Longlisted for the Highland Book Prize
A Most Anticipated Book of February from the New York Times
A Most Anticipated Book from Vogue, New York Times Book Review Podcast, Bustle, The Millions, and Literary Hub
“Part of the joy of Gliff is that, while it is a dystopia, there are moments of genuine humor.”
—The New Yorker
“This idea of freedom—the possibility of moving through the world unconfined by a single, determinate category, able to swap identities or shed them altogether—is both Smith’s great theme and a description of her methods. Her books are restless, shape-changing, multifarious enterprises, scrambling conventional definitions of genre…Briar’s narrative of bravery and betrayal is interrupted here and there by fables—one about a woman who gives birth to a baby with a horse’s head, another about a tyrant driven mad by vengeance—that point to lessons and supply a glimmer, a gliff, of magic. Smith’s prose, as ever, is the principal enchantment: profane, playful, perpetually alert to the pleasures and serendipity of words, a spark she bestows on Briar and Rose…I don’t want to spoil either the details of Smith’s world-building or the turns of her plot, but I can say that she renders an awakening consciousness and the terrible reality in which it is embedded with faultless grace and dexterity.”
—New York Times Book Review
“Ali Smith delivers another masterwork…Brilliantly reimagines Brave New World…The conceit of children in danger is a familiar one, but Smith reinvigorates it…Smith has built a career on postmodern experimentation; here she tweaks typography and punctuation, layers puns and allusions, stutters sentences like speech, lacunae like breath. She deletes or swaps letters to enhance her meaning, much as a deleted or swapped letter of DNA can affect physical traits. Her wordplay astounds…Gliff’s language is sparer than in her famous Quartet, yet she’s still throwing everything—art, literature, social justice, tart humor—against atrocities that damage our moral compasses and cripple our lives. We may be anesthetized to horrors such as ethnic cleansing, but not Smith, no way, no how. A polemical tone punches through the varnish of her prose, a rage that even art can’t soothe…Kindness and beauty flicker amid the bleakness, but there’s a note of grief, too, as Smith bears witness to the death of commonweal. Gliff is a dirge for our civilization, yet a sequel—Glyph, already in the works—may change the tune.”
—Washington Post
“Smith scrambles plotlines, upends characters, and flouts chronology—while telling propulsively readable stories…Her books are challenging—experimental and unabashedly literary—yet welcoming to all, eminently readable even when they’re disorienting; they engage the reader, demanding collaboration…She breaks rules with gleeful abandon, mocking convention…[Gliff] thrums with Smith’s urgent need to tell a story about where our divided present could lead us.”
—The Atlantic
“In the splendid botanical gardens of Ms. Smith’s fiction…words bloom and flourish in their many definitions, both known and newly invented…The linguistic wildness of Ms. Smith’s writing, always a joyful signature of her books, contrasts effectively with the state’s urge to restrict speech and silo the population into fixed and exclusionary categories…Smith’s great strength is her grasp of the strangeness and multiplicity of language.”
—Wall Street Journal
“Smith’s writing always features an almost palpable love of language, which takes a variety of guises here, including other discussions about the multiple meanings of apposite words like trust, rendering, and sublime, as well as whimsical wordplay throughout the text…Gliff is enriched by references to literature, art, and history…While its vision of the future looks even more prescient today, particularly in the United States, hopefully Gliff will remain a cautionary tale and not be revealed as a glimpse into a crystal ball.”
—Boston Globe
"Chilling...Orwellian...Strangely compelling...It’s a vivid portrait of a decaying civilization—one snuffed out not with a bang but with a bleak, bureaucratic whimper."
—Vogue
“This reminded me of V for Vendetta…These are memorable kids, they’re smart, they’re funny…It’s fantastic.”
—Joumana Khatib, New York Times Book Review Podcast
"Ali Smith’s miraculous Gliff is at once a pitch-black take on the authoritarian future and a tender, hilarious and ultimately uplifting portrait of two young siblings as they battle to escape it. Full of jokes and wordplay, kindness and connection…A ray of hope after a year like this one."
—Paul Murray, The Irish Times' "Books of the Year"
“An ingenious speculative novel. . . . Smith makes the most of her protagonists’ youthful perspectives to bring a sense of wonder, inquisitiveness, and pathos to the story. . . . The lush narrative doubles as an anthem of resistance, in this case against tyranny and the destruction of the environment. Inspired references to Charles Dickens and Virginia Woolf add to Smith’s literary tapestry. The results are extraordinary.”
—Publishers Weekly, starred review
“But that mood [of angst] is frequently lightened by the author’s gift for conveying a fizzily fresh and vibrant young person’s mind. . . . A dark vision brightened by the engaging craft of an inventive writer.”
—Kirkus, starred review
“After a run of inspired novels in which the author drew on some of the most troubling contemporary events to inspire hopeful and defiant narratives, Smith's latest pivots towards a dystopian near-future while retaining all her brilliant insight, wit, and humanity…This fable-like story gradually reveals a Huxleyan society (Smith offers clever riffs on ‘brave new world’) in which the border is at once nowhere and everywhere, and anyone who acts out of line can be wrong-sided. Confronting themes of surveillance and fascism, Orwell Prize for Political Fiction–winner Smith's latest is a timely gift for readers.”
—Booklist, starred review
“If it were not pretty certain that she would hate the idea, you could almost describe Ali Smith as a national treasure…Gliff opens with style and intrigue…Few writers are as good as Smith at reminding us that novels are constructed, brick by brick, from individual words…The language is so rich and dazzling.”
—The Times
"As ever, Smith delights in sportive wordplay…In Smith’s refinement of the Orwellian vision, no boots are required. There’s just the computer saying ‘no,’ for ever…Smith’s natural mode of discourse, in the best way, resembles the questing and venturesome learning strategies of children…The cleverness she celebrates is innate and ordinary. It is human, in other words, and Gliff is the mark of just such a native genius.”
—The Guardian
“The way those who find themselves on the outer edges of our society are treated has always been a signal theme of Smith’s work…In the end our hope lies in Bri and Rose, in their generation, in outsiders. And if Smith’s recent books were a handbook for 21st-century life, Gliff is a warning as to what will happen if we ignore their lessons.”
—The Observer
“As usual with Smith, the gorgeous prose will swirl in your head. Gliff is challenging and enigmatic—and a novel that possibly needs more than one reading to fully appreciate.”
—The Independent
“Ali Smith excels at the creation of a lost, curious, intelligent mind adrift in a world of surprises and the unforeseen…She has a glorious line in encounters and incidents, observed strangeness and facts too large to be ignored, too inevitable to be made sense of…Smith is a vivid, alluringly chatty novelist capable of deft and unforeseeable sidesteps. The second book of the pair, set for release next year, will be worth it.”
—The Telegraph
“In recent years Ali Smith has mastered a style that is both disconcerting and utterly humane…Gliff is unendingly playful. Even in her 18th book, Smith does not tire of the wonder of language. It is also her most damning critique of Big Tech yet…The meaning and meaninglessness of our words is an overarching theme of Smith’s oeuvre…As Smith makes clear in this typically far-reaching and mind-expanding book, the true meaning of a word is made by those who use it.”
—The New Statesman
“Smith once again stakes her claim to be among the most inventive writers—Gliff is another fizzing firework display, with conceptual shenanigans and punning prose put in the service of hot-button social issues.”
—Irish Daily Mail
“After the breakneck, up-to-the-minute nature of the seasonal quartet and its epilogue, Gliff's aims are something more fabulist and timeless…Gliff is like a fanfare of the Ali Smith showcase. There are redactions, puns, quick-fire exchanges, malapropisms, neologisms and more. It is replete with cadenzas and the studied impromptu…Gliff, of course, is entertaining and sophisticated and clever.”
—The Scotsman
“An altogether thrilling read…A call to arms that, crucially, doesn’t read like one…There is nothing didactic about Smith’s style of storytelling…Smith’s genius is to show us this world—our sudden, chance view—and at the same time ask us to consider how such horrors might be prevented…The siblings are wonderfully drawn…Smith’s command over the story, her ease with the dystopian genre, allows her to play with form throughout the book, with word games that elucidate her themes…With Gliff she delivers a moving, insightful treatise on the overlapping crises affecting the world today…The depressing subject matter is lightened by Smith’s humour and whimsy…Smith’s dystopia, with its mix of light and shade, is reminiscent of the writing of George Saunders.”
—The Irish Times
“This is a book huge in scope, its frame of reference enormous…It will leave you breathless, and reaching for a dictionary…But it is also a story about two children who have lost their mother, with moments that are spare and full of powerful feeling.”
—The Evening Standard
“Gliff demonstrates Ali Smith’s characteristic strengths as a novelist. The narrative is accessible and engaging, yet at the same time complex and subtle.”
—The Conversation
“Another magnificent book to be treasured…If the story remains effervescent in spite of this wickedness, that’s because of Ali Smith’s ingenious, warm storytelling. With clever kindness, Smith speaks to the uprisings that are possible, when we collaborate in a divided world. Through defiant wordsmithery, Gliff glimmers with the perennial resistance that storytelling can offer, in mocking the establishment by opposing its tyrannical narratives.”
—Big Issue
“This fable is one of the tools Smith uses to enrich and elaborate her central dystopic narrative. Gliff vibrates with citation and allusion, other stories of sudden or slow apocalypse sprouting like weeds among the ruins…Smith’s fiction is also wittily and movingly accessible. Gliff is another tale about a Britain (and not only Britain) bound for environmental ruin, techno-despotism, and a jargon of atrocity—but it’s also filled, like its narrator and their sister, with invention and revolt.”
—4 Columns
“Tantalising stuff, from one of our most playful writers, proving it’s still possible to be genuinely inventive with the novel form…Smith creates these futures with a lightness of touch…It all feels only a few steps from our own time, with anti-immigrant paranoia, willing complicity in technological surveillance, and exploitative capitalism braiding ever-tighter together to create a society both horribly dystopian and perilously close…As such, Gliff seems as much a conduit for Smith’s feelings about the state of our current world as the Seasonal Quartet did: she has a wry eye for the petty absurdities, as well as the cruelties, of how bureaucratic institutions function…Behind everything, is a deep anger at the inhumanity of it all…But this being an Ali Smith book, it’s also all about language. She’s as frisky with it as ever, peppering with puns, and making hay with homonyms…Smith imbues her characters, as she often does, with this linguistic exuberance. It’s a delight to read line-by-line…Gliff is surely one of Smith’s most propulsive stories—a dark adventure, with high stakes, that despite its bleak subject matter is still a sparklingly crisp read.”
—iNews
