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| Charlie Musselwhite | Primary Artist, Harmonica, Background Vocals |
| Ben Harper | Guitar, Vocals, Slide Guitar |
| Pebbles Phillips | Background Vocals |
| C.C. White | Background Vocals |
| Jesse Ingalls | Bass, Keyboards |
| Jason Mozersky | Guitar |
| Jordan Richardson | Drums |
| Marti Walker | Background Vocals |
| Ben Harper | Composer, Producer |
| Bill Mims | Engineer |
| Christine Kane | Management |
| Gavin Lurssen | Mastering |
| Will Botwin | Management |
| Chris Goldsmith | Producer |
| Sheldon Gomberg | Producer, Engineer |
| Lindsay Brown | Management |
| Erich Talaba | Engineer |
| Jesse Ingalls | Composer |
| Jason Mozersky | Composer |
| Coran Capshaw | Management |
| Jason Grossman | Engineer |
| Jordan Richardson | Producer |
| Larissa Collins | Art Direction |
| Patrick Jordan | Management |
Editorial Reviews
All Music Guide - Hal Horowitz
This musical hookup between these two experienced roots artists who have more in common than it seems at first glance, is a natural evolution for both. Ben Harper seemed like an old soul, even when he began his career, dipping into classic R&B, gospel, and blues but spinning them through his dark, folk-funk persona. His work with the Blind Boys of Alabama showed him to be welcomed by veteran artists who clearly felt he was a kindred spirit. Harpist/guitarist Charlie Musselwhite's extensive résumé typically moved him past the often limiting structure of the Chicago blues where he first made his presence felt, to Tex-Mex, Cuban, Americana, swamp rock, country, and even ...