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Publishers Weekly
There is a bewildering, frustrating quality in Botha's crackling account of a quirky, maverick forensics artist, Frank Bender, and his largely successful efforts in facial reconstruction of murder victims. The steady, no-nonsense approach of the author (Mongo: Adventures in Trash ) is marred by the herky-jerky sequences of the narrative as he switches from Bender's hit-and-miss past triumphs to a monumental murder case south of the border in the sordid Mexican area near Ciudad Juárez, where about 400 women have been raped, tortured and killed. National and international recognition of Bender's uncanny skill grows, but the psychological toll wears on his home life and his interaction with authorities. What is extraordinary is Botha's writing, with his unerring depiction of Bender's painstaking work and the eventual unraveling of the brutal crimes it solves. Although Bender is not successful with every case, including the epic Mexican serial killings, the tales in this book accurately capture the dark motives and complexities of senseless murder, and even the most savvy true-crime reader will not be able to resist the author's insightful storytelling. 16 pages of photos. (May 13)
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Overview
MORE THAN THIRTY MURDERS, NINE FUGITIVES, AND ONE OBSESSED MAN
In this thrilling and fascinating account of Frank Bender and his work, readers will be drawn into the cases he has solved, the intricacies of his art, the colorful characters he encounters, and the personal cost of his strange obsession. Through breathtakingly realistic sculptures, Frank Bender reconstructs the faces of the missing and the dead based in part on forensic ...