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Garrison Keillor

Overview

In 1985 Time magazine ran on its cover Garrison Keillor's face superimposed across the fictional town of Lake Wobegon, Minnesota, taking the publication of Keillor's book of the same name as an occasion to raise some hoopla over this "radio bard" (he was then host of the highly acclaimed "A Prairie Home Companion" variety show) and humorist nonpareil. Not since Will Rogers has a crackerbarrel philosopher become a national figure, a celebrity. And it is the rare down-home fellow from the prairies ("radio's tallest...
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Overview

In 1985 Time magazine ran on its cover Garrison Keillor's face superimposed across the fictional town of Lake Wobegon, Minnesota, taking the publication of Keillor's book of the same name as an occasion to raise some hoopla over this "radio bard" (he was then host of the highly acclaimed "A Prairie Home Companion" variety show) and humorist nonpareil. Not since Will Rogers has a crackerbarrel philosopher become a national figure, a celebrity. And it is the rare down-home fellow from the prairies ("radio's tallest shy person") who also happens to write for the New Yorker. In this lucid, well-researched study Peter A. Scholl follows chronologically the dual career of Garrison Keillor, the pen name Gary Edward Keillor has been using since he was 13, exploring the Minnesotan's double mastery of the arts of storytelling and writing. Scholl looks at how Keillor's writing and conceptions for radio - particularly the News from Lake Wobegon on "A Prairie Home Companion " - has influenced his writing. Keillor's humorous sketches and stories have appeared in the New Yorker since 1970 (he was on its staff from 1987 to 1992); his books - Happy to Be Here (1982), Lake Wobegon Days (1985), We Are Still Married (1989), Leaving Home (1987), and WLT: A Radio Romance (1991) - have met critical and popular success. Scholl finds that if Keillor attained his widest acclaim as a yarnspinner in the nineteenth-century traditions of local color and literary comedy - the foremost progenitor of which being Mark Twain - he revitalized those traditions while adopting comic modes and playing roles that had little precedent in eras other than his own. Keillor's being a New Yorker writer has, according to Scholl, almost symmetrically affected the structure and nuance of his oral tales: they represent a cross-pollination between traditional oral storytelling and the verbal artistry of not only the New Yorker writers the young Keillor so admired - James Thurber, S. J. Perelman, A. J. Liebling, a
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Product Details

  • ISBN-13: 9780877454809
  • Publisher: University of Iowa Press
  • Publication date: 10/28/1994
  • Series: United States Authors Series
  • Edition description: REPRINT
  • Pages: 276
  • Product dimensions: 5.50 (w) x 8.50 (h) x 1.20 (d)

Table of Contents

Preface
Acknowledgments
Chronology
Ch. 1 Gary Edward and Garrison Keillor 1
Ch. 2 "A Prairie Home Companion" 20
Ch. 3 The News from Lake Wobegon 37
Ch. 4 A Real Writer 73
Ch. 5 The Complex Pastoralism of Lake Wobegon Days 102
Ch. 6 Amid the Alien Sweet Corn: Leaving Home 136
Ch. 7 Exile and the Road Back 163
Ch. 8 WLT: A Radio Romance 194
Appendix: Dates of Monologues Used in Leaving Home 215
Notes and References 217
Selected Bibliography 239
Index 249
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