****STARRED REVIEW****
"The author/illustrator’s trademark pre-Colombian-flavored artwork lends itself wonderfully to the subject matter, with exaggerated poses and razor-sharp linework conveying body movements. A superb portrait of Afro-Brazilian endurance."— Kirkus
***STARRED REVIEW***
"A superb tribute to an individual and to capoeira."— The Horn Book Magazine
***STARRED REVIEW***
"A great introduction to Capoeira and the persistence of Bimba to move this street performance into the mainstream. This masterpiece of illustration and narrative will appeal to readers across categories of martial arts, dance, and more." — School Library Journal
"Tonatiuh’s signature-style illustrations employ fluid motion to simulate capoeira’s graceful acrobatics, while lengthy informative text conveys the history of Bimba and of the once-persecuted Afro-Brazilian cultural expression."— Publishers Weekly
"Tonatiuh returns with another exemplary picture book biography, this time intertwining the stories of Brazilian martial artist Mestre Bimba and the performance art of capoeira"— Bulletin of the Center for Children’s Books
A meia lua whooshed in the air. The strike was evaded and followed with an aú. Two young men were playing capoeira in the middle of the roda. Bimba wanted to play too. Although it is debated when and where capoeira-an art form that blends martial arts, dance, acrobatics, music, and spirituality-originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros-what people in power called the poor Black communities they disdained. But in the early 1920s in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Inspired by pre-Columbian codices, Duncan Tonatiuh tells the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world.
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Game of Freedom: Mestre Bimba and the Art of Capoeira
A meia lua whooshed in the air. The strike was evaded and followed with an aú. Two young men were playing capoeira in the middle of the roda. Bimba wanted to play too. Although it is debated when and where capoeira-an art form that blends martial arts, dance, acrobatics, music, and spirituality-originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros-what people in power called the poor Black communities they disdained. But in the early 1920s in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Inspired by pre-Columbian codices, Duncan Tonatiuh tells the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world.
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Game of Freedom: Mestre Bimba and the Art of Capoeira

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Editorial Reviews
Product Details
BN ID: | 2940159786234 |
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Publisher: | Dreamscape Media |
Publication date: | 10/24/2023 |
Edition description: | Unabridged |
Age Range: | Up to 4 Years |
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