Glad Rag Doll

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All Music Guide - Thom Jurek
For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett. He didn't reveal his final selections until they got into the studio. Given their origins, these songs remove the sheen of detached cool that is one of ...
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Editorial Reviews

All Music Guide - Thom Jurek
For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett. He didn't reveal his final selections until they got into the studio. Given their origins, these songs remove the sheen of detached cool that is one of Krall's vocal trademarks. Check the speakeasy feel on opener "We Just Couldn't Say Goodbye," with Marc Ribot's airy chords, Jay Bellerose's loose shuffle, and Dennis Crouch's strolling upright bass. Krall's vocal actually seems to express delight in this loose and informal proceeding -- though her piano playing is, as usual, tight, top-notch. The shimmering sentimental nocturnal balladry there gives way to swing in "Just Like a Butterfly That's Caught in the Rain," which stands out because of the interplay between Ribot's ukulele, a pair of basses, and Bellerose's brushes. Krall's vocal hovers; she lets the melody guide her right through the middle. On the title cut, her only accompanist is Ribot on an acoustic guitar. Being the best-known tune in the bunch, it's easy to compare this reading with many others, but Krall's breathy vocal fully inhabits the lyric and melody and makes them her own. A few tracks stand apart from the album's theme. There's the modern take on Betty James' rockabilly single "I'm a Little Mixed Up," which allows Burnett to indulge himself a little and showcases a rarity: Krall playing rock & roll piano. The atmospheric reading of Doc Pomus' "Lonely Avenue" is somewhat radical, but is among the finest moments here. Burnett gets his obligatory reverb on here, but the weave of his and Ribot's guitars (and the latter's banjo) and the mandola by Howard Coward (Elvis Costello in one of several guest appearances) is arresting. The arrangement also contains an odd yet compelling reference to Miles Davis' "Right Off (Theme from Jack Johnson)"; Krall's piano solo is rife with elliptical, meandering lines and chord voicings. But vocally she gets inside the tune's blues and pulls them out with real authority. Glad Rag Doll is not the sound of Krall reinventing herself so much as it's the comfortable scratching of an old, persistent itch. The warmth, sophistication, humor, and immediacy present on this set make it a welcome addition to her catalog.
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Product Details

  • Release Date: 9/25/2012
  • Label: Verve
  • UPC: 602537126941
  • Catalog Number: 001732701
  • Sales rank: 27,940

Album Credits

Performance Credits
Diana Krall Primary Artist, Piano, Vocals
Marc Ribot Acoustic Guitar, Banjo, Electric Guitar, Ukulele, 6-string bass, E Flat Horn
T Bone Burnett Electric Guitar
Dennis Crouch Bass
Colin Linden Dobro, Electric Guitar
Jay Bellerose Drums
Howard Coward Ukulele, Background Vocals, Mandola, Guitar (Tenor)
Bryan Sutton Acoustic Guitar, Electric Guitar, Guitar (Baritone)
Keefus Ciancia Keyboards, Mellotron
Technical Credits
Billy Hill Composer
Julie Miller Composer
Milton Ager Composer
Lew Brown Composer
T Bone Burnett Producer
Al Lewis Composer
Tom Perme Equipment Technician
Doc Pomus Composer
Ralph Rainger Composer
Leo Robin Composer
Jack Yellen Composer
Betty James Composer
Gavin Lurssen Mastering
Mike Piersante Engineer
Charles Tobias Composer
Howard E. Johnson Composer
Mort Dixon Composer
Fred Fisher Composer
Al Sherman Composer
Von Tilzer Composer
Dan Dougherty Composer
Hal Dyson Composer
Albert Von Tilzer Composer
Carl Hoefle Composer
Ruth Levy Producer
James Kendis Composer
Edwin Fotheringham Illustrations
Edward Johnson Composer
Harry M. Woods Composer
Kendis Composer
Kristen Vallow Prop Stylist
Rainger Composer
Steven P. Miller Composer
Christine Cantella Stylistic Assistant
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