Glass: The Concerto Project, Vol. 1

Editorial Reviews

All Music Guide - Blair Sanderson
The lush harmonies and rhapsodic lyricism of Philip Glass' mature works may attract many listeners, especially those who enjoy his warm, neo-Romantic music more than his hard-edged, minimalist pieces of the 1970s. Both the "Concerto for cello and orchestra" and the "Concerto Fantasy for two tympanists and orchestra" offer grand ideas in their expansive forms, and the music in both works is passionate and sweeping. However, a murkiness hovers over these performances on CD, and the cause of this may be assigned variously to the participants. Glass himself deserves a portion for his over-rich orchestration, in which the instrumental choirs are often layered, bass lines are...
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Editorial Reviews

All Music Guide - Blair Sanderson
The lush harmonies and rhapsodic lyricism of Philip Glass' mature works may attract many listeners, especially those who enjoy his warm, neo-Romantic music more than his hard-edged, minimalist pieces of the 1970s. Both the "Concerto for cello and orchestra" and the "Concerto Fantasy for two tympanists and orchestra" offer grand ideas in their expansive forms, and the music in both works is passionate and sweeping. However, a murkiness hovers over these performances on CD, and the cause of this may be assigned variously to the participants. Glass himself deserves a portion for his over-rich orchestration, in which the instrumental choirs are often layered, bass lines are heavily thickened, and precious little room is left in the middle for his soloists to resonate. Julian Lloyd Webber's cello is practically absorbed in the wall of sound, and his lack of an edge makes his part even harder to make out. The dual tympani parts of Evelyn Glennie and Jonathan Haas are difficult to distinguish from the orchestral welter; indeed, they rumble as a steady roar under the flashy tutti, except in the cadenza, where they are isolated. The Royal Philharmonic Orchestra, under Gerard Schwarz, is bland and weakly defined, and Orange Mountain's recording fails to create a sense of space and placement.
New York Times - Allan Kozinn
Julian Lloyd Webber, who commissioned the Cello Concerto, plays its quasi-Bachian passages with suitable vigor, but he is really in his element when Mr. Glass gives him a haunting, lyrical line. These are plentiful, and Mr. Lloyd Webber makes them sing. In the Concerto Fantasy for Two Timpanists, Jonathan Haas and Evelyn Glennie create an intricate but hard-driven percussion layer around and within the orchestral fabric. But where they really shine is in a lengthy cadenza that lets them play with their instruments' tuning, creating outlandish timbres.
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Product Details

  • Release Date: 10/12/2004
  • Label: Orange Mountain
  • UPC: 801837001426
  • Catalog Number: 14

Tracks

Disc 1
  1. 1–3 Cello Concerto - Philip Glass & Philip Glass (30:46)
  2. 4–7 Concerto Fantasy for Two Tympanists and Orchestra - Philip Glass & Philip Glass (24:28)
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Album Credits

Performance Credits
Gerard Schwarz Primary Artist
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