The Glitter Scene

The Glitter Scene

5.0 1
by Monika Fagerholm

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Teenage Johanna lives with her aunt Solveig in a small house bordering the forest on the outskirts of a remote coastal town in Finland. She leads a lonely existence that is punctuated by visits to her privileged classmate, Ulla Bäckström, who lives in the nearby luxury gated community. It isn’t until Ulla tells her the local lore about the American


Teenage Johanna lives with her aunt Solveig in a small house bordering the forest on the outskirts of a remote coastal town in Finland. She leads a lonely existence that is punctuated by visits to her privileged classmate, Ulla Bäckström, who lives in the nearby luxury gated community. It isn’t until Ulla tells her the local lore about the American girl and the tragedy that took place more than thirty years before that Johanna begins to question how her parents fit into the story. She sets out to unravel her family history, the identity of her mother, and the dark secrets long buried with her father. In the process of opening closed doors, others in the community reflect back on the town’s history, on their youth, and on the dreams that play in their minds. Soon a new story emerges, that stirs up Johanna’s greatest fears, but ultimately leads to the answers she is searching for. The Glitter Scene is a riveting mystery that explores the roles of truth and myth, reality and fiction, and the repercussions of family secrets.

Editorial Reviews

Publishers Weekly
Fagerholm's dense thriller demands second reading—if only to fill in the holes and put together the scattered pieces of her puzzle. In 2004, sensitive teenage Johanna lives with her aunt Solveig in a marshy seaside Finnish town still marked by the tragic events of Fagerholm's previous novel, The American Girl (a visiting girl's suspicious death, one lover's suicide, another's disillusionment). After Johanna digs into her family's connection to the tragedy, she learns the complicated history that led to the event, and the novel dips 15 years back to find Susette Packlén and Maj-Gun Maalamaa, two girls brought together by loss. They have a fraught friendship and a temporal connection to the American girl's death; this section (coyly subtitled "An entirely different story, or maybe not?") tracks the dangerous ripples that reverberate from acts of terror and love. Finally, Fagerholm returns to the original crime (and others) with an epilogue that provides some (not all) of the answers readers have been waiting for. These haunted characters reveal the effects of a tragedy on a small community. While the opaque stream-of-consciousness prose and bleak Scandinavian imagery can create inertia, the conclusion of The American Girl narrative will delight fans of the series. (Aug.)
From the Publisher
“A dreamy, creepy, swirling of prose that eventually uncovers a story of love and violence in a coastal Finnish community.” —Shelf Awareness

“The conclusion of The American Girl narrative will delight fans of the series.” —Publishers Weekly

“Complex and interesting.” —Booklist

“Out of The American Girl’s elusive mysteries of time and creepy teenagers-in-trouble, Fagerholm triumphs with its sequel, The Glitter Scene, mining the not-quite-real or the too real evidence of sorrow that we forget we live by.”—Terese Svoboda, author of Bohemian Girl

The Glitter Scene balances on the ice-cold tones of David Lynch and the myth of Orpheus and Eurydice . . . a remarkable story of guilt, revenge, and betrayal. A beautiful novel where the distance between blissful fantasy and grim reality is never very far.” —Smålands Posten

“With the same inimitable style as in the previous novel, Monika Fagerholm opens up a dizzying world full of secrets . . . It is intense and compelling.” —Västra Nyland

Library Journal
First, Sweden gave us Stieg Larsson's girls who did things, and now it has sent us Fagerholm, whose previous novel, The American Girl, was a best seller and multiple prize winner there. Her new novel has murders and mysteries, but don't expect a tight—or even coherent—story line. Fagerholm's technique is to circle around a plot development, repeating incidents and phrases like taglines, incrementally adding small bits of information. The narrative is carried along in the mulling voices of several quirky, unlikable characters who live in the cryptically unnamed District on a marshy seacoast, evidently in the author's native Finland. One character may be a writer—it's hard to know for sure—but at one point she says her editor suggests that she "use self-pity productively, carry it to the extreme," which is an apt description of how Fagerholm approaches character and plot. VERDICT For those who like to puzzle over a challenging narrative. Most readers will find the novel almost incomprehensible, and as it is a sequel to The American Girl, one's only hope of understanding is to read them both.—Reba Leiding, James Madison Univ. Libs., Harrisonburg, VA

Product Details

Other Press, LLC
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Product dimensions:
5.40(w) x 8.28(h) x 1.43(d)

Read an Excerpt

Solveig’s and Tobias’s voices from the kitchen: Tobias has a habit of stopping by in the evenings after he has been at his greenhouse before biking back to the residential housing for seniors where he lives up in the town center. He is stubborn about that bike, despite the fact that it is more than six miles and he is old, his legs are getting worse and worse. But if the road conditions are bad Solveig convinces him to let her drive him—not so easy, Tobias is woven of a stubborn cloth. But still: voices in the yard, car doors slamming, she will be back soon. 
   Or, other evenings, Solveig is watching television in the living room, the volume turned down very low, a quiet hum in the background. Sometimes Johanna gets up and goes to her, lies down on the sofa in the living room, her head resting in Solveig’s arms. Steep stairs, white houses on television: women, men who are running up and down stairs, meeting in corridors, talking, talking and having relationships with each other. Johanna does not follow along, Solveig’s fingers in her hair, she is not thinking about the Marsh Queen then either, not thinking about anything in particular, or about the houses. The houses that Solveig sells, supplies in her business. Blueprints, photographs, sometimes Johanna is allowed to be at a showing. To walk through the empty apartments, through the houses, imagine, all sorts of things. Brochures about Rosengården 5 and 6 and 8, residential areas, all of them alike. Old brochures about the Winter Garden before it was finished, a special language in them. Kapu kai. The forbidden seas.
The hacienda must be built.

Meet the Author

Monika Fagerholm’s much-praised first novel, Wonderful Women by the Sea, became one of the most widely translated Scandinavian literary novels of the mid-nineties and was nominated for the IMPAC Dublin Literary Award. In 1998 it was followed by the cult novel Diva, which won the Swedish Literature Society Award. Her third novel, The American Girl, became a number-one best seller and won the premier literary award in Sweden, the August Prize, as well as the Aniara Prize and the Gothenburg Post Award.
Katarina E. Tucker was born in the United States and raised bilingually with English and Swedish. She holds a doctorate in Scandinavian literature from the University of Wisconsin. In 2003 she won the American-Scandinavian Foundation’s Translation Prize for her translation of Sven Deblanc’ Jerusalem’s Night. After dividing her time between Europe and North America, she now resides in the

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The Glitter Scene 5 out of 5 based on 0 ratings. 1 reviews.
harstan More than 1 year ago
In 2004 in the District section on the First Cape lives teenager Johanna and her Aunt Solveig who earns a living as a realtor. Joanna misses her cousin Robin who she used to play with until the latter's mom took her with her when they moved. She spends time with classmate Ulla Backstrom, who tells her the tragic tale of The American Girl in the 1970s. Fascinated in a macabre way Johanna investigates the decades old deaths with an emphasis on their connection to her family especially her parents. She wants to know who her mother is and why secrets were interred with her late father. Almost two decades after the tragedy that haunts the villagers, fifteen years ago before Johanna begins to tie the sad tale together in ways that stun her, Susette Packlen and Maj Gun Maalamaa become friends of sorts by their connection to the American Girl. This convoluted complicated Finnish murder mystery grips fans of cerebral thrillers as the story line is not linear, but in fact a series of circles sort of like a Venn diagram that has the audience entering rings from different external points while like the prime protagonist try to connect to dots. The cast is moody which adds to the gloom and doom of the District as readers will not guess where Monika Fagerholm takes us in the aptly tidied The Glitter Scene. Harriet Klausner