Giant Steps [Deluxe Edition]

( 2 )

Editorial Reviews

All Music Guide - Lindsay Planer
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane tenor sax is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of ...
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Editorial Reviews

All Music Guide - Lindsay Planer
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane tenor sax is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan piano and Art Taylor drums, as well as Paul Chambers -- who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly piano and Jimmy Cobb drums were instated -- replicating the lineup featured on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos -- the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound." Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre -- turning it into the equivalent of easy listening. He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of "Countdown" does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral "Naima" was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty. Both Giant Steps [Deluxe Edition] and the seven-disc Heavyweight Champion: The Complete Atlantic Recordings offer more comprehensive presentations of these sessions. [Outside of the five bonus tracks that had become standard on the CD release of this album, three more have been appended to the 1998 reissue: two more alternate takes of "Giant Steps" and a second alternate take of "Naima"]
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Product Details

  • Release Date: 11/4/2003
  • Label: Rhino
  • UPC: 081227520311
  • Catalog Number: 75203
  • Sales rank: 148,825

Tracks

Disc 1
  1. 1 Giant Steps (4:47)
  2. 2 Cousin Mary (5:49)
  3. 3 Countdown (2:25)
  4. 4 Spiral (6:02)
  5. 5 Syeeda's Song Flute (7:05)
  6. 6 Naima (4:25)
  7. 7 Mr. P.C. (7:03)
  8. 8 Giant Steps (3:44)
  9. 9 Naima (4:31)
  10. 10 Cousin Mary (5:50)
  11. 11 Countdown (4:37)
  12. 12 Syeeda's Song Flute (7:11)
  13. 13 Giant Steps (3:31)
  14. 14 Naima (3:27)
  15. 15 Giant Steps (4:51)
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Album Credits

Performance Credits
John Coltrane Primary Artist, Tenor Saxophone
Tommy Flanagan Piano, Tenor Saxophone
Wynton Kelly Piano, Tenor Saxophone
Art Taylor Drums
Cedar Walton Piano, Tenor Saxophone
Jimmy Cobb Drums
Paul Chambers Bass
Lex Humphries Drums
Technical Credits
John Coltrane Composer
Tom Dowd Engineer
Nesuhi Ertegun Producer
Nat Hentoff Liner Notes
Phil Iehle Engineer
Stephen Innocenzi Mastering
Marvin Israel Cover Design
Lee Friedlander Cover Photo
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Customer Reviews

Average Rating 5
( 2 )
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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    The Rebirth of Giant Steps

    The traditional art of music wouldn't be the same without the symphonies and melodies of Mozart. The majesty of literature wouldn't be the same without the powerful muse of Shakespeare. And the history of jazz wouldn't be the same without Duke Ellington, Louis Armstrong, Billie Holiday, Miles Davis, and the undefinitive jazz of John Coltrane. His album, Giant Steps, is a classic. No collection wouldn't be the same without Giant Steps.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 30, 2008

    No text was provided for this review.

Sort by: Showing all of 2 Customer Reviews