- Shopping Bag ( 0 items )
Appearing for the first time in one volume, these trenchant letters tell the eloquent narrative of Orwell’s life in his own words.From his school days to his tragic early death, George Orwell, who never wrote an autobiography, chronicled the dramatic events of his turbulent life in a profusion of powerful letters. Indeed, one of the twentieth century’s most revered icons was a lively, prolific correspondent who developed in rich, nuanced dispatches the ideas that would influence generations of writers and ...
Appearing for the first time in one volume, these trenchant letters tell the eloquent narrative of Orwell’s life in his own words.From his school days to his tragic early death, George Orwell, who never wrote an autobiography, chronicled the dramatic events of his turbulent life in a profusion of powerful letters. Indeed, one of the twentieth century’s most revered icons was a lively, prolific correspondent who developed in rich, nuanced dispatches the ideas that would influence generations of writers and intellectuals. This historic work—never before published in America and featuring many previously unseen letters—presents an account of Orwell’s interior life as personal and absorbing as readers may ever see.
Over the course of a lifetime, Orwell corresponded with hundreds of people, including many distinguished political and artistic figures. Witty, personal, and profound, the letters tell the story of Orwell’s passionate first love that ended in devastation and explains how young Eric Arthur Blair chose the pseudonym "George Orwell." In missives to luminaries such as T. S. Eliot, Stephen Spender, Arthur Koestler, Cyril Connolly, and Henry Miller, he spells out his literary and philosophical beliefs. Readers will encounter Orwell’s thoughts on matters both quotidian (poltergeists and the art of playing croquet) and historical—including his illuminating descriptions of war-shattered Barcelona and pronouncements on bayonets and the immanent cruelty of chaining German prisoners.
The letters also reveal the origins of his famous novels. To a fan he wrote, "I think, and have thought ever since the war began…that our cause is the better, but we have to keep on making it the better, which involves constant criticism." A paragraph before, he explained that the British intelligentsia in 1944 were "perfectly ready for dictatorial methods, secret police, systematic falsification of history," prefiguring the themes of 1984. Entrusting the manuscript of Animal Farm to Leonard Moore, his literary agent, Orwell describes it as "a sort of fairy story, really a fable with political meaning…This book is murder from the Communist point of view."
Hardly known outside a small circle of Orwell scholars, these rare letters include Orwell’s message to Dwight Macdonald of 5 December 1946 explaining Animal Farm; his correspondence with his first translator, R. N. Raimbault (with English translations of the French originals); and the moving encomium written about Orwell by his BBC head of department after his service there. The volume concludes with a fearless account of the painful illness that took Orwell’s life at age forty-seven. His last letter concerns his son and his estate and closes with the words, "Beyond that I can’t make plans at present."
Meticulously edited and fully annotated by Peter Davison, the world’s preeminent Orwell scholar, the volume presents Orwell “in all his varieties” and his relationships with those most close to him, especially his first wife, Eileen. Combined with rare photographs and hand-drawn illustrations, George Orwell: A Life in Letters offers "everything a reader new to Orwell needs to know…and a great deal that diehard fans will be enchanted to have" (New Statesmen).
George Orwell toiled in poverty for many years, but after writing Animal Farm he had to start turning down invitations. In August 1947 the literary magazine The Strand asked him to write something for its pages and to give an account of his life. A prolific essayist and book critic, Orwell was at the time struggling with what would become his other masterpiece, Nineteen Eighty-Four. ("This bloody book," he called it, as illness slowed his progress.) He declined the magazine's invitation in, explaining that he was cutting back on hack work in order to complete his novel. Neither party, of course, could know that Orwell, who would die of tuberculosis in 1950, had only about a month of decent health left in his life.
Curiously, Orwell's reply letter nevertheless contains the requested biographical note. It has just been published for the first time, in George Orwell: A Life in Letters. Orwell mentions his formative experiences as an imperial policeman in Burma, tramping in London and Paris, investigating industrial poverty in northern England, and fighting fascism during the Spanish Civil War. "As to politics," it reads, "I was always more or less 'left' " and "came to the conclusion that it is a duty to work for socialism even if one is not emotionally drawn to it, because the continuance of present conditions is simply not tolerable." On the other hand, Orwell declares his "horror of totalitarianism," finding communists to be little better than fascists. Squaring the circle, he concludes: "I have never belonged to a political party, and I believe that even politically I am more valuable if I record what I believe to be true and refuse to toe a party line."
This remarkable document tells you more or less everything you need to know about George Orwell. It is written in the clear, direct language that he considered the best antidote to insincerity and evasion. It reminds the Left and the Right — both of which need reminding — of his chief convictions: against totalitarianism and for socialism. It confirms that Orwell was indeed fallible, for, as editor Peter Davison notes, he either forgot about or elided his brief membership in the Independent Labor Party. At the same time, the manner in which that membership ended demonstrates his priorities: Orwell left the ILP at the beginning of World War Two because it remained pacifist in the face of German atrocities and aggression. Above all, the letter convinces us that Orwell is the rare public figure we can trust to write his own epitaph.
Even at 560 pages, A Life in Letters is a mere sampling of Orwell's entire correspondence. Davison is well placed to make the selections. As the editor of 2012's George Orwell: Diaries, as well as the twenty-volume Complete Works, he has done more than any other scholar to illuminate Orwell's life and works. Here in the letters we have an Orwell whose guard is down: a man rather than a saint, conducting his business affairs, plodding through Henry James, exchanging news with friends, and saying of Nineteen Eighty-Four, "I ballsed it up rather." The letters reveal that if Orwell was awkward, parsimonious, and reserved, he could also be mischievous, expansive, and very kind. As biographer Bernard Crick reports, one friend described him as gentle and "almost excessively mild." Another said, "He had a slow disarming sort of smile which made us feel that he was interested in us yet amused by us in a detached impersonal sort of way."
No volume can resolve the contradiction between Orwell's genial nature in person and his penchant for ferocity on the page — his impatience with fellow travelers and liars, and his over-fondness for broad, raking fire. He attempted his own explanation in a 1938 letter to the poet Stephen Spender:
[W]hen you meet anyone in the flesh you realize immediately that he is a human being and not a sort of caricature embodying certain ideas. It is partly for this reason that I don't mix much in literary circles, because I know from experience that once I have met and spoken to anyone I shall never again be able to show any intellectual brutality towards him, even when I feel that I ought to, like the Labor M.P.s who get patted on the back by dukes and are lost forever more.Orwell was a study in class confusion. No Eton graduate derived more pleasure from goat farming or carpentry. He learned to drop his aitches among the tramps and defied convention by wearing shabby and casual clothing — only partly from necessity. (Crick recounts the way he once asked a housekeeper to economize and "dye his khaki Home Guard shirts and beret black and the overcoat brown — despite her protests that it would make him look like a fascist. It did. He had no color sense at all.") Orwell spent his later years on the Scottish island of Jura and wanted very much to blend in with the local farmers. But they always thought of him as a visiting gentleman.
Reviewer: Michael O'Donnell