (whenever she had need of me for a given end) as though I were a slave or a passing acquaintance—yet tell them me only in so far as one would need to know them if one were going to be made temporary use of. Had I not known the whole chain of events, or had she not seen how much I was pained and disturbed by her teasing insistency, she would never have thought it worthwhile to soothe me with this frankness—even though, since she not infrequently used me to execute commissions that were not only troublesome, but risky, she ought, in my opinion, to have been frank in ANY case. But, forsooth, it was not worth her while to trouble about MY feelings—about the fact that I was uneasy, and, perhaps, thrice as put about by her cares and misfortunes as she was herself!
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A great work of literature. Well-worth reading.