Go Tell it on the Mountain.
For a quick read, James Baldwin¿s novel may be suitable, but coming from a classroom setting, almost unsatisfactory. Although Go Tell it on the Mountain is written by an important figure in African American Literature, I did not enjoy reading this book on many accounts, which range from summary, story structure, and my disliking of the characters. The story begins with the family in Go Tell it on the Mountain getting ready to go to church. Religion plays a very important part and the most important people are part of the church. John, one of the main characters, has been watching people amongst his family being ¿saved¿ and beginning a new life all the time. He wakes up on his fourteenth birthday feeling nothing different and none of his family members even acknowledge even a `happy birthday¿ to him. His mother, Elizabeth comes around to it, gives him some money and sends him on his way. John is scared someone from the church might see him downtown, so he runs into the movie theater. While he is gone, his brother Roy gets into trouble and gets stabbed. John comes home to his father, Gabriel, being very upset with him, Roy wounded, Elizabeth crying and his Aunt Florence yelling at Gabriel. Everyone is upset at everyone and so trouble follows. Gabriel ends up slapping Elizabeth and then beats Roy for taking up for his mother. Aunt Florence calls him out on being a stereotypic black man all the while John is just standing back, witnessing everything. After that, the family goes to church as if nothing happened. Florence rarely goes to church, so in this case, John knew she must have been near her deathbed. The novel then goes into depth about her past and Gabriel¿s as well, since they are siblings. Following the description of Florence¿s past, Gabriel¿s past and Elizabeth¿s past, it takes the reader to the end of the book. After a few days after John¿s fourteenth birthday, the story ends. One point I did not like about Go Tell it on the Mountain, was that the story took place only within a few days and nothing too significant happens. The reason why nothing happens is because majority of the novel details almost all of the character¿spasts. The reader knows very little about the main character John, but jumps into Florence¿s past along with all the decisions she¿s had to make, Gabriel¿s past with all of the irrational and religious behavior and Elizabeth¿s quiet past. While reading through the character¿s lives, they were interesting and gave the reader clear descriptions of each personality. Unfortunately I expected it to come to a point in the story and it did not. As soon as the novel flashes back to the present year of the novel, 1935, the book is practically over and the character¿s past hardly had anything to do with the plot. Although, James Baldwin wrote about many discussion worthy and prominent topics, like children out of wedlock, hypocrisy and male and female roles I did not find the backgrounds to serve as any argument in the story. Baldwin should have brought the detail of the character¿s lives to around full circle and made them play a more significant role in the novel, especially the ending. What actually makes the novel are the characters inside it, but in Go Tell in on the Mountain¿s case, the characters are my least favorite. To pinpoint the term main character on one person in this novel can be confusing because two of them can be considered main character. Starting with the most obvious one, John, right at first he seemed different and slower. Slower meaning possibly autistic because he has a hard time making social connections with people yet he excels in school. Everyone in the church though John would follow in Gabriel¿s footsteps and become a preacher, but John did not care if he did or did not. He was afraid of many things, such as sin. At one point, J
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Overview
"Mountain," Baldwin said, "is the book I had to write if I was ever going to write anything else." Go Tell It On The Mountain, first published in 1953, is Baldwin's first major work, a novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the...