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The Glass Lake

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Overview

Lough Glass is at the heart and soul of the namesake town clinging to its shore. They say that if you go out on St. Agnes' Eve and look into the lake at sunset you can see your future. But beneath its serene surface, the lake harbors secrets as dark and unfathomable as the beautiful woman who walks beside its waters. Lough Glass is home to Kit McMahon, in a way it will never be to her ravishing mother, Helen, the Dubliner with film-star looks who found an unlikely mate in genial chemist Martin McMahon. Kit adores...
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The Glass Lake: A Novel

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Overview

Lough Glass is at the heart and soul of the namesake town clinging to its shore. They say that if you go out on St. Agnes' Eve and look into the lake at sunset you can see your future. But beneath its serene surface, the lake harbors secrets as dark and unfathomable as the beautiful woman who walks beside its waters. Lough Glass is home to Kit McMahon, in a way it will never be to her ravishing mother, Helen, the Dubliner with film-star looks who found an unlikely mate in genial chemist Martin McMahon. Kit adores her mother, but can't escape the memory of her, seen through a window, alone at the kitchen table, eyes wide, blind, tears streaming down her face. Kit's best friend and enemy, Clio Kelly with her casual cruelties and unexpected kindnesses, is first to share the gossip about the exotic and elusive Helen - until the terrible night Martin's boat is found drifting upside down in the lake. The night Helen is lost. The night Kit discovers a letter from her mother on Martin's pillow and burns it, unopened, in the grate. The night everything changes forever. As Kit and Clio are swept into passionate young adulthood, Kit is haunted by an unspoken guilt - for which only Sister Madeleine, the hermit who lives in the woods, can offer absolution - and by a dream of the life that might have been. In The Glass Lake, Maeve Binchy explores the unspoken language between mothers and daughters in an extraordinary story of a mother's secret, a daughter's courage, and the hidden bond between them that neither deceit nor death can destroy.

Lough Glass is at the heart and soul of the town clinging to its shore. But beneath its serene surface, the lake harbors secrets as unfathomable as the beautiful woman who night after night walks beside its waters. A luminous novel of love, obsession, and the secrets that take root in the human heart, by the author of Circle of Friends (soon to be a major motion picture).

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Irish novelist Binchy's latest saga of family loyalties and secrets spent 12 weeks on PW's bestseller list. Apr.
Library Journal
Fans of Binchy's novels e.g., Circle of Friends, LJ 12/90 won't be dissatisfied with her latest effort. Once again, she focuses on the inhabitants of a small town in Ireland. Helen, wife and mother of the McMahon household, is presumed to have drowned in a nearby lake. Actually, she shook off her dull, staid life and fled to London with her lover. Successful at business, she yearns for some communication with her now teenaged daughter, Kit. She begins a casual correspondence with Kit under the guise of being an old friend of her mother. The story continues with readers wondering if and when Kit will discover the truth about her mother and what impact that realization will have on their lives. Binchy writes a good tale, demanding that her readers accept the improbable and appreciate a well-timed coincidence. Suitable if not necessary for public libraries. [Previewed in Prepub Alert, LJ 11/1/94.]-Margaret Hanes, Sterling Heights P.L., Mich.
School Library Journal
YA-With the popularity of the film version of Binchy's Circle of Friends, this story, which traces the developments in the lives of two young friends in a small Irish town in the '50s, is likely to have wide appeal. The heroine, Kit, is shown to be at odds with her best friend, Clio, from the first scene. The differences in their values and emotions persist and separate them as the years pass. The life of Kit's beautiful mother unfolds in a concurrent plot line. Helen is generally believed to have died in a tragic drowning. She has, however, gone off with a lover. The story of her business successes and romantic complexities parallels her daughter's years of maturing, providing Kit and readers with ironic insights as she and a very few of the townspeople become aware of the woman's new life. A big, easy, comfortable read.-Frances Reiher, King's Park Library, Burke, VA
From the Publisher
"A grand storyteller in the finest Irish tradition....She writes from the heart"—Plain Dealer, Cleveland
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Product Details

  • ISBN-13: 9780613066426
  • Publisher: San Val
  • Publication date: 3/28/1996
  • Pages: 757
  • Product dimensions: 4.30 (w) x 7.08 (h) x 1.47 (d)

Meet the Author

Maeve Binchy was born and educated in Dublin. She is the bestselling author of The Return Journey, Evening Class, This Year It Will Be Different, and The Glass Lakes. She has written two plays and a teleplay that won three awards at the Prague Film Festival. She has been writing for The Irish Times since 1969 and lives with her husband, writer and broadcaster Gordon Snell, in Dublin.

Biography

If storytelling is an art, then Maeve Binchy is unquestionably one of today's master artists. After all, Binchy was born, educated, and lives in Ireland, a land well known for its great storytellers. Firmly grounded in the Irish storytelling tradition, Binchy has earned a sizeable following of enthusiastic fans for her 11 novels and 4 collections of short stories. I had a very happy childhood, which is unsuitable if you're going to be an Irish writer," Maeve jokes. Perhaps that happy childhood is why Binchy did not publish her first novel until she was 43 years old. But there's no doubt that once she did she proved herself to be an immensely talented, multiple New York Times-bestselling author. her name.

Binchy was introduced into the joys of storytelling at an early age. Her mother, Maureen, and father, William, a prominent Dublin barrister, encouraged Binchy and her three siblings to be avid readers as well as to share stories at dinner and, as her brother William admits, nobody loved telling stories more than Maeve.

Growing up in the quiet seaside town of Dalkey, located about 10 miles south of Dublin, Binchy also found herself dreaming of escape. "I love Dalkey now," she says, "but when I was young, I thought it was somewhat like living in the desert." Her desire to escape led her first to the big city, to the University College in Dublin, where she studied history and French. After graduating in 1960, she taught Latin, French, and history in a Dublin grade school and was able to indulge her love of traveling during summer vacations. She proved so popular a teacher that parents of her students pooled their money to send her on a trip to Israel. Her father was so impressed by the letters she wrote describing Israeli life that he typed them up and sent them to the Irish Independent newspaper. That's how Maeve returned home to find, quite to her surprise, that she was now a published writer.

Using her newfound interest in journalism, she got a job on The Irish Times as the women's editor, an unlikely role for her, she jokingly acknowledges, given her hopeless lack of fashion sense. In the early 70s, she shifted to feature reporting, and moved to London. The move was motivated only in part by her career. Making the kind of bold life-altering decision that many of her characters are prone to, Binchy decided to take a chance and move to London to be with the man she'd fallen in love with during a previous visit—Gordon Snell, a BBC broadcaster, children's book author, and mystery novelist.

The risk, as it often does in her novels, paid off big time. Maeve married Gordon in 1977, and the two remain happily married to this day. In 1980, they bought a one-bedroom cottage back in Binchy's old hometown of Dalkey. Struggling to make mortgage payments on their new home, Binchy, who had published two collections of her newspaper work and one of short stories, decided to try to sell her first novel, which she'd managed to write in between her newspaper assignments. When her publisher told her that Light A Penny Candle would likely be a bestseller, Maeve remembers her sense of shock. "I had to sit down," she recalls. "I had never even had enough money to pay the telephone bill."

Maeve and her husband still live in that same Dalkey cottage, where they share an office, writing side by side. "All I ever wanted to do," she says, "is to write stories that people will enjoy and feel at home with." She has unquestionably succeeded with that goal. Light A Penny Candle was followed by such bestselling works as Circle of Friends, which was turned into a major motion picture starring Minnie Driver, and Tara Road, an Oprah Book Club selection. Binchy is consistently named one of the most popular writers in readers' polls in England and Ireland, outselling and rated higher than James Joyce. Of this success, Binchy comments with her typical good humor, "If you're going on a plane journey, you're more likely to take one of my stories than Finnegan's Wake."

In addition to her books, Binchy is also a playwright whose works have been staged at The Peacock Theatre of Dublin, and was the author of a hugely popular monthly column called "Maeve's Week," which appeared in The Irish Times for 32 years. A kind of combined gossip, humor, and advice column, it achieved cult status in Ireland and abroad.

Author biography courtesy of Penguin Group (USA).

Good To Know

In our interview, Binchy shared some fun facts about herself with us:

"I am a big, confident, happy woman who had a loving childhood, a pleasant career, and a wonderful marriage. I feel very lucky."

"I have been lucky enough to travel a lot, meet great people in many lands. I have liked almost everyone I met along the way."

"I have always believed that life is too short for rows and disagreements. Even if I think I'm right, I would prefer to apologize and remain friends rather than win and be an enemy."

"I live in Ireland near the sea, only one mile from where I grew up -- that's good, since I've known many of my neighbours for between 50-60 years. Gordon and I play chess every day, and we are both equally bad. We play chatty over talkative bad Bridge with friends every week."

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    1. Hometown:
      Dublin, Ireland, and London, England
    1. Date of Birth:
      May 28, 1940
    2. Place of Birth:
      Dalkey, a small village outside Dublin, Ireland
    1. Education:
      Holy Child Convent in Killiney; B.A. in history, University College, Dublin, 1960

Read an Excerpt

Kit always thought that the Pope had been at her mother and father's wedding. There was this picture of him in their house—a different pope, a dead one—and the writing underneath said that Martin McMahon and Mary Helena Healy had prostrated themselves at his feet. It had never occurred to her to look for him in the wedding picture. Anyway, it was such an awful photograph. All those people in embarrassing coats and hats standing in a line. If she'd thought about it at all Kit might have assumed that the Pope had left before the picture was taken, got on the mail boat in Dun Laoghaire and gone back to Rome.

That's why it was such a shock when Mother Bernard explained that the Pope could never ever leave the Holy See; not even a war would make him leave the Vatican.

"But he went to weddings, didn't he?" Kit said.

"Only if they were in Rome." Mother Bernard knew it all.

"He was at my parents' wedding," Kit insisted.

Mother Bernard looked at the little McMahon girl, a mop of black curly hair and bright blue eyes. A great wall-climber, an organizer of much of the devilment that went on in the schoolyard, but not until now a fantasist.

"I don't think so, Katherine," the nun said, hoping to stop it there.

"But he was." Kit was stung. "They have a framed picture of him on the wall saying that he was there."

"That's the papal blessing, you eejit," said Clio. "Everyone has them . . . they're ten-a-penny."

"I'll thank you not to speak of the Holy Father in those terms, Cliona Kelly." Mother Bernard was mostdisapproving.

Neither Kit nor Clio listened to the details of the concordat that made the Pope an independent ruler of his own tiny state.

With her face down on the desk and hidden by the upright atlas Kit hissed abuse toward her best friend. "Don't you ever call me an eejit again, or you'll be sorry."

Clio was unrepentant. "Well, you are an eejit. The Pope coming to your parents' wedding, your parents of all people!"

"And why shouldn't he be at their wedding if he were let out?"

"Oh, I don't know."

Kit sensed something was not being said. "What would be wrong with their wedding, for example?"

Clio was avoiding the matter. "Shush, she's looking." She was right.

"What did I just say, Cliona Kelly?"

"You said that the Holy Father's name was Pacelli, Mother. That he was called that before he was called Pius the Twelfth."

Mother Bernard reluctantly agreed that this was what she had been saying.

"How did you know that?" Kit was full of admiration.

"Always listen with half your mind to something else," Clio said.

Clio was very blonde and tall. She was great at games, she was very quick in class. She had lovely long fair hair. Clio was Kit's best friend, and sometimes she hated her.


Clio's younger sister Anna often wanted to walk home with them but this was greatly discouraged.

"Go away, Anna. You're a pain in the bottom," Clio said.

"I'll tell Mam you said "bottom' out loud on the road," Anna said.

"Mam has better things to do than to listen to stupid tall tales. Go away."

"You just want to be fooling around and laughing with Kit . . ." Anna was stung by the harshness of her dismissal. "That's all you do all the time. I heard Mam say . . . I don't know what Clio and Kit are always skitting and laughing about."

That made them laugh even more. Arm in arm they ran off and left Anna, who had the bad luck to be seven and have no friends of her own.


There were so many things they could do on the way home from school.

That was the great thing about living in a place like Lough Glass. A small town on the edge of a big lake. It wasn't the biggest lake in Ireland but it was a very large one by any standards. You couldn't see across to the other side except on a clear day and it was full of little creeks and inlets. Parts of it were clogged up with reeds and rushes. They called it the Glass Lake, which wasn't a real translation. Lough Glass really meant the green lake, of course, all the children knew that. But sometimes it did look like a mirror.

They said that if you went out on Saint Agnes' Eve and looked in the lake at sunset you could see your future. Kit and Clio didn't go in for that kind of thing. The future? The future was tomorrow or the next day, and anyway there were always too many half-cracked girls and fellows, old ones nearly twenty, pushing each other out of the way to try to see. As if they could see anything except reflections of themselves and each other!

Sometimes on the way home from school Clio and Kit would call to McMahon's pharmacy to see Kit's father, with the hope of being offered a barley sugar from the jar. Or they would go to the wooden pier that jutted out into the lake to see the fishermen coming in with their catch. They might go up to the golf course and see if they could find any lost balls which they could sell to golfers.

They rarely went to each other's house. There was a danger attached to going home; it was a danger of being asked to do their homework. In order to keep this option as far away as possible the girls dallied on their way back from school.

There was never much to look at in the post office . . . the same things had been in the window for years, pictures of stamps, notices about post office savings stamps and books, the rates on letters going to America. They wouldn't delay long there. Mrs. Hanley's, the drapery shop, sometimes had nice Fair Isle sweaters and the occasional pair of shoes you might like. But Mrs. Hanley didn't like schoolgirls gathering around the window in case it put other people off. She would come out and shoo them away like hens.

"That's right. Off with you. Off with you," she would say, sweeping them ahead of her.

Then they would creep past Foley's bar with the sour smell of porter coming out, and on past Sullivan's garage, where old Mr. Sullivan might be drunk and shout at them, calling attention to their presence. This would be dangerous because McMahon's pharmacy was right across the road and someone would surely be alerted by the shouting. They could look in Wall's hardware in case there was anything exciting like a new sharp shears, or across the road in the Central Hotel, where you might see visitors coming out. That was if you were lucky. Usually you just saw Philip O'Brien's awful father glowering at everyone. There was the meat shop, which made them feel a bit sick. They could go into Dillon's and look at birthday cards and pretend they were going to buy, but the Dillons never let them read the comics or magazines.

Kit's mother would have found them a million things to do if they went home to McMahon's. She could show them how to make shortbread, and Rita the maid would watch too. She might get them to plant a window box, or show them how to take cuttings that would grow. The McMahons didn't have a proper garden like the Kellys did, only a yard at the back. But it was full of plants climbing out of barrels and up walls. Kit's mother showed them how to do calligraphy and write happy feast day for Mother Bernard. It was in lovely writing that looked as if a monk had done it. Mother Bernard still kept it in her prayer book. Or sometimes she would show them her collection of cigarette cards and the gifts she was going to get when she had a book filled with them.

But Clio often asked things like "What does your mother do all day that she has so much time to spend with us?" It seemed like a criticism.

As if Mother should be doing something more important like going out to tea with people the way Mrs. Kelly did. Kit didn't want to give Clio the chance to find fault, so she didn't often invite her home.

Where they liked to go best was to see Sister Madeleine, the hermit who lived in a very small cottage by the lake. Sister Madeleine had great fun being a hermit, because everyone worried about her and brought her food and firewood. No one could remember when she came to live in the old abandoned cottage at the water's edge. People were vague about what community Sister Madeleine had belonged to at one time, and why she had left.

But nobody doubted her saintliness.

Sister Madeleine saw only good in people and animals. Her bent figure was to be seen scattering crumbs for the birds, or stroking the most snarling and bad-tempered dog. She had a tame fox which came to lap up a saucer of bread and milk in the evenings, and she was rarely without splints to mend the broken wing of a bird she had found on her travels.

Father Baily and Mother Bernard, together with Brother Healy from the boys' school, had decided to make Sister Madeleine welcome rather than regard her with suspicion. As far as could be worked out she believed in the one true God, and did not object to the way any of them interpreted his will. She attended Mass quietly at the back of the church on Sundays, setting herself up as no rival pulpit.

Even Dr. Kelly, Clio's father, said that Sister Madeleine knew as much as he did about some things: childbirth, and how to console the dying. Kit's father, who ran the chemist's, said that in olden days she might have been thought a wisewoman or even a witch. She certainly knew how to make poultices and use the roots and berries that grew in abundance around her little home. She never spoke about other people so everyone knew that their secrets were safe.

"What will we bring her?" Kit asked. Nobody ever went to Sister Madeleine empty-handed.

"She always says not to be bringing her things." Clio was practical.

"Yes, she says that." Kit still thought they should bring something.

"If we went to your dad's chemist's he'd give us something."

"No, he might say we should go straight home," Kit said. That was a possibility they wouldn't risk. "We could pick some flowers."

Clio was doubtful. "Yeah, but isn't her place full of flowers?"

"I know!" Kit got a sudden inspiration. "Rita's making jam, we'll take a pot of it."

That would of course mean going home; Rita was the McMahons' maid. But the jam was cooling on the back window, they could just lift a pot of it. This seemed by far the safest way of getting a gift for Sister Madeleine the Hermit without having to run the gauntlet of a home interrogation.

The McMahons lived over the chemist's shop in the main street of Lough Glass. You could get in up the front stairs beside the shop, or else go around the back. There was nobody about when Kit slipped into the backyard and climbed the back steps—clothes were hanging on the line in the yard, but Rita wasn't in sight. Kit tiptoed to the window where the jams sat. They were in containers of every sort and shape. She took one of the more common jars, less likely to be missed.

With a shock she saw a figure through the window. Her mother was sitting at the table perfectly still. There was a faraway look on her face. She hadn't heard Kit, nor did she seem even aware of her surroundings. To Kit's dismay she saw that tears were falling down her mother's face and she wasn't even bothering to wipe them.

She moved quietly away.

Clio was waiting at the back. "Were you spotted?" she asked.

"No." Kit was short.

"What's wrong?"

"Nothing's wrong. You always think something's wrong when nothing ever is."

"Do you know, Kit, you're becoming as bad a pain in the bottom as awful Anna is. God, you're lucky you haven't any sisters," Clio said with feeling.

"I have Emmet."

But they both knew Emmet was no problem. Emmet was a boy, and boys didn't hang around wanting to be part of your secrets. Emmet wouldn't be seen dead with girls. He went his own way, fought his own battles, which were many because he had a speech inpediment, and the other boys mimicked his stutter. "Emm-Emm-Emmemm-Emmet," they called him. Emmet always answered back. "At least I'm not the school dunce," he would say, or "At least I don't have the smell of pigs on my boots." The trouble was it took him a long time to say these telling things and his tormentors had often gone away.

"What's annoying you?" Clio persisted as they walked down the lane toward the lake.

"I suppose someone will marry you eventually, Clio. But it'll have to be someone very patient, maybe stone-deaf even." There was no way that Kit McMahon was going to let her best friend Clio worm out of her the fact that it had been very shocking to see her mother sitting crying like that.

Sister Madeleine was pleased to see them.

Her face was lined from walking in all weathers, her hair was hidden under a short dark veil. It was a cross between a veil and a head scarf really, you could see some gray hair at the front. Not like the nuns at school, who had no hair at all. It was all cut off and sold for wigs.

Sister Madeleine was very old. Kit and Clio didn't know exactly how old, but very old. She was older than their parents, they thought. Older than Mother Bernard. Fifty, or sixty or seventy, you wouldn't know. Clio had once asked her—they couldn't remember exactly what Sister Madeleine had said, but she certainly hadn't answered the question. She had a way of saying something else entirely, a little bit connected with what you had asked so that you didn't feel you had been rude, but it wasn't anywhere near telling you.

"A pot of jam," said Sister Madeleine with excitement, as if she were a child getting a bicycle as a surprise. "Isn't that the nicest thing we could have . . . will we all have tea?"

It was exciting having tea here, not boring like at home. There was an open fire and a kettle hanging on a hook. People had given Sister Madeleine little stoves and cookers in the past, but she had always passed them on to someone less fortunate. She managed to insult nobody by this recycling of gifts, but you knew that if you gave her anything for her own comfort like a rug or some cushions it would end up in the caravan of a traveling family or someone who needed it more.

The people of Lough Glass had got used to giving the hermit only what she could use in her own daily life.

The place was so simple and spare it was almost as if nobody lived there. No possessions, no pictures on the walls, only a cross made out of some simply carved wood. There were mugs, and a jug of milk that someone must have brought her during the day. There was a loaf of bread that had been baked by another friend. She cut slices and spread the jam as if it were a feast that she was preparing.

Clio and Kit had never enjoyed bread and jam like it before. Little ducks walked in the door in the sunlight; Sister Madeleine put down her plate so that they could pick at her crumbs. It was always peaceful there; even restless Clio didn't need to be jumping up and moving about.

"Tell me something you learned at school today. I love facts for my mind," Sister Madeleine said.

"We learned that Kit McMahon thought the Pope came to her mother and father's wedding," Clio said. Sister Madeleine never corrected anyone or told them that they were being harsh or cruel, but often people seemed to realize it themselves. Clio felt she had said the wrong thing. "Of course, it's a mistake anyone could make," she said grudgingly.
"Maybe one day the Pope will come to Ireland," Sister Madeleine said.

They assured her this could never happen. It was all to do with a treaty; the Pope had to promise to stay inside the Vatican and not to go out conquering Italy like popes used to do years ago. Sister Madeleine listened with every sign of believing them.

They told Sister Madeleine news about Lough Glass, about old Mr. Sullivan up at the garage coming out in the middle of the night in his pajamas chasing angels; he said he had to catch as many as he could before the dawn, and he kept knocking on people's doors asking were there any angels hiding there.

Sister Madeleine was interested in that; she wondered what he could have dreamed that was so convincing.

"He's as mad as a hatter," Clio explained.

"Well, we are all a bit mad, I expect. It's that stops us being too much alike, you know, like peas in a pod."

They helped her wash and tidy away the remains of tea. As Kit opened the cupboard she saw another pot of jam exactly the same as the one she had brought. Perhaps her mother had been here today. If so, Sister Madeleine had not told them. Any more than she told anyone about the visits from Clio and Kit.

"You have some jam already," Kit said.

Sister Madeleine just smiled.


Supper in the McMahon household had been at a quarter past six for as long as Kit could remember. Dad closed the pharmacy at six, but never on the dot. There was always someone who had come for a cough bottle, or a farmer in for marking fluids for cattle or sheep. It would never do to rush people out the door. A chemist's after all was a place you came when you were contemplating some of the greater mysteries of life, like your health or the welfare of someone in the family. It was not a visit that was taken lightly.

Kit had often heard her mother asking why she couldn't work in the chemist's shop. It would be sensible, she had pleaded, people would like to deal with a woman when they were buying sanitary napkins, or aids for breast-feeding, and then there was the cosmetics side of things . . . Travelers from the various cosmetic companies were paying more and more visits to country pharmacies to sell their wonders. There wasn't a week that a visit from Pond's, Coty Dawn, or Max Factor didn't happen.

Martin McMahon had very little interest in such things. "Give me what you think," he'd say, and take an order of expensive bath soaps and assorted lipsticks.

They were badly displayed, often fading in the window and never sold. Kit's mother had said that the women of Lough Glass were like women everywhere, they would like to look their best. These cosmetics companies would give little training courses, tell the chemists' assistants how best to display the products, how the women customers should use them for best advantage. But Kit's father was adamant. They didn't want to be pushing paints and powders on people who couldn't afford them, selling magic potions promising eternal youth . . .

"I wouldn't do that," Helen McMahon had argued often. "I'd only learn how to make the best of them and give them advice."

"They don't want advice," her husband said. "They don't want temptation either, don't they look fine the way they are. And anyway would I want people to think that I had to have my wife out working for me, that I can't earn a living for her and my children?" Father would always laugh when he said this and make a funny face.

He loved a joke and he could do card tricks and make coins disappear. Mother didn't laugh as much, but she smiled at Father and she usually agreed with him. She didn't complain like Clio's mother did when he worked late, or when he went with Dr. Kelly to Paddles' bar.

Kit thought that Mother would have liked to work in the pharmacy but she realized that for people such as they were it would have been unsuitable for Father to have let her work there. Only people like Mrs. Hanley who was a widow and ran the drapery, or Mona Fitz who was the postmistress because she wasn't married, or Mrs. Dillon whose husband was a drunk . . . worked in businesses. It was the way things were in Lough Glass, and everywhere.

Kit didn't usually think about it much, but she couldn't get the vision of her mother's tears out of her mind as they went home from Sister Madeleine's. She walked up the stairs slowly, almost unwilling to go in and discover what was wrong. Perhaps there was some very bad news. But what could it be?

Dad was fine, he was there closing up the chemist's. Emmet was home safely from rolling around in the dirt or whatever he did after school. So there couldn't be anything wrong with the family. With a sense of walking on eggshells Kit went into the kitchen where they all ate their meals. Everything was normal. Mother's eyes might have been a bit bright, but that's only if you were looking for something. She wore a different dress, she must have changed.

Mother always looked so gorgeous, like a Spanish person even. Someone had sent them a postcard from Spain of a dancer, where the dress was of real material, not just a photograph. Kit always thought it looked just like Mother, with her long hair swept up in a roll, and her big dark eyes.

Dad was in great form so there couldn't have been a row or anything. He was laughing and telling them about old Billy Sullivan coming in for some tonic wine. He had been barred from every other establishment that sold alcohol, and suddenly he had discovered his salvation in the shape of tonic wine. Dad did a great imitation of Mr. Sullivan trying to appear sober.

"I suppose that's why he saw the angels, due to the drink," Kit said.

"God knows what he'll see after the Emu Burgundy," her father said ruefully. "I've had to tell him that's the last of the stock, that you can't get it anymore."

"That's a lie," said Emmet.

"I know it is, son, but it's tell a lie or have the poor fellow lying on the road, roaring up to the skies."

"Sister Madeleine says that we're all a bit mad; it's what makes us different to other people," Kit said.

"Sister Madeleine is a saint," Mother said. "Did you go to see her yet, Rita, about the other thing?"

"I will, Mrs. McMahon, I will," Rita said, and put the big dish of macaroni cheese on the table.

Even though they ate in the kitchen Mother always insisted that everything was elegantly served. They had colored place mats instead of a tablecloth, and there was a big raffia mat for the casserole dish. It was decorated with sprigs of parsley, one of Mother's touches for making food look nice.

"Wouldn't it all taste the same no matter the way it looked, Mam?" Rita used to say at one time.

"Let's have it looking nice anyway," Mother would say gently, and now it was second nature for Rita to cut tomatoes into triangles and slice hard-boiled eggs thinly. Even though the Kellys ate in a separate dining room Kit knew that their meals were not served as graciously as they were in her home. It was another thing that made her feel her mother was special.

Rita was made part of the family, unlike the Kellys' maid. Emmet loved Rita, he was always very curious about her comings and goings. "What other thing?" Emmet asked.

"Helping me with reading." Rita spoke out clearly before Emmet could be asked not to be nosy. "I never learned it properly at school, you see. I wasn't there often enough."

"Where were you?" Emmet was envious. It was so wonderful to be able to say casually that you skipped school.

"Usually looking after a baby, or saving the hay, or making the turf." Rita spoke in a matter-of-fact way. She didn't sound bitter about the book learning missed, the years of child-minding, growing old before her time, culminating in going out to mind other people's children and clean their houses for them.


Not long after tea Mr. Sullivan saw devils everywhere. In the fading light he noticed them creeping with pitchforks into the houses along the street. Including the chemist's. Maybe they had gone in through the floorboards and through cracks in the wall. Kit and Emmet listened giggling from the top of the stairs to their father remonstrating with Mr. Sullivan, while issuing orders out of the corner of his mouth.

"You're all right, Billy, there isn't a devil here except yourself and myself.

"Helen, ring Peter will you.

"Now sit down, Billy, here, and we'll talk the thing out, man to man.

"Helen, let him know how bad it is.

"Billy, listen to me. Am I a man who'd let fellows with pitchforks into my house?

"As quick as he bloody well can, with any kind of tranquilizer he can get into a syringe."

They sat on the stair top and waited until Clio's father arrived. The cries, and shouts of panic, and the hunt for devils stopped.

They heard Dr. Kelly saying to their father that it was the County Home now. Billy was a danger to himself and everyone else.

"What'll happen to the business?" Dad asked.

"One of those fine sons he threw out will come back and learn to run it for him. At least the uncle sent the boys to school. They may be able to turn it into something rather than the doss-house it is."

Emmet was sitting with his chin in his hands. His stutter always came back when he was frightened. "Are they going to lock him up?" he said, his eyes big and round. It took him ten attempts to get his tongue around the word "lock."

Kit thought suddenly that if she had been given a wish now at this very moment it would have been that Emmet's stutter would go. Sometimes it would be that she had long blond hair like Clio, or that her mother and father might be friends with each other like Dr. Kelly and Mrs. Kelly were. But tonight it would have been Emmet's speech.

When Mr. Sullivan had been taken away Dad and Clio's father went for a drink. Mother went back inside without a word. Kit saw her mother moving around the sitting room, picking up objects and putting them down, then she went to the bedroom and closed the door.

Kit knocked.

"Come in, sweetheart." Mother was sitting at the dressing table, brushing her hair. She looked like a princess when her hair was down.

"Are you all right, Mam? You seem a bit sad."

Mother put her arm around Kit and drew her toward her. "I am fine, just fine. What makes you think I'm sad?"

Kit didn't want to tell about the sighting through the kitchen window. "Your face."

"Well, I suppose I am sad about some things, like that poor fool being tied up and taken off to a mental home for the rest of his life because he couldn't drink in moderation. And about Rita's selfish, greedy parents who had fourteen children and let the older ones rear the younger ones until they could send them out as skivvies and then take half their wages from them . . . otherwise I'm fine." Kit looked at her mother's reflection in the mirror doubtfully. "And are you fine, my little Kit?"

"Not really. Not completely fine."

"What would you like that you haven't got?"

"I'd like to be quicker," Kit said. "I'd like to understand things immediately the way Clio does, and to have fair hair, and to be able to listen to one thing while saying another. And be taller."

"I don't suppose you'd believe me if I told you that you were twenty times more beautiful than Clio, and much more intelligent."

"Oh Mam, I'm not."

"You are, Kit. I swear it. What Clio has is style. I don't know where she got it, but she knows how to make the most of everything she has. Even at twelve she knows what looks well on her and how to smile. That's all it is, it's not beauty, not like you have, and you have my cheekbones, remember. Clio only has Lilian's."

They laughed together, grown-ups in a conspiracy of mockery. Mrs. Kelly had a plump face and no cheekbones at all.


Rita went to Sister Madeleine on Thursdays, her half day. If anyone else called Sister Madeleine would say, "Rita and I are reading a bit of poetry, we often do that on a Thursday." It was such a tactful way of telling them that this was Rita's time, people began to recognize it as such.

Rita would bake some scones, or bring half an apple tart. They would have tea together and bend over the books. As the weeks went on and the summer came, Rita began to have new confidence. She could read without putting her finger under the words, she could guess the harder words from the sense of the sentence. It was time for the writing lessons. Sister Madeleine gave Rita a fountain pen.

"I couldn't take that, Sister. It was given to you as a gift."

"Well, if it's mine, can't I do what I like with it?" Sister Madeleine rarely kept anything that she had been given for more than twenty-four hours.

"Well, could I have a loan of it then, a long loan?"

"I'll lend it to you for the rest of your life," Sister Madeleine said.

There were no boring copy books, instead Rita and Sister Madeleine wrote about Lough Glass and the lake and changing seasons.

"You could write to your sister in America soon," Sister Madeleine said.

"Not a real letter, not to a person."

"Why not? That's as good as any letter she'll get from these parts, I tell you."

"Would she want to hear all this about home?"

"She'd be so full of happiness to hear about home you'd nearly hear her thanking you across the Atlantic Ocean."

"I never got a letter. I wouldn't want them to be thinking above in McMahon's that I was in the class of having people writing to me."

"She could write to you here."

"Would the postman bring letters to you, Sister Madeleine?"

"Ah, Tommy Bennet is the most decent man in the world. He delivers letters to me three times a week. Comes down here on his bicycle whatever the weather, and he has a cup of tea."

Sister Madeleine didn't add that Tommy never came without some contribution to the store cupboard. Nor that she had been instrumental in getting his daughter quickly and quietly into a home for unmarried mothers and keeping the secret safe from the interested eyes and ears of Lough Glass.

"And you'd get enough post for that?" Rita said in wonder.

"People are very kind. They often write to me," Sister Madeleine said with the same sense of wonder.

Clio and Kit had learned to swim when they were very young. Dr. Kelly had stood waist-deep in the water to teach them. As a young medical student he had once pulled three dead children from the Glass Lake, children who had drowned in a couple of feet of water because nobody had taught them how to swim. It had made him very angry. There was something accepting and dumb about people who lived on the edge of a hazard and yet did nothing to cope with it.

Like those fishermen over in the West of Ireland who went out in frail boats to fish in the roaring Atlantic, and they all wore different kinds of jumpers so they would know whose family it was when a body was found. Each family had its own stitch. Complicated and perverse, Dr. Kelly thought. Why hadn't they taught the young fishermen to swim?

As soon as the young Kellys and McMahons could walk they were taken to the lakeshore. Other families followed suit; the doctor was a figure of great authority. Young Philip O'Brien from the hotel learned and the Hanley girls. Of course, Old Sullivan from the garage told him to keep his hands off other people's children so Stevie and Michael probably couldn't swim to this day.

Peter Kelly had been in other countries where lakes like this one had been tourist attractions. Scotland, for example. People came to visit places just because there was a lake there. And in Switzerland, where he and Lilian had spent their honeymoon, lakes were all-important. But in Ireland in the early fifties nobody seemed to see their potential.

People thought he was mad when he bought a small rowing boat jointly with his friend Martin McMahon. Together they rowed out and fished for perch, bream, and pike. Big ugly fish all of them, but waiting for them on the ever-changing waters of their lake was a restful pastime.

The men had been friends since they were boys. They knew the beds of reeds and rushes where the moorhens sheltered and sometimes even the swans hid from view. They occasionally had company on the lake as they went out to fish, a few local people shared their enthusiasm, but normally the only boats you saw on Lough Glass were those carrying animal foodstuff or machinery from one side to the other.

Farms had been divided up so peculiarly that often a farmer had bits of land so widely separated by great distances, the journey across the water could well be the shortest route. Yet another strange thing about Ireland, Peter Kelly often said, those inconvenient things that weren't laid on us by a colonial power we managed to do for ourselves by incessant family feuds and differences. Martin was of a sunnier disposition. He believed the best of people, his patience was never-ending. There was no situation that couldn't be sorted out by a good laugh. The only thing Martin McMahon ever feared was the lake itself.

He used to warn people, even casual people who came into his chemist's shop, to be careful as they went along the paths by the lakeshore. Clio and Kit were old enough to take a boat out alone now. They had proved it a dozen times, but Martin still felt nervous. He admitted it to Peter over a pint in Paddles' bar. "Jesus, Martin! You're turning into an old woman."

Martin didn't take it as an insult. "I suppose I am, let me look for any secondary signs, I haven't developed breasts or anything, but I don't need to shave as often . . . you could be right, you know."

Peter looked affectionately at his friend, Martin's bluster was hiding a real concern. "I've watched them, Martin. I'm as anxious as you are that they don't run into trouble . . . but they aren't such fools when they're out on the water as they seem to be on dry land, we've drilled that into them. Watch them yourself and you'll see."

"I will, they're going out tomorrow. Helen says we have to let them go and not wrap them in cotton wool."

"Helen's right," Peter said sagely, and they debated whether or not to have another pint. As always on these occasions they made a huge compromise by ordering a half pint. So predictable that Paddles had it ready for them when they got around to ordering it.


"Mr. McMahon, will you please tell Anna to go home," Clio begged Kit's father. "If I tell her it only starts a row."

"Would you like to go for a walk with me," Kit's father suggested.

"I'd like to go in the boat."

"I know you would, but they're big grown-up girls now, and they want to be having their own chats. Why don't you and I go and see if we could find a squirrel?" He looked at the girls in the boat. "I know I'm a fusser. I just came down to be sure you were all right."

"Of course we're all right."

"And you'll take no chances? This is a dangerous lake."

"Daddy, please!"

He went off, and they saw Anna grumbling and following him.

"He's very nice, your father," said Clio, fitting the oars properly into the oarlocks.

"Yes, when you think of the fathers we might have got," Kit agreed.

"Mr. Sullivan up in the home." Clio gave an example.

"Tommy Bennet, the bad-tempered postman."

"Or Paddles Burns, the barman with the big feet . . ."

They laughed at their lucky escapes.

"People often wonder why your father married your mother though," Clio said.

Kit felt a bile of defense rise in her throat. "No they don't wonder that. You might wonder it, people don't wonder it at all."

"Keep your hair on, I'm only saying what I heard."

"Who said what? Where did you hear it?" Kit's face was hot and angry. She could have pushed her friend Clio into the dark lake and held her head down when she surfaced. Kit was almost alarmed at the strength of her feeling.

"Oh, people say things . . ." Clio was lofty.

"Like what?"

"Like, your mother was a different sort of person, not a local person from here . . . you know."

"No, I don't know. Your mother isn't from here either, she's from Limerick."

"But she used to come here on holidays, that made her sort of from here."

"My mother came here when she met Dad, and that makes her from here too." There were tears in Kit's eyes.

"I'm sorry," Clio said. She really did sound repentant.

"What are you sorry about?"

"For saying your mother wasn't from here."

Kit felt she was sorry for more, for hinting at a marriage that was less than satisfactory. "Oh, don't be stupid, Clio. No one cares what you say about where my mother is from, you're so boring. My mother's from Dublin and that's twenty times more interesting than being from old Limerick."

"Sure," said Clio.

The sunlight went out of the day. Kit didn't enjoy the first summer outing on the lake. She felt Clio didn't either, there was a sense of relief when they each went home.


Rita got two weeks holiday every July.

"I'll miss going to Sister Madeleine," she told Kit.

"Imagine missing lessons," Kit said.

"Ah, it's what you didn't have, you see. Everyone wants what they don't have."

"What would you really like to do in the holidays?" Kit asked.

"I suppose not to have to go home. It's not a home like this one. My mother'd hardly notice whether I was there or not, except to ask me for money."

"Well, don't go."

"What else would I do?"

"Could you stay here and not work?" Kit suggested. "I'd bring you a cup of tea in the mornings."

Rita laughed. "No, that wouldn't work. But you're right, I don't have to go home." Rita said she would discuss it with Sister Madeleine; the hermit might have an idea.

The hermit had a great idea. She thought that Mother Bernard above in the convent would simply love someone to come and help her spring-clean the parlor for a few hours a day, maybe even give it a lick of paint. And in return Rita could stay in the school and some of the nuns would give her a hand with the lessons.

Rita had a great holiday, she said, the best in her life.

"You mean it was nice staying with the nuns?"

"It was lovely, you don't know the peace of the place and the lovely singing in the chapel, and I had a key and could go to the town to dances or to the pictures. And I got all my food and hours of help at my books."

"You won't leave us, will you, Rita?" Kit felt a shadow of change fall over them.

Rita was honest. "Not while you're young and the way you are. Not till Emmet's grown up a bit."

"Mam would die if you left, Rita. You're part of the family."

"Your mother understands, honestly she does. She and I often talk about trying to take your chance in life, she encourages me to better myself. She knows it means I hope to be doing better than scrubbing floors."

Kit's eyes felt full of tears suddenly. "It's not safe when you talk like that. I want things always to be the same, not to change."

Rita said, "That's not going to be the way it is. Look at the way Farouk stopped being a kitten and is a cat now, we wanted him to be a kitten forever. And look at the way those little ducklings in Sister Madeleine's grew up and sailed away. And your mother wants you and Emmet to be young and nice like you are, but you'll grow up and leave them. It's the way of things."

Kit wished it wasn't the way of things, but she feared that Rita was right.


"Will you come out in the boat with me, Mam?" Kit asked.

"Lord no, my love. I'd not have time for that. Go on yourself with Clio."

"I'm sick of Clio. I'd like you to come, I want to show you places you haven't been."

"No, Kit, it's not possible."

"But what do you do in the afternoons, Mam? What do you do that's more important than coming out in the boat?"

It was only in the school holidays that Kit was aware of how her mother's pattern of living differed from other people's. Clio's mother was always getting a bus or a lift to the big town to look at curtain material or to try on clothes, or to have coffee in one of the smart shops with friends. Mrs. Hanley and Mrs. Dillon were working in their shops, Philip O'Brien's mother went up to the church and cleaned the brasses or arranged the flowers for Father Baily. There were mothers who went to Mother Bernard and helped in making things for the various sales of work, bazaars and functions that occurred regularly to aid the Order's work on the missions.

Mother did none of these things. She spent time in the kitchen with Rita, helping, experimenting, improving the cooking, much more than other people's mothers spent with maids. Mother arranged leaves and branches as decoration in their sitting room and framed pictures of the lake so that one whole wall had two dozen different views of Lough Glass. If people came in they were amazed to see the collection.

But people didn't often come in.

And Mother's work was swift and efficient. She had a lot of time on her own . . . all the time in the world to come out with Kit in the boat. "Tell me," Kit asked again, "what do you like doing if you won't come out with me?"

"I live my life the best I can," her mother said. And Kit felt a shock at the faraway look that came over Helen McMahon's face as she said it.


"Dad, why do you and Mam sleep in different rooms?" Kit asked.

She picked a time when the chemist's was empty, when they would not be disturbed. Her father stood in his white coat behind the counter, his glasses pushed back on his head, his round, freckled face full of concentration. Kit was tolerated to sit on the high stool only if she didn't distract him.

"What?" he said absently.

She began again, but he interrupted. "I heard you, but why do you ask?"

"I was just asking, Dad."

"Did you ask your mother?"

"Yes."

"And?"

"And she said it was because you snored."

"So now you know."

"Yes."

"Any more questions, Kit, or can I get on with earning my living and making up compounds."

"Why did you and Mam get married?"

"Because we loved each other, and still love each other."

"How did you know?"

"You know, Kit, that's it. I'm afraid it's not very satisfactory, but that's the only way I can explain it. I saw your mother at a friend's house in Dublin, and I thought, isn't she lovely and nice and fun and wouldn't it be great if she'd go out with me. And she did, over and over, and then I asked her to marry me and she said yes." He seemed to be telling it from the heart.

But Kit wasn't convinced. "And did Mam feel the same?"

"Well, darling child. She must have felt the same. I mean, there was nobody with a great big stick saying you must marry this young chemist from Lough Glass who loves you to distraction. Her parents were dead, she didn't do it to please anyone, because I was a safe bet or anything."

"Were you a safe bet, Daddy?"

"I was a man with a steady job. In 1939 with the world on the edge of the war and everyone very confused by everything, a man with a good job was always a safe bet. Still is."

"And were you surprised that she said yes?"

"No, darling, I wasn't surprised, not at that stage . . . we loved each other, you see. I know it's not like the pictures or the things you youngsters giggle about, but that's what it was for us." Kit was silent. "What is it, Kit? Why are you asking all this?"

"Nothing, Daddy. You know the way you get to wondering, that's all."

"I know the way you get to wondering," he said.

And he left it there so Kit didn't even have to think anymore about what Clio had said. Clio had told her that she overheard a conversation in her home where someone had said that Martin McMahon had a job keeping that wife of his tied to Lough Glass and the miracle of the whole thing being why she had ever come here in the first place.

"I'm only telling you," Clio had said, "because you and I are best friends and I think you ought to know."


"Sister Madeleine?"

"Yes, Kit."

"Do you know the way people tell you everything?"

"Well, they tell me things, Kit, because I haven't much to tell them, you see. What with gathering sticks and picking flowers and saying my prayers, there isn't much to tell."

"Do people tell you their secrets, like, their sins even?"

Sister Madeleine was shocked. "No, Kit McMahon. Don't you know as well as I do that the only one we'd tell our sins to is an anointed priest of God, who has the power to act between God and man."

"Secrets, then?"

"What are you saying to me at all? Chook, chook, chook . . . will you look at the little bantams. Brother Healy was so kind. He gave me a clutch of eggs and they all hatched out beside the fire . . . it was like a miracle." She knelt on the floor to direct the little chickens away from some perilous journey they were about to undertake and back into the box of straw she had prepared for them.

Kit would not be put off. "I came by myself today because . . ."

"Yes, I missed Clio. She's a grand friend for you, isn't she?"

"She is and she isn't, Sister Madeleine. She told me that people were talking about my father and mother . . . and I wondered, I wanted to know maybe if you . . ."

Sister Madeleine straightened up, her lined, weatherbeaten face was in a broad smile; it was as if she was willing the anxiety away from Kit. "Aren't you the grown-up woman of twelve years of age, and don't you know that everyone talks about everyone else. That's what people do in a village . . . you're not going to get all upset over that, are you?"

"No, but . . ."
Sister Madeleine seized the word "no." "There. I knew you weren't. You see, it's a funny thing when people go miles and miles away to big cities where they know nobody and nobody knows them, the whole thing is turned around. It's then they want people to be all interested in them and their doings.

"We are a funny sort of people, the human race."

"It's just that . . ." Kit began desperately. She didn't want to discuss the human race, she wanted Sister Madeleine to tell her that everything was all right, that her mother wasn't unhappy or wild or bad or whatever it was that Clio was suggesting.

But she didn't get far.

Sister Madeleine was in full flight. "I knew you'd agree with me, and one of the funniest things—animals are much more simple. I don't know why the Lord thought that we were so special. We're not nearly as loving and good as the animal kingdom."

The old dog, Whiskers, that Sister Madeleine had rescued when someone had tried to drown him in a bag, looked up when she said this. Whiskers seemed to understand when she was saying something good about animals, it was as if the tone of her voice changed. He gave a sort of gurgle to show he approved. "Whiskers agrees with me, and how's Farouk? That fine noble cat of yours."

"He's fine, Sister Madeleine. Why don't you come and see him?"

"Sure you know me, I'm not one to be visiting people's houses. All I want to know is that he's well and happy, and stalking around Lough Glass as if he owned it."

There they were, talking about Farouk and Whiskers and the human race, and it would be rude now to go back to the reason why Kit had walked down the leafy lane to see Sister Madeleine on her own.


"How are things, Kit?"

"Fine, Mrs. Kelly."

Lilian Kelly stood back to look more attentively at her daughter Clio's friend, Kit. The child was very handsome, with that great head of dark curly hair and those unexpected blue eyes. She would probably be a beauty like her mother.

"And tell me, have you and Clio had a falling-out?"

"A falling-out?" Kit's blue eyes were too innocent. She repeated the phrase with wonder, as if she hadn't a clue what the words meant.

"Well, it's just that up to now you've been like Siamese twins joined at the hip. But in the last few weeks you don't seem to be going within a donkey's roar of each other, and that seems a pity seeing that it's the summer holidays." She paused, waiting.

But she was getting nothing from Kit. "We didn't have a row, honestly, Mrs. Kelly."

"I know. That's what Clio said." Kit was anxious to be away. "Nobody listens to their own mother, so maybe you might listen to me instead. You and Clio need each other. This is a small place, you'll always be glad to have a friend here. Whatever silliness this is it doesn't matter, it'll soon be over. Now you know where we live. Come on up to the house this evening, will you?"

"Clio knows where I live too, Mrs. Kelly."

"God protect me from two such stubborn women. I don't know what's going to happen to the next generation . . ." Mrs. Kelly sighed and went off good-naturedly. Kit watched her go. Clio's mother was large and square, she wore sensible clothes, today she had a cotton dress with white cuffs and collar, and a small daisy print. She was carrying a shopping basket. She was like the picture of a mother in a storybook.

Not like Kit's own mother, who was very thin, and wore bright greens or crimson or royal blue, and her clothes were sort of floaty-looking. She looked much more like a dancer than a mother.


Kit sat on the wooden pier.

Their boat was tied up beside her, but there was an iron-hard rule that no one took the boat out alone. Someone had been drowned in the lake because she went out alone. It was ages ago but people still talked about it. Her body wasn't found for a year, and during that year her soul used to haunt the lake calling out "Look in the reeds, look in the reeds." Everyone knew this. It was enough to frighten the most foolhardy, even the boys, from going out on their own.

Kit watched enviously as she saw some of the older boys from the Brothers' school untying a boat, but she would not go back up and pretend to Clio that everything was all right.

Because it wasn't.

The days seemed very long. There was nobody to talk to. It didn't seem fair to go down to Sister Madeleine on her own. It had been the place that she and Clio always went to, and that one time she had gone to try and find out things Sister Madeleine must have known what she was after. Rita was working always, or else she had her head in a book. Emmet was too young for any conversation. Daddy was busy and Mother . . . Mother. Mother expected Kit to be less clingy, less worried. It had been very easy when Clio was around. Perhaps Mrs. Kelly was right and they did need each other.

But she was not going to go up to that house.

She heard footsteps behind her and felt the spring of the wooden pier as someone walked along. It was Clio. She had two milk chocolate biscuits, their favorites.

"I wouldn't go to your house, and you wouldn't come to mine. This is neutral ground, all right?" she said.

Kit paused. "Sure." She shrugged.

"We can just go on as we were before the fight." Clio wanted it defined.

"There wasn't a fight," Kit reminded her.

"Yeah, I know. But I said something stupid about your mother." There was a silence. Clio went on to fill it. "The truth is, Kit, that I was jealous. I'd love to have a mother who looks like a film star."

Kit reached out and took one of the Club Milk biscuits. "Now you're here we can take out the boat," she said.

The row that had never been was over.


During the holidays Brother Healy came up to the convent for his annual discussion with Mother Bernard.

They had many things to discuss, and they got on well together when discussing them. There was the school curriculum for the year, the difficulty of getting lay teachers who would have the same sense of dedication, the terrible problem they shared about children being wild and undisciplined, preferring the goings-on on the cinema screen to real life as it should be lived in Ireland. They coordinated their timetables so that the girls should be released from school at one time and the boys at another, leaving less chances for the two sexes to meet each other and get involved in unnecessary familiarity.

Brother Healy and Mother Bernard were such old friends now that they could even indulge in the odd little grumble, about the length of Father Baily's sermons, for example. The man was inclined to be hypnotized by the sound of his own voice, they thought.

Or the excessive love the children had for that difficult Sister Madeleine. It was somehow highly irritating that this odd woman, who came from a deeply confused and ill-explained background, should have taken such an unexpected place in the hearts and minds of Lough Glass's children, who would do anything for her. They were eager to save stamps, collect silver paper, and gather sticks for her fire. The boys had been outraged when Brother Healy had stamped on a spider. There had been a near mutiny in the classroom. And these were the same lads who would have pulled the wings off flies for sport a few years before.

Mother Bernard said that Sister Madeleine was altogether too tolerant for this world, she seemed to have a good word to say for everyone, including the enemies of the Church. She had told some of the impressionable girls that Communists might have their own very reasonable belief in dividing wealth equally. That had been a headache, Mother Bernard said . . . and one that she could have done without.

And it wasn't only the children who were under her spell, Brother Healy said in an aggrieved tone. Oh no, no. A man who should know better, like Martin McMahon the chemist.

Brother Healy had heard with his own ears the man suggesting to Mrs. Sullivan, whose poor Billy had been carried off screaming, that she should go to Sister Madeleine for some advice about a nice soothing drink to make her sleep.

"Next stop will be black magic altogether," said Mother Bernard, nodding feverishly in agreement.

And, of course, if Martin minded his business and paid a bit of attention to that fancy wife of his, he'd be better off. Brother Healy might have gone too far now in uncharitable gossip. He knew it and so did Mother Bernard. They both began to shuffle their papers together and end the meeting.

It would remain unsaid that Helen McMahon, with her disturbing good looks, walked too much alone, beating at the hedges with a blackthorn stick, her eyes and mind far, far away from Lough Glass and the people who lived there.


It was a Wednesday, and Martin McMahon closed his shop with a sigh of relief. The flypaper was thick with dead bluebottles. He must remove it quickly before Kit or Emmet came in with a lecture about their being God's creatures and how unfair of him to lure them to their death.

He was relieved that Kit and Clio Kelly seemed to have gotten over whatever childish squabble it had been that kept them apart for a few weeks. Girls were so intense at that age, it was impossible to know their minds. He had asked Helen if they should interfere, try to bring the children together, but Helen had said to let it run its course. And she had been right about everything.

When Helen said something it was always likely to happen. She had said that Emmet would be able to cope with his stutter, that he would laugh away the mimicry and criticism. That had come to pass. She had said Rita was a bright girl when everyone else had thought the child mentally deficient. Helen had known that Billy Sullivan was drinking behind his garage doors when no one else knew. And Helen had told him all those years ago that she could never love him totally but she would love him as much as she was able to.

Which wasn't nearly enough. But he knew it was that or nothing.

He had first met her when she was pining for someone else, and she had been open with him. It would not be fair to encourage his attentions, she had said, when her mind was so committed elsewhere. He had agreed to wait around. He had made more and more excuses to be in Dublin, to invite her out. Gradually they became close. She never spoke of the man who had left her to marry some girl with money.

And little by little the color returned to her cheeks. He invited her down here to see his place—his lake, his people—and she came and walked with him around the shores.

"It might not be the greatest love the world has ever known for you . . . but it will be for me," he said.

She said it was the most beautiful proposal that a man could make. She would accept, she said. She sighed as she said it.

Helen had told him that she would stay with him, and if she ever left she would tell him why, and it would have to be for a very good reason. She said that it was dangerous to try to know somebody too well. People should have their own reserves, she said, the places they went in their minds, where no one else should follow.

He had agreed with her, of course. It was the price he paid for getting her as his wife. But he wished she didn't go off so often and so far in her mind and he dearly wished she wouldn't wander around the lake in all kinds of weather. She assured him that she loved to do this, it brought her peace to see the lake in its changing seasons. She knew all kinds of things about its nesting creatures. She felt at home there, at peace, she knew all the people around.

Once she had told him that it would be lovely to have a little cottage like Sister Madeleine's and have the lake water lap up to your door.

He had laughed at that. "Isn't it hard enough to squash the whole family into this place . . . how would we fit in the hermit's cottage?" he had asked.

"I didn't mean the whole family, I was thinking of going there by myself." Her eyes had been far away that day. He hadn't followed her train of thought; it had been too unsettling.


Martin let himself in his own front door beside the chemist's shop. It led straight upstairs to what they called their house. Even though Kit had complained that they were the only people she knew who had a house without a downstairs.

Rita was setting the table. "The mistress won't be here, sir. She said to say she'll see you after your game of golf."

He was disappointed and it showed.

"Women have to have their time off, too," Kit said defensively.

"Of course they do," he said over-jovially. "And it's a Wednesday so everyone except Rita has an afternoon off. I'm going to play a round of golf with Clio's father. I'm feeling in powerful form, I'm going to beat him into the ground today. I can see a few pars coming up, and a birdie and an eagle and . . . maybe an albatross."

"Why are they all called after birds?" Emmet wanted to know.

"I suppose because the ball soars like a bird, or it should anyway. . . . Come on, I'll be Mother," he said, and began to ladle out the lamb stew.

He realized that he had been saying this more and more recently. He wondered why on earth had Helen not said she was going out. Where on earth could she be?


From the golf course you got fine views of the lake. People said it was one of the most attractive courses in Ireland. Not as rugged as the great championship courses on the coast, but very varied with rolling parkland and many clusters of trees. And always the lake, dark blue today with hardly any shadows on it.

Peter Kelly and Martin McMahon stopped to rest and look down from the eighth green upon the high ground. Unlike at busier golf courses, they were holding nobody up. There was always time to stand and look down on Lough Glass and its lake.

"The tinkers are back, I see." Peter pointed out the colored roofs of caravans on the far shore of the lake.

"They're like the seasons, aren't they? Always coming back the same way and at the same time."

"Desperate life to inflict on the children, though. Some of them come up to get bits of machinery out of them or with dog bites . . . you'd pity them," said the doctor.
"They come in to me, too, only the very odd time. Often I tell them they know more than I do," Martin laughed. He had indeed said that between the travelers and old Madeleine there was a very good second line of defense as regards medicine in Lough Glass.

"Some of them are very fine-looking people." Peter peered into the distance, where two women walked by the water's edge. Martin looked too, and then they both moved at the same time to go back to line up their shots. It was as if they both thought one of the women looked very like Helen McMahon but neither of them wanted to say it.

Clio told Kit that there was a woman among the travelers who told fortunes. And that she knew everything that was going to happen. But that Mother Bernard would kill you stone-dead if you went anywhere near her.

"What would Sister Madeleine say?" Kit wondered.


From the Audio Cassette edition.
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Customer Reviews

Average Rating 4.5
( 59 )
Rating Distribution

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(35)

4 Star

(11)

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(9)

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See All Sort by: Showing 1 – 20 of 59 Customer Reviews
  • Posted January 21, 2011

    more from this reviewer

    Highly Recommend this book!

    This book is so amazing and full of life, loss, and love! I've read this book many times. Its one of my all time favorites. The characters are well written and the plot unique. I feel this is Binchy's best book. Circle of Friends comes in a close second. I truly wish they'd have made a movie out of this book too. I would be interested to see who they would cast. =)

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 21, 2007

    Lough Derg, County Clare, Ireland???

    When I was in Ireland, I was re-reading this book and I could see the setting as the beautiful Lough Derg, in County Clare. Every one of Maeve Binchy's books is just as powerful as anything written by Alice Hoffman (although not as poetic) or any other contemporary American writer. Binchy's tales are mesmerizing you cannot put her books down, her characters tell their stories in such a compelling way. They all hold up..to a second reading and you see development that you may have missed the first time around. May she live and write for another fifty years...She is my comfort food and her stories transcend their time period and adapt easily for American readers......

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted August 18, 2003

    AMAZING BOOK

    This was one of the best books I have ever read. Binchy out did her self. Tara Road is just as good, But this takes the PRize read this book. Great characters great story. stick with it it is a little slow in the beginning but it does pick up and you wont be able to put it down.

    2 out of 2 people found this review helpful.

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  • Posted May 24, 2011

    more from this reviewer

    Nice

    Nice

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted February 7, 2007

    The Best!!

    This book has been, and probably always will be, my all-time favorite! It is written beautifully and incorporates the best aspects of storytelling! Maeve Binchy has such incredible talent and this is her best piece. It's so hard to put down. I've read it numerous times and it just gets better and better.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 24, 2004

    Best of Binchy!

    As a fan of this Mauve Binchy I must say that she truly outdoes herself in writing 'The Glass Lake'. I love the interesting, well formed characters, and the twists and turns that this story takes. It is my favorite of her books. Loved it!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 26, 2004

    Binchy's Best

    As an avid reader of Maeve Binchy's novels, this is by far my favorite...it's fast-paced and suspenseful, as well as poignant. Definitely a must-read.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 21, 2003

    ENTHRALLING !!

    So very outstanding -- a must read for her fans and for new readers. Gripping and edge of your seat stuff with such 'real' characters. One of her best !!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 21, 2003

    Excellent book

    This has to be the author's finest piece of writing! The story is terric and I highly recommend it.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 22, 2003

    Great Read

    Excellent book. Starts off a little slow but really keeps you hooked once into the book. The characters come to life and you really care about what happens to them. Definitly reccomended

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 21, 2014

    Highly recommend- you must read.

    To me it is the best Mauve Binchy I have read. I couldn't put it down.
    Her inticut knowledge of psyche and the way she developes personalities is what makes her books intriguing and exciting. I can't wait to read another of her books.

    Was this review helpful? Yes  No   Report this review
  • Posted January 8, 2014

    another great read.

    another great read.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 4, 2013

    Wells

    Buys 1000000 rare candy.

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 14, 2012

    Warrior's den

    0 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 7, 2012

    Rockheart

    Camp is moved to creek book 1 stardream

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted June 26, 2008

    Drowning a kitten

    I find Maeve's books rather a relaxing read, although a bit overly wordy, hence I read over often, but the scene I wish that I had read over involved drowning a kitten. She wrote it as if it was suffering and they were drowning the kitten to be kind. I hardly find drowning an animal a kind act and I find it most disturbing this scene was in this book. Another one of her books (I think it was this one too) used one of the expressions to 'swing a cat' which I also find disturbing. If this had been her first book that I ever read, I'd never have read another one of her books. I'm disappointed in her. This disturbing scene has really taken my enjoyment from this story and from her writing.

    0 out of 4 people found this review helpful.

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  • Anonymous

    Posted September 23, 2007

    A reviewer

    I had never read a Maeve Binchy book before so I thought I would start out with this one. I was hoping to love it, but I was kind of bored with it. I never really felt anything for the characters and ended up giving up on the book more than halfway through.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 7, 2003

    GREAT BOOK!!!!!!!!

    Though Im only in 5th grade have read this book and realy got hooked. I couldnt put it down!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 12, 2002

    True winner

    This was the 2nd book by this author, and I am hooked! I SIMPLY MUST READ ALL HER OTHER BOOKS. The story revolving all the charachters is so captivating, I felt like writing my own notes on the side, but since I will lend this book to others... Transition from one person to another was seamless and it was very difficult to put the book down. I noticed myself slowing down past the 1/2 way point as I wanted to prolong the reading pleasure.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 3, 2002

    Marvelously captivating and well written - I'm hooked!

    This is the first time I have read anything by Maeve Binchy and I am already shopping for my next book written by her. The Glass Lake is a captivating story with strong characters who support in interesting plot. I began this on vacation and was lovingly teased by my companions about how often I had my nose in the book. I am an avid reader and can't wait to read more from this author.

    Was this review helpful? Yes  No   Report this review
See All Sort by: Showing 1 – 20 of 59 Customer Reviews

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