The Glimpses of the Moonby Edith Wharton
Set in the 1920s, Glimpses of the Moon details the romantic misadventures of Nick Lansing and Susy Branch, a couple with the right connections but not much in the way of funds. They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas. As Susy explains, "We should really, in a way,… See more details below
Set in the 1920s, Glimpses of the Moon details the romantic misadventures of Nick Lansing and Susy Branch, a couple with the right connections but not much in the way of funds. They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas. As Susy explains, "We should really, in a way, help more than hamper each other. We both know the ropes so well; what one of us didn't see the other might - in the way of opportunities, I mean". The other part of the plan states that if either one of them meets someone who can advance them socially, they're free to dissolve the marriage. How their plan unfolds is a comedy of eros that will charm all fans of Wharton's work.
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The Glimpses of the Moon
By Edith Wharton
Turtleback Books Distributed by Demco MediaCopyright ©2001 Edith Wharton
All right reserved.
It rose for them - their honey-moon - over the waters of a lake so famed as the scene of romantic raptures that they were rather proud of not having been afraid to choose it as the setting of their own.
"It required a total lack of humour, or as great a gift for it as ours, to risk the experiment," Susy Lansing opined, as they hung over the inevitable marble balustrade and watched their tutelary orb roll its magic carpet across the waters to their feet.
"Yes - or the loan of Strefford's villa," her husband emended, glancing upward through the branches at a long low patch of paleness to which the moonlight was beginning to give the form of a white house-front.
"Oh, come - when we'd five to choose from. At least if you count the Chicago flat."
"So we had - you wonder!" He laid his hand on hers, and his touch renewed the sense of marvelling exultation which the deliberate survey of their adventure always roused in her....It was characteristic that she merely added, in her steady laughing tone: "Or, not counting the flat - for I hate to brag - just consider the others: Violet Melrose's place at Versailles, your aunt's villa at Monte Carlo - and a moor!"
She was consciousof throwing in the moor tentatively, and yet with a somewhat exaggerated emphasis, as if to make sure that he shouldn't accuse her of slurring it over. But he seemed to have no desire to do so. "Poor old Fred!" he merely remarked; and she breathed out carelessly: "Oh, well -"
His hand still lay on hers, and for a long interval, while they stood silent in the enveloping loveliness of the night, she was aware only of the warm current running from palm to palm, as the moonlight below them drew its line of magic from shore to shore.
Nick Lansing spoke at last. "Versailles in May would have been impossible: all our Paris crowd would have run us down within twenty-four hours. And Monte Carlo is ruled out because it's exactly the kind of place everybody expected us to go. So - with all respect to you - it wasn't much of a mental strain to decide on Como."
His wife instantly challenged this belittling of her capacity. "It took a good deal of argument to convince you that we could face the ridicule of Como!"
"Well, I should have preferred something in a lower key; at least I thought I should till we got here. Now I see that this place is idiotic unless one is perfectly happy; and that then it's - as good as any other."
She sighed out a blissful assent. "And I must say that Streffy has done things to a turn. Even the cigars - who do you suppose gave him those cigars?" She added thoughtfully: "You'll miss them when we have to go."
"Oh, I say, don't let's talk to-night about going. Aren't we outside of time and space...? Smell that guinea-a-bottle stuff over there: what is it? Stephanotis?"
"Y-yes....I suppose so. Or gardenias....Oh, the fire-flies! Look...there, against that splash of moonlight on the water. Apples of silver in a net-work of gold...."They leaned together, one flesh from shoulder to finger-tips, their eyes held by the snared glitter of the ripples.
"I could bear," Lansing remarked, "even a nightingale at this moment...."
A faint gurgle shook the magnolias behind them, and a long liquid whisper answered it from the thicket of laurel above their heads.
"It's a little late in the year for them: they're ending just as we begin."
Susy laughed. "I hope when our turn comes we shall say good-bye to each other as sweetly."
It was in her husband's mind to answer: "They're not saying good-bye, but only settling down to family cares." But as this did not happen to be in his plan, or in Susy's, he merely echoed her laugh and pressed her closer.
The spring night drew them into its deepening embrace. The ripples of the lake had gradually widened and faded into a silken smoothness, and high above the mountains the moon was turning from gold to white in a sky powdered with vanishing stars. Across the lake the lights of a little town went out, one after another, and the distant shore became a floating blackness. A breeze that rose and sank brushed their faces with the scents of the garden; once it blew out over the water a great white moth like a drifting magnolia petal. The nightingales had paused and the trickle of the fountain behind the house grew suddenly insistent.
When Susy spoke it was in a voice languid with visions. "I have been thinking," she said, "that we ought to be able to make it last at least a year longer."
Her husband received the remark without any sign of surprise or disapprobation; his answer showed that he not only understood her, but had been inwardly following the same train of thought.
"You mean," he enquired after a pause, "without counting your grandmother's pearls?"
"Yes - without the pearls."
He pondered a while, and then rejoined in a tender whisper: "Tell me again just how."
"Let's sit down, then. No, I like the cushions best."
He stretched himself in a long willow chair, and she curled up on a heap of boat-cushions and leaned her head against his knee. Just above her, when she lifted her lids, she saw bits of moon-flooded sky incrusted like silver in a sharp black patterning of plane-boughs. All about them breathed of peace and beauty and stability, and her happiness was so acute that it was almost a relief to remember the stormy background of bills and borrowing against which its frail structure had been reared. "People with a balance can't be as happy as all this," Susy mused, letting the moonlight filter through her lazy lashes.
People with a balance had always been Susy Branch's bugbear; they were still, and more dangerously, to be Susy Lansing's. She detested them, detested them doubly, as the natural enemies of mankind and as the people one always had to put one's self out for. The greater part of her life having been passed among them, she knew nearly all that there was to know about them, and judged them with the contemptuous lucidity of nearly twenty years of dependence. But at the present moment her animosity was diminished not only by the softening effect of love but by the fact that she had got out of those very people more - yes, ever so much more - than she and Nick, in their hours of most reckless planning, had ever dared to hope for.
"After all, we owe them this.!" she mused.
Her husband, lost in the drowsy beatitude of the hour, had not repeated his question; but she was still on the trail of the thought he had started. A year - yes, she was sure now that with a little management they could have a whole year of it! "It" was their marriage, their being together, and away from bores and bothers, in a comradeship of which both of them had long ago guessed the immediate pleasure, but she at least had never imagined the deeper harmony.
It was at one of their earliest meetings - at one of the heterogeneous dinners that the Fred Gillows tried to think "literary" - that the young man who chanced to sit next to her, and of whom it was vaguely rumoured that he had "written," had presented himself to her imagination as the sort of luxury to which Susy Branch, heiress, might conceivably have treated herself as a crowning folly. Susy Branch, pauper, was fond of picturing how this fancied double would employ her millions: it was one of her chief grievances against her rich friends that they disposed of theirs so unimaginatively.
"I'd rather have a husband like that than a steamyacht!" she had thought at the end of her talk with the young man who had written, and as to whom it had at once been clear to her that nothing his pen had produced, or might hereafter set down, would put him in a position to offer his wife anything more costly than a row-boat.
"His wife -! As if he could ever have one! For he's not the kind to marry for a yacht either." In spite of her past, Susy had preserved enough inner independence to detect the latent signs of it in others, and also to ascribe it impulsively to those of the opposite sex who happened to interest her. She had a natural contempt for people who gloried in what they need only have endured. She herself meant eventually to marry, because one couldn't forever hang on to rich people; but she was going to wait till she found some one who combined the maximum of wealth with at least a minimum of companionableness.
She had at once perceived young Lansing's case to be exactly the opposite: he was as poor as he could be, and as companionable as it was possible to imagine. She therefore decided to see as much of him as her hurried and entangled life permitted; and this, thanks to a series of adroit adjustments, turned out to be a good deal. They met frequently all the rest of that winter; so frequently that Mrs. Fred Gillow one day abruptly and sharply gave Susy to understand that she was "making herself ridiculous."
"Ah -" said Susy with a long breath, looking her friend and patroness straight in the painted eyes.
"Yes," cried Ursula Gillow in a sob, "before you interfered Nick liked me awfully...and, of course, I don't want to reproach you...but when I think...."
Susy made no answer. How could she, when she thought? The dress she had on had been given her by Ursula; Ursula's motor had carried her to the feast from which they were both returning. She counted on spending the following August with the Gillows at Newport...and the only alternative was to go to California with the Bockheimers, whom she had hitherto refused even to dine with.
"Of course, what you fancy is perfect nonsense, Ursula; and as to my interfering -" Susy hesitated, and then murmured: "But if it will make you any happier I'll arrange to see him less often...." She sounded the lowest depths of subservience in returning Ursula's tearful kiss....
Susy Branch had a masculine respect for her word; and the next day she put on her most becoming hat and sought out young Mr. Lansing in his lodgings. She was determined to keep her promise to Ursula; but she meant to look her best when she did it.
She knew at what time the young man was likely to be found, for he was doing a dreary job on a popular encyclopaedia (V to X), and had told her what hours were dedicated to the hateful task. "Oh, if only it were a novel!" she thought as she mounted his dingy stairs; but immediately reflected that, if it were the kind that she could bear to read, it probably wouldn't bring him in much more than his encyclopaedia. Miss Branch had her standards in literature....
The apartment to which Mr. Lansing admitted her was a good deal cleaner, but hardly less dingy, than his staircase. Susy, knowing him to be addicted to Oriental archaeology, had pictured him in a bare room adorned by a single Chinese bronze of flawless shape, or by some precious fragment of Asiatic pottery. But such redeeming features were conspicuously absent, and no attempt had been made to disguise the decent indigence of the bed-sitting-room.
Lansing welcomed his visitor with every sign of pleasure, and with apparent indifference as to what she thought of his furniture. He seemed to be conscious only of his luck in seeing her on a day when they had not expected to meet. This made Susy all the sorrier to execute her promise, and the gladder that she had put on her prettiest hat; and for a moment or two she looked at him in silence from under its conniving brim.
Warm as their mutual liking was, Lansing had never said a word of love to her; but this was no deterrent to his visitor, whose habit it was to speak her meaning clearly when there were no reasons, worldly or pecuniary, for its concealment. After a moment, therefore, she told him why she had come; it was a nuisance, of course, but he would understand. Ursula Gillow was jealous, and they would have to give up seeing each other.
The young man's burst of laughter was music to her; for, after all, she had been rather afraid that being devoted to Ursula might be as much in his day's work as doing the encyclopædia.
"But I give you my word it's a raving-mad mistake! And I don't believe she ever meant me, to begin with -" he protested; but Susy, her common-sense returning with her reassurance, promptly cut short his denial.
"You can trust Ursula to make herself clear on such occasions. And it doesn't make any difference what you think. What matters is what she believes."
"Oh, come! I've got a word to say about that too, haven't I?"
Susy looked slowly and consideringly about the room. There was nothing in it, absolutely nothing, to show that he had ever possessed a spare dollar - or accepted a present.
"Not as far as I'm concerned," she finally pronounced.
"How do you mean? If I'm as free as air -?"
He grew thoughtful. "Oh, then, of course -. It only seems a little odd," he added drily, "that in that case, the protest should have come from Mrs. Gillow."
"Instead of coming from my millionaire bridegroom? Oh, I haven't any; in that respect I'm as free as you."
"Well, then -? Haven't we only got to stay free?"
Susy drew her brows together anxiously. It was going to be rather more difficult than she had supposed.
"I said I was as free in that respect. I'm not going to marry - and I don't suppose you are?"
"God, no!" he ejaculated fervently.
"But that doesn't always imply complete freedom...."
He stood just above her, leaning his elbow against the hideous black marble arch that framed his fireless grate. As she glanced up she saw his face harden, and the colour flew to hers.
"Was that what you came to tell me?" he asked.
"Oh, you don't understand - and I don't see why you don't, since we've knocked about so long among exactly the same kind of people." She stood up impulsively and laid her hand on his arm. "I do wish you'd help me -!"
He remained motionless, letting the hand lie untouched.
"Help you to tell me that poor Ursula was a pretext, but that there is someone who - for one reason or another - really has a right to object to your seeing me too often?"
Susy laughed impatiently. "You talk like the hero of a novel - the kind my governess used to read. In the first place I should never recognize that kind of right, as you call it - never!"
"Then what kind do you?" he asked with a clearing brow.
"Why - the kind I suppose you recognize on the part of your publisher." This evoked a hollow laugh from him. "A business claim, call it," she pursued. "Ursula does a lot for me: I live on her for half the year. This dress I've got on now is one she gave me. Her motor is going to take me to a dinner tonight. I'm going to spend next summer with her at Newport....If I don't, I've got to go to California with the Bockheimers - so goodbye."
Suddenly in tears, she was out of the door and down his steep three flights before he could stop her - though, in thinking it over, she didn't even remember if he had tried to.
Excerpted from The Glimpses of the Moon by Edith Wharton Copyright ©2001 by Edith Wharton. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author
America's most famous woman of letters, and the first woman to win the Pulitzer Prize, Edith Wharton was born into one of the last "leisured class" families in New York City, as she put it, in 1862. Educated privately, she was married to Edward Wharton in 1885, and for the next few years, they spent their time in the high society of Newport (Rhode Island), then Lenox (Massachusetts) and Europe. It was in Europe that Wharton first met Henry James, who was to have a profound and lasting influence on her life and work. Wharton's first published book was a work of nonfiction, in collaboration with Ogden Codman, The Decoration of Houses (1897), but from early on, her marriage had been a source of distress, and she was advised by her doctor to write fiction to relieve her nervous tension. Wharton's first short stories appeared in Scribner's Magazine, and though she published several volumes of fiction around the turn of the century, including The Greater Inclination (1899), The Touchstone (1900), Crucial Instances (1901), The Valley of Decision (1902), Sanctuary (1903), and The Descent of Man and Other Stories (1904), it wasn't until 1905, with the publication of the bestselling The House of Mirth, that she was recognized as one of the most important novelists of her time for her keen social insight and subtle sense of satire. In 1906, Wharton visited Paris, which inspired Madame de Treymes (1907), and made her home there in 1907, finally divorcing her husband in 1912. The years before the outbreak of World War I represent the core of her artistic achievement, when Ethan Frome (1911), The Reef (1912), and The Custom of the Country (1913) were published. During the war, she remained in France organizing relief for Belgian refugees, for which she was later awarded the Legion of Honor. She also wrote two novels about the war, The Marne (1918) and A Son at the Front (1923), and continued, in France, to write about New England and the Newport society she had known so well in Summer (1917), the companion to Ethan Frome, and The Age of Innocence (1920), for which she won the Pulitzer Prize. Wharton died in France in 1937. Her other works include Old New York (1924), The Mother's Recompense (1925), The Writing of Fiction (1925), The Children (1928), Hudson River Bracketed (1929), and her autobiography, A Backward Glance (1934).
- Date of Birth:
- January 24, 1862
- Date of Death:
- August 11, 1937
- Place of Birth:
- New York, New York
- Place of Death:
- Saint-Brice-sous-Forêt, France
- Educated privately in New York and Europe
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Most Helpful Customer Reviews
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I read House of Mirth by Edith Wharton and liked it so much that I sought out another book by the same author. Glimpses of the Moon has a similar theme as House of Mirth - a central character craving a wealthy lifestyle but lacking the means to achieve it. However, this topic is treated with a lighter touch in Glimpses of the Moon than in House of Mirth. A subtle humor comes through in Glimpses of the Moon that is absent in House of Mirth. Susy Lansing, the central character, has a more positive outlook than Lily Bart in House of Mirth. Unlike Lily who is overwhelmed by her desires and the inability to achieve them, Susy is strong enough to look beyond her circumstances and discover what truly matters in life. The book kept me interested from beginning to end, because up until the last paragraph I did not know how it was going to turn out. It was a delight to read, and I recommend it highly. I love the novels of Edith Wharton and other classic women authors from the 19th and early 20th century because they are able to convey human desire, emotion and sensuality without the gratuitous sex that is unfortunately so central in most modern romance fiction.
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