This revelatory Princeton University Press coffee-table book serves as the companion volume to the Tate Gallery's eponymous exhibit, the first major London show devoted to Paul Gauguin in over half a century. Gauguin specialist Belinda Thomson, the curator of the exhibition, presides over this fresh reexamination of the artist's narrative strategies. Her commentary and the book's extensive illustrations are supplemented by essays from half a dozen scholars. Authoritative; surely one of the gifts of the season. Editor's recommendation.
Gauguin: Maker of Mythby Belinda Thomson
This major reevaluation of Paul Gauguin presents the artist and his work in an entirely new light. The vivid, unnaturalistic colors and bold outlines of Gauguin's paintings and the strong, semiabstract quality of his woodcuts had a profound effect on the development of twentieth-century art. Here readers will discover why Gauguin was one of the most important
This major reevaluation of Paul Gauguin presents the artist and his work in an entirely new light. The vivid, unnaturalistic colors and bold outlines of Gauguin's paintings and the strong, semiabstract quality of his woodcuts had a profound effect on the development of twentieth-century art. Here readers will discover why Gauguin was one of the most important artists behind European modernismyet one who also challenged its very tenets. Because while modern art largely rejected narrative, for Gauguin it remained central.
Gauguin is the first book to fully examine his use of stories and myth to give powerful narrative tension to his paintings at a time when other painters thought storytelling was dead. Gauguin's life in French Polynesia is often portrayed as a quest for the other, with the artist as the romantic explorer encountering primitive cultures for the first time. In fact, he was deeply immersed in world art and a great reader of Polynesian stories and myths. This book cuts through the mystique surrounding Gauguinone the artist himself cultivatedto show how he self-mythologized, presenting himself to the world as a suffering, Christ-like figure.
Stunningly illustrated and unprecedented in scope, Gauguin features more than 200 museum-quality reproductions of paintings, works on paper, ceramics, woodcarvings, and writings, including Gauguin's beautifully illustrated letters and books.
Tate Modern, London
September 30, 2010 - January 16, 2011
National Gallery of Art, Washington
February 27 - June 5, 2011
"A spectacular picture book. Even reproduced, Gauguin's vibrant post-Impressionist palette delights with unexpected harmonies. This exhibition catalogue offers 250 reproductions from a wonderful show at London's Tate Gallery. It's the complete Gauguin shebanghis Tahitian girls, his stilllifes and their avant-garde experiments with perspective, his French country scenes, his carved-wood statues and bas-reliefs, even his ghoulish self-portrait as a stoneware mug. Scholarly essays examine how Gauguin promoted his larger-than-life image of the artist as superior to spiritually bereft Europeans."Victor Swoboda, Montreal Gazette
"This beautiful publication accompanies the current Tate Modern exhibition which is also scheduled for the National Gallery of Art in Washington DC. The book is stunningly illustrated with more than 200 full color reproductions of paintings, works on paper, ceramics, woodcarvings, writings, sourcebooks, journals, letters, and personal effects. While Gauguin's paintings are frequently reproduced, often in larger formats, Gauguin: Maker of Myth is unusual in its inclusion of sourcebook material, not all of which is included in the exhibition itself. Readers looking only for coffee-table-sized reproductions of Gauguin's more famous works should look elsewhere. This book speaks more directly to artists, teachers, and students who are seeking insight into Gauguin's process of developing a body of work and identity as an artist. Images of cups, wood carvings, and other oddments that this book includes are difficult to find in other publications. Gauguin: Maker of Myth unfolds a wonderful body of works and research for artists, historians, and art lovers. The book is beautifully designed and liberally illustrated with an attention that assists the reader in moving swiftly though a dense and plentiful history spanning several art movements."Pamela Ayres, ForeWord Reviews
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Meet the Author
Belinda Thomson is an independent scholar and honorary fellow at the University of Edinburgh. Her books include "Van Gogh Paintings: The Masterpieces". Tamar Garb is the Durning Lawrence Professor in the History of Art at University College London. Charles Forsdick is the James Barrow Professor of French at the University of Liverpool. Vincent Gille works at the Pavillon des Arts in Paris. Linda Goddard is lecturer in art history at the University of St. Andrews. Philippe Dagen teaches contemporary art at the Sorbonne and is a critic for "Le Monde".
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