German Romantic Painting Redefined: Nazarene Tradition and the Narratives of Romanticism

German Romantic Painting Redefined: Nazarene Tradition and the Narratives of Romanticism

by Mitchell Benjamin Frank
     
 

ISBN-10: 0754604772

ISBN-13: 9780754604778

Pub. Date: 12/01/2001

Publisher: Taylor & Francis

The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book,

Overview

The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art.

Product Details

ISBN-13:
9780754604778
Publisher:
Taylor & Francis
Publication date:
12/01/2001
Pages:
222
Product dimensions:
6.80(w) x 9.70(h) x 0.80(d)

Related Subjects

Table of Contents

Contents; Introduction, I. Themes of German Romantic Painting: Brotherhood; The Romantic Self; Role-Playing: Overbeck as the monk-srtist; Overbeck the independent man; Overbeck the monk-artist; Historicism; The Nazarenes’ view on imitation; The Nazarenes’ search for origins; Indirect Communication; Fredrich’s reflections on nature; Runge and the coherence of art; II. Romanticism Rewritten: The marginalization of the Nazarenes, The first histories of modern German painting; The Nazarenes and the critics, 1850-1900; From Overbeck and Cornelius to Friedrich and Runge, From nationalism to formalism, From formalism to racism, the reassessment of Goethe, The Nazarenes defended; Anti-Semitism and formalism, Conclusion, Index.

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