The Glass Menagerie

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Overview

When it opened in Chicago in 1944, The Glass Menagerie marked a turning point in American theater and in the life of its then unknown author. Tennessee Williams’s elegiac masterpiece brought a radical new lyricism to Broadway—and today the tragedy, fragility, and tenderness of this “memory play” endure.

In a cramped St. Louis apartment the aging Southern belle Amanda Wingfield, long preoccupied by memories of gentlemen callers and a world that no longer exists, is energized by the dilemma of how to save what remains of her family. Her restless son Tom — factory worker, aspiring poet, and the narrator of the play — is swept up in Amanda’s comic and heartbreaking schemes to find Laura, his ...

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Overview

When it opened in Chicago in 1944, The Glass Menagerie marked a turning point in American theater and in the life of its then unknown author. Tennessee Williams’s elegiac masterpiece brought a radical new lyricism to Broadway—and today the tragedy, fragility, and tenderness of this “memory play” endure.

In a cramped St. Louis apartment the aging Southern belle Amanda Wingfield, long preoccupied by memories of gentlemen callers and a world that no longer exists, is energized by the dilemma of how to save what remains of her family. Her restless son Tom — factory worker, aspiring poet, and the narrator of the play — is swept up in Amanda’s comic and heartbreaking schemes to find Laura, his agonizingly shy and handicapped sister, a husband.

This new edition of The Glass Menagerie comes with an exciting introduction by the playwright Tony Kushner. Williams’s classic essay on the effect of swift and unexpected fame, “The Catastrophe of Success,” his original production notes, and a new essay on the autobiographical background of the play by the distinguished Williams scholar Allean Hale are also included.

Product Details

  • ISBN-13: 9780811214049
  • Publisher: New Directions Publishing Corporation
  • Publication date: 6/1/1999
  • Edition description: Revised
  • Edition number: 2
  • Pages: 105
  • Sales rank: 28,314
  • Product dimensions: 5.10 (w) x 7.90 (h) x 0.36 (d)

Meet the Author

Tennessee Williams (1911-1983) is the acclaimed author of many books of letters, short stories, poems, essays, and a large collection of plays, including The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Orpheus Descending, The Night of the Iguana, and The Rose Tattoo.

Tony Kushner is the author of over two dozen plays, including
Angels in America, for which he received the Tony Award and the Pulitzer Prize for the best play of
1993.

Table of Contents

Introduction
Cast Listing/Scene
The Characters
Production Notes
The Glass Menagerie 3
The Catastrophe of Success, an essay 99

Customer Reviews

Average Rating 4
( 47 )

Rating Distribution

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(17)

4 Star

(16)

3 Star

(7)

2 Star

(5)

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(2)

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See All Sort by: Showing 1 – 20 of 47 Customer Reviews
  • Posted June 11, 2009

    more from this reviewer

    Intellectually stimulating

    Representing the emotional need to escape reality, especially in the turmoil of the Great Depression, Tennessee Williams describes a family of disconnected members each affected by a different. As Amanda continues to dwell in her earlier glories, her two kids struggle to flee from an unpleasant truth through other desperate means. While Tom interests himself with literature and movies, Laura remains preoccupied with maintaining her glass menagerie. In a sense, all three strive to escape the "coffin" that represents their mundane lives.

    Williams effectively captures the emotions of that era, addressing the absence of Mr. Wingfield and its impact on the mental state of the family. Two prevalent motivations for abandoning a family-the battle for self-preservation and the shame of failing loved ones-are subtly presented throughout the course of this play, as the financial instability of the Wingfields suggest a need for new beginnings. This accurately reflects the chaos of the 1930s, as love, a supposedly universal weapon, fails to save the day.

    Combining artistic mastery with heart-wrenching content, Williams employs a lyrical style that uses symbolism to convey loss and longing. Specifically, Tom's final monologue equates Laura to a "shattered rainbow," describing not only her frailty, but also his undying love for his helpless sister. With a distinctly melancholic tone, Williams conveys a sense of unresolved conflict and profound nostalgia.

    More prominent than the overall emotional impact is the ironic way in which Williams unites the family under the desire to escape. Bereft of both materialistic belongings and faith in the future, the Wingfields are held together by their common need for change. Ultimately, Tom succeeds in his endeavor, and it is suggested that, despite his remembrance of his sister, he is able to embark on a journey of self-discovery.

    Williams eloquently expresses the pains of failed romance, but fails to present any real hope for the future. In a sense, Laura's fiasco with her love interest bleeds through to negatively impact all those around her. No shift or memorable conclusion is presented, and I feel as though the overall moral could have better been developed differently. While Tom does manage to break free from his familial obligations, he does so to follow in the footsteps of his father, not purely out of a desire for self-fulfillment. Through the development of distinct personalities, Williams emphasizes that, in spite of our differences, human beings all seek the same seemingly elusive happiness.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 20, 2003

    Tennessee examines the frailty of familial relationships beautifully

    In the glass menagerie Tennessee Williams has created Tom a young man thrust into the working world to support his his family, leaving him no time to pursue his passion for writing. intriguingly enough this exact situation befell Williams when he was young and Williams real first name was Tom. Yes Tom's character is amazingly developed and a dream to any young actor, but the character of Amanda his overbearing mother is also superb. She is a metaphor in the play for lost dreams and regret and she is stunning in this role. then there is Laura Tom's lame sister who as a guard from the cruelties of the world has shut herself away in a world of fantasy where she collects her little glass figurines fragile yet beautiful. In his opening monologue Tom states that this is a memory play and that is exactly what it is a play which reveals Tennessee's own memories of times past which just like the glass are fragile yet beautiful. in another monologue Tom says he saw a magician nail himself in a coffin and get out without removing one nail, and anyone can get nailed in but to get out without removing one nail that's amazing, this one line sums up all the themes of this play, and it is why I consider Williams the greatest modern playwright.

    1 out of 1 people found this review helpful.

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  • Posted February 12, 2012

    more from this reviewer

    Lovely

    The Glass Menagerie was a very gentle, beautiful story. Beautiful is exactly the word I would use to describe it because it was so so sweet. Laura was especially sweet. Although I did find her shyness a bit too extreme at times, I still appreciated the gentleness and tenderness with which she cared for her glass animals and the love with which she looks at her family and the world around her. Despite her being 24 years old, in my mind I would picture her as a very young, innocent, shy and beautiful little girl, not older than 20.

    Something else I have to comment on is the plot twist at the end. I did not see it coming and I was shocked with what was revealed. While reading the scene I felt so happy and hopeful for Laura that I was smiling and suddenly i was like "what? what? WHAT?". To quote Amanda (Laura's mother) "Things have a way of turning out so badly" and may I add so unexpectedly.

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  • Posted January 8, 2012

    I didn't like this-at all!

    The play format makes it hard to follow. I never saw anything in the story related to a glass menagerie except for a very slight mention. The only good thing about this play to me was that it was pretty short. Definitely not for a younger audience. It's not a pleasure to read it.

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  • Posted March 6, 2010

    Great Title

    I loved the symbolism and the references of real-life problems to objects. I also like the way conflicts were addressed and solved. This was a great title.

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  • Posted December 25, 2009

    I Also Recommend:

    The Glass Menagerie

    This book is good. It could have been better because it's plot is kind of off, but it's a sweet small read to discover when you are lonely. The greatest symbolism throughout the book is that the girl becomes as fragile as her beautiful glass menagerie. It's a sad sweet little play that is fun to act out, and the scenary is great. Tom and his sister are so different that it makes the play more fun, yet sad.

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  • Posted September 5, 2009

    more from this reviewer

    short play

    this is a short play. i really enjoyed the whole symbolism behind the meaning of Laura's unicorn. this was a quick read but the large vocab. can have some baffled.

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  • Anonymous

    Posted July 11, 2009

    very nice

    pretty good i gave it to my sister so she seemed to really enjoy it.

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  • Posted June 9, 2009

    The Glass Menagerie Review

    Although the Glass Menagerie served as the first breakthrough hit of Tennessee Williams' eventually booming play writing career, I can honestly attest to the fact that I believe that this play was mediocre at best. Granted, this play was all but shoved down my throat and I rarely enjoy books that are delivered in that way. However, this play, in spite of the fact that I actually chose to read it, mildly disappointed me, especially since I was rather thoroughly surprised by the fact that I had enjoyed A Streetcar Named Desire. This just proves to show that an author can have pretty severe discrepancies within his own works. Or maybe I'm just weird.
    The Glass Menagerie was too repetitive for my taste, with no actual true plot. With Tom's constant chatter about dreaming and Amanda's prattling endlessly about gentleman callers, it was enough to convey to me the gist of the entire play within the first few pages. The characters were, I found, ill-developed. I could never reason out a comprehensible and logical reason to explain Laura's actions. But then, maybe the illogicalness of her actions is supposed to convey a point also. Either way, I'm not a fan of the way she was portrayed, the manner in which the play panned out. Granted, this is not a play to watch/ read if you're in a sad mood, as the ending leaves much to be desired, serotonin-level wise.
    Similarly stagnant was the plot development. It seemed as if the plot were a wheel, centered around a single spoke and unable to branch out into anything else that made sense. I felt the play too heavily focused on the concept of gentleman callers to the point where I was not quite aware of the fact that Amanda was supposed to portray a Southern belle incarnate. With so much emphasis on the gentleman caller, I expected a longer interaction with one when Jim finally waltzed onto the stage. However, like much else in the play, it remained disproportionate and rather awkwardly fitted in. The lack of other characters in the play, with only three main ones also hinder any potential character development the three leads could have potentially had.
    However, the symbolism present within the play was most artfully carried out. The whole shpeal with the unicorn and the horn tie in absolutely wonderfully with the idea of normalcy and fantasy, which actually correlates nicely with the overall play and the themes presented within it. I also thoroughly enjoy Williams' style and the dialogue between Amanda and Tom are, in my opinion very believable, in that they mirror the conversations that go on between my own brother and mother at times. At times, also, I found the play surprisingly just purely entertaining. These things kept the general air of pointlessness in the play to a basic minimum.
    Overall, this tale of escapism and failing to do so proves not to be a terrible read, though not nearly as entertaining as other works by the same author. Poignant symbolism and realistic dialogue save this play from fading away with ill development in plot and character.

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  • Anonymous

    Posted August 1, 2008

    The Glass Menagerie is a classic Williams work

    The Glass Menagerie is a part of my English AP summer reading assignment, and unlike past summer books, I can say that I truly enjoyed it. Williams's writing technique is beautiful he uses symbols, repetition, and motifs throughout of the play to embody his theme. The Glass Menagerie shows the audience that beauty is fragile, and in order to protect it, one must treat it with extreme love and care. I am quite lost as to why the book is under the Gay and Lesbian book heading. Did I miss something huge? I don't believe so. I would suggest this book to anyone, because it truly engaged my mind. It was also a very quick and easy read.

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  • Anonymous

    Posted February 28, 2008

    LOVED THIS BOOK

    I loved this play so much that I read the whole play. But I think this play is the best play ever written. If this wasn't for a grade I wouldn't have read it but when I did read it i loved it so much that I am reading it over again!!!!

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  • Anonymous

    Posted August 3, 2006

    my favorite book/play/anythingwithwords

    i love this play. i had to read it for english class and i can honestly say i loved it, and considering im a teenager, that tells you the work is good. i dont usually like older books but i absolutely fell in love with the glass menagerie. its really great once you get into it and let yourself become one of the characters, but i guess since i had to act it that came easy for me. i dont recommend immature readers to even TOUCH the book though, because honestly they just wont get it.

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  • Anonymous

    Posted November 1, 2005

    Not recommended if you actually enjoy reading

    I had to read this book for english. Let me inforce the had, if it wasn't an assignment I wouldn't have finished the first page. Williams has a horribly boring writing technique. A play entirely made of symbols is ridiculous! Symbols are ok here and there but honestly, don't whine to us about your life.

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  • Anonymous

    Posted February 17, 2005

    Boring

    This book is so simplistic. The characters are so easy to hate because they are all so ridiculous. The book does not really have a point. It just winds on til it reaches a stupid ending. If you're looking for a book to enjoy, do not even consider this one

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  • Anonymous

    Posted May 30, 2004

    Beautifully Written

    I have often found that plays tend to be more boring than prose for many reasons (hard to bring out characters, make third-person observations, etc.), but this play was absolutely amazing! It combines realistic circumstances and characters with poetry and beauty. Towards the end, you will begin to sympathize with all the characters: Laura, the poor disillusioned sister who lives in her world of glass figures; Amanda, the mother who was a Southern Belle once upon a time, always dreaming of old times and a better life; Tom, the poet who works in a shoe factory, who feels smothered by his life. The ending is perhaps the most sadly beautiful, as the family discovers that Laura's suitor is already engaged, and she becomes 'like a piece of her own glass collection: to exquisitely fragile to be taken from the shelf'; then Tom attempts to escape his life by running away to distant cities, only to find his sistor's haunting memory forever following him: 'I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass... I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be!'

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  • Anonymous

    Posted August 29, 2003

    hmmm. interesting

    well i liked how tom and amanda got into fights all the time. we all know familys aren't perfect, and i often argue with my mom. the book is fine, but i didn't understand the ending. dont get me wrong, but the book is sort of funny at points.

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  • Anonymous

    Posted September 10, 2002

    I liked the book

    I thought that Glass Menagerie was a good book. I would recommend this to others. The story is about a man retelling his difficult life. There is a lot of symbols portrayed through out the story. It compares people's lives. There are some parts that I didn't understand, but over all it's good. The end of the story doesn't turn out good, but it's reality. Not everyone turns out to have that "fairy tale happily ever after life". I can compare this story to my own life and see some similarities and differences. I rate this a good book.

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  • Anonymous

    Posted February 19, 2001

    OK

    This book was OK. It was very interesting yet hard to follow along with. This book had many symbols that I didn't quite understand.

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  • Anonymous

    Posted April 20, 2000

    I Adored This Book!

    I thought that this was a wonderfully touching tale of life. In truth it was the life of Tennesse Williams portrayed through his characters. I loved this book from the first time I read it in my English class two years ago. We are currently reading Tennnese Williams in my Drama II class. So I am reminicing and thinking of this wonderful story. If you want and amazing and touching read, buy it! I hope you love it!

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  • Anonymous

    Posted March 29, 2000

    the best tenessee williams there is

    The Glass Menagerie is a wonderful book that really looks deeply into the characters emotions and I really felt that Lauras life was changed in one night. Please if your thinking of buying this book but your not sure its worth it, buy it youll be glad you did, its a marvelous book. It will really change your perspectives on things.

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