A Selection of Barnes & Noble Recommends
An engrossing debut thriller, The Girl with the Dragon Tattoo has been an international sensation, a bestseller in its native Sweden and throughout Europe. It features an unforgettable heroine: a brilliant 24-year-old punk-goth computer hacker and private investigator named Lisbeth Salander. Together with Mikael Blomkvist, a financial journalist on a most unusual assignment, she tracks a serial killer through a dangerous maze of business, political, and family secrets.
The intricate tale begins when Blomkvist is convicted of libeling top Swedish industrialist Hans-Erik Wennerström. Unable to prove his innocence, Blomkvist prepares to leave his position at Millennium, the magazine he co-founded, now financially threatened by the verdict. But a summons from Wennerström's rival, the aging tycoon Henrik Vanger, presents an option he couldn't have imagined: In exchange for Blomkvist's writing the Vanger family history, Vanger promises to back Millennium financially and deliver incriminating evidence of Wennerström's crooked dealings.
But that's not all. The closets of the Vanger clan are littered with skeletons, and his new patron wants Blomkvist to set one at rest: the disappearance, 40 years ago, of Vanger's 16-year-old grandniece, Harriet. Intrigued by the cold case that was never solved despite multiple investigations, Blomkvist begins to dig for new evidence on an island north of Stockholm.
He is soon joined by Salander, a freelance investigator originally hired by Vanger to vet Blomkvist's reputation. Multiple piercings and tattoos are belied by the young computer genius's photographic memory. A victim of assault and harrowing abuse, Salander is driven by a relentless will and an astonishing capability for merciless retribution.
Larsson's narrative unfolds with mounting suspense, detailing the duo's intellectual ingenuity and increasing courage as they expose hidden cultures of right-wing fanaticism and misogyny and reveal the moral bankruptcy of big capital. As they race across Europe and on to Australia to trap their prey before another woman is tortured and killed, the reader is held in breathless anticipation until the novel's unforeseen conclusion.
About the Author
Born in Västerbotten in northern Sweden in 1954, STIEG LARSSON had a professional career that bears a striking resemblance to that of the protagonist of The Girl with the Dragon Tattoo, Mikael Blomkvist. Beginning as a graphic designer for the news agency Tidningarnas Telegrambyrå (TT), Larsson went on to become the chief editor of Expo, the magazine published by the Expo Foundation, an organization he helped establish in 1995 to combat racism and the Swedish right-wing extremist movement.
Inspired by an old joke shared with a colleague at TT, Larsson admitted he started writing The Girl with the Dragon Tattoo at night just for fun. Two other novels, completing the Millennium trilogy, would follow. Describing them as "pension insurance," Larsson said he enjoyed the process of fiction writing so much that he didn't make contact with a publisher until he had completed the first two and had a third under way. Though Larsson died of a heart attack in 2004 and never saw any of his books in print, all three were subsequently published in Scandinavia and continental Europe to great acclaim.
From Our Booksellers
Refreshingly intelligent, this fast-paced mystery draws together an odd cast of underdog journalists, secretive industrialists, and a punk hacker with Asperger's to create the strangest—and best—thriller of the year, if not decade. A must-read.
--James Tardif, Ellicott City, MD
An old-fashioned secluded island murder mystery, updated with complex characters and new technology…. Like Hercule Poirot and Miss Marple meet Cold Case. Powerful, thrilling, and disturbing.
--Jill Borage, St. Louis, MO
This gritty thriller is packed with deceit, treachery, and plenty of dirty family secrets -- enough to fill an entire basement with skeletons.
--Elayne Carringer, Devon, PA
Gripping! I even read at stop lights and while I was brushing my teeth.
--Sarah Goodrich, Lexington, KY
From Writers and Reviewers
As vivid as bloodstains on snow -- and a perfect one-volume introduction to the unique strengths of Scandinavian crime fiction.
What a cracking novel! I haven't read such a stunning thriller debut for years…. Brilliantly written and totally gripping.
"The ballyhoo is fully justified…. At over 500 pages this hardly sagged…. The novel scores on every front -- character, story, atmosphere.
--The Times (London)
A publishing sensation…. Crime fiction has seldom needed to salute and mourn such a stellar talent as Larsson's in the same breath.
--Sunday Times (London)
…this remarkable first novel by the Swedish journalist Stieg Larsson…has been a huge bestseller in Europe and will be one here if readers are looking for an intelligent, ingeniously plotted, utterly engrossing thriller that is variously a serial-killer saga, a search for a missing person and an informed glimpse into the worlds of journalism and business…It's hard to find fault with The Girl with the Dragon Tattoo. One must struggle with bewildering Swedish names, but that's a small price to pay. The story starts off at a leisurely pace, but the reader soon surrenders to Larsson's skillful narrative. We care about his characters because we come to know them so well. The central questionwhat happened to Harriet?is answered in due course, and other matters involving romance and revenge are wrapped up as well. It's a book that lingers in the mind.
The Washington Post
Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson's first novel…It's Mr. Larsson's two protagonistsCarl Mikael Blomkvist, a reporter filling the role of detective, and his sidekick, Lisbeth Salander, a k a the girl with the dragon tattoowho make this novel more than your run-of-the-mill mystery: they're both compelling, conflicted, complicated people, idiosyncratic in the extreme
The New York Times
With its rich characterizations and intriguing plot, the first book of the late Stieg Larsson's completed trilogy, involving disgraced Swedish journalist-publisher Mikael Blomkvist and the eponymous, pierced and tattooed, emotionally troubled young hacker-investigator Lisbeth Salander, clearly deserves the acclaim it's received overseas. Martin Wenner's almost indifferent, British-accented narration would seem an odd choice for a novel filled with passion, sex and violence, but as the oddly coupled Blomkvist and Salander probe the four-decade-old disappearance of Harriet Vanger, heiress to one of Sweden's wealthiest clans, the objective approach actually accentuates the extreme behavior of both and the strange subjects of their investigation. Wenner's calm, controlled manner aids the listener in keeping track of the numerous members of the Vanger family, a task that the printed book simplifies with a reference page. A Knopf hardcover (Reviews, July 14). (Sept.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Ever since Knopf editor Sonny Mehta bought the U.S. rights last November, the prepublication buzz on this dark, moody crime thriller by a Swedish journalist has grown steadily. A best seller in Europe (it outsold the Bible in Denmark), this first entry in the "Millennium" trilogy finally lands in America. Is the hype justified? Yes. Despite a sometimes plodding translation and a few implausible details, this complex, multilayered tale, which combines an intricate financial thriller with an Agatha Christie-like locked-room mystery set on an island, grabs the reader from the first page. Convicted of libeling a prominent businessman and awaiting imprisonment, financial journalist Mikael Blomkvist agrees to industrialist Henrik Vanger's request to investigate the 40-year-old disappearance of Vanger's 16-year-old niece, Harriet. In return, Vanger will help Blomkvist dig up dirt on the corrupt businessman. Assisting in Blomkvist's investigation is 24-year-old Lisbeth Salander, a brilliant but enigmatic computer hacker. Punkish, tattooed, sullen, antisocial, and emotionally damaged, she is a compelling character, much like Carol O'Connell's Kathy Mallory, and this reviewer looks forward to learning more of her backstory in the next two books (The Girl Who Played with Fire and Castles in the Sky). Sweden may be the land of blondes, Ikea, and the Midnight Sun, but Larsson, who died in 2004, brilliantly exposes its dark heart: sexual violence against women, a Nazi past, and corporate corruption. Highly recommended. [See Prepub Alert, LJ5/1/03.]
From the Publisher
“Dazzling…. Marvelous characters and a wonderful story built around the most difficult of all plots, the locked room…. It has everything a reader could want and more…. Don’t miss it.” - The Globe and Mail
“An utterly fresh political and journalistic thriller that is also intimate and moral. In spite of its dark unearthings Stieg Larsson has written a feast of a book, with central characters you will not forget." - Michael Ondaatje
“An exceptional effort for a first-time crime novelist. In fact, a fine effort for any crime novelist…. This book is meticulously plotted, beautifully paced, and features a cast of two indelible sleuths and many juicy suspects." - Boston Globe
“Imagine the movies of Ingmar Bergman crossed with Thomas Harris’s novel The Silence of the Lambs. Larsson’s mesmerizing tale succeeds because, like P.D. James, he has written a why-dunit rather than a whodunit.” - USA Today
“The hottest book on the planet.” - Entertainment Weekly
“The ballyhoo is fully justified.… The novel scores on every front—character, story, atmosphere, translation.” - The Times (London)
“Already a blazing literary sensation internationally, Swedish journalist’s dark-hearted thriller … is now poised to burn up bestseller lists in America…. To the new breed of Watson and Holmes, skoal!” - Vanity Fair
“A striking novel, full of passion, an evocative sense of place and subtle insights into venal, corrupt minds.” - The Observer (UK)
“As vivid as bloodstains on snow—and a perfect one-volume introduction to the unique strengths of Scandinavian crime fiction.” - Lee Child
“Remarkable…. Like a blast of cold, fresh air to read…. It features at its center two unique and fascinating characters: a disgraced financial journalist and the absolutely marvelous 24-year-old Lisbeth Salander—a computer-hacking Pippi Longstocking with pierced eyebrows and a survival instinct that should scare anyone who gets in her way." - Chicago Tribune
“Larsson’s novels are a danger to public life. Parks become clogged with readers; the working world is paralyzed—all because no-one can let go of his books.” - Bams (Germany)
“What a cracking novel! I haven’t read such a stunning thriller debut for years. The way Larsson interweaves his two stories had me in thrall from beginning to end. Brilliantly written and totally gripping." - Minette Walters
“More than a book, a drug.” - Nouvel Observateur (France)
“Swedish crime fiction, like the country itself, has both class and a social conscience. It was only a matter of time before it produced its own War and Peace…. The plotting and pacing are masterful. No wonder Europe has gone wild over Blomkvist and his riveting sidekick.” - Sydney Morning Herald (Australia)
“Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson’s first novel…. Larsson uses his reportorial eye for detail and an instinctive sense of mood to create a noirish picture of Stockholm and a small island community … showing us both the bright, shiny lives of young careerists and older aristos, and a seamy underworld where sexual and financial corruption flourish.” - The New York Times
“When a writer delivers such a complex and fascinating portrayal like that of Lisbeth Salander all we can do is bow down in gratitude. It doesn’t get much better than this.” - Gefle Dagblad (Sweden)
“So much more than a thriller, The Girl with the Dragon Tattoo is a dazzling novel of big ideas. It tackles issues of power, corruption, justice, and innocence—all the while drawing you into the twists and turns of a frighteningly suspenseful mystery.” - Harlan Coben
“A fascinating mystery of family and business dynamics with a splendid cast of characters…. Sex, death, money, power, intrigue—this novel has them all.” - The Edmonton Journal
“Wildly suspenseful ... Variously a serial-killer saga, a search for a missing person and an informed glimpse into the worlds of journalism and business … Lisbeth is a punk Watson to Mikaels dapper Holmes, and she's the coolest crime-fighting sidekick to come along in many years.” - The Washington Post
“A big, intricately plotted, darkly humorous work, rich with ironies, quirky but believable characters and a literary playfulness that only a master of the genre and its history could bring off.” - Pittsburgh Post-Gazette
“A whip-smart heroine and a hunky guy who needs her help? This sexy, addictive thriller is everything you never knew you could get from a crime novel.” - Glamour
“Dark, labyrinthine, smart, sexy, utterly original, and completely captivating, Stieg Larsson’s The Girl with the Dragon Tattoo delights at every level. Nuanced, sympathetic characters, caught in a tangle of unusual and compelling relationships, grapple with a baffling family mystery and with their own demons in the unique literary environment of modern-day Sweden. This book is artful and grand entertainment. I couldn’t recommend it more highly.” - John Lescroart
“A fine, complex and rewarding novel.” - Dallas Morning News
“In nearly a half-century of reading mystery and crime fiction, I can remember no more captivating or original character than Lisbeth.”— - Otto Penzler, editor of The Black Lizard Big Book of Pulps, owner of The Mysterious Bookshop
“A striking novel. Just when I was thinking there wasn’t anything new on the horizon, along comes Stieg Larsson with this wonderfully unique story. I was completely absorbed.” - Michael Connelly
“This novel is almost impossible to put down.” - Times-Colonist (Victoria, BC)
“The biggest Swedish phenom since ABBA.” - People
“With subplots tucked inside subplots like a set of nested Russian dolls, the book relies less on pulse-pounding action (though it has its moments) than on a meticulous exploration of both evidence and character, plus finely crafted revenge…. A summary only hints at the richness of this book.” - Houston Chronicle
“[Larsson] tells his crime story cleverly, but the zing in Dragon Tattoo is inked in its two central characters…. Lisbeth Salander has earned a spot in the sorority [of] my favorite gutsy females.” - The Plain Dealer (Cleveland)
“I doubt you will read a better book this year.” - Val McDermid
“Offers compelling chunks of investigative journalism, high-tech sleuthing, and psychosexual drama. What a shame that we only have three books in which to watch the charismatic Lisbeth Salander take on the world" - Booklist
“A compelling, well-woven tale that succeeds in transporting the reader to Sweden for a good crime story.” - Los Angeles Times
“Cases rarely come much colder than the decades-old disappearance of teen heiress Harriet Vanger from her family’s remote island retreat north of Stockholm, nor do fiction debuts hotter than this European bestseller…. At once a strikingly original thriller and a vivisection of Sweden’s dirty not-so-little secrets, this first of a trilogy introduces a provocatively odd couple.” - Publishers Weekly (starred review)
“A rip-roaring serial killer adventure.” - Mail on Sunday (UK)
Read an Excerpt The Girl with the Dragon Tattoo
By Stieg Larsson
Knopf Copyright © 2008 Stieg Larsson All right reserved.
A Friday in November
It happened every year, was almost a ritual. And this was his eighty-second birthday. When, as usual, the flower was delivered, he took off the wrapping paper and then picked up the telephone to call Detective Superintendent Morell who, when he retired, had moved to Lake Siljan in Dalarna. They were not only the same age, they had been born on the same day–which was something of an irony under the circumstances. The old policeman was sitting with his coffee, waiting, expecting the call.
“What is it this year?”
“I don’t know what kind it is. I’ll have to get someone to tell me what it is. It’s white.”
“No letter, I suppose.”
“Just the flower. The frame is the same kind as last year. One of those do-it-yourself ones.”
“Same as always, all in capitals. Upright, neat lettering.”
With that, the subject was exhausted, and not another word was exchanged for almost a minute. The retired policeman leaned back in his kitchen chair and drew on his pipe. He knew he was no longer expected to come up with a pithy comment or any sharp question which would shed a new light on the case. Those days had long since passed, and the exchange between the two men seemed like a ritualattaching to a mystery which no-one else in the whole world had the least interest in unravelling.
The Latin name was Leptospermum (Myrtaceae) rubinette. It was a plant about ten centimetres high with small, heather-like foliage and a white flower with five petals about two centimetres across.
The plant was native to the Australian bush and uplands, where it was to be found among tussocks of grass. There it was called Desert Snow. Someone at the botanical gardens in Uppsala would later confirm that it was a plant seldom cultivated in Sweden. The botanist wrote in her report that it was related to the tea tree and that it was sometimes confused with its more common cousin Leptospermum scoparium, which grew in abundance in New Zealand. What distinguished them, she pointed out, was that rubinette had a small number of microscopic pink dots at the tips of the petals, giving the flower a faint pinkish tinge.
Rubinette was altogether an unpretentious flower. It had no known medicinal properties, and it could not induce hallucinatory experiences. It was neither edible, nor had a use in the manufacture of plant dyes. On the other hand, the aboriginal people of Australia regarded as sacred the region and the flora around Ayers Rock.
The botanist said that she herself had never seen one before, but after consulting her colleagues she was to report that attempts had been made to introduce the plant at a nursery in Göteborg, and that it might, of course, be cultivated by amateur botanists. It was difficult to grow in Sweden because it thrived in a dry climate and had to remain indoors half of the year. It would not thrive in calcareous soil and it had to be watered from below. It needed pampering.
The fact of its being so rare a flower ought to have made it easier to trace the source of this particular specimen, but in practice it was an impossible task. There was no registry to look it up in, no licences to explore. Anywhere from a handful to a few hundred enthusiasts could have had access to seeds or plants. And those could have changed hands between friends or been bought by mail order from anywhere in Europe, anywhere in the Antipodes.
But it was only one in the series of mystifying flowers that each year arrived by post on the first day of November. They were always beautiful and for the most part rare flowers, always pressed, mounted on watercolour paper in a simple frame measuring 15cm by 28cm.
The strange story of the flowers had never been reported in the press; only a very few people knew of it. Thirty years ago the regular arrival of the flower was the object of much scrutiny–at the National Forensic Laboratory, among fingerprint experts, graphologists, criminal investigators, and one or two relatives and friends of the recipient. Now the actors in the drama were but three: the elderly birthday boy, the retired police detective, and the person who had posted the flower. The first two at least had reached such an age that the group of interested parties would soon be further diminished.
The policeman was a hardened veteran. He would never forget his first case, in which he had had to take into custody a violent and appallingly drunk worker at an electrical substation before he caused others harm. During his career he had brought in poachers, wife beaters, con men, car thieves, and drunk drivers. He had dealt with burglars, drug dealers, rapists, and one deranged bomber. He had been involved in nine murder or manslaughter cases. In five of these the murderer had called the police himself and, full of remorse, confessed to having killed his wife or brother or some other relative. Two others were solved within a few days. Another required the assistance of the National Criminal Police and took two years.
The ninth case was solved to the police’s satisfaction, which is to say that they knew who the murderer was, but because the evidence was so insubstantial the public prosecutor decided not to proceed with the case. To the detective superintendent’s dismay, the statute of limitations eventually put an end to the matter. But all in all he could look back on an impressive career.
He was anything but pleased.
For the detective, the “Case of the Pressed Flowers” had been nagging at him for years–his last, unsolved and frustrating case. The situation was doubly absurd because after spending literally thousands of hours brooding, on duty and off, he could not say beyond doubt that a crime had indeed been committed.
The two men knew that whoever had mounted the flowers would have worn gloves, that there would be no fingerprints on the frame or the glass. The frame could have been bought in camera shops or stationery stores the world over. There was, quite simply, no lead to follow. Most often the parcel was posted in Stockholm, but three times from London, twice from Paris, twice from Copenhagen, once from Madrid, once from Bonn, and once from Pensacola, Florida. The detective superintendent had had to look it up in an atlas.
After putting down the telephone the eighty-two-year-old birthday boy sat for a long time looking at the pretty but meaningless flower whose name he did not yet know. Then he looked up at the wall above his desk. There hung forty-three pressed flowers in their frames. Four rows of ten, and one at the bottom with four. In the top row one was missing from the ninth slot. Desert Snow would be number forty-four.
Without warning he began to weep. He surprised himself with this sudden burst of emotion after almost forty years.
Friday, December 20
The trial was irretrievably over; everything that could be said had been said, but he had never doubted that he would lose. The written verdict was handed down at 10:00 on Friday morning, and all that remained was a summing up from the reporters waiting in the corridor outside the district court.
Carl Mikael Blomkvist saw them through the doorway and slowed his step. He had no wish to discuss the verdict, but questions were unavoidable, and he—of all people—knew that they had to be asked and answered. This is how it is to be a criminal, he thought. On the other side of the microphone. He straightened up and tried to smile. The reporters gave him friendly, almost embarrassed greetings.
"Let's see . . . Aftonbladet, Expressen, TT wire service, TV4, and . . . where are you from? . . . ah yes, Dagens Nyheter. I must be a celebrity," Blomkvist said.
"Give us a sound bite, Kalle Blomkvist." It was a reporter from one of the evening papers.
Blomkvist, hearing the nickname, forced himself as always not to roll his eyes. Once, when he was twenty-three and had just started his first summer job as a journalist, Blomkvist had chanced upon a gang which had pulled off five bank robberies over the past two years. There was no doubt that it was the same gang in every instance. Their trademark was to hold up two banks at a time with military precision. They wore masks from Disney World, so inevitably police logic dubbed them the Donald Duck Gang. The newspapers renamed them the Bear Gang, which sounded more sinister, more appropriate to the fact that on two occasions they had recklessly fired warning shots and threatened curious passersby.
Their sixth outing was at a bank in Östergötland at the height of the holiday season. A reporter from the local radio station happened to be in the bank at the time. As soon as the robbers were gone he went to a public telephone and dictated his story for live broadcast.
Blomkvist was spending several days with a girlfriend at her parents' summer cabin near Katrineholm. Exactly why he made the connection he could not explain, even to the police, but as he was listening to the news report he remembered a group of four men in a summer cabin a few hundred feet down the road. He had seen them playing badminton out in the yard: four blond, athletic types in shorts with their shirts off. They were obviously bodybuilders, and there had been something about them that had made him look twice—maybe it was because the game was being played in blazing sunshine with what he recognised as intensely focused energy.
There had been no good reason to suspect them of being the bank robbers, but nevertheless he had gone to a hill overlooking their cabin. It seemed empty. It was about forty minutes before a Volvo drove up and parked in the yard. The young men got out, in a hurry, and were each carrying a sports bag, so they might have been doing nothing more than coming back from a swim. But one of them returned to the car and took out from the boot something which he hurriedly covered with his jacket. Even from Blomkvist's relatively distant observation post he could tell that it was a good old AK4, the rifle that had been his constant companion for the year of his military service.
He called the police and that was the start of a three-day siege of the cabin, blanket coverage by the media, with Blomkvist in a front-row seat and collecting a gratifyingly large fee from an evening paper. The police set up their headquarters in a caravan in the garden of the cabin where Blomkvist was staying.
The fall of the Bear Gang gave him the star billing that launched him as a young journalist. The downside of his celebrity was that the other evening newspaper could not resist using the headline "Kalle Blomkvist solves the case." The tongue-in-cheek story was written by an older female columnist and contained references to the young detective in Astrid Lindgren's books for children. To make matters worse, the paper had run the story with a grainy photograph of Blomkvist with his mouth half open even as he raised an index finger to point.
It made no difference that Blomkvist had never in life used the name Carl. From that moment on, to his dismay, he was nicknamed Kalle Blomkvist by his peers—an epithet employed with taunting provocation, not unfriendly but not really friendly either. In spite of his respect for Astrid Lindgren—whose books he loved—he detested the nickname. It took him several years and far weightier journalistic successes before the nickname began to fade, but he still cringed if ever the name was used in his hearing.
Right now he achieved a placid smile and said to the reporter from the evening paper:
"Oh come on, think of something yourself. You usually do."
His tone was not unpleasant. They all knew each other, more or less, and Blomkvist's most vicious critics had not come that morning. One of the journalists there had at one time worked with him. And at a party some years ago he had nearly succeeded in picking up one of the reporters—the woman from She on TV4.
"You took a real hit in there today," said the one from Dagens Nyheter, clearly a young part-timer. "How does it feel?"
Despite the seriousness of the situation, neither Blomkvist nor the older journalists could help smiling. He exchanged glances with TV4. How does it feel? The half-witted sports reporter shoves his microphone in the face of the Breathless Athlete on the finishing line.
"I can only regret that the court did not come to a different conclusion," he said a bit stuffily.
"Three months in gaol and 150,000 kronor damages. That's pretty severe," said She from TV4.
"Are you going to apologise to Wennerström? Shake his hand?"
"I think not."
"So you still would say that he's a crook?" Dagens Nyheter.
The court had just ruled that Blomkvist had libelled and defamed the financier Hans-Erik Wennerström. The trial was over and he had no plans to appeal. So what would happen if he repeated his claim on the courthouse steps? Blomkvist decided that he did not want to find out.
"I thought I had good reason to publish the information that was in my possession. The court has ruled otherwise, and I must accept that the judicial process has taken its course. Those of us on the editorial staff will have to discuss the judgement before we decide what we're going to do. I have no more to add."
"But how did you come to forget that journalists actually have to back up their assertions?" She from TV4. Her expression was neutral, but Blomkvist thought he saw a hint of disappointed repudiation in her eyes.
The reporters on site, apart from the boy from Dagens Nyheter, were all veterans in the business. For them the answer to that question was beyond the conceivable. "I have nothing to add," he repeated, but when the others had accepted this TV4 stood him against the doors to the courthouse and asked her questions in front of the camera. She was kinder than he deserved, and there were enough clear answers to satisfy all the reporters still standing behind her. The story would be in the headlines but he reminded himself that they were not dealing with the media event of the year here. The reporters had what they needed and headed back to their respective newsrooms.
Excerpted from The Girl with the Dragon Tattoo by Stieg Larsson Copyright © 2008 by Stieg Larsson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
What People are saying about this
From the Publisher
“An intelligent, ingeniously plotted, utterly engrossing thriller that is variously a serial-killer saga, a search for a missing person and an informed glimpse into the worlds of journalism and business . . . Lisbeth is a punk Watson to Mikael's dapper Holmes, and she's the coolest crime-fighting sidekick to come along in many years.”
“An exceptional effort for a first-time crime novelist. In fact, a fine effort for any crime novelist . . . This book is meticulously plotted, beautifully paced, and features a cast of two indelible sleuths and many juicy suspects.”
“Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson’s first novel.”
–Michiko Kakutani, The New York Times
“The book lands in the United States as Wall Street sputters and global markets clench, a timely fit to Larsson’s themes of corporate corruption. He tells his crime story cleverly, but the zing in Dragon Tattoo is inked in its two central characters.”
–Cleveland Plain Dealer
“A super-smart amalgam of the corporate corruption tale, legal thriller and dysfunctional-family psychological suspense story. It’s witty and unflinching . . . Larsson’s multi-pieced plot snaps together as neatly as an Ikea bookcase, but even more satisfying is the anti-social character of Salander.”
–Maureen Corrigan, Fresh Air (NPR)
“It’s like a blast of cold, fresh air to read The Girl With the Dragon Tattoo . . . It features at its center two unique and fascinating characters: a disgraced financial journalist and the absolutely marvelous 24-year-old Lisbeth Salander–a computer-hacking Pippi Longstocking with pierced eyebrows and a survival instinct that should scare anyone who gets in her way.”
“Larsson’s novel could serve as the definition of page-turner . . . The worst part: We have to wait until summer ’09 for the second installment.”
–Time Out New York
“The biggest Swedish phenom since ABBA.”
“Imagine the movies of Ingmar Bergman crossed with Thomas Harris’s novel The Silence of the Lambs. Larsson’s mesmerizing tale succeeds because, like P.D. James, he has written a why-dunit rather than a whodunit.”
“A whip-smart heroine and a hunky guy who needs her help? This sexy, addictive thriller is everything you never knew you could get from a crime novel.”
“Larsson’s debut thriller succeeds on so many levels it’s hard to know where to begin. First off, it’s an absolute page-turner. But the characters are so fascinating and the clear, understated writing so graceful, you are going to want to savor it . . . Electrifying.”
–Portsmouth Herald (NH)
“Is the hype justified? Yes . . . This complex, multilayered tale grabs the reader from the first page.”
“The first U.S. appearance of another major Swedish crime writer is cause for celebration . . . The novel offers compelling chunks of investigative journalism, high-tech sleuthing, and psychosexual drama. What a shame that we only have three books in which to watch the charismatic Lisbeth Salander take on the world!”
“The Girl with the Dragon Tattoo is a striking novel. Just when I was thinking there wasn't anything new on the horizon, along comes Stieg Larsson with this wonderfully unique story. I was completely absorbed.”
“I doubt you will read a better book this year.”
“Dark, labyrinthine, smart, sexy, utterly original, and completely captivating, Stieg Larsson’s The Girl with the Dragon Tattoo delights at every level. Nuanced, sympathetic characters, caught in a tangle of unusual and compelling relationships, grapple with a baffling family mystery and with their own demons in the unique literary environment of modern-day Sweden. This book is artful and grand entertainment. I couldn’t recommend it more highly.”
“So much more than a thriller, The Girl with the Dragon Tattoo is a dazzling novel of big ideas. It tackles issues of power, corruption, justice, and innocence–all the while drawing you into the twists and turns of a frighteningly suspenseful mystery.”
“As vivid as bloodstains on snow.”
“The Girl with the Dragon Tattoo is an utterly fresh political and journalistic thriller that is also intimate and moral. In spite of its dark unearthings Stieg Larsson has written a feast of a book, with central characters you will not forget.”
“Cases rarely come much colder than the decades-old disappearance of teen heiress Harriet Vanger from her family’s remote island retreat north of Stockholm, nor do fiction debuts hotter than this European bestseller . . . At once a strikingly original thriller and a vivisection of Sweden’s dirty not-so-little secrets, this first of a trilogy introduces a provocatively odd couple.”
–Publishers Weekly (starred)
“What a cracking novel! I haven’t read such a stunning thriller debut for years. The way Larsson interweaves his two stories had me in thrall from beginning to end. Brilliantly written and totally gripping.”
“With its compelling situation, its complex plot and especially its unique, fully-realized characters, The Girl with the Dragon Tattoo embodies–in seamless translation–the best of European crime fiction.”
“The Girl With The Dragon Tattoo is a Tolstoyan re-invention of the ‘closed room’ murder mystery, Agatha Christie for adults. Curl up on the sofa with this masterwork of noir and let Stieg Larsson draw you into the shadows. It’s also a profound investigation into tribal violence in the world of high finance, and a revelation of the dark side of a country normally seen as the very height of propriety. By the end of the first chapter you will know better. By the end of the second you will be putty in his hands. Don’t even think about putting it down.”
From the UK:
“Crime fiction has seldom needed to salute and mourn such a stellar talent as Larsson’s in the same breath.”
–The Sunday Times
“Larsson has up his sleeve two extremely engaging protagonists. Once these characters have appeared, our surrender to the novel is guaranteed . . . This is classic English mystery territory. But what follows is much darker and bloodier–more Thomas Harris than Dorothy L. Sayers.”
“The ballyhoo is fully justified . . . The novel scores on every front–character, story, atmosphere, and the translation.”
“This is a striking novel, full of passion, an evocative sense of place and subtle insights into venal, corrupt minds . . . The journalist and the hacker are ingenious creations.”
“One of the greatest crime-fiction novels I have ever read . . . As mesmerizing as it is insightful . . . The Girl with the Dragon Tattoo is a multi-layered, multi-character tale by a writer of some considerable power. Full of social conscience and compassion, with insight into the nature of moral corruption, it knocked me out . . . Mikael Blomkvist and his partner, the enigmatic and deeply troubled Lisbeth Salander, will soon join the pantheon of greatest crime-fiction characters that populate the genre at its apex.”
“A blockbuster story . . . The plot is interesting and credible but above all the heroine is splendidly original . . . An extraordinary book.”
“An absorbing and idiosyncratic crime novel.”