Glad Rag Doll

Glad Rag Doll

3.7 3
by Diana Krall
     
 

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For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, someSee more details below

Overview

For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett. He didn't reveal his final selections until they got into the studio. Given their origins, these songs remove the sheen of detached cool that is one of Krall's vocal trademarks. Check the speakeasy feel on opener "We Just Couldn't Say Goodbye," with Marc Ribot's airy chords, Jay Bellerose's loose shuffle, and Dennis Crouch's strolling upright bass. Krall's vocal actually seems to express delight in this loose and informal proceeding -- though her piano playing is, as usual, tight, top-notch. The shimmering sentimental nocturnal balladry there gives way to swing in "Just Like a Butterfly That's Caught in the Rain," which stands out because of the interplay between Ribot's ukulele, a pair of basses, and Bellerose's brushes. Krall's vocal hovers; she lets the melody guide her right through the middle. On the title cut, her only accompanist is Ribot on an acoustic guitar. Being the best-known tune in the bunch, it's easy to compare this reading with many others, but Krall's breathy vocal fully inhabits the lyric and melody and makes them her own. A few tracks stand apart from the album's theme. There's the modern take on Betty James' rockabilly single "I'm a Little Mixed Up," which allows Burnett to indulge himself a little and showcases a rarity: Krall playing rock & roll piano. The atmospheric reading of Doc Pomus' "Lonely Avenue" is somewhat radical, but is among the finest moments here. Burnett gets his obligatory reverb on here, but the weave of his and Ribot's guitars (and the latter's banjo) and the mandola by Howard Coward (Elvis Costello in one of several guest appearances) is arresting. The arrangement also contains an odd yet compelling reference to Miles Davis' "Right Off (Theme from Jack Johnson)"; Krall's piano solo is rife with elliptical, meandering lines and chord voicings. But vocally she gets inside the tune's blues and pulls them out with real authority. Glad Rag Doll is not the sound of Krall reinventing herself so much as it's the comfortable scratching of an old, persistent itch. The warmth, sophistication, humor, and immediacy present on this set make it a welcome addition to her catalog.

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Product Details

Release Date:
09/25/2012
Label:
Verve
UPC:
0602537126941
catalogNumber:
001732701
Rank:
27133

Tracks

  1. We Just Couldn't Say Goodbye  - Diana Krall
  2. There Ain't No Sweet Man That's Worth the Salt of My Tears  - Diana Krall
  3. Just Like a Butterfly That's Caught In the Rain  - Diana Krall
  4. You Know, I Know Ev'rything's Made for Love  - Diana Krall
  5. Glad Rag Doll  - Diana Krall
  6. I'm a Little Mixed Up  - Diana Krall
  7. Prairie Lullaby  - Diana Krall
  8. Here Lies Love  - Diana Krall
  9. I Used To Love You But It's All Over Now  - Diana Krall
  10. Let It Rain  - Diana Krall
  11. Lonely Avenue  - Diana Krall
  12. Wide River To Cross  - Diana Krall
  13. When the Curtain Comes Down  - Diana Krall

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Album Credits

Performance Credits

Diana Krall   Primary Artist,Piano,Vocals
Marc Ribot   Acoustic Guitar,Banjo,Electric Guitar,Ukulele,6-string bass,E Flat Horn
T Bone Burnett   Electric Guitar
Dennis Crouch   Bass
Colin Linden   Dobro,Electric Guitar
Jay Bellerose   Drums
Howard Coward   Ukulele,Background Vocals,Mandola,Guitar (Tenor)
Bryan Sutton   Acoustic Guitar,Electric Guitar,Guitar (Baritone)
Keefus Ciancia   Keyboards,Mellotron

Technical Credits

Billy Hill   Composer
Julie Miller   Composer
Milton Ager   Composer
Lew Brown   Composer
T Bone Burnett   Producer
Lewis   Composer
Tom Perme   Equipment Technician
Doc Pomus   Composer
Ralph Rainger   Composer
Leo Robin   Composer
Jack Yellen   Composer
Betty James   Composer
Gavin Lurssen   Mastering
Mike Piersante   Engineer
Charles Tobias   Composer
Howard E. Johnson   Composer
Mort Dixon   Composer
Fred Fisher   Composer
Sherman   Composer
Von Tilzer   Composer
Dan Dougherty   Composer
Hal Dyson   Composer
Albert Von Tilzer   Composer
Carl Hoefle   Composer
Ruth Levy   Producer
James Kendis   Composer
Edwin Fotheringham   Illustrations
Edward Johnson   Composer
Harry M. Woods   Composer
Kendis   Composer
Kristen Vallow   Prop Stylist
Steven P. Miller   Composer
Christine Cantella   Stylistic Assistant

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