Gesture, Gender, Nation

Gesture, Gender, Nation

by Mary Masayo Doi
     
 

The national dancers of Uzbekistan are almost always female. In a society that has been Muslim for nearly seven hundred years, why and how did unveiled female dancers become a beloved national icon during the Soviet period? Also, why has their popularity continued after the Uzbek republic became independent? The author argues that dancers, as symbolic girls or

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Overview

The national dancers of Uzbekistan are almost always female. In a society that has been Muslim for nearly seven hundred years, why and how did unveiled female dancers become a beloved national icon during the Soviet period? Also, why has their popularity continued after the Uzbek republic became independent? The author argues that dancers, as symbolic girls or unmarried females in the Uzbek kinship system, are effective mediators between extended kin groups, and the Uzbek nation-state. The female dancing body became a tabula rasa upon which the state inscribed, and reinscribed, constructions of Uzbek nationalism.

Doi describes the politics of gender in households as well as the dominant kinship idioms in Uzbek society. She traces the rise of national dance as a profession for women during the Soviet period, prior to which women wore veils and kept purdah. The final chapter examines emerging notions of Uzbek, as regional and national groups contest the notion through debates about what constitutes authentic Uzbek dance. Doi concludes with a comparative discussion of the power of marginality, which enabled Uzbeks to maintain a domain where Uzbek culture and history could be honored, within the Russocentric hegemony of the Soviet state.

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Product Details

ISBN-13:
9780897898256
Publisher:
ABC-CLIO, Incorporated
Publication date:
11/30/2001
Pages:
168
Product dimensions:
6.14(w) x 9.21(h) x 0.44(d)

Meet the Author

MARY MASAYO DOI is Assistant Professor of Anthropology, Bryn Mawr College.

Table of Contents

Prologue
Acknowledgments
Note on Transliteration
Introduction1
1Gender, Kinship, and Nationalism23
2Taboo Breakers: The Early Soviet Years (1924-1942)41
3The War Years: "We Made Dance a Beautiful Diamond" (circa 1943-1953)69
4From Genealogical to Generic (circa 1954-1990)93
5Independence (1991-1994)113
Conclusion: "It is We Who Own Uzbekistan Now"129
Further Reading139
References143
Index149

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