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Fans of intelligent page-turners will be more than satisfied by Larsson's second thriller, even though it falls short of the high standard set by its predecessor, The Girl with the Dragon Tattoo, which introduced crusading journalist Mikael Blomkvist and punk hacker savant Lisbeth Salander. A few weeks before Dag Svensson, a freelance journalist, plans to publish a story that exposes important people involved in Sweden's sex trafficking business based on research conducted by his girlfriend, Mia Johansson, a criminologist and gender studies scholar, the couple are shot to death in their Stockholm apartment. Salander, who has a history of violent tendencies, becomes the prime suspect after the police find her fingerprints on the murder weapon. While Blomkvist strives to clear Salander of the crime, some far-fetched twists help ensure her survival. Powerful prose and intriguing lead characters will carry most readers along. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Lisbeth Salander, the antisocial but brilliant computer hacker who helped journalist Mikael Blomkvist uncover a serial killer on a remote Swedish island in Larsson's acclaimed The Girl with the Dragon Tattoo, takes center stage in this second volume of his "Millenium" trilogy. Opening 18 months after the events of the first book, the novel finds our heroine lounging by the pool at a Caribbean hotel, reading a math textbook, and watching a woman who may be a victim of domestic abuse, while in Sweden, Blomkvist, bewildered by Salander's abrupt disappearance from his life, is set to publish a magazine exposé on the sex trade. Impatient readers may chafe at this seemingly irrelevant prolog, but like the mathematical puzzles Salander enjoys solving, there is a logic to the clues that Larsson carefully drops—integral to understanding his protagonist as we gradually learn her back story. The main plot takes off with the murders of Salander's legal guardian and the two writers of the article, and her fingerprints are found on the gun used in the killings. VERDICT Although the pace slows when the police investigation takes precedence and Salander briefly disappears from the action, we are well-rewarded in the exciting final section when she finally confronts her dark past. This is complex and compelling storytelling at its best, propelled by one of the most fascinating characters in recent crime fiction. Eager fans will placing library holds for the final volume, The Girl Who Kicked the Hornets' Nest, scheduled for a 2010 U. S. publication. [See Prepub Alert, LJ4/1/09; see also the Q&A with Knopf editor in chief Sonny Mehta and executive director ofpublicity Paul Bogaards on p. 60.—Ed.]—Wilda Williams, Library Journal
While it's not critical to have read the opening volume, The Girl with the Dragon Tattoo, before picking up this one, it's a good idea. That's where readers will get a solid introduction to Larsson's magnetic protagonists: the crusading investigative journalist Mikael Blomkvist ofMillennium magazine, and the anarchic punk computer hacker Lisbeth Salander. While the first novel was mostly Blomkvist's story, the second belongs to Salander, answering some questions about her quicksilver personality while raising many more.
A notable difference between the two books is that the first, while teeming with characters in a complicated plot amid an exotic (to Americans, anyway) Nordic milieu, respectfully adhered to a fairly traditional structure. As Blomkvist himself noted in Dragon Tattoo, the puzzle was "a sort of locked-room mystery in island format," of the kind popularized by classic crime writers like Dorothy Sayers. In contrast, the second novel blows many such conventions all to heck, and part of the joy here is the shared exhilaration in -- and indeed complicity with -- the author's playful insubordination.
Larsson's biggest new tweak is his focus on Lisbeth Salander as heroine. While there are plenty of female crime novelists who've created male detective heroes -- Christie and Poirot; Sayers and Wimsey; James and Dalgliesh; Rendell and Wexford -- it's the rare male mystery writer who presents a female sleuth as his central character.
And what a character Salander is. She looks like a skinny, sulky, 14-year-old club kid, aggressively festooned with tattoos and piercings; she's in fact 26, with a photographic memory, a passion for esoteric math, and membership in a shadowy international band of computer hackers. Unbothered by any notions of social courtesy, she's nevertheless possessed of a steely sense of justice that "did not always coincide with that of the justice system." She's also had some training with a world-class boxer, attempting to compensate for her tiny frame with swift reflexes and a never-say-die fighting style.
But just when we might start thinking Lisbeth is some kind of Lara Croft crime-fighting hologram, Larsson steers us toward her vulnerabilities. Piecemeal, he drops clues that invite readers to form a patchy construct of her troubled life. As the author hinted throughout Dragon Tattoo, Lisbeth suffered through a traumatic childhood and spent several of her early teen years in a psychiatric clinic for children in Uppsala. Since then, she's been forced to defend herself against more than one vicious misogynist, including her legal guardian, Nils Erik Bjurman, a sexual predator whose attack on Lisbeth and her subsequent revenge were meticulously chronicled in Dragon Tattoo.
During a life consumed with self-protection, Lisbeth has yearned for trusting contact while at the same time doubting its legitimacy. As the new book opens, she has abandoned two sexual relationships that might have offered her true intimacy: most recently with journalist Mikael Blomkvist and before that with Miriam Wu, a lesbian sociology student and co-owner of an S&M boutique, whom Lisbeth had left for Blomkvist without a word of apology.
Now, it seems, Lisbeth's worst suspicions about human nature are once again confirmed. A freelance journalist and his criminologist girlfriend have been shot dead in their apartment in Stockholm's Enskede district. The couple was about to publish some incendiary findings about the trafficking of underage eastern European prostitutes in Sweden that would implicate a number of prominent lawyers, policemen, and journalists. The articles were scheduled to appear in Blomkvist's Millennium magazine. And the murder weapon, found on the apartment building's cellar stairs, carries the fingerprints of Lisbeth Salander.
As if this weren't damning enough, the body of a third murder victim is soon discovered: it's Lisbeth's detested legal guardian, Nils Bjurman. At this point, both the police and the frenzied media are certain they have an easy investigation on their hands, with Salander as the prime suspect. Fueled by misinformation, "the police appeared to be hunting for a psychotic lesbian who had joined a cult of sadomasochistic Satanists that propagandized for S&M sex and hated society in general and men in particular."
We're pretty sure that Lisbeth is none of those things. Nor is she a prostitute, or retarded, as some are eager to claim. But what do we really know about Lisbeth and her past? Larsson encourages readers to defend her, along with Blomkvist and her former boss at a private security company called Milton, who reminds an investigating policeman, "Files are one thing. People are something else." But how do we know she isn't guilty? As Salander herself notes while hiding from the police and conducting her own secret inquiry, "Nobody was innocent. There were only varying degrees of responsibility."
At varying points in the story, Lisbeth is not only the chief suspect but also a principal sleuth, a key victim, and a potential motive for the murders. In the meantime, along with Lisbeth and the police, others are conducting their own parallel investigations, including the Millennium staff, members of Milton Security, and the media. "Whatever the Enskede murders had been about," observes the veteran police inspector on the case, "it was much more complicated than they had supposed."
So where is the joy in this big, dark, messy, imperfect book? It's in the author's invitation to make the reader as complicit here as anybody else, and in his cheeky defiance of crime-novel conventions. It's in the mix of stylistic elements: the real and the hyper-real, the surfaces and the depths, the ever-fixed and the ever-changing. And it's in Larsson's captured thrill of merely being alive in this big, dark, messy, imperfect world, even when things are looking truly hopeless.
At one point while on the run, Lisbeth makes off with a thug's motorcycle and finds herself on the open highway, grinning with irrational exhilaration. We watch her go: a tiny, besieged young woman, trying to maneuver a powerful Harley toward an unclear future, having the time of her life. And somehow, whoever we are or might imagine ourselves to be, we know exactly how she feels. --Donna Rifkind
Donna Rifkind's reviews appear frequently in The Washington Post Book World and the Los Angeles Times. She has also been a contributor to The New York Times Book Review, The Wall Street Journal, The Times Literary Supplement, The American Scholar, and other publications. In 2006, she was a finalist for the Nona Balakian Citation for Excellence in Reviewing from the National Book Critics Circle.
1. Have you read The Girl with the Dragon Tattoo? How did your knowledge—or lack of knowledge—about that novel affect your reading of this one?
2. Discuss the prologue. What did you think was going on? At what point did you fully understand it?
3. On page 26-27, Larsson writes, “Within mathematics, assertions must always be proven mathematically and expressed in a valid and scientifically correct formula.” What does this have to do with the plot of the novel? Why is Salander so intrigued by mathematics?
4. Outwardly, Salander is supremely self-assured. Why does she have breast augmentation surgery?
5. Ultimately, does Salander's agreement with Nils Erik Bjurman pay off? In what ways?
6. Revenge is a major theme of the novel. Who seeks it, and what are the results?
7. Discuss gender politics as they affect the plot: the treatment of Salander, Erika Berger, Miriam Wu, Sonja Modig, and the trafficking of Eastern European women. What do you think Larsson was trying to say about the role of women in society?
8. On page 131, Berger thinks about Blomkvist: “He was a man with such shifting traits that he sometimes appeared to have multiple personalities.” Given that the reader is allowed inside Blomkvist's head, does this seem like an accurate description to you? How is Berger right in her assessment, and how is she wrong?
9. Twice in the novel, Salander and Blomkvist refer to his assertion that “friendship is built on two things—respect and trust.” Who is a true friend to Salander? Is she a true friend to anyone? What about Blomkvist? Is he a good friend to Salander, to Berger, and to others?
10. Discuss the arrangement agreed to by Berger, Blomkvist, and Gregor Beckman. How does this benefit each of them? Does it hurt them?
11. When Dag Svensson and Mia Johansson were murdered, what was your first response? Who did you think was the killer? Who did you think was Bjurman's killer?
12. Why does Blomkvist give Salander the benefit of the doubt, when so many others don't?
13. When newspaper articles begin to appear featuring interviews with long-ago acquaintances of Salander, did it change your perception of her character? Discuss the nature of truth in these instances: is it possible both sides were remembering accurately?
14. Discuss Dr. Peter Teleborian. What role does he play, and why?
15. Why does Berger put off telling Blomkvist about her new job? What will the ramifications of the new job be?
16. On page 403, Salander thinks, “There are no innocents. There are, however, different degrees of responsibility.” What is the significance of this statement? How does Salander use this notion to guide her actions?
17. On page 580, Blomkvist calls Salander “the woman who hated men who hate women.” Is this an accurate assessment? How did she end up this way? How does it affect her behavior?
18. In what ways is Salander like her father and half brother? In what ways is she different?
19. Toward the end of the novel, does Blomkvist do the right thing by having Berger deliver only part of the story to Jan Bublanski and Modig? What do you think he should have done?
20. Holger Palmgren tells Dragan Armansky on page 614, “What happens tonight will happen, no matter what you or I think. It's been written in the stars since [Salander] was born.” Why does he feel this way? Is he right? How does his inaction affect the outcome of the story?
21. Discuss the ending. Were you satisfied? What more, if anything, would you like to have had happen?
22. If Stieg Larsson were still alive, what one question would you most like to ask him?
(For a complete list of available reading group guides, and to sign up for the Reading Group Center enewsletter, visit www.readinggroupcenter.com)
I was quite fortunate to have been provided with an advance reader's copy of "The Girl Who Played with Fire." I had read, and loved, the first volume of this trilogy, "The Girl with the Dragon Tattoo." I am happy to report that I loved this second part of the story even more than the first.
The book, like the first installement, is quite formidable in size, as it encompasses more than 500 pages. Nonetheless, I tore through it in three nights. I just could not put this book down; I had to reach the conclusion, searching for answers to so many puzzles posed during the narrative. I found that the author again managed to write a most exciting, intriguing action story, while skillfully interweaving strong social commentary, particularly as against prostitution, the sex trade, and the horrid treatment of impoverished women with an utter lack of hope in their lives.
The story reunites the reader with Lisbeth Salander, the fire-playing, tattoo-wearing young woman, who has to be one of the most unique fictional characters ever created. Mikael Blomkvist, an honest, dedicated journalist also again commands our attention as the other leading protagonist in the novel. The book ends with quite a stunning turn of events (no spoiler here), which left me literally saying, "WOW!"
I most heartily recommend this book. Again, the tragedy of the premature death of the author is truly felt.
99 out of 105 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Swedish Millennium magazine publisher and reporter Mikael Blomkvist is considering an exposé of the extensive sex trafficking trade in Eastern Europe. He knows the article will cause a stink in Sweden when the elite are exposed as participants. However, just before the release of the damaging report, the lead journalists are murdered and the evidence including fingerprints on the weapon point to Lisbeth Salander.
With an outraged cry from the media and the government, some of whom headline the dead reporters' sex trafficking article, to hunt down this vicious killer, Salander knows she must put aside her beach reading of Fermat to uncover the real culprit. Blomkvist knows the tattooed Salander is innocent and using his investigative skills as a crusader he also begins making inquiries.
The second Blomkvist and Salander Swedish thriller is a super whodunit that brilliantly combines action-packed sequences with cerebral treatises. The story line is fast-paced from the opening salvo and never slows down even when the heroine discusses mathematical theories as Blomkvist and Salander independently and united investigate the homicides with neither expecting the trail to take them to her past though their previous combined inquiry (see THE GIRL WITH THE DRAGON TATTOO) should have warned them.
Harriet Klausner
23 out of 27 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.At times I had trouble connecting with the characters. The writing is terrific in this one as compared to the first, though, I thought. This is a fun read for anyone who is bored with the genre mystery.
15 out of 17 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book picks up where The Girl With the Dragon Tattoo leaves off. Believe it or not, it is better than the first book, and the ending leaves you wanting more. The third installment picks up where this book leaves off. These books are so riveting with the twists and turns and mysteries that crop up concerning the main characters, Lisbeth Salander and Mikael Blomkvist. It is very unfortunate that this author is no longer with us to produce more masterpieces such as this series. I fear that the third installment will be even better than this one, but will be left with an ending that reveals a plot that should occur in a future novel. One can only hope that Mr. Larssen's fourth manuscript gets published and translated to English so his fans can enjoy his last novel.
13 out of 13 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Unfortunately, the plot in this book does little to rouse interest in the character of Salander who was far more appealing in the first book. Sometimes the less a reader knows the more appealing a character becomes. More themes of violence and the book is very slow. The two main characters from the first book are barely together and the wonderful investigative journalism slant from the previous book is missing. A love interest of Salander isn't given much attention and the love scenes as in the previous book are bland. Character development is missing.
12 out of 18 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 14, 2010
I have reached chapter 7, and so far, can't seem to find anything in this story that holds my interest to the point I have a hard time putting the Nook down.
I'm hoping that I will find it becomes more interesting and exciting as I read further. At this point, I'm glad I did not pay very much for it.
7/14
That bit was written because, at that point, I was disappointed in the book's story line. NEVER judge a book before you get past chapter 7 must now be my new mantra. I not only because fascinated with the story as it unfolded (still have a heck of a time with the foreign words) but sat up until 3am this morning to finish it.
I have just now downloaded the final book of the trilogy, and will hate to see the end come, as there will be no more.
10 out of 12 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Larsson's second book, The Girl Who Played with Fire, adds many more layers to Lisbeth's character by revealing her background which defines her strengths and seemingly strange behavior. Larsson has created truly unique characters in Lisbeth Salander and Mikaiel Blomvist who will stay in your memory for years to come. In taking the time to understand Lisbeth it is possible to gain greater understanding of ourselves. This is a quick read because of the intrigue and suspense, despite the book's length.
The writing is superb, the story is exciting and fast moving; there's a lot of high drama and the characters are sensational. What more can a reader ask for?
9 out of 11 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The novel takes off right where the first one left off. Lisbeth is accused of the murder of a couple hired by Millenium to write a novel on sex trafficking. It seems that the whole world but one person,Michael Blomkvist, is sure that she is the murderer. Michael sets out on his own private investigation to prove salander's innocence. In order to do that he must delve into Lisbeth's troubled past to solve the mystery.This book did not match up to The Girl With The Dragon Tattoo in my opinion. It had a much slower plot development than the first. The first 200 pages of the novel give details on what lisbeth has been up to since the end of the first novel and develops her character with more detail,which is a plus. I thought that learning about lisbeth's past was a fascinating part of the story. you learn how she became the woman she is now. I would recommend this book to fans of the first one. It is important to read The Girl With The Dragon Tattoo first,though.
8 out of 8 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.It's too bad Stieg Larsson passed away before he was able to write more than just the Millenium Trilogy. Each of the books is excellently composed, with an interesting and original plot and intriguing characters. Specifically, Lisbeth Salander. Salander is the most unexpected of heroines, but the one you always want to win it all. Each character draws you deeper into the book, but it's Salander that keeps you up late at night reading this book. An excellent read.
7 out of 7 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.gtny24
Posted June 2, 2009
I also was lucky enough to get an advanced copy and if you read Larsson's first installment (THE GIRL WITH THE DRAGON TATTOO)then you must read this second part. As hard as it may seem, it just might be even better, especially if you were a fan of Lizbeth Salander. This instalment focuses more on her with Blomvist as support.
Read this book, you will not be let down, in fact you won't be able to put it down, guaranteed!
7 out of 9 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Dorian-Gray
Posted May 19, 2010
What a brilliantly written book! The suspense was intense and the characters colorful, surprising and beautifully written to inspire trust, mistrust, dislike, and sympathy. Looking forward to reading the other two books in the trilogy. Too bad Mr. Larsson is deceased, but these three will probably become classics. A wonderful reading and discussion experience.
6 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Fiona-Frazier
Posted April 8, 2011
I handled the language and sex scenes in the first book, but this one was a bit much for me. Not into the lesbian stuff and stopped about 100 pages in and decided I'd just stop reading and archive the book. It is excellent and I iknow there are thousands out there who have read the whole book, but just way toooo graphic for me. If those scenes were left out I could have made it through. But that's just me.
5 out of 7 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.lilio
Posted December 11, 2009
I enjoyed this book and the first book by the same author with the same lead characters. Larsson creates a world in Sweden that contains a publishing entity, upper eschelon of society, and a related seamy underworld. The lead female character, Salander, figures prominently in both books, and becomes central in this one. It is interesting to gradually discover her history and see her overcome it to become a fuller character. The reader is at first baffled, then sort of indifferent to her, then comes to hope she can overcome what has happened to her. I look forward to the last book of this trilogy
5 out of 7 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The second novel by Stieg Larsson is a terrific sequel to The Girl With the Dragon Tattoo. He weaves the main character into a new drama and mystery that totally envelopes the reader. I could hardly put the book down. It's very sad that he has passed; as he only wrote three novels. I am waiting with great anticipation for his third and last book, and wondering if he will continue his saga of Salander's life.
5 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I liked Dragon and found this a pale follow-up. I almost gave up on it a couple of times but once I start to read something, I like to stick with it. It got better half-way through but it wasn't as interesting or exciting as Dragon. I found a lot of the conversational dialog stilted and unrealistic.
4 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The second book in the Millenium series follows Lisbeth Salander one year after the first book ends. The characters are brilliant. Lisbeth's past and present collide in a story filled with plot twists and turns that will keep readers on edge until the end. Once again, Mikael Blomkvist and Millenium are out to uncover the truth. The author exposes the underbelly of Swedish society to show that Sweden isn't just the land of Smurfs, Gummi Bears and Abba. As someone who works in social service, I can see many youth who have been through things like Lisbeth and hope that they too can find the reslilience to fight back as she does. Mikael Blomkvist has the integrity and fortitude to speak the truth. He is the friend who will be in your corner and stands up for what he believes in no matter what the cost.
4 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The second book in the astounding Millennium series is unbelievably better than the first! Lisabeth Salander, the unusual heroine/tattooed bisexual professional computer hacker, brings it to us harder, faster, and more enigmatic than ever before! When she secretly hacks into Mikael Blomkvist's - journalist and publisher - computer, she angrily discovers the details of a sex trafficking investigation underway. If you've read the first book in the trilogy, The Girl with the Dragon Tattoo, you understand clearly that Lisabeth has a unique, and at times even terrifying, way of handling these types of situations in which a man has sexually offended or exploited a female. When Lisabeth takes matters into her own hands, the plot heats up to explosive proportions, and she justifiably becomes, the girl who played with fire!
4 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted February 22, 2010
Read Dragon Tattoo first. Played with Fire continues the captivating character development and its story is just as absorbing as the first. Lisbeth Salander and Mikael Blomkvist are well drawn, complex personalities. Supporting characters are well filled in too. The subject matter is disturbing, but hey, they are both crime dramas. The villains' vile behavior is described, but not amplified on, so all but the most squeamish can be assured that Larsson will not unduly shock. These books are page turners that are difficult to put down. I can't wait for The Girl Who Stirred the Hornet's Nest.
4 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Paula--NC
Posted January 26, 2010
I bought The Girl Who Played With Fire the morning after I finished reading the first book in the Larsson trilogy, The Girl with The Dragon Tattoo--like an addict getting my next fix. (I was tickled that two other shoppers at B&N were searching for this book at the same time I was--for the same reason and with the same urgency.) The Girl Who Played With Fire is even better than the first book. Larsson was a master at plot and character development. I found it took me a couple chapters to really get hooked on the first book because he creates a lot of characters to keep straight, but once in, there was no rest until I finished. I can't wait until the third book is released this Spring, although, knowing he died after writing the trilogy makes me sad to know that the end of that book will really be the end--until the movie, of course.
4 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.hookedonnookDC
Posted January 25, 2010
I haven't been so intrigued by a series in awhile. Found this author by accident after looking at the positive reviews that these books received. Captivating plot and characters. Unable to put down for long. Keeps you guessing page after page and then you never expect what occurs. When I finished this book I was very disappointed as it will be hard to find other books that live up to this author's ability to tell a story and hold you captive. I can't wait until the next book in this series. I only hope his 4th manuscript will hold enough information to finish this series. Rooting for the girl who played with fire to win out in the end! Must read.
4 out of 5 people found this review helpful.
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Overview
Part blistering espionage thriller, part riveting police procedural, and part piercing exposé on social injustice, The Girl Who Played with Fire is a masterful, endlessly satisfying novel.Mikael Blomkvist, crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend, the troubled genius hacker Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation. Meanwhile, Salander herself is ...