Overview

In 1977, the Gardzienice Theatre Association, an experimental theatre company was founded in a tiny Polish village. By 1992 The Observer was hailing Brilliant Gardzienice...and orgy of joy, anguish, prayer and lamentation performed in candlelight with hurtling energy and at breakneck speed...Physically reckless, thrillingly well sung...On no account to be missed. Today the Gardzienice Theatre Association is hailed as Poland's leading theatre group, training Royal Shakespeare Company actors and touring the world. ...
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GARDZIENICE

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Overview

In 1977, the Gardzienice Theatre Association, an experimental theatre company was founded in a tiny Polish village. By 1992 The Observer was hailing Brilliant Gardzienice...and orgy of joy, anguish, prayer and lamentation performed in candlelight with hurtling energy and at breakneck speed...Physically reckless, thrillingly well sung...On no account to be missed. Today the Gardzienice Theatre Association is hailed as Poland's leading theatre group, training Royal Shakespeare Company actors and touring the world. Paul Allain describes and analyses their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities.
This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased commercialization of the arts.
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Editorial Reviews

Richard Schechner
A much needed in-depth study of one of the world's most important experimental and community-based performance groups. Allain situates Gardzienice both as part of Poland and as part of world theatre. Even as he tells Gardzienice's history and practices, he relates the work to contemporary performance theory and the intercultural performance movement.
Theatre Reseach International
Allain successfully evokes the intensity of these producitons....[A] well-researched and authoritatively written study of a fascinating theatrical phenomenon.
Katie Mitchell
Paul Allain is both an academic and a practitioner. This is a rare combination, and in writing about the Gardzienice Theatre Association he provides a sharp critical analysis with an insider's understanding of what it is to make theatre. As a director, I have been inspired by Gardzienice and welcome this illuminating account of their work. I am sure this book will inspire many others.
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Product Details

  • ISBN-13: 9780203989500
  • Publisher: Routledge
  • Publication date: 2/25/1998
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 196
  • File size: 2 MB

Meet the Author

Paul Allain is a lecturer in Drama and Theatre Arts at Goldsmiths College, University of London. As a movement director he has collaborated with Katie Mitchell for many years and has trained actors at the Royal Shakespeare and Royal National Theatre companies for productions including The Dybbuk, Ghosts, Rutherford and Sons, The Machine-Wreckers and Henry IV Part 3. His own company, Bodywork, had its première at Sadler's Wells' Mosaics Festival in 1996. Dr Allain is co-editor with Professor Vera Gottlieb of the forthcoming Cambridge Companion to Chekhov.
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Table of Contents

Introduction to the Series
List of Plates
Acknowledgements
Introduction 1
1 Polish Theatre - Romanticism Fades 9
2 The Rural Context and Gardzienice Village 21
3 Polish Society - The Art of Gathering 31
4 The Formation of Gardzienice - From Grotowski and Paratheatre 45
5 Training 59
6 Performances 79
7 European Parallels - Future Models 101
8 An Intercultural Assessment 113
9 Searching for a New Language 123
Conclusion 131
Postscript 137
App Polishing up on the Classics 141
Notes 143
Bibliography 155
Index 161
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