The Gate

The Gate

4.5 10
by Francois Bizot

View All Available Formats & Editions

A literary and historical tour de force: what one man saw and did in a land of pristine beauty on the eve of one of the twentieth century’s most barbaric spectacles.
In 1971, François Bizot was a young French scholar of Khmer pottery and Buddhist ritual working in rural Cambodia. Now, more than thirty years later, he has summoned up the unbearable memory


A literary and historical tour de force: what one man saw and did in a land of pristine beauty on the eve of one of the twentieth century’s most barbaric spectacles.
In 1971, François Bizot was a young French scholar of Khmer pottery and Buddhist ritual working in rural Cambodia. Now, more than thirty years later, he has summoned up the unbearable memory of that moment, letting us see as never before those years leading inexorably to genocide. Perfectly recalled, in-delibly written, The Gate recounts the nightmare of Bizot’s arrest and captivity on suspicion of being an American spy, and his nearly miraculous survival as the only Westerner ever to escape a Khmer Rouge prison. It is the story, as well, of Bizot’s unlikely friendship with his captor, Douch–a figure today better remembered as a ruthless perpetrator of the then-looming terror, about which Bizot tried, without success, to warn his government.
Bizot’s experience to that point would itself have merited report. But upon his return to Cambodia four years later, chance ordained a second remarkable act in this drama. As the sole individual fluent in both French and Khmer, Bizot found himself playing the intermediary in a surreal standoff when the Communist-backed guerillas, now ascendant, laid siege to the French Embassy compound in Phnom Penh. Finally it would fall to Bizot to lead the desperate retreat of the colonial population: here he re-counts how he helped the remaining Westerners–and any Cambodians he could–to escape the doomed capital.
Both beautiful and devastating, The Gate is a searing and unforgettable act of witness and remembrance.

Author Biography:

Editorial Reviews

The New Yorker
In 1971, Bizot, a French anthropologist in Cambodia, was taken captive by the Khmer Rouge and accused of spying. This unsparing memoir recounts his internment in a jungle camp, and his wary friendship with his interrogator -- an idealist who later became one of the most notorious torturers of the Cambodian genocide. Bizot's testimony has a rawness unmitigated by time: he excoriates the Americans for their inexcusable naïveté," and the French for allowing Communist sympathies to blind them to Khmer Rouge atrocities. In 1975, Bizot witnessed the fall of Phnom Penh to the guerrillas, and brokered a deal to evacuate Westerners. In a damning scene, Bizot observes a Frenchman who, crossing the border into Thailand, abandons his Cambodian mistress. As she is beaten by soldiers, her lover watches in silence, "adopting an inquiring look as if to exonerate himself."
Sidney H. Schanberg
This mesmeric book is much more than a survivor's story. It is an agonizing effort to understand what produced such horror and to get inside the Khmer mind.... Bizot has dug further into these mysteries and into the darkness of the Khmer Rouge than any other contemporary I know of....You will find unspoken echoes here of Hitlerism and Stalinism and Maoism, and every other mass slaughter carried out in the name of ideology and purification. Cambodia is no more dated than Srebrenica, especially at a moment when the clank of war machinery is in the global air again....Bizot spills out his viscera, and we see him as whole and as candidly as anyone can expect from a memoirist.....Many passages burn with a lyricism that reminds one of books we call classic literature.
LA Times Book Review
Arthur Salm
"[A} wrenching and haunted telling of two great adventures.... Yet "adventures" is a badly misleading word; it summons the notion of thrills where the only reality is terror, of excitement in moments of psyche-shattering danger, of shrewd calculations resulting in narrow escapes when survival depends on the rolls of cosmic dice. ... [The Gate is] steeped in politics yet ultimately concerned with matters of the soul....Despite himself, despite his passionate drive to get not only to the heart but to the soul of the matter, Bizot has written a classic of prisoner/escape literature. There are scenes of such dramatic power and clarity - the frantic, nerve-rasping chaos as freedom lies just yards away- that "The Gate" could be not unfairly called, if not categorized as, a thriller.
San Diego Union Tribune
Publishers Weekly
"It's better to have a sparsely populated Cambodia than a country full of incompetents!" The speaker of this chilling statement is Douch, the Khmer Rouge true believer who ran the camp that held French ethnologist Bizot for the closing months of 1971, several years before the Marxist revolutionaries unleashed massive bloodshed on the small Southeast Asian country. In 1975, the Khmer Rouge's chaotic occupation of Phnom Penh confined the small French community in the city to the premises of the French embassy, the portal of which supplies this volume with its title. Married to a Cambodian citizen, Bizot was an unusual Westerner there, in that once the terror started, he showed little inclination to flee the country. Bizot exploited his status as a rare Khmer-speaking Westerner not only to escape execution but also to extract a measure of autonomy for himself. He frequently showed remarkable defiance toward his heavily armed and ruthless captors. Bizot's account maintains a melancholy tone throughout. Despite his frequent heroic acts, Bizot emphasizes his own frailty and weakness-when he's not looking to set the record straight. He remains especially angry at Western leftists who insisted that the Vietnamese played little role in Cambodia despite ample evidence to the contrary. What's especially striking is the apparent contradiction between Bizot's sympathetic portrait of Douch and his description of the countless murders Douch committed in the name of the revolution. For many Americans, the senseless tragedy of Cambodia remains a mystery; this elegant volume helps outline the contours of that tragedy from a unique perspective. Maps. 40,000 first printing. (Mar. 11) Copyright 2003 Cahners Business Information.
Library Journal
Scholar Bizot was arrested in early 1970s Cambodia on the charge of being an American spy and eventually became the only Westerner ever to escape from a Khmer Rouge prison. Here's his story. Copyright 2002 Cahners Business Information.
Kirkus Reviews
Breathtaking memoir by a young French scholar who twice managed to escape from the clutches of the Khmer Rouge as the Cambodian genocide was unfolding. An ethnographer, art historian, and student of Buddhism, Bizot knew the risks he was taking when he arrived in Cambodia in 1965, just as the war sweeping through Indochina reached a fever pitch. But out in the countryside, he writes, things seemed tranquil enough: "The land was rich and beautiful, enameled with paddy fields, dotted with temples. This was a country of peace and simplicity. . . . Festivities, divine service, ordinary rituals--nothing was conceived without art, and poetry, and mystery." All that changed with the disintegration of the Sihanouk government and Lon Nol’s coup d’état; foreign powers--Beijing, Hanoi, and Washington--converted Cambodia into a proxy battlefield, and the vengeful hillbillies called the Khmer Rouge set their awful revolution in motion. Captured by these guerrillas, Bizot proved a curious and difficult prisoner. Under interrogation as a suspected CIA agent, he retorted with Buddhist conundrums that drew on his wealth of knowledge about ancient Cambodia; for his captors’ enlightenment, for instance, he once likened the Khmer Rouge "reeducation" program to the Buddhist ideals of "renouncing material possessions; giving up family ties, which weaken us and prevent us from devoting ourselves entirely to [the people]; leaving our parents and our children in order to serve the revolution." The Khmer Rouge were unimpressed, but at least they didn’t kill Bizot, who managed to get away in time to witness the fall of Phnom Penh and to organize an even more daring escape, this time with children in tow. Everspiritually minded, he closes by observing, "I emerged from the Cambodian hell by crossing the bridge of transmigration. . . . I entered the land of rose-apple trees to be reborn into a new existence." Heartbreaking and terrifying: a superb account of the madness of war, and of a people’s wholesale self-destruction. First printing of 40,000
From the Publisher
“A harrowing narrative, worthy of a novel by Graham Greene or John le Carré… [It] possesses the indelible power of a survivor’s testimony.” —The New York Times

“It possesses such truth of feeling, such clarity and conviction of narrative, such a wealth of image and adventure, and such depths of long-held passion that I do believe it is indeed that rarest thing: a classic.” – John le Carré , from the Foreword

“A deeply unsettling account of a particular ordeal that suggests larger questions: the moralities of power's ends and means, the character of revolutionary fanaticism and the indecipherable humanity that flickers within it. . . . by turns evocative, wise and crisscrossed by fury.” – The New York Times Book Review

“[A] fascinating book, to say the least. Passages of The Gate are riveting, some scenes heartbreaking.” –The Wall Street Journal

Product Details

Knopf Publishing Group
Publication date:

Read an Excerpt

Chapter One

From among my memories there comes up today the image of a gate. It appears before me and I recognize the pathetic hinge which was both a beginning and an end in my life. It is made of two swinging panels, which haunt my dreams, and wire mesh welded onto a tubular frame. It closed off the main entrance to the French Embassy when the Khmer Rouge entered Phnom Penh in April 1975.

I saw it again thirteen years later, when I first returned to Cambodia. That was in 1988, at the onset of the rainy season. This gate seemed much smaller and flimsier. I let my eyes and my hands wander blindly over it, immediately startled by my own temerity, not at all sure what I was looking for and not suspecting what I would find. A lock, slightly askew; evidence of welding; reinforcement plates at each corner: all these scars suddenly seemed to me vitally important. My eyes had always looked past them, never at them. An unexpected blend of confusion and fear overcame me. As the gate became real, and took on an existence of its own, it gave me a sense of pleasure, at the same time as horror welled up inside me.

This was not just the pleasure of releasing tears. It was a new reality, overlaying my memories, which made me think of the workmen who had indifferently welded the metal grille to the framework, and the builders who had pushed the hinges into the cement. Could they ever have imagined that this assemblage would one day be the instrument of such dramatic events? I couldn’t understand why an embassy should have such a shoddy gate, or how such fragile mesh could have resisted so many strong hopes or opened itself to so many heavy wrongs. I remembered a far moreimposing structure, heavy and impassable, built to restrain and repulse. I saw—almost with embarrassment—the wrought ironwork suddenly exposed before me: its substance, its lesions, its points of distress, struck me as laughable.

An unexpected sweetness came into me at the same time as the horror welled up again—a fusion that will forever flow in my veins. It made me totter, but did not dispel my stifling unease. I was overwhelmed by the mockery of time, by the shallow nature of things.

The same feelings affected me inside the former embassy, in the chancellery. Both floors of the building had been taken over by an orphanage for girls. The warden was sitting in the corner of an empty room on the ground floor. He accompanied me to our former offices, now converted into bedrooms. Little girls, as if from some abyss, were there, silent, sitting on mats on the floor. Some of them were doing their hair. They had been born shortly before or after 1975; their parents had been massacred when the Khmer Rouge had seized power. The image of their tranquil faces still moves me deeply. I was immediately over- come by suppressed sobbing and ridiculous bubbles formed at the corners of my mouth. Was it the undisguised hardship, the peaceful masks of these young people who had been spared; or these empty walls, with no doors or shutters—which had framed hours of fear, where my distress had taken refuge, from April 17 to May 8, 1975—that caused me such bodily pain?

My whole Cambodian past was just waking in me, and now it ran up against an image of a present with no memory. Until then, it had been no more than signs; now the drama of the Khmer country was suddenly and bluntly revealed to me, in this very inconsistency. A drama “without importance,”* as it were, uncere-

*William Shawcross, Sideshow: Kissinger, Nixon and the Destruction of Cambodia.

moniously pinned up in my imagination; all its tangible traces melting away as things evolved, sealed off beneath the marks left behind, movingly distorted on the surface of time.

Crossing the courtyard to leave the embassy, I examined the asphalt: unchanged, with its old pattern of cracks, and yet, to my eyes, it seemed to be coated with the deposit of events. I looked for places where I had set foot twenty years earlier, and my gaze fell on the very spot where Ung Bun Hor, the last president of the National Assembly, had stood, legs trembling, stubbornly and mechanically undoing his trousers. The two French gendarmes who accompanied him and lent support—for the poor man had collapsed at the sight of the Khmer Rouge soldiers waiting for him on the other side of the gate—had hesitated for a long time before realizing that he was losing his mind. A jeep and two covered trucks were parked outside. Princess Manivane, Prince Sihanouk’s third wife, had already climbed into the back of one of the vehicles, accompanied by her daughter, son-in-law, and grandchildren, who had merrily come out of their hiding place. . . .

I will come back to these moments later on. What is more urgent is to pin down where my thoughts lie; they leap about, pressed upon from all sides. To do this I must think back to the beginning. Back to my father’s death, which my thoughts still dwell on. Because the void it carved out left me so alone and so destitute that I had to rebuild my way of thinking, using only basic elements, like a nomad who will not load himself down with anything superfluous. The day my father died, I realized that he had taken with him the masks of protection that I used to put on. To live, to overcome my suffering, I was going to have to erase the slate of the past, just as the revolutionary does, and choose, one by one, whatever gestures promised to be the most immediately effective. It was such a fundamental maneuver that even today—and ever since the day of his death—nothing can be decided, and nothing concluded, without referral to this new point of origin.

At the same time, even though my father’s passing left an inextinguishable rage in me, it reminds me of a love which I often find happiness in thinking about.

The loss of Cambodia, on the other hand, of the villages hidden among foliage, of the copse-lined paddy fields scattered with tufts of borassus palms, only makes me feel despondent. I spoke so much about this to the same friends during the shameful years after 1975—remember them—when the “peasants’ liberation” shone in the West with the fire of revolution; the words were expelled from my mouth by the ignominy I felt, yet gradually the life force ran out of them. As it is for words, so it is, oddly, for the touches and precise strokes of love: one dares not give the same caress to a woman too often. And so, for years now, I no longer speak about my father or about Cambodia, in order to preserve—as a foundered junk is preserved in peat—the life of the monsters I carry, moving in me, even if deep inside, their hellish call fuels the memory.

So the gate does not open onto the agonized cries of the tortured in Tuol Sleng prison but onto absurdity and despair. It is not the events themselves, the brutal facts or their dates that matter. What matters is the weight of the life that gave rise to them, reappearing suddenly out of the silence of things, in the everyday object where those who have borne the events on their flesh can read, thirty years later, the traces of a destiny. This soldier, lying there beneath the stone, is the son or the uncle of someone you know, the lover of the woman you came across, blown to pieces by the side of the road, wearing the new sarong she so carefully chose at the market this morning. Is this not the only reality, this emotion, this link with life and with beings, shut up inside things?

The south panel of the gate is preserved at the far end of the grounds of the French Embassy, which has been rebuilt on the same spot, like a little altar erected to the spirits of the dead. The several million dead. If you hold your breath, you can still hear the heavy footsteps of the exiles as they make their way along the old boulevard with their bundles. The rust that has eaten into the panel has not, in my eyes, affected its radiance. With time, it has taken on a surprising beauty. Like anything beautiful, or accomplished, or enduring—anything finally worthwhile—it has become simple, and the mesh has become regular: like a line in a Matisse drawing. It expresses, in an instant, so many things about the roots of life that you feel all at once like crying, and dying, and living.

I wrote the lines that follow in discomfort, bent forward, with my forehead pressed against that mesh. The Khmer Rouge, some time after 1975, or perhaps the orphan girls who took over the premises in 1980, have treated it to a coat of green cellulose paint; now it is chipped, but beneath it you can, here and there, make out the original gray.

Copyright© 2003 by Francois Bizot

What People are saying about this

Jonathan Yardley
A powerful, disturbing book.
Washington Post Book World
Michiko Kakutani
A harrowing narrative, worthy of a novel by Graham Greene or John le Carré... possesses the indelible power of a survivor's testimony.
The New York Times
Michael J. Ybarra
"[A] fascinating book, to say the least, passages of "The Gate" are riveting, some scenes heartbreaking.
Wall Street Journal
Lucretia Stewart
An unnerving and miraculous mixture of beauty and horror.
Times Literary Supplement
Robert MacFarlane
Distinguished by its intense dignity, by its unexpected attention to beauty, and by a discretion which never shades into coyness, The Gate should immediately be numbered among the great post-Second World-War memoirs of incarceration.
The Guardian (London)

Meet the Author

Francois Bizot is an ethnologist who has spent the greater part of his career studying Buddhism. He is the Director of Studies at Ecole Pratique des Hautes-etudes and holds the chair in Southeast Asian Buddhism at the Sorbonne. He lives in Paris.

Customer Reviews

Average Review:

Write a Review

and post it to your social network


Most Helpful Customer Reviews

See all customer reviews >

Gate 4.5 out of 5 based on 0 ratings. 10 reviews.
Anonymous More than 1 year ago
I'm attempting to finish reading this book. I, myself, had been through the situation myself. Unfortunately, I have a hard time keeping myself consentrating on this book. I really don't know what it is. It's just difficult for me grasp what is being written.
Anonymous More than 1 year ago
Watch "The Killing Fields" right before reading this, as I did, and all eerily comes to life. Even the French Embassy's gate in the film matches the imaged evoked by Bizot early in his book.
Guest More than 1 year ago
I thought I could finish the book within a few days (at most). It took me longer to finish it for I cannot help but feeling sad as I turn the page. Bizot took me back to the time that I dreaded the most and yet never want to forget. Each page of the book brought back memories filled with angers and sadness. The book should serve as a reminder to all that life is both beautiful and ugly.
Guest More than 1 year ago
'The Gate' is simply stunning. Bizot's experience inside the infamous M13 prisoner camp commanded by 'Douch' in 1971 is a story no other Westerner can tell. The scenes surrounding the fall of Phnom Penh and the evacuation of foreigners from the French embassy are heart breaking. The description of the handover of key members of the ruling elite to the Khmer Rouge outside the embassy will haunt all readers. Bizot's year 2000 trip back to the site of his capture and imprisonment is full of shocking surprises. See the upcoming book 'Terror from the Southwest Zone' published by the Documentation Center of Cambodia ( for a detailed account of the tortures inflicted by Douch and his staff on the prisoners at M13.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
If you are able to filter through and disregard the obvious anti-American sentiments of Bizot, this book enables the reader a unique perspective when visiting Cambodia. I have to add, having just been to Cambodia, Bizot would have been surprised to hear the repeated pleas, by the Cambodian business community, to this 'American-Imperialist,' to please come back to and re-invest in, modern day Cambodia's infrastructure. Cambodia is a fascinating place and The Gate is a must read should you plan to visit there.
Guest More than 1 year ago
Extraordinary account of a chapter in the Cambodian holocaust as witnessed and narated by a peace and truth seeking Frenchman caught up in the storm. I was impressed by Bizot's writing style as well as intrigued by his relationship with his captor. It is astonishing that Khmer Rouge's most prolific torturer, Douche, turned out to be quite compassionate with Bizot.
Guest More than 1 year ago
First I hope that every reader tries to get in Bizot's 'shoes' while reading this book... Yes, this is yet another book attempting to describe how far and low some human beings are ready to go in the name of their 'convictions' to hurt other human beings... This is also the gut wrenching story of a man having to make the ultimate decisions: depending on what you say or do these people might survive but those will certainly die and having to live with the eyes of those who were taken away burnt in your soul for the rest of your life. This is also a book of great poetry. Bizot is a reluctant 'hero' it took him some 20 years to come to term and finally write this book under pressure from friends and loved ones...