Ghost Knight

Ghost Knight

4.4 12
by Cornelia Funke

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Jon didn't expect to be confronted by a pack of vengeful ghosts at his new boarding school. Now he and his friend Ella must uncover a centuries-old murder, all while haunted by terrifying spirits. When Jon summons the ghost of Knight Longspee, only one question remains-can Longspee be trusted?  See more details below


Jon didn't expect to be confronted by a pack of vengeful ghosts at his new boarding school. Now he and his friend Ella must uncover a centuries-old murder, all while haunted by terrifying spirits. When Jon summons the ghost of Knight Longspee, only one question remains-can Longspee be trusted?

Editorial Reviews

School Library Journal - Audio
Gr 4–6—Jon Whitcroft, an 11-year-old English boy, is not getting along with his mother's boyfriend, a pedantic dentist the boy has nicknamed "The Beard" for his silly facial hair. His mother sends him to the boarding school traditionally attended by his late father. Jon is visited by a murderous ghost and his servants determined to take revenge on the descendants of a man whose murder resulted in his hanging centuries ago. Sending this evil ghost to hell and redeeming the heart of a noble ghost knight form the action of Cornelia Funke's tale (Little, Brown, 2012). Jon learns courage and grace from his ghost-hunting experience and his relationship with Ella Littlejohn, whose grandmother is a witch. Some aspects of the plot don't make much sense, and the preteen characters are not entirely believable because they display the emotional maturity and sexual curiosity of older teenagers. Elliot Hill voices first-person narrator Jon beautifully as he develops from a whiney momma's boy to a courageous ghost hunter and knight's squire. He also does an excellent job with the plucky Ella, her quirky Aunt Zelda, Jon's roommates, and a variety of secondary male and female characters. Thankfully, the lugubrious introductory music is not featured throughout. An entertaining listen, but not up to the caliber of the author's "Ink Heart" trilogy.—Nina Sachs, Walker Memorial Library, Westbrook, ME
Publishers Weekly - Audio
When he’s sent away to boarding school, Jon Whitcroft isn’t too happy about it—and that’s before he starts seeing ghosts and the ghosts start seeing him. But when the ghosts begin to plot against Jon, the only person he can turn to his newfound friend Ella. Now Jon and Ella must investigate an ancient murder and summon the ghost of Knight Longspee. Elliot Hill narrates in a crisp British accent that certainly makes listening enjoyable. He captures Jon’s tone and attitude throughout and deftly embodies the angst and frustration of the reticent youth. Additionally, Hill creates a host of unique voices for the book’s assorted characters and transitions well between prose and dialogue. And while the voices he lends the female characters are less varied, they remain believable and appropriate. Ages 8–12. A Little, Brown hardcover. (May)
Publishers Weekly
Funke follows her foray into YA (Reckless) with a simultaneously creepy and romantic middle-grade ghost story that will please her legions of younger fans. Jon Whitcroft, now 19, recounts his momentous 11th year when, sent against his will to boarding school in Salisbury, England, he raises a dead knight from restless slumber, fights off a murderous ghost, and makes peace with his mother’s fiancé. Having been “the man around the house, uncontested hero to my sisters and apple of my mother’s eye,” until the arrival of his mother’s new boyfriend (dubbed “The Beard”), Jon is homesick and cranky about being “banished.” Those gripes are quickly forgotten when he is harassed by the ghost of a family enemy who has spent the centuries exacting revenge on Jon’s male ancestors. Jon is the next target until Ella, the prettiest girl in school and (conveniently) the granddaughter of the local ghost expert, comes to his aid. Despite the book’s length, the story moves quickly, filled with daring midnight expeditions and close calls with death. Final artwork not seen by PW. Ages 8–12. Agent: Oliver Latsch Literary Agency. (May)
From the Publisher
"Funke's consummate way with setting, well interpreted in Offermann's looming illustrations, brings the medieval English town (and all of its ghosts) to life, from the sprawling boarding school campus to the echoes-of-the-past cathedral and eerie cemetery grounds; a side jaunt to Stonehenge even adds some levity. Appended notes discuss Funke's inspiration for the story and provide history about the real-life people and places."—Horn Book"

Funke follows her foray into YA (Reckless) with a simultaneously creepy and romantic middle-grade ghost story that will please her legions of younger fans. Despite the book's length, the story moves quickly, filled with daring midnight expeditions and close calls with death."—Publisher's Weekly"

Historic details about the real Hartgill, Longspee and Stourton are deftly woven into a ripping good story. It's told with self-effacing humor from the perspective of an awkward boy who emerges as honorable and brave as the ghost knight and the contemporary girl he befriends. Black-and-white illustrations add to the Tudor atmosphere and drama. Sword-swinging ghosts will haunt readers of this droll, harrowing and historically grounded ghost story."—Kirkus

Horn Book
"Funke's consummate way with setting, well interpreted in Offermann's looming illustrations, brings the medieval English town (and all of its ghosts) to life, from the sprawling boarding school campus to the echoes-of-the-past cathedral and eerie cemetery grounds; a side jaunt to Stonehenge even adds some levity. Appended notes discuss Funke's inspiration for the story and provide history about the real-life people and places."
School Library Journal
Gr 5–8—Jon Whitcroft, 11, relishes the maniacal tricks he plays on "The Beard," his stepfather-to-be, but his mother is not amused and sends him to a boarding school in Salisbury (England). His troubles multiply when he encounters a bloodthirsty ghost who vows to kill him because of an ancient feud with the Whitcrofts. Jon and his schoolmate Ella summon Sir William Longspee, a medieval ghost knight, to fight off Stourton. In return, Jon promises to find Longspee's stolen heart and return it to his wife's spirit so he can rest in peace. Salisbury cathedral makes a fitting setting for a story steeped in historical detail. Readers will shiver in pleasure at ghostly duels in graveyards and beneath Gothic vaulted ceilings. Jon's problems seem believable, and the first-person conversational style creates an intimate, informal tone. Offermann's illustrations are a gift to readers. Carefully thought-out perspectives and soaring lines contrast the massive cathedral with its temporally bound human inhabitants. However, a few problems mar the story's potential. Readers may wonder why Jon chooses to tell the story eight years later and with an adult sensibility. The major action, defeating Stourton, ends 100 pages before the conclusion, which makes for an extended period of falling action. Several significant plot twists turn on coincidence. While Latsch's translation is often lyrical, it occasionally stumbles ("Ella never makes too many words"). Funke's gift is demonstrating the transformative power of adventure. During those moments, readers will be delighted.—Caitlin Augusta, Stratford Library Association, CT
Kirkus Reviews
"Banished" to boarding school in contemporary Salisbury, England, 11-year-old Jon finds himself targeted by phantom riders determined to punish him for something that happened centuries before. When his mother sends him off to Salisbury Cathedral School, Jon arrives "shrouded in thick mists of homesickness." Pursued by ghost riders only he can see and who call him "Hartgill," his mother's maiden name, a terrified Jon confides in fearless classmate Ella. She takes him to her grandmother, an expert on local ghosts. Ella's grandmother warns Jon he's being haunted by the ghost of Lord Stourton, a villain hanged in 1556 for the murders of Jon's Hartgill ancestors. Ella suggests Jon evoke the ghost of William Longspee, a famous knight buried in Salisbury Cathedral. Longspee's ghost proves a valorous champion, helping Jon eradicate Stourton and his vendetta. But Longspee harbors his own dark secret, which Jon pledges to resolve. Historic details about the real Hartgill, Longspee and Stourton are deftly woven into a ripping good story. It's told with self-effacing humor from the perspective of an awkward boy who emerges as honorable and brave as the ghost knight and the contemporary girl he befriends. Black-and-white illustrations add to the Tudor atmosphere and drama. Sword-swinging ghosts will haunt readers of this droll, harrowing and historically grounded ghost story. (author's note) (Fantasy. 8-12)

Product Details

Listening Library, Inc.
Publication date:
Age Range:
8 - 12 Years

Read an Excerpt

Ghost Knight

By Funke, Cornelia

Little, Brown Books for Young Readers

Copyright © 2012 Funke, Cornelia
All right reserved.

ISBN: 9780316056144



I was eleven when my mother sent me to boarding school in Salisbury. Yes, granted, she did have tears in her eyes as she brought me to the station. But she still put me on that train.

“Your father would have been so happy about you going to his old school!” she said, forcing a smile onto her lips. And The Beard gave me such an encouraging slap on the shoulder that I nearly shoved him onto the rails for it.

The Beard. The first time my mother brought him home, my sisters immediately crawled onto his lap. I, however, declared war on him as soon as he put his arm around Mum’s shoulder. My father had died when I was four, and of course I missed him, even if I barely remembered him. But that definitely did not mean I wanted a new father, especially not one in the shape of an unshaven dentist. I was the man around the house, uncontested hero to my sisters and apple of my mother’s eye. Suddenly she no longer watched television with me in the evenings but instead went out with The Beard. Our dog, who would chase anyone off our grounds, put squeaky toys in front of The Beard’s feet, and my sisters drew oversize hearts for him. “But he’s so nice, Jon!” I heard over and over. Nice. And what exactly was so nice about him? That he convinced my mother everything I liked to eat was bad for me? Or that he told her I watched too much TV?

I tried every trick in the book to get rid of him. At least a dozen times I disappeared the house keys Mum had given him. I poured Coke over his dentistry magazines (yes, there are magazines for dentists). I mixed itching powder in his beloved mouthwash. All useless. In the end it wasn’t him but me whom Mum put on the train. Never underestimate your enemies! Longspee would teach me that later. But I hadn’t met him yet.

My banishment had probably been decided after I convinced my youngest sister to pour her oatmeal into his shoes. Or maybe it was the WANTED TERRORIST poster into which I’d Photoshopped his picture. Whatever it was, I’d bet my game console that the boarding school was The Beard’s idea, even though my mother denies it to this day.

Of course Mum offered to deliver me personally to my new school and to stay for a few days in Salisbury “until you find your feet.” But I refused. I was positive she just wanted to soothe her guilty conscience because she was planning to go on to Spain with The Beard while I, on my own, would have to deal with totally new teachers, bad boarding-school food, and new classmates, most of whom were probably going to be stronger and way smarter than me. I’d never spent more than a weekend away from my family. I didn’t like sleeping in strange beds, and I definitely didn’t want to go to school in a town that was more than a thousand years old—and even proud of it. My eight-year-old sister would have loved to swap with me. She’d been reading Harry Potter, and she was desperate to go to a boarding school. I, however, had nightmares of children in hideous uniforms, sitting in dingy halls in front of bowls filled with watery porridge, watched by teachers with yardsticks.

I didn’t speak a word all the way to the station. I didn’t even give my mother a kiss good-bye after she had hoisted my suitcase onto the train. I was too afraid I’d collapse into a sobbing, childish mess in front of The Beard. I spent the entire train ride cutting and gluing ransom notes from old newspapers, threatening The Beard with all manner of terrible, painful deaths if he didn’t leave my mother immediately. The old man sitting next to me kept looking over with increasing alarm, but in the end I threw the letters away in the train’s lavatory. I told myself that my mother would probably figure out who’d composed those letters and that she would just end up preferring The Beard over me even more.

I know. I was in a pathetic state. The train ride lasted for one hour and nine minutes. That’s now more than eight years ago, and I still remember it perfectly. Bristol—Bath—Westbury. The train stations all looked the same, and with every passing mile I felt more banished. After half an hour I had devoured all the chocolate bars Mum had packed for me (nine, as I remember—she’d felt really guilty!). Every time I looked out the window and everything started looking blurry, I told myself it wasn’t tears but the rain running down the windowpane that distorted my vision.

As I said, pathetic.

While I was dragging my suitcase out of the train in Salisbury, I felt terribly young and at the same time aged by a hundred years. Banished. Homeless. Mother-, dog-, and sisterless. A curse on The Beard! I dropped the suitcase on my foot, sending a prayer to hell, begging for some contagious disease that affected only dentists vacationing in Spain.

Anger felt much better than self-pity. Also, it was useful armor against all the curious looks.

“Jon Whitcroft?”

In contrast to The Beard, the man who was taking the suitcase out of my hand and shaking my chocolate-covered fingers didn’t have even the shadow of a beard. Edward Popplewell’s round face was as hairless as mine (and caused him much distress, as I was soon to find out). His wife’s upper lip, however, was sprouting a dark mustache. Alma Popplewell’s voice was also deeper than her husband’s.

“Welcome to Salisbury, Jon!” she said, suppressing a little shudder as she pressed a handkerchief into my sticky fingers. “You can call me Alma, and this is Edward. We are the house wardens. Your mother told you we’d be picking you up, didn’t she?”

She smelled so intensely of lavender soap that I nearly gagged—or maybe it was the chocolate bars. Wardens… great! I wanted my old life back: my dog, my mother, my sisters (though I could have done without them), and my friends at my old school… no Beard, no beardless warden, and no lavender-soapy housemother.

The Popplewells were, of course, used to homesick newbies. As we left the station, Edward the Beardless placed his hand firmly on my shoulder, as if wanting to squash any thoughts of escape. The Popplewells didn’t drive. (There were some nasty rumors that this was due to Edward’s great love of whiskey and his firm belief that its regular consumption might yet sprout some stubble on his baby-smooth cheeks.) Whatever the reason, we went on foot, and Edward began to tell me as many facts about Salisbury as could be crammed into a thirty-minute walk. Alma interrupted her husband only when he mentioned dates, for those he confused quite often. But she might as well not have bothered. I wasn’t really listening anyway.

Salisbury. Founded in the damp mists of prehistory. Fifty thousand inhabitants and more than three million tourists who come every year to stare at its cathedral. The town welcomed me with pouring rain. The cathedral stuck its tower out from among the wet roofs of the city like a warning finger. Hear ye, Jon Whitcroft and all sons of his world. Thou art fools for believing your mothers love you more than anyone else.

I looked neither left nor right as we walked down a street that had already been there when the Black Death had last come through town. Somewhere along the way Edward Popplewell bought me an ice cream (“Ice cream tastes nice even in the rain, am I right, Jon?”), but in my world-weariness I didn’t even manage to squeeze out a “thank you.” Instead, I imagined spreading chocolate stains over his pale gray tie.

It was late September, and despite the rain the streets were packed with tourists. The restaurants were all offering fish-and-chips specials, and the window of a chocolate shop actually did look quite alluring, but the Popplewells steered straight toward the gate in the old city wall, which is flanked by little shops, all offering cathedrals, knights, and water-spitting demons cast in silvery plastic. It was the vista beyond the gate that had all the strangers with their garish backpacks and packed lunches filing down Main Street. I didn’t even lift my head as the Cathedral Close opened up in front of me. I didn’t give a glance to the cathedral and its rain-darkened tower, nor to the old houses that surround it like a clutch of well-dressed servants. All I saw was The Beard, sitting on our couch in front of our television, my mother to his right, my sisters to his left, fighting over who got to climb into his lap first, and Larry, the treacherous dog, rolled up by his feet. While the Popplewells were exchanging words above my head, arguing over the exact year in which the cathedral had been completed, I saw my deserted room and my deserted chair in my old classroom. Not that I’d ever particularly enjoyed sitting on it, but suddenly the thought of it nearly brought me to tears—which I quickly wiped away with Alma’s lavender-reeking (and now chocolate-brown) handkerchief.

Most of the memories of the day of my arrival are shrouded in thick mists of homesickness. Though if I try really hard, I can make out some blurry images: the gate of the old boardinghouse (“Built in 1565, Jon!” “Nonsense, Edward, 1685!”), narrow corridors, rooms that smelled of alienness, strange voices, strange faces, food that was so tainted with homesickness that I barely managed to keep even a few bites down….

The Popplewells put me in a three-bed room.

“Jon, these are Angus Mulroney and Stuart Crenshaw,” Alma announced as she pushed me into the room. “You’ll soon be best friends, I’m sure.”

Really? And what if not? I thought as I eyed the posters my new roommates had plastered all over the walls. Of course, there was one of that band I particularly hated. At home I’d had my own room, with a sign on the door: STRICTLY NO ADMISSION TO STRANGERS AND FAMILY MEMBERS. There, nobody had snored next to me or underneath me; there had been no sweaty socks on the carpet (except my own), no music I didn’t like, no posters of bands and football teams I despised. At that point my hatred for The Beard reached a level that would have been a credit even to Hamlet. (Not that I knew anything about Hamlet back then.)

Stu and Angus tried their best to cheer me up, but I was too despondent to even remember their names at first. I didn’t take any of the gummy bears they offered me from their top secret (and highly illicit) stash of sweets. When my mother called that evening, I left her in little doubt that she had sacrificed the happiness of her only son for that of a bearded stranger, and when I hung up, it was with the grim knowledge that she was going to be spending as sleepless a night as I.

Boarding school. Lights out at eight thirty. Luckily, I’d thought to pack my flashlight. I spent hours drawing gravestones with The Beard’s name on them, all the time cursing the hard mattress and the stupidly flat pillow.

Yes, my first night in Salisbury was pretty grim. The reasons for my deep sadness were, of course, pathetic compared to what was yet to come. But how could I have known that homesickness and The Beard would soon be the least of my problems? Since that time I have often asked myself whether there is such a thing as fate, and if there is, whether there’s a way to avoid it. Would I have ended up in Salisbury even if my mother hadn’t fallen in love again? Or would I never have met Longspee, Stourton, and Ella if it hadn’t been for The Beard? Maybe.



The next day I got to see my new school. It was only a quick walk from the boardinghouse across the Cathedral Close, and this time I at least gave the cathedral a sleepy glance as Alma Popplewell led me past it. The street behind it is lined with oak trees, and it resounded with the screams of terrifyingly awake first graders. Alma put a protective arm around my shoulder, which was quite embarrassing, especially when a group of girls walked past us.

The school grounds are at the end of the street, behind a wrought-iron gate that could easily tear your trousers when you climbed over it. On that morning, however, it was wide open. The crest on the gate shows just one disappointing white lily on blue ground. No dragons, or unicorns, or lions, like on the crest above the gate to the city.

“Well, this is, after all, also the royal crest of the Stuarts, Mr. Whitcroft!” Mr. Rifkin, my new history teacher observed drily after I complained about it a few days later. He then launched into a torturous hour of explaining how exciting heraldic animals would be entirely inappropriate for a cathedral school.

While my old school had resembled a concrete box, the new one was a palace. “Erected in 1225, as the bishop’s official residence,” Alma explained in a raised voice as she navigated us through a throng of noisy and disconcertingly large boys.

I was sick with fear, and I got very little comfort from picturing how I would hang The Beard from one of the huge trees that stand on the school’s lawn.

Alma continued her lecture while we crunched across the gravel toward the entrance. “The main building was erected in 1225. In the fifteenth century, Bishop Beauchamp had the east tower added. The facade is…” And so on and so forth. She even recited the names of countless bishops who had resided there. One of my new schoolmates later let me in on the secret that pelting the foreheads of the episcopal portraits that line the staircase is supposed to bring good luck on tests. It never worked for me, though. Anyway… of all the information Alma crammed into my weary head on that first morning, the only fact I recall is that behind one of the many windows James II got a nosebleed—so bad that he stayed in bed for days instead of facing William of Orange on the battlefield.

I didn’t learn much else on that first school day. I was far too busy trying to remember names and faces and not to get lost in the labyrinth of corridors and staircases. I had to face the facts that my schoolmates did not look starved and that I wouldn’t find any of those dark halls I’d seen in my nightmares. Even the teachers were bearable. However, none of that changed that I’d been banished, and so I returned to Angus and Stu in the evening with the same gloomy face I’d put on that morning in front of the bathroom mirror. I was the Count of Monte Cristo, who would one day return from the terrible prison island to take revenge on all those who had sent him there. I was Napoléon, banished to die a lonely death on Saint Helena. I was Harry, locked up under the Dursleys’ staircase.

The house in which I spent the dark nights of my banishment could not claim any stories about royal nosebleeds, even though it was also quite old. Its interior, however, had long been taken over by the twenty-first century: linoleum floors, bunk beds, washrooms, and a television room on the ground floor. The girls had the first floor; the boys lived on the second.

In our room, Angus was the uncontested inhabitant of the single bed. Angus was taller than I by at least a head; he was three-quarters Scottish (and never talked about the other quarter) and quite a good rugby player. And he was one of the Chosen, as we less fortunate ones called the choristers. They wore robes that were nearly as old as the Bishop’s Palace, they got excused from class to attend rehearsals, and they sang not only in the cathedral but also in such exotic places as Moscow and New York. (I was not surprised when I wasn’t picked at the auditions, but Mum was crushed. After all, my father had been a chorister.)

The wall over Angus’s bed sported photographs of his dog, his two canaries, and his tame turtle, but none of the human members of his family. When Stu and I finally got to meet them, we quickly realized that they actually didn’t look half as nice as the dog and the canaries, though Angus’s grandfather did bear some resemblance to the turtle. Angus slept under a mountain of fluffy toys, and he wore pajamas with dogs printed on them. I quickly found out that both of those facts were best left unmentioned, unless you were keen to learn firsthand what a “Scottish Hug” felt like.

Stu occupied the top bunk, leaving me the bottom one, with his mattress looming above. During the first nights the creaks and groans of Stu turning above kept yanking me out of my sleep. Stu was only marginally taller than a squirrel, and he had so many freckles that all of them barely fit on his face. And Stu was such a windbag that I quickly learned to appreciate the moments when Angus would just hold Stu’s mouth shut. Stu’s passions included neither stuffed toys nor doggy-print pajamas. He loved covering his scrawny body with fake tattoos, which he painted with permanent markers on every accessible bit of skin—although Alma Popplewell would mercilessly scrub them off at least twice every week.

The two of them did their level best to try to cheer me up, but making new friends just didn’t fit with my status of being banished and miserable. Luckily, neither Angus nor Stu took my gloomy silence personally. Angus himself still suffered bouts of homesickness, even though he was already in his second year of boarding there. And Stu was far too preoccupied with falling in love with every halfway-acceptable female at the school.

It was on my sixth night that I realized homesickness was going to be the least of my worries. Angus was humming in his sleep, some tune he was practicing for the choir. I lay awake, wondering once again who would be the first to give in: my mother, because she’d finally realize that her only son was far more important than a bearded dentist, or me, because I’d get tired of my leaden heart and beg her to let me come home.

I was just about to pull the pillow over my head to block out Angus’s sleepy singsong, when I heard horses snorting. I remember wondering, as I tiptoed toward the window, whether Edward Popplewell had taken to traveling to the pub on horseback. Angus’s humming, our clothes all over the floor, the cheesy nightlight Stu had put on the desk—none of those things could possibly have prepared me for seeing something scary in the soggy night outside.

But there they were.

Three riders. Very pale. As if the night air had gone moldy. And they were staring up at me.

Everything about them was drained of color: capes, boots, gloves, belts—and the swords hanging from their sides. They looked like men who’d had their blood sucked out by the night. The tallest one’s straggly hair hung down to his shoulders, and I could see the bricks of the garden wall through his body. The one next to him had a hamster face and, just like the third ghost, was so see-through that the tree behind him seemed to grow right through his chest. Their necks were marked with dark bruises, as if someone had tried to slice their heads off with a very blunt knife. But the most horrible thing about them was their eyes: burned-out holes filled with bloodlust. To this day those eyes scorch holes into my heart.

Their horses were as pale as the riders. Ashen fur hung from the animals’ skeletal bodies like tattered rags.

I wanted to cover my eyes so I wouldn’t have to see the bloodless faces anymore, but I was so scared that I couldn’t even lift my arms.

“Hey, Jon, what are you staring at out there?”

I hadn’t even heard Stu climb out of his bunk.

The tallest ghost pointed a bony finger at me, and his shriveled lips mouthed a silent threat. I stumbled back, and Stu pushed in next to me and pressed his nose against the windowpane.

“Nothing!” he observed disappointedly. “I can’t see anything.”

“Leave him alone, Stu!” Angus muttered sleepily. “He’s probably sleepwalking. Sleepwalkers go bonkers when you talk to them.”

“Sleepwalking? Are you blind?” In my panic I talked so loudly that Stu shot a worried glance toward the door. Luckily, the Popplewells were sound sleepers.

The ghost with the hamster face grinned at me. His mouth was a gaping slit in his pale face. Then he drew his sword, slowly, very slowly. Blood started dripping from the blade, and I felt a pain in my chest so sharp it made me gasp for breath. I fell to my knees and crouched, shivering, under the windowsill.

I can still feel that fear. And I always will.

“Jon! Go back to sleep!” Stu shuffled back toward the bed. “There’s nothing out there, ’cept for a bunch of rubbish bins.”

He really couldn’t see them.

I plucked up all my courage and peered over the windowsill.

The night was dark—and empty. The pain in my chest had gone, and I felt like an idiot.

Great, Jon, I thought as I crawled back under the scratchy blankets. Now you’re officially going crazy. Maybe it was all a hallucination because I’d barely eaten anything except Stu’s gummy bears.

Angus started humming again. I got up a few more times and crept back to the window, but all I saw out there was the deserted street in front of the floodlit cathedral. Finally I managed to fall asleep, having made myself a solemn promise to try to force down at least some of the school’s food from then on.



The next morning I was so tired that I barely managed to tie my shoes. Angus and Stu exchanged a worried look as I went to the window to stare down at the wall where I had seen the ghosts. Yet none of us said a word about what had happened during the night. At breakfast I ate as much oatmeal as I could without throwing up, and then I decided to forget about the whole thing.

By lunchtime I was already back to thinking about The Beard roasting in the Spanish sun with my mum, and by the afternoon a grammar test had made me forget the three pale figures completely.

It was just beginning to get dark when Mr. Rifkin, as he did every evening, gathered the boarders in front of the school to guide us across the sparsely lit Cathedral Close and back into the care of Alma and Edward Popplewell. None of us liked Rifkin. I believe he didn’t even really like himself. He wasn’t much taller than any of us, and he would always eye us with a sour face, as if we were causing him a permanent toothache. The only thing that made Mr. Rifkin happy was old wars. He’d enthusiastically grind through at least a dozen sticks of chalk as he sketched on the blackboard the deployment of troops in some famous military encounter or the other. That, as well as his vain attempts to comb his sparse hair over his bald skull, had earned him the nickname Bonapart. (Yes, I know there’s an e missing—French spelling was not our thing.)

On the lawn in front of the cathedral, the floodlights were just coming on. They bleached the walls, as if someone had rinsed them with moonlight. At that time of evening, the Cathedral Close was nearly empty, and Bonapart impatiently herded us past the rows of parked cars. The air was cool, and while we were all shivering in the damp breeze of an English evening, I wondered whether The Beard had already gotten sunburned and whether that would make him less attractive to my mother.

The three riders were by then no more than a bad dream, washed from memory by the light of day. They had not forgotten about me, however. And this time they made it very clear that they were more than figments of my overactive imagination.

The school’s boardinghouse does not stand right on the street. It lies at the end of a broad footpath that branches off the road and leads past a couple of houses toward a gate, beyond which lie the house and its garden. And it was next to that gate that they were waiting for me. They were sitting on their horses, just as they had the night before. Only this time there were four of them.

I stopped so abruptly that Stu stumbled into my back.

Of course, he couldn’t see them. Nobody saw them. Except me.

The fourth ghost made the other three look like homeless thugs. His gaunt face was stiff with pompous pride, and his clothes clearly had once been those of a rich man. Yet he also wore iron chains around his wrists and a noose around his neck.

He was so horrible to look at that all I could do was stare at him. Bonapart, however, didn’t even turn his head as he walked right past the specter.

As I stood there, unable to move a limb, I heard a whisper inside my head: Go on, Jon Whitcroft, you might as well face it. Why do you think nobody else can see them? They are after you, and only you!

But why? I screamed back in my head. Why me? What do they want from me?

A raven cawed on a nearby roof, and the ghost leader spurred his horse, as if the bird’s hoarse cry had given him a signal. The horse reared with a hollow whinny, and I turned and ran.

I’m not a good runner. That night, however, I was running for my life. Thinking back, I can still feel my heart racing and the searing pain in my lungs. I ran past the old houses that stand in the shadow of the cathedral as if they seek protection from the clamoring world outside the walls; I ran past parked cars, lit windows, and locked gates. Run, Jon! Behind me hoofbeats rang out across the darkening close, and I thought I could feel the demonic horses breathing down my neck.

“Whitcroft!” Bonapart screamed my name. “Whitcroft, what the devil is going on? Stop immediately!” But it was the devil who was after me, and then I suddenly heard another voice… if that’s what you could call it.

I heard it in my head and my heart. Hollow, hoarse, and so savage that it felt like a blunt knife being driven right through me.

“Yes! Run, Hartgill!” the voice taunted me. “Run! We love nothing better than hunting down your filthy brood. And none of you have evaded us yet.”

Hartgill? That was my mother’s maiden name. Not that they looked as if they’d care about such details. I stumbled on, sobbing with terror. The tall one with the straggly hair was cutting me off, and the other three were right behind me. To my right was the cathedral, its tower reaching toward the stars.

Maybe I ran toward it because it looked as if nothing would ever penetrate its walls. The wide lawn that surrounds it was wet from the rain, and I slipped with every step, until I finally ended up on my knees, gasping for air. I curled up on the cold ground, shivering, wrapping my arms over my head as if that could make me invisible to my pursuers. An icy cold enveloped me like a fog. I heard a horse neighing above me.

“A kill without a hunt is only half the sport, Hartgill!” the voice whispered in my head. “Though the hare always ends up dead.”

“My… my name is… Whitcroft!” I stammered. “Whitcroft!” I wanted to strike out and kick, send those white corpses back to hell, or wherever they’d come from. Instead, I crouched on the wet grass and nearly threw up.

“Whitcroft!” Bonapart was leaning over me. “Whitcroft, get up!”

Never had I been happier to hear a teacher’s voice. I buried my face in the grass and sobbed—this time with relief.

“Jon Whitcroft! Look at me.”

I did as Bonapart told me. He looked at my tear-streaked face and quickly fished a handkerchief from his pocket. I reached for it with trembling fingers before carefully peering past him.

The ghosts had gone. As had the voice. But the fear was still there, sticking to my heart like soot.

“Heavens! Whitcroft! Get yourself on your feet already!” Bonapart pulled me up. The other kids were standing by the edge of the lawn, their wide eyes staring at us.

“I can only pray you have an explanation for this pointless sprint through the night?” Bonapart asked, eyeing my muddy pants with obvious disgust. “Or were you trying to prove how fast you can run?”

Puffed-up bastard.

My knees were still shaking, but I tried my best to sound reasonable as I answered him. “There were four ghosts. Four ghosts on horses. They… they were after me.”

The whole thing sounded idiotic, even to my ears. I was so embarrassed, I wished the damp lawn would swallow me up on the spot. Fear and shame. Could it get any worse? Oh, yes, Jon. It could—and it would.

Bonapart sighed. He glanced at the cathedral with a look of deep exasperation, as if it had been the old church itself that had suggested the story to me.

“Fine, Whitcroft,” he said, pulling me rather roughly back toward the street. “It seems to me you’ve had an unusually intense bout of homesickness. Maybe those ghosts ordered you to run right home. Did they?”

We had reached the others again, and one of the girls started giggling. The rest, however, all gave me worried looks, just as Stu had the night before.

I should have bitten my tongue, swallowed my rage over so much blindness and unfair mockery. But I’ve never been very good at swallowing—still haven’t learned it.

“They were there! I swear! How is it my fault that nobody else can see them? They nearly killed me!”

A leaden silence descended on the group. Some of the younger kids inched away from me, as if my madness might be contagious.

“Very impressive!” said Bonapart, his stubby fingers clamped firmly on my shoulder. “I hope you’ll show as much imagination in your next history test.”

Bonapart only let go of my shoulder when he’d delivered me to the Popplewells. Luckily, he didn’t say a word to them about what had happened. Stu and Angus were very quiet during the rest of the evening. By then they were convinced they were sharing their room with a madman, and they were beginning to worry about what was going happen once I completely lost my mind.



That night, despite everything, Angus and Stu slept soundly, whereas I of course couldn’t sleep a wink. In my desperation I even thought about calling my mother. But what was I going to tell her? Mum, forget about Spain. Four ghosts are hunting me, and their leader called me Hartgill and threatened to kill me? No. She would tell everything to The Beard, and there was probably not a single dentist on this planet who believed in ghosts. He would just convince her that this was another one of my ploys to make her life difficult.

Get used to it, Jon Whitcroft, I told myself. Looks like you’re not going to be alive to see your twelfth birthday. And while the sun rose I was wondering whether, after they killed me, I would also turn into a ghost, haunting Salisbury until the end of time, scaring Bonapart and the Popplewells. It’s quite likely, Jon, I told myself, but first you have to make sure of one thing: that you don’t become the joke of the whole school. Not that it should have really mattered to someone who was going to be dead soon, but I’ve never been good at being laughed at.

The next morning I told Angus and Stu that I’d only made up that whole ghost story to fool Bonapart. Both looked at me with great relief (after all, who likes to share a room with a lunatic?), and Stu’s concern immediately turned into admiration. During breakfast he spread around my new version of events so successfully that, later, while Bonapart was trying to explain Richard the Lionheart’s strategy during the attack on Jerusalem, two fourth graders started screaming, claiming that they could see his royal ghost, covered in blood, standing by the blackboard. For that they got to join me for detention in the library. At least I was no longer considered crazy but actually some sort of a hero.

If only I could have felt like one. Instead, my fear nearly choked me. During lunch, while all the others were gorging themselves on meat loaf and mashed potatoes, I stared out of the window, wondering whether this gray September day was going to be my last.

I tried to force down a bit of meat loaf, telling myself that I wouldn’t be able to run if I starved myself. Suddenly a girl sat down opposite me.

The meat nearly went down the wrong pipe.

That just did not happen. Ever. Girls my age usually stayed well clear of boys. Even the younger girls constantly felt the need to show us older boys how childish they thought we were.

She wasn’t one of the boarders, but I had seen her a few times around the school. Her most striking feature was her long dark hair. It fluttered around her like a veil whenever she walked.

“So, there were four?” she said casually, as if asking me about the food on my plate (and there really wasn’t much to talk about there).

She eyed me intently, as though she were measuring me inside and out. Only Ella can look at someone like that. But I didn’t know her name yet back then. She hadn’t introduced herself. Ella never wastes time with unnecessary words.

Despite having two sisters, I wasn’t very good at dealing with girls. My sisters may have actually made that worse. I just didn’t know what to talk to them about. And on top of that, Ella was pretty—something that would bring an embarrassingly red blush to my face. (Luckily, that’s under control now.) So, anyhow, I began to recite my Bonapart prank story. But one cool glance from her made the words die right there on my lips.

She leaned over the table. “Keep that version for the others,” she said in a low voice. “What did they look like?”

She wanted to hear the truth. I couldn’t believe it. But no matter how much I wanted to talk to someone about it, she was a girl! What if she laughed at me? What if she told all her girlfriends that Jon Whitcroft was an imbecile who actually believed in ghosts?

“They looked dead. How else would they look?” I avoided looking at her by staring down at my fingernails—only to notice that they were dirty. (The presence of a girl makes you notice things like that.) Why the heck wasn’t she embarrassed? I gave myself the answer: Because her kind doesn’t get embarrassed like you, you idiot. They also don’t start stammering as if they’d forgotten how to talk.

“What were they wearing?”

Well, if that wasn’t a typical girl-question. Ella took my fork and began to eat my mashed potatoes.

“Old-fashioned stuff,” I muttered. “Boots, swords…”

“What century?” Ella took another forkful of potatoes.

“What century?” I was flabbergasted. “How would I know? They looked like they climbed out of some damn painting.” (Stop cursing, Jon! I started swearing whenever I became self-conscious. My mother had tried for years to get me to stop.)

“Could you see through them?”

“Yes!” It felt so good to finally talk to someone about the ghosts. Even though I was still struggling with the fact that it was a girl I was talking to.

Ella took in my description as coolly as if I’d been describing our school uniform. “And?” she asked. “Anything else?”

I looked around, but nobody was paying attention to us. “They had bruises on their necks,” I whispered across the table. “As if… as if they’d all been hanged. Their leader still has the noose around his neck. And they want to kill me. I know it. They said so.”

I admit I expected that piece of information to impress her. But Ella just raised her eyebrows a little. They were very dark eyebrows. Darker than dark chocolate.

“That’s nonsense,” she observed drily. “Ghosts can’t kill anyone. They just can’t.”

This time I blushed with anger, which wasn’t any less embarrassing.

“Well that’s great, then!” I hissed at her. “I’ll let them know the next time they chase me across the close.”

A few third graders at the neighboring table turned toward us. I shot them what I hoped was an intimidating look. I lowered my voice again. “And why,” I breathed, while Ella, still perfectly calm, helped herself to another forkful of my potatoes, “did one of them have blood dripping from his sword when I saw them the first time?”

Ella made an unimpressed shrug. “They like doing that sort of thing,” she said in a perfectly bored voice. “Blood… bones… it means nothing.”

“Oh? Thanks for the insight!” I barked at her. “You seem to know everything about the blasted ghosts in this town. But where I come from it’s not at all normal to see them outside your window, pointing bloody swords at you!”

Now the whole dining hall was staring at me.

Ella, however, just gave me one of her Jon Whitcroft, you’re really getting all worked up about nothing looks that I would come to recognize all too well.

“Well, looks like you’re in trouble,” she said, pushing back her chair. And without looking around once more, she returned to the table where her friends were eating.

I must have looked particularly stupid as I stared after her, because Stu and Angus exchanged a worried glance before they set their trays down on my table.

“Don’t tell me you’re seeing ghosts down here as well,” Stu said.

“Yes, you’d better watch out. There’s one on the chair you’re about to sit on,” I growled back at him.

Ella got up to return her tray to the kitchen. I nodded in her direction. “Does either one of you know that girl? The one with the long dark hair?”

Angus looked at her and lowered his voice. “That’s Ella Littlejohn. Her grandmother does ghost tours for tourists. My dad says the old lady’s a real witch. I mean, she’s supposed to have tame toads in her garden and everything!”

Stu snorted disdainfully.

“What’s so funny?” Angus hissed. Ella was walking out of the dining hall with some of her friends. “Dad says her grandmother has put a curse on at least four people.”


Excerpted from Ghost Knight by Funke, Cornelia Copyright © 2012 by Funke, Cornelia. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Cornelia Funke is a multiple award-winning German author, best known for writing the Inkworld trilogy as well as The Thief Lord. The Inkworld books, which have won the 2003 Mildred L. Batchelder Award as well as the 2004 and 2006 BookSense Book of the Year Children's Literature Awards, have gained incredible attention and Funke has been dubbed the "German J.K. Rowling." She currently lives in Los Angeles, California.

Brief Biography

Los Angeles, CA
Date of Birth:
December 10, 1958
Place of Birth:
Dorsten, Germany
University of Hamburg

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