The German Genius: Europe's Third Renaissance, the Second Scientific Revolution, and the Twentieth Century

( 3 )

Overview

From the end of the Baroque era and the death of Bach to the rise of Hitler, Germany was transformed from a poor relation among Western nations into a dominant intellectual and cultural force. By 1933, Germans had won more Nobel Prizes than the British and Americans combined. Yet this remarkable genius was cut down in its prime by Adolf Hitler and his disastrous Third Reich—a brutal legacy that has overshadowed the nation’s achievements ever since.

In this absorbing cultural and...

See more details below
Paperback (Reprint)
$13.69
BN.com price
(Save 31%)$19.99 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (22) from $9.19   
  • New (14) from $10.99   
  • Used (8) from $9.19   
The German Genius: Europe's Third Renaissance, the Second Scientific Revolution, and the Twentieth Century

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$13.99
BN.com price

Overview

From the end of the Baroque era and the death of Bach to the rise of Hitler, Germany was transformed from a poor relation among Western nations into a dominant intellectual and cultural force. By 1933, Germans had won more Nobel Prizes than the British and Americans combined. Yet this remarkable genius was cut down in its prime by Adolf Hitler and his disastrous Third Reich—a brutal legacy that has overshadowed the nation’s achievements ever since.

In this absorbing cultural and intellectual history, Peter Watson goes back through time to explore the origins of the German genius, explaining how and why it flourished, how it shaped our lives, and, most important, how it continues to influence our world. Watson’s virtuoso sweep through modern German thought and culture will challenge and confound both the stereotypes the world has of Germany and those that Germany has of itself.

Read More Show Less

Editorial Reviews

Literary Review
“He has an enviable gift of explaining lucidly and cogently ideas that are complicated or profound (or both). . . . Everyone interested in the sufferings and greatness of modern culture will be informed, entertained and provoked by it.”
The Guardian
“[A] colossal encyclopaedia. . . . Heroic. . . . Watson derives the German genius from deep springs.”
Tucson Citizen
“Reveals several surprises. . . . A remarkable book on many levels. The research is first-rate and it is surprisingly accessible.”
Sunday Times (London)
“A tour de force. . . . It is impossible not to be impressed by his range and versatility as he bounds across the disciplines. . . . This intelligent book presents a breathtaking panorama.”
Standpoint
“The German Genius present a huge corpus of scholarship in easily digestible form, and its range is astonishing. No professor, least of all a German one, would have dared to essay such a synthesis; so much the worse for the professors.”
Frankfurter Rundschau
“Watson’s story is vibrating with life. It is unputdownable. It contains a lot one didn’t know. So much enlightenment and so much that moves.”
The New Yorker
“[The German Genius is] Watson’s eight-hundred-and-fifty-page love letter to the all-stars of the Teutonic intellect…his élan generates its own momentum… The book’s breadth is part of the point.”
New York Times Book Review
“A compilation of essential German contributions to philosophy, theology, mathematics, natural and social science and the arts since 1750. Watson enshrines a vast pantheon of creative thinkers... [including] compressed summaries of some exceedingly difficult ideas. The range of subjects is impressive, from painters to physicists.”
Press Association
“Watson tells how the Nazis’ first artistic blacklist appeared just six weeks after Hitler assumed power in 1933 - and how his catastrophic handling of his intellectual inheritance has unfairly overshadowed the country ever since. This exhaustive and virtuoso sweep through history goes some way to restoring the balance.”
The Scotsman
“A joy, for its ambition, its seriousness and its moral integrity.”
Berliner Zeitung
“A powerful and vivid opus. . . . Watson’s story is brimming with life. You can barely put the book aside.”
The Times (London)
“Watson’s book is intended to subvert the negative German stereotypes. Though it checks in at just short of 1,000 pages, it is a usefully concise introduction to the principal themes and personalities of German scientific, philosophical, social, literary and artistic culture since 1750.”
The Independent
“Assembles such a wealth of information, based on an impressive range of sources, that The German Genius will be an essential work...for years to come.”
Berliner Zeitung.
“A powerful and vivid opus. . . . Watson’s story is brimming with life. You can barely put the book aside.”
Publishers Weekly
We are shamefully ignorant of German culture, asserts veteran British historian Watson (The Modern Mind) in this engrossing, vast chronicle of ideas, humanists, scientists, and artists: Bach, Goethe, Hegel, Gauss, and many more. Stirred by the French Revolution, German nationalism exploded. The same era in Germany produced the modern university—in which professors are expected to discover, not just teach, knowledge, and students learn to reason, not just memorize—and new forms of scholarship. There followed a cultural renaissance as important as Italy’s earlier one. Science flourished, stimulated by new university-based laboratories. Modern medicine started as German medicine (bacteriology began with Robert Koch). From Bach to Schoenberg, music became overwhelmingly German. Kant, Marx, Hegel, Nietzsche, and others dominated Western intellectual life. An ominous byproduct, though, was a growing, pugnacious sense of national superiority. This led to trouble, but until Hitler wrecked everything after 1933, Germans won more Nobel prizes than Britain and America combined. English now dominates the arts and sciences, but Watson writes an absorbing account of a time not so long ago when German ruled. (June)
Library Journal
As in previous books, Watson (McDonald Inst. for Archaeological Research, Univ. of Cambridge; Ideas: A History of Thought and Invention, from Fire to Freud) takes the reader on an entertaining tour of a daunting subject. This time it's German intellectual history since the death of Bach (1750). Watson argues that our view of Germany's history has been hijacked by Hitler's 12-year rule, slighting the vast and substantial contribution Germans made to the modern experience. He takes the reader on a roller-coaster ride across 250 years of history, discussing a host of German luminaries, some not at all famous today. Watson weakens the book by trying to include everyone: at times it leaves him without room to say enough about those who really count. And while the reliance on secondary sources may have been unavoidable, it makes his interpretations often seem thin, much like some of his choices for inclusion. Why highlight Arnold Schwarzenegger, for instance, in the section on postwar emigration to America (and he is from Austria anyway—Watson's definition of "German" is wide)? Still, the book provides an opportunity to look at the full range of German thought in modern times, allowing us to consider the output of Nazi hacks alongside that of indisputable luminaries like Kant, Hegel, Marx, and Nietzsche. VERDICT Good as an introduction only. Readers familiar with the subject will be frustrated.—David Keymer, Modesto, CA
Kirkus Reviews
Germany, said historian Norbert Elias, "cannot move ahead until a convincing explanation for the rise of Hitler has been given." British journalist and scholar Watson (Ideas: A History of Thought and Invention, from Fire to Freud, 2005, etc.) offers several in this sweeping survey of German culture. The 20th century should have belonged to the German-speaking world. Every humanist scholar was indebted to thinkers such as Hegel and Kant, every reformer to Marx and Engels, every musician to Beethoven and Mozart, every scientist to Rontgen and Einstein. All that came undone with the rise of Nazism, one result of which was a thorough disavowal of that culture. By one account, writes the author, some 60,000 writers, scientists, intellectuals, artists and musicians "were sent either into exile or to the death camps by 1939." The infamies of Nazism are well known-so much so, in fact, that they are all that most non-Germans know of the German world today, such that, according to a recent poll, "fully 60 percent of Britons could not name a living German." The author endeavors to make up for this generalized ignorance with this hefty tome, which begins with the death of Bach in 1750 and extends to the present, "normal" Germany. Every page is packed with names, dates and numbers, sometimes in an embarrassment of riches. Within just a few representative pages, for instance, the reader encounters capsule lives of Thomas Mann, Hermann Hesse, Robert Musil, Franz Kafka, Lion Feuchtwanger and Erich Maria Remarque. Occasionally Watson's logic seems a bit rushed, as when he suggests that without Karl Marx, 9/11 would never have happened. (Adam Smith would seem as likely a candidate.) Valuably, the author identifies several cultural seedbeds for the rise of Nazism, among them the widespread acceptance among all classes of late-19th-century society of Social Darwinism, competing strains of anti-Semitism, each more virulent than the next, and an overarching sense of pessimism and grief following World War I-attested to, among other sources, in the sorrowful poems of Rilke. A sprawling book, but with few wasted words-a welcome resource for students of modern history, literature and cultural studies.
Read More Show Less

Product Details

  • ISBN-13: 9780060760236
  • Publisher: HarperCollins Publishers
  • Publication date: 7/26/2011
  • Edition description: Reprint
  • Pages: 992
  • Sales rank: 347,996
  • Product dimensions: 6.00 (w) x 8.90 (h) x 2.00 (d)

Meet the Author

Peter Watson has been a senioreditor at the London Sunday Times, a New York correspondentof the London Times, a columnist for theLondon Observer, and a contributor to the New YorkTimes. He has published three exposés on the world ofart and antiquities, and is the author of several booksof cultural and intellectual history. From 1997 to 2007he was a research associate at the McDonald Institutefor Archaeological Research at the University of Cambridge.He lives in London.

Read More Show Less

Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted April 16, 2013

    Incredible

    Well researched & insightful. In depth & detailed without becoming pendantic.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 23, 2011

    No text was provided for this review.

  • Anonymous

    Posted November 2, 2011

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)