Glad News of the Natural World

Glad News of the Natural World

4.5 2
by T. R. Pearson

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Twenty years ago, a first novel appeared and instantly announced the arrival of a master storyteller. T. R. Pearson's A Short History of a Small Place was hailed as "an absolute stunner" (Jonathan Yardley, The Washington Post) and its hero, young Louis Benfield, was dubbed "a youth not as wry as Holden Caulfield, but certainly as observant, and with a


Twenty years ago, a first novel appeared and instantly announced the arrival of a master storyteller. T. R. Pearson's A Short History of a Small Place was hailed as "an absolute stunner" (Jonathan Yardley, The Washington Post) and its hero, young Louis Benfield, was dubbed "a youth not as wry as Holden Caulfield, but certainly as observant, and with a bigger, even sadder heart" (Fran Schumer, The New York Times).

Now, older but not necessarily wiser, Louis Benfield returns in Glad News of the Natural World. In order to get a sense of the larger world, he has moved to New York City from his hometown of Neely, North Carolina. Louis is a modern-day Candide, looking for love and experience in all the wrong places. However, when tragedy strikes, he finds the maturity to be more than man enough for the job.

Whether catching up with Louis Benfield and the denizens of Neely or meeting them for the first time, readers will find Glad News of the Natural World hilarious and heartbreaking, warm and wise.

Editorial Reviews

New York Times
One of the modern South's shrewdest satirists.
Entertainment Weekly
Brilliantly extraordinarily gifted writer.
Chicago Tribune
Pearson is one of our finest and funniest prose stylists, shrewdest social critics, and (a special category) most inventive purveyors of the digression—proof narrative.
T. R. Pearson has a perfectly pitched comic voice that transforms the humblest daily activities into the zaniest and most significant events.
Publishers Weekly
Louis Benfield is back and grown up (more or less) in this hilarious if meandering tale of a modern-day Southern slacker, the sequel to A Short History of a Small Place. The book follows Louis as he moves to New York City from Neely, N.C., to start his first real job, at Meridian Life and Casualty, where he quickly works his way down from trainee to assistant handyman. Surprisingly, the demotion doesn't much bother him because, as Louis describes himself, "I'd gone to college halfway across the state, had come home with a degree but precious little professional ambition." After he loses his job at Meridian, Louis falls into a nominal career as a commercial actor. He supplements his income driving for a Yemeni car service and making occasional repairs to stolen merchandise for a low-level mob boss. At one point, the mob boss decides Louis would be the perfect match for his preening daughter, but when she rejects him out of hand, nothing of consequence happens. The problem with focusing on such a shiftless narrator is that the story can't help reflecting his purposelessness, so the novel rambles gracefully without ever quite getting anywhere. Agent, Betsy Lerner. 3-city author tour. (May) Copyright 2005 Reed Business Information.
Library Journal
The 13-year-old narrator of A Short History of a Small Place is all grown up and struggling in New York. With a three-city tour. Copyright 2005 Reed Business Information.
Kirkus Reviews
For his tenth novel, Pearson reaches back to his first (A Short History of a Small Place, 1985), pressing into service again Louis Benfield of Neely, North Carolina. Louis is now 34, an agreeable but utterly unambitious fellow, still in Neely and working as a gofer for a guy installing kitchen counters, when he runs across a former girlfriend, Fay, "a situational virgin" with only a magnificent physique to commend her. Louis's father curtails his son's infatuation by sending him off to New York, where he has arranged a job and an apartment and where the rest of the story takes place, save for short trips back home. Louis will start out as a trainee actuary with his father's old company, but he proves better at fixing broken coffeepots than crunching numbers and ends up in the basement with Maintenance. There's not much plot here; Louis gets canned, but his downward drift is cushioned by his skills as a repairman. His finest hour comes when he fixes a Frigidaire for a minor-league godfather while assorted Mafiosi watch from the shadows. He'll also pick up work as an extra in TV commercials and as a driver for a Yemeni car service of last resort (after the Lebanese and the Egyptians). His inexperience with the ladies is revealed in his hopeless pursuit of an Oklahoman actress masquerading as Romanian royalty, and of a classy call girl who successfully poses as his girlfriend when his parents visit. That's a tried-and-true comic formula, but Pearson puts his own spin on it. What really tests his own brand of rueful comedy is the gruesome death of both Louis's parents in a car accident. He does pretty well, backing slowly into the carnage, then having Louis honor his parents by refusingex-girlfriend Fay's blandishments. She'd always been their bete noire. Not one of Pearson's best, but riding the wave of his highly spiced prose is still a pleasure of its own.
From the Publisher
"[A] magic carpet of a novel with a wonderfully disorienting charm." — Scott Morris, The Wall Street Journal

"I can think of no other contemporary writer who offers such surprises — it is impossible to predict even how a sentence will end. . . . Pearson is surely among the greatest living Southern writers." — Haven Kimmel, author of Something Rising (Light and Swift)

"If Garrison Keillor and William Faulkner were joined in holy literary matrimony, with high priestesses Eudora Welty and Jane Austen waving an occasional wand over the process, their collective tale-spinning offspring might well bear a resemblance to Southern writer T. R. Pearson." — Michael Upchurch, The Seattle Times

"Louis makes a wonderful narrator of Glad News, mainly because he accepts just about everyone with humane resignation and understanding. He's the epitome of empathic tolerance. Louis eventually faces a situation that forces him to take charge of his life. And he does so with the humanity and wise humor that you'd expect from a lovable loser." — Charles Ealy, The Dallas Morning News

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Simon & Schuster
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Read an Excerpt

Chapter One: Graveyard of the Atlantic

I am distinguished by my penmanship. By the hang and hue of my suit coat. The sophistication of my haircut. The silken luster of my tie. Instead of cumin or clove, bright-leaf tobacco, essence of jasmine car freshener, I smell judiciously of Kiehl's cucumber talc, Italian shoe leather, pilfered motel soap.

My colleagues slouch against the railing that corrals us while I stand apart with my Lucite sign held level at sternum height. They grouse and carp in Pushtu and Slovak, Arabic, Mandarin, Hebrew, Yoruba. They've made their signs with pen and pencil on whatever has come to hand. With a grease marker, I've written "Shapiro" in, effectively, Baskerville.

She's due from Paris in the company of a Pomeranian, Mrs. Gloria Shapiro of York at Eighty-ninth. And though I've tried to imagine the woman as some manner of savory heiress, a handsome creature in her middle years with a haberdashery fortune and an appetite for slim discriminating gentlemen like me, there is a practical limit to my baseless optimism. Mrs. Gloria Shapiro is flying, after all, into Newark with her dog instead of into Kennedy with retainers. I spot her coming out of customs long before she has noticed me.

She is bone thin, knobby, a haute couture refugee who'd rather be dead than lack the upper-arm tone to go sleeveless. She has conscripted a hapless skycap into Pomeranian duty, a lanky black kid in an oversize hat with his trouser cuffs dragging the floor, who dangles the dog before him at arm's length. The creature is rheumy-eyed and grizzled, with nails like talons and amber teeth. He looks conspicuously unhappy and nearly old enough tovote.

Mrs. Gloria Shapiro spies her name on my square of milky Lucite. She snaps her fingers at me and says by way of greeting, "You."

As I take her dog, the skycap favors me with information. "He bites," he says and shows me a punctured finger. "Leaks some too."

I hold the dog beneath his forelegs, and every time he squirms and growls, he looses a freshet of urine onto the grimy terminal floor, onto the sidewalk, generously onto each of the three arrival lanes, onto the cement rental-bus island, onto the short-term parking lot, onto the leather upholstery of my Crown Victoria passenger seat. I've been told his name is Ashton and he'll reliably spew kibble if not permitted to be an irrigating menace in the front.

Even on the short trip back to the terminal to collect Mrs. Gloria Shapiro's luggage, Ashton snarls and snaps and urinates with such animosity as to prompt me to wonder what life might be like with arms that end at the elbows.

Mrs. Gloria Shapiro has been led, she informs me, to expect a limousine. I don't have a limousine. I don't even have a Town Car. I have the Crown Victoria I'm driving, and it's not even black but more the shade of grayish brown you might find in a septic system. I apologize to Mrs. Gloria Shapiro and tell her the limo is in the shop.

"Where are you from?" she asks me. It comes out in the form of an accusation.

"North Carolina," I say which, for Mrs. Gloria Shapiro's purposes, might as well be Alpha Centauri. I stand revealed as the cracker import she's condemned to depend upon to haul her clear from greater New Jersey to York at Eighty-ninth which, for all she knows, I might attempt by way of Philadelphia. And, worse still, not in a limousine but in a sludge-brown Ford.

She presses her lips together and grimaces. Mrs. Gloria Shapiro snorts with articulate force enough to insinuate the bitter anguish of disembarking from Premier Class into the care of the likes of me. I take occasion to picture Ashton winging westward in the cockpit, showing his grim teeth to the flight crew while moistening the controls.

We are hardly out of the airport proper before Mrs. Gloria Shapiro is abusing me over her cell phone to some Upper East Side friend. Her name is Enid, and she and Mrs. Gloria Shapiro forgo the splendors of Paris to indulge instead in galloping mutual abject mortification once I've elected to take the turnpike instead of 1&9.

In a stage whisper, Mrs. Gloria Shapiro floats the theory that it's my habit to pad my charges with unwarranted turnpike tolls. She's glaring at me from the backseat when I find her in the mirror. The toll plaza's vapor lights lend iridescence to her hair and cause her surgically tautened facial skin to look slick and extruded.

I hear her tell Enid, "I don't know. Georgia or somewhere."

I lay a careless hand on the console as we cross the Passaic River, and Ashton nips my wrist. He breaks the skin.

Mrs. Gloria Shapiro insists I take the tunnel until I take it and we find traffic backed up all the way to Kennedy Boulevard, occasion for Mrs. Gloria Shapiro to wonder pointedly of Enid if a capable driver wouldn't have known to take the bridge instead.

All down the ramp, Mrs. Gloria Shapiro points out gaps in adjacent lanes and has me shift and weave to gain a half a car length here and there. She comments uncharitably to Enid on the quality of my driving, and the two of them have a rollicking laugh together at my expense. I hear the sound of Enid cackling over the staticky phone connection with all the ladylike grace of a cowhand.

In the city Mrs. Gloria Shapiro has her sanctified routes and detours which, apparently, she expects me to divine. As I work north along the avenues and east on clotted cross streets, Mrs. Gloria Shapiro reveals to Enid the way she would have gone. She and Enid enjoy some galvanizing sisterly outrage over the roadwork I get mired in at Sixth and Fifty-seventh, the carting truck I fall behind on Seventy-eighth.

They conclude they should have expected as much from the pride of Alabama.

Not a block and a half from his building, Ashton sees fit to throw up which Mrs. Gloria Shapiro lays to my hectic brand of driving and claims to be a little turbulent herself. I see that Ashton has doused the front-seat beading with residual bile, has deposited the bulk of his discharge onto the carpet. He missed the floor mat altogether and hit instead the drive-shaft hump. I make out nova and milk chocolate, the odd macadamia nut. The stink of the stuff gives remarkable instantaneous offense.

Mrs. Gloria Shapiro's doorman wears siege-of-Stalingrad livery with epaulettes and showy stamped brass buttons on his skirted greatcoat, a modified busby on his head with both a chin strap and a plume. He is massive and Teutonic, has Eastern European bridgework and the good sense to hoist Ashton out of my Crown Vic by his scruff. Mrs. Gloria Shapiro calls him Lenny and says that Enid tells him "Hey" as he unloads the luggage from the trunk and motions for help from the lobby.

The concierge comes out with a bellman's cart and an air of imposition. He's a pudgy Cuban interrupted halfway through his Daily News who Mrs. Gloria Shapiro hardly greets and fails to call by name. He joins Lenny with his cart at the lip of the trunk and has Lenny to understand that, in his estimation, baggage hauling is beyond the scope of his duties. He takes the unenterprising layabout's view of conciergerie which I hear him elaborate on as Mrs. Gloria Shapiro signs her ticket and, by way of a tip, visits upon me advice.

"Ammonia," she says, and then leaves off to entertain input from Enid. "Nonsudsy," she tells me along with instructions for blotting Pomeranian effluvia. I have just ginger ale and a cast-off Wall Street Journal under my seat.

I've got the doors and windows open and am grinding vomit into the rug with a page of market indicators and selected small-cap stocks when Lenny leans against my fender well and offers me a cigarette. Mentholated, I notice. Generic. Lenny sets his hat with grave custodial care upon my hood before confessing he once attempted to drown Ashton in the gutter. A fire crew had come along to open the hydrant up the block while Lenny had charge of the creature out front on an airing. Drowning him, Lenny informs me, had seemed the merciful thing to do.

Lenny pauses and puffs. He shakes his head, flicks ash off of his greatcoat. Sounding for all the world like Henry Kissinger, Lenny says, "He floats."

I light up off Lenny's butt and come empirically by knowledge that mentholated generic cigarettes taste decisively both at once.

Lenny proves to hail from Schrankogel in the heart of the Tyrol, and he tells me he made a sort of a living for some years as a boxer. Not a champion or a contender or a respectable stooge opponent but instead a sparring partner for journeyman tomato cans. Gym suet, a sluggish ambulatory punching bag for hire. Lenny boasts that he's been sutured in most capitals of Europe and had his fractured jaw wired in Atlantic City. He balls his massive hands into fists and strikes his boxerly pose, carries his left so low I'm sure that even I could catch him flush.

In my turn I allow I'm driving as a favor for a friend and reveal to Lenny that, in fact, I am a working actor. "Stage," I tell him with a sniff, and describe for Lenny without prompting the role that promises to occupy me for the coming weeks which I choose to inflate and lard with fabrication. I will, in truth, be holding a pewter tankard, wearing a vest and pantaloons and trying to look for nearly a half an hour stupendously jolly about as far downstage as an employed opera chorister can get and still qualify for union wages.

I give myself out to Lenny as a man on the cusp of dramatic triumph and declaim for him a scrap of monologue I used in a showcase once.

Lenny instinctively knows better than to bother to believe me, has kept company with a vast wealth of pretenders in his day. Instead he opens his mouth and laughs, reveals his dental metalcraft in its gaudy range of alloys, ores and hues. Lenny says that in the coming weeks he hopes to wed a Hapsburg and live in regal splendor in Vienna. He flicks his smoldering filter out into the street, shoves his hat onto his head and punches me fondly on the shoulder to almost chiropractic effect.

Lenny returns to his post and mans the door of Mrs. Gloria Shapiro's building while I sit in creeping glacial traffic on the FDR from Fifty-ninth Street to the Brooklyn Bridge.

Copyright © 2005 by T. R. Pearson

Meet the Author

T. R. Pearson's widely acclaimed novels include A Short History of a Small Place, Cry Me a River, Off for the Sweet Hereafter, Blue Ridge, and Polar. He lives in Virginia and Brooklyn, New York.

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Glad News of the Natural World 4.5 out of 5 based on 0 ratings. 2 reviews.
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