Children (and adults) who were captivated by Gerstein's lyrical prose and swirling-moving-breathing illustrations in The Mountains of Tibet will find it easy to slide between the covers of this tale of three friends, Amelia, Reina and Clara. Dancing through life, as girls that age will, they come across a giant. In great glee, and with profound disregard for both his feelings and their own safety, they proceed to do their best to attract his attention. It's all a game-or is it? As in Mountains, Gerstein mixes sorrow and joy with casual artfulness, much the way life itself does. This is an intriguing work that contributes to moving the picture book into a plane beyond immediate amusement. It deserves to be read and reread, questioned and ruminated upon. So who is that giant, anyway?
School Library Journal
Gr 2-4Amelia, Reina, and Clara often slip away through the woods and across the meadows to the ravine where a giant tends his garden. They perch on a ledge and call out to him, trying to guess his name. They believe that when they guess correctly, he will notice them. One day, to their combined delight and dismay, he hears them. When he reaches for them, they run away, frightened and excited. They return home, transformed in a way they cannot explain even to themselves, and are more aware of their connection to the world around them. Gerstein's tale is haunting, moody, and poetic and resonates on many levels. Very young children may be puzzled by the ambiguity of the story, particularly the ending, in which the girls realize that the lonely sound they hear every night is the giant weeping. This tale is better shared with older readers who will be able to relate to the characters' experiences and emotions and to appreciate the imaginative and vividly written narrative, which gains depth with subsequent readings. The delicate paintings, rendered in acrylics, are full of motion and color, with contrast provided by the stolid-seeming giant. The small format suits the story perfectly, and the book is best appreciated independently or one-on-one.Donna L. Scanlon, Lancaster County Library, PA
Mordicai Gerstein was already a talented children’s book illustrator when he decided to start writing children’s books of his own. Since then, he has released dozens of titles and has won nearly as many awards for his stories of childhood innocence, spiritual exploration, and imagination gone wild. His biographical story of tightrope walker Philippe Petit won the 2004 Caldecott Medal, making The Man Who Walked Between the Towers the most distinguished American picture book for children in 2004.
Mordicai Gerstein has always been an artist. As a child, he enjoyed painting and eventually graduated from art school in Los Angeles. He continued painting in New York City and supported himself and his family for 25 years by designing and directing animated television commercials. He says, "I had always loved cartoons, especially Bugs Bunny, and I found I enjoyed making animated films. Even a 30-second commercial involved drawing and painting, storytelling, not to mention actors, music, and sound effects."
During the 1960s, Gerstein made several films that received critical acclaim. In 1966, The Room won the Award of the Film Clubs of France at the International Festival for Experimental Film, and in 1968, The Magic Ring won a CINE Golden Eagle.
His career took a dramatic turn when he met children's author Elizabeth Levy in 1970. He has illustrated her Something Queer Is Going On chapter books ever since, and it was Levy and her editor who encouraged Gerstein to write a book on his own. His debut came in 1983 with Arnold of the Ducks, the story of a young boy who gets lost in the wild and is raised by ducks. The New York Times hailed Gerstein's freshman effort as one of the year's best children's books, and he went on to write two more volumes exploring the theme of feral childhood. In 1998 he released The Wild Boy, a picture book based on the true story of a young 18th-century French boy who was found living in the woods and was put on display as an oddity, only to escape and be captured again years later. That same year, Gerstein released Victor, a young adult novel about the same boy.
Gerstein tells the story is of a Tibetan woodcutter who is given a choice between reincarnation or heaven in The Mountains of Tibet, which received the distinction of being one of 1987's ten best illustrated books of the year, according to The New York Times. Although the book is written for kids around age seven, Gerstein approaches the subject of death with a bold, sensitive plot and elegant illustrations. Spirituality is a major theme in many of Gerstein's books. He has interpreted tales from the Bible in Jonah and the Two Great Fish (1997), Noah and the Great Flood (1999), and Queen Esther the Morning Star (2001). Other titles such as The Seal Mother (1986), The Story of May (1993), and The Shadow of a Flying Bird (1994) also express Gerstein's reverential awe for the world.
Young readers can also stretch their imaginations with Gerstein's more playful books. Vocabulary is fun in The Absolutely Awful Alphabet (1999), where the letter P is actually a particularly putrid predator! Bedtime Everybody! (1996) has a young girl's stuffed animals planning a bedtime picnic. Behind the Couch (1996) takes readers on an exciting caper into an unknown world of grazing dust balls, Lost Coin Hill and the Valley of the Stuffed Animals. In Stop Those Pants (1998), a boy is forced to play hide-and-seek with his clothes as he gets ready for the day. Gerstein pays tribute to American composer Charles Ives in What Charlie Heard (2002), the story of a boy's unique talent for interpreting all the sounds of daily life.
Another biographical picture book, The Man Who Walked Between the Towers (2003) tells the story of Philippe Petit, the daredevil who walked across a tightrope suspended between New York City's World Trade Center towers in 1974. The book won the Caldecott Medal in 2004, and parents have praised the book as an invaluable tool for talking to their children about the events of 9/11.
Many of Gerstein's children's books are destined to be classics. His style of writing and illustration brings each of his stories to life, shows a passion for adventure, and relishes the joy that comes from understanding the mysteries of the world.
Good To Know
Despite a successful career illustrating children's books, the first book Gerstein wrote, Arnold of the Ducks, was turned down by seven publishers. Eventually, The New York Times called it one of the best children's books of the year.
Gerstein was inspired to writeThe Mountains of Tibet after reading The Tibetan Book of the Dead.