Global Bollywood

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Overview

Bollywood is one of the most prolific film industries in the world. Based in Mumbai (formerly Bombay), the industry churns out hundreds of films each year—primarily melodramatic films with music and elaborately choreographed dance routines. Bollywood's popularity is quickly spreading across the globe, and, beyond the films themselves, Bollywood has made its way into global popular culture.

Global Bollywood brings together leading scholars to examine the transnational and transmedia terrain of Bollywood. Defining Bollywood as an arena of public culture distinct from Hindi-language Bombay cinema, this volume offers a new critical framework for analyzing the institutional, cultural, and political dimensions of Bollywood films and film music as they begin to constitute an important circuit of global flows in the twenty-first century.

Organized thematically, the book examines contestations surrounding the term “Bollywood,” changing relations between the state and the film industry, convergence with television and new media, online fan culture, film journalism, and the reception and negotiations of gender and sexuality in diverse socio-cultural contexts. Global Bollywood is indispensable for understanding not only Bollywood cinema and culture but also how global media flows are reconfiguring relationships among geography, cultural production, and cultural identity.

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Editorial Reviews

From the Publisher
“Engaging, and a rewarding experience. A must-read for all Bollywood enthusiasts as well as others who wish to be informed about this remarkable phenomenon.”

-Vijay Mishra,author of Bollywood Cinema: Temples of Desire

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Product Details

  • ISBN-13: 9780814747995
  • Publisher: New York University Press
  • Publication date: 8/1/2008
  • Edition description: New Edition
  • Pages: 336
  • Product dimensions: 5.90 (w) x 8.90 (h) x 0.90 (d)

Meet the Author

Anandam P. Kavoori is Associate Professor, Grady College of Journalism and Mass Communication at the University of Georgia. He is the author of Thinking Television: Media Literacy, Multiculturalism and the Work of Democracy and The Logics of Globalization: Re-imagining International Communication.

Aswin Punathambekar is Associate Professor of Communication Studies at the University of Michigan-Ann Arbor. He is the co-editor of Global Bollywood (NYU Press, 2008).

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Table of Contents

Introduction: Global Bollywood
Aswin Punathambekar and Anandam P. Kavoori
Part I Framing Bollywood
1 Ashish Rajadhyaksha
2 M. Madhava Prasad
3 Tejaswini Ganti
4 Shanti Kumar
5 Daya Kishan Thussu
Part II Texts and Audiences
6 Vamsee Juluri
7 Kalyani Chadha and Anandam P. Kavoori
8 Parmesh Shahani
9 Atticus Narain
10 Padma Govindan and Bisakha Dutta
11 Natalie Sarazzin
Part III Beyond Film: Stars, Fans, and Participatory Culture
12 Jyotika Virdi
13 Rachel Dwyer
14 Ananda Mitra
15 Aswin Punathambekar
Arvind Rajagopal
About the Contributors
Index

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