Gods Behaving Badly

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Overview

Being a Greek god is not all it once was. Yes, the twelve gods of Olympus are alive and well in the twenty-first century, but they are crammed together in a London townhouse-and none too happy about it. And they've had to get day jobs: Artemis as a dog-walker, Apollo as a TV psychic, Aphrodite as a phone sex operator, Dionysus as a DJ.

Even more disturbingly, their powers ...

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Gods Behaving Badly: A Novel

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Overview

Being a Greek god is not all it once was. Yes, the twelve gods of Olympus are alive and well in the twenty-first century, but they are crammed together in a London townhouse-and none too happy about it. And they've had to get day jobs: Artemis as a dog-walker, Apollo as a TV psychic, Aphrodite as a phone sex operator, Dionysus as a DJ.

Even more disturbingly, their powers are waning, and even turning mortals into trees--a favorite pastime of Apollo's--is sapping their vital reserves of strength.

Soon, what begins as a minor squabble between Aphrodite and Apollo escalates into an epic battle of wills. Two perplexed humans, Alice and Neil, who are caught in the crossfire, must fear not only for their own lives, but for the survival of humankind. Nothing less than a true act of heroism is needed-but can these two decidedly ordinary people replicate the feats of the mythical heroes and save the world?

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Editorial Reviews

Alexandra Jacobs
As it traces Neil and Alice's sweet and predictable little love plot, Phillips's novel sometimes threatens to descend as well, into something like bathos. But for the most part her nonchalant transposition of the ancients into post-postmodern life is seamless, amusing and blessedly unpretentious.
—The New York Times
Ron Charles
Marie Phillips's first novel, Gods Behaving Badly, hovers somewhere between Pride and Prejudice and an episode of "Bewitched." I'm not complaining; I have an unusually high regard for Elizabeth Montgomery's oeuvre. And Austen got off some good lines, too…The tension doesn't ratchet too high; it's a romantic comedy, after all. The key is to fly through a book like this very fast—on Hermes' wings. But Phillips has an Olympian sense of absurdity, and there's enough ambrosial wit here to seduce most mortals for an afternoon or two on the divan.
—The Washington Post
Publishers Weekly

With a bit of sibling rivalry, some incestuous Greek gods, and good ol' contemporary London, Phillips puts together an amusing epic journey with perhaps a bit less pizzazz than Homer. Jealous of Neil, a mortal, because Alice loves him, Apollo schemes to bring about Alice's demise, but his sister Artemis won't let dead mortals lie. Needing a hero for a journey, she enlists the timid Neil to go into Hades and recover Alice (and save the world while he's at it). Phillips's tale is a delightful flight of fancy into the world of "what would the Greek gods do" that is adequately abridged, though listeners may want to hear the full extent of the characters' exploits. Tom Sellwood delivers in an English accent that works well with the setting. He ably projects the various gods' and goddesses' personas through their dialogue, so Apollo's arrogance is heard as well as Ares' more aggressive personality. Sellwood is at his best as Neil, the dry and mild-mannered engineer who gets caught up in the games of the gods. Simultaneous release with the Little, Brown hardcover (Reviews, Aug. 27). (Dec.)

Copyright 2007Reed Business Information
Publishers Weekly

British blogger Phillips's delightful debut finds the Greek gods and goddesses living in a tumbledown house in modern-day London and facing a very serious problem: their powers are waning, and immortality does not seem guaranteed. In between looking for work and keeping house, the ancient family is still up to its oldest pursuit: crossing and double-crossing each other. Apollo, who has been cosmically bored for centuries, has been appearing as a television psychic in a bid for stardom. His aunt Aphrodite, a phone-sex worker, sabotages him by having her son Eros shoot him with an arrow of love, making him fall for a very ordinary mortal-a cleaning woman named Alice, who happens to be in love with Neil, another nice, retiring mortal. When Artemis-the goddess of the moon, chastity and the hunt, who has been working as a dog walker-hires Alice to tidy up, the household is set to combust, and the fate of the world hangs in the balance. Fanciful, humorous and charming, this satire is as sweet as nectar. (Dec.)

Copyright 2007 Reed Business Information
Library Journal

The Olympian gods have fallen on hard times. Their power is fading, and as a result they have been living in a house in London for the past 300 years, working at menial jobs and squabbling among themselves. Artemis hires a mortal woman named Alice to clean the house. Apollo falls in love with Alice, and when she rejects his advances, he tricks Zeus into killing her. Artemis takes Alice's boyfriend, Neil, through the portal to the underworld. First they have to get past Charon, conveyor of the dead, and Cerberus, the three-headed dog. This accomplished, they confront Hades, who gives Neil a choice-save the world or save the woman he loves. Phillips imagines a hilarious world that explains all that is inexplicable in our own. She invokes the power of legal precedence, human and godly love, and the power of faith to bring this story to its conclusion. Well written and entertaining, this book is recommended for most libraries.
—Joanna M. Burkhardt

Kirkus Reviews
In this disarmingly matter-of-fact farce, the London-based author's debut, the gods of Olympus are living in London and running the world with increasingly diminished powers. The gods have been in London since 1665, when the Plague caused property values to drop. They thrived for a while, but by the present day their townhouse is crumbling and dirty. Now they must conserve their strength to perform their individual responsibilities for the world's upkeep. They all also have appropriate jobs with which to while away some of their endless time-Aphrodite does phone sex, Artemis is a dog walker, Dionysus runs a nightclub. To get back at Apollo for a slight, Aphrodite makes her son Eros, who's trying to become a Christian although he knows Jesus was no god, to shoot the sun god with a love arrow while he's live on stage filming a pilot called Apollo's Oracle for the psychic channel. Apollo falls for the least likely mortal, mousy Alice. A cleaner at the station, Alice is attending the taping with her friend Neil. Alice and Neil are in love but too shy to tell each other. Through Hermes's powers Alice becomes the housekeeper at the gods's house. Lovesick Apollo kisses her but she rejects him. Apollo has vowed to Styx not to harm mortals himself, so he manipulates a decrepit Zeus into sending a bolt of lightning to kill Alice as punishment. Then, wracked with guilt, Apollo visits Neil to apologize but ends up putting out the sun as he falls into a swoon. Artemis enlists Neil as a mortal hero to head with her to the underworld to regain Alice and save the planet. Phillips nimbly creates a present-day alternative universe where belief in the true gods has been replaced by a false Judeo-Christianethos, and she does a particularly fine job envisioning an underworld that is neither heaven nor hell but simply eternal death. Not for the pious, but lots of fun for everyone else.
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Product Details

  • ISBN-13: 9781600240720
  • Publisher: Hachette Audio
  • Publication date: 12/10/2007
  • Format: CD
  • Edition description: Abridged
  • Product dimensions: 5.20 (w) x 5.80 (h) x 0.80 (d)

Meet the Author

Marie Phillips is a 30-year-old Cambridge Anthropology graduate who left her job at the BBC to write and currently works in a bookshop in Central London. She also writes the blog StrugglingAuthor.blogspot.com.

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Read an Excerpt

Gods Behaving Badly


By Marie Phillips

Little, Brown and Company

Copyright © 2007 Marie Phillips
All right reserved.

ISBN: 978-0-316-06762-1


Chapter One

ONE MORNING, WHEN Artemis was out walking the dogs, she saw a tree where no tree should be.

The tree was standing alone in a sheltered part of the slope. To the untrained eye, the casual passerby, it probably just looked like a normal tree. But Artemis's eye was far from untrained, and she ran through this part of Hampstead Heath every day. This tree was a newcomer; it had not been there yesterday. And with just one glance Artemis recognized that it was an entirely new species, a type of eucalyptus that had also not existed yesterday. It was a tree that should not exist at all.

Dragging the mutts behind her, Artemis made her way over to the tree. She touched its bark and felt it breathing. She pressed her ear against the trunk of the tree and listened to its heartbeat. Then she looked around. Good; it was early, and there was nobody within earshot. She reminded herself not to get angry with the tree, that it wasn't the tree's fault. Then she spoke.

"Hello," she said.

There was a long silence.

"Hello," said Artemis again.

"Are you talking to me?" said the tree. It had a faint Australian accent.

"Yes," said Artemis. "I am Artemis." If the tree experienced any recognition, it didn't show it. "I'm the goddess of hunting and chastity," said Artemis.

Another silence. Then the tree said, "I'm Kate. I work in mergers and acquisitions for Goldman Sachs."

"Do you know what happened to you, Kate?" said Artemis.

The longest silence of all. Artemis was just about to repeat the question when the tree replied.

"I think I've turned into a tree," it said.

"Yes," said Artemis. "You have."

"Thank God for that," said the tree. "I thought I was going mad." Then the tree seemed to reconsider this. "Actually," it said, "I think I would rather be mad." Then, with hope in its voice: "Are you sure I haven't gone mad?"

"I'm sure," said Artemis. "You're a tree. A eucalyptus. Subgenus of mallee. Variegated leaves."

"Oh," said the tree.

"Sorry," said Artemis.

"But with variegated leaves?"

"Yes," said Artemis. "Green and yellow."

The tree seemed pleased. "Oh well, there's that to be grateful for," it said.

"That's the spirit," Artemis reassured it.

"So," said the tree in a more conversational tone. "You're the goddess of hunting and chastity then?"

"Yes," said Artemis. "And of the moon, and several other things. Artemis." She put a little emphasis on her name. It still hurt when mortals didn't know it.

"I didn't know there was a goddess of hunting and chastity and the moon," confessed the tree. "I thought there was just the one God. Of everything. Or actually, to be honest, I thought there was no God at all. No offense."

"None taken," said Artemis. Unbelievers were always preferable to heretics.

"I have to say you don't look much like a goddess, though," added the tree.

"And what does a goddess look like, exactly?" said Artemis, a sharpness entering her voice.

"I don't know," said the tree, a little nervously. "Shouldn't you be wearing a toga or something? Or a laurel wreath?"

"You mean, not a tracksuit," said Artemis.

"Pretty much," admitted the tree.

"Times change," said Artemis. "Right now, you don't look like somebody who works in mergers and acquisitions for Goldman Sachs." Her voice indicated that the clothing conversation was closed.

"I still can't get over the fact that you're a goddess," said the tree after a pause. "Wow. Yesterday I wouldn't have believed it. Today ..." The tree gave an almost imperceptible shrug, rustling its leaves. Then it seemed to think for a bit. "So does that mean, if you're a goddess," it said, "that you can turn me back into a person?"

Artemis had been expecting this question.

"I'm sorry," she said, "but I can't."

"Why not?" said the tree.

The tree sounded so despondent that she couldn't bring herself to reply, as planned, Because I don't want to. "A god can't undo what another god has done," she found herself saying instead, much to her own surprise. She hated admitting any kind of weakness, especially to a mortal.

"You mean that guy was a god too? The one who ... did this. Well, I suppose it's obvious now. I kind of hoped he might be a hypnotist."

"No, he was a god," said Artemis.

"Um," said the tree. "Could you do something about that red setter? I don't really like the way it's sniffing around me." Artemis pulled the idiot dog away.

"Sorry," she said. "So what happened exactly?"

"I was just taking a walk yesterday and this guy came up to talk to me-"

"Tall?" said Artemis. "Blond? Almost impossibly handsome?"

"That's the one," said the tree.

"What did he say?" said Artemis.

The bark on the tree seemed to shift slightly, as if the tree were making a face.

"I, um ..."

"What did he say?" Artemis asked again, allowing a hint of command to enter her voice.

"He said, 'Hello. Do you want to give me a blow job?' "

A blow job. Why did people do these things to each other? Artemis felt faintly sick.

"I said no," continued the tree, "and then he said, 'Are you sure, because you look like you'd be good at it and I think you'd really enjoy it.'"

"I'm very sorry," said Artemis, "about my brother. If it were up to me he would not be allowed outside unsupervised."

"He's your brother?"

"My twin. It's ... unfortunate."

"Well, anyway, I just walked off, and he followed me, and I got a bit scared and I started running, and then the next thing I knew ... here I am."

Artemis shook her head. "This isn't the first time something like this has happened," she said. "Rest assured, we will be having words about it."

"And then he'll turn me back?"

"Absolutely," lied Artemis.

"No need to tell my family back home what happened, then," said the tree. "Good. Maybe I should call in sick at work though. I can't really go in like this. I had my phone with me; it should be around here somewhere. Could you dial my boss's number and hold the phone to my trunk?"

"Mortals aren't going to be able to understand you, I'm afraid," said Artemis. "Just gods. And other vegetation. I wouldn't bother talking to the grass, though. It isn't very bright."

"Oh," said the tree. "Okay." Artemis gave the tree time to absorb this information. "Why aren't I more upset about this?" it said eventually. "If you'd told me yesterday that I was going to be turned into a tree, I'm sure I'd have been really, really upset."

"You're a tree now, not a human mortal," explained Artemis. "You don't really have emotions anymore. I think you'll be much happier this way. And you'll live longer, unless it gets very windy."

"Except your brother's going to turn me back."

"Of course he is," said Artemis. "Right, then. I'd best be getting on. I've got to get these dogs back to ... my friends." "It was nice meeting you," said the tree.

"Likewise," said Artemis. "Bye, then. See you soon. Maybe."

The pleasant look on her face vaporized before her back was even fully turned. The dogs saw her expression and whimpered as one. But they had nothing to fear from Artemis. It was time to go home and find Apollo.

(Continues...)



Excerpted from Gods Behaving Badly by Marie Phillips Copyright © 2007 by Marie Phillips. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Foreword

1. All the gods have modern jobs or hobbies. Are the choices right for the characters? Would you have chosen other jobs? (See the list of the main characters below as a helpful reminder)

Aphrodite - God of Beauty - Telephone Sex Operator
Apollo - God of the Sun - TV Psychic – Apollo’s Oracle
Ares - God of War - Pro-war campaigner
Artemis - God of the Moon, Chastity and Hunting - Dog Walker
Athena - God of Wisdom - Academic
Dionysus - God of Wine - DJ and owner of a club
Eros - God of Love - A born again Christian
Hermes - God of Money, Consequence and general messenger - Courier

Which character has the most convincing modern personality?

2. The book opens with two sexual scenes. How does sex affect the characters lives? Does Apollo know the difference between lust and love? Does Artemis’s prudishness mean that she understands the world more clearly as desire doesn’t cloud her judgment?

3. ‘In all of the angry fantasies [Neil] had had about Apollo, in all of the jealous hours that he had spent imagining Apollo and Alice in congress, and feeling inadequate as he compared his unimpressive form with Apollo’s glorious beauty, it had never once occurred to him that Apollo might be stupid.’ (p.195)

The characters in Gods Behaving Badly are either beautiful or brainy. Do you think this is an accurate description of the book? How important is each quality to the story?

4. Gods Behaving Badly is a very funny novel. What was your favourite comic moment? How well does the comedy work within the book?

5. Styx notes that Neil is ‘most unlike any herowho has visited me before.’ (p.224) How does the novel change your idea of what a hero is?

6. ‘Why do you want the girl so much?’ said Hades.
‘Do you know how hard it is to get a decent cleaner in central London?’ said Artemis. (p.252)

Cleanliness and dirt are a reoccurring theme in the novel. When the gods are at their weakest their house is filthy, and when Neil grieves for Alice he lets his flat deteriorate. Is dirt a way of hiding from feelings (e.g. grief) and also from the truth of dire situations?

7. a) ‘It’s not their fault,’ said Neil. ‘Nobody believes in them up there. Of course they’re not powerful any more.’ (p.251) Why don’t the gods realize this until Neil says it?

b) The gods act no better than the C-list celebrities who are worshipped by gossip magazines. Why do we happily follow the lives of celebrities rather than believe in the ancient gods?

c) How important is belief in the novel for: the Gods; for Neil, Alice and all the mortals in the book; and for you as a reader?

8. The book can be seen as mortals versus immortals. Do you think it is better to have infinite time but be doomed to repeat your mistakes? Or have finite time but possibly not make the most it?

9. Is Upper Street the perfect location for the entrance to the Underworld? Do you think the Greek gods would really have ended up living in London?

10. How does Marie’s description of the afterlife/Underworld differ from your ideas of death?

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Reading Group Guide

1. All the gods have modern jobs or hobbies. Are the choices right for the characters? Would you have chosen other jobs? (See the list of the main characters below as a helpful reminder)

Aphrodite - God of Beauty - Telephone Sex Operator
Apollo - God of the Sun - TV Psychic – Apollo’s Oracle
Ares - God of War - Pro-war campaigner
Artemis - God of the Moon, Chastity and Hunting - Dog Walker
Athena - God of Wisdom - Academic
Dionysus - God of Wine - DJ and owner of a club
Eros - God of Love - A born again Christian
Hermes - God of Money, Consequence and general messenger - Courier

Which character has the most convincing modern personality?

2. The book opens with two sexual scenes. How does sex affect the characters lives? Does Apollo know the difference between lust and love? Does Artemis’s prudishness mean that she understands the world more clearly as desire doesn’t cloud her judgment?

3. ‘In all of the angry fantasies [Neil] had had about Apollo, in all of the jealous hours that he had spent imagining Apollo and Alice in congress, and feeling inadequate as he compared his unimpressive form with Apollo’s glorious beauty, it had never once occurred to him that Apollo might be stupid.’ (p.195)

The characters in Gods Behaving Badly are either beautiful or brainy. Do you think this is an accurate description of the book? How important is each quality to the story?

4. Gods Behaving Badly is a very funny novel. What was your favourite comic moment? How well does the comedy work within the book?

5. Styx notes that Neil is ‘most unlike any hero who has visited me before.’ (p.224) How does the novel change your idea of what a hero is?

6. ‘Why do you want the girl so much?’ said Hades.
‘Do you know how hard it is to get a decent cleaner in central London?’ said Artemis. (p.252)

Cleanliness and dirt are a reoccurring theme in the novel. When the gods are at their weakest their house is filthy, and when Neil grieves for Alice he lets his flat deteriorate. Is dirt a way of hiding from feelings (e.g. grief) and also from the truth of dire situations?

7. a) ‘It’s not their fault,’ said Neil. ‘Nobody believes in them up there. Of course they’re not powerful any more.’ (p.251) Why don’t the gods realize this until Neil says it?

b) The gods act no better than the C-list celebrities who are worshipped by gossip magazines. Why do we happily follow the lives of celebrities rather than believe in the ancient gods?

c) How important is belief in the novel for: the Gods; for Neil, Alice and all the mortals in the book; and for you as a reader?

8. The book can be seen as mortals versus immortals. Do you think it is better to have infinite time but be doomed to repeat your mistakes? Or have finite time but possibly not make the most it?

9. Is Upper Street the perfect location for the entrance to the Underworld? Do you think the Greek gods would really have ended up living in London?

10. How does Marie’s description of the afterlife/Underworld differ from your ideas of death?

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Customer Reviews

Average Rating 4
( 65 )
Rating Distribution

5 Star

(26)

4 Star

(22)

3 Star

(11)

2 Star

(4)

1 Star

(2)

Your Rating:

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See All Sort by: Showing 1 – 20 of 65 Customer Reviews
  • Anonymous

    Posted March 9, 2010

    A good, raunchy read with smatterings of academia, romance, black comedy and blue lit.

    This book is a pleasant read. The beginning knocks you about a bit and lets you know right away what kind of book you're dealing with, and that is in-your-face, pull-no-punches kind of writing. It is fun to watch the characters develop, both the unknown romantic ingenues (of sorts), and the well-known gods, who are well-developed and altered to fit into today's world with their ancient attributes and charms. The story takes a while to get going, but it does keep one guessing as to what the final outcome could possibly be...will Zeus be released again, will Apollo and Aphrodite make up, will the gods die out? These are potentially big questions that are treated to a kind of Showtime/Cinemax answer. It's fun, it's light-hearted, and it's one that I'll more than likely regift to a non-relative at some point.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted March 23, 2009

    Wish I Hadn't Wasted My Time

    This should have been a cute, funny, interesting read, a fish-out-of-water story about bored and impish gods. Instead it was tedious and boring, and I couldn't get into any of the characters. It went from boring to downright silly, and the outcome was less than satisfying. I would not recommend it to anybody, and gave it to the trashman as soon as I finished it. I kept hoping it would improve, but it didn't. A clever idea that never came off.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 13, 2008

    Solid debut, definitely worth a read

    Despite its surface similarity to Neil Gaiman's ''American Gods,'' the two books couldn't be more different. ''Gods Behaving Badly'' takes that basic concept -- pagan gods of old forced to live and take jobs among us mortals -- but puts a ''Four Weddings and a Funeral'' kind of spin on it. This is a character-centered romantic comedy, and it's very good at what it does. The gods are as shallow, petty, and self-centered as ever, and the mortals they interact with -- Alice and Neil -- while not terribly well-rounded, adequately fill the roles of 'mortal who enrages the gods' and 'reluctant hero' respectively. Marie Phillips has crafted a light, amusing read, and I hope there will be more to come from her.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 21, 2013

    Fans ofgreek myth

    You will giggle and say things like "That is SO whatAphrodite would do!"

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 22, 2013

    Hmmmmmmmmmmmmmmmm

    Is it for kids?y

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 28, 2012

    Just read the sample

    Enjoyed it but i never pictured apollo that way before

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  • Anonymous

    Posted February 5, 2012

    Great

    This was a great book! I loved it so much! I want to give a seven star if I could,espessialy because I love to read something that has greek mythology in it.

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  • Posted February 19, 2011

    great book

    i thought it was a great book. not too long and a little funny

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  • Posted April 6, 2010

    more from this reviewer

    Very Funny...Very Clever

    I might would have rated this lower if I had read it at a different time, but this is another post-surgery read. It was light, clever, and funny.

    With the advent of Christianity, the gods of Olympus have been relegated to a flat in London or scattered abroad. They each take menial jobs and must refrain from using their powers as it weakens them each time. Examples of new professions include: Aphrodite as a telephone sex operator, Apollo as a TV psychic, Dionysus operates a bar, Artemis walks dogs for a living, and Athena works at a college. In classic Greek mythology style, Apollo attempts to seduce a mortal. Angry at Alice's rejection, he tricks Zeus into killing her. Once Artemis realizes what has happened, she enlists the aid of a mortal to act as a hero to save Alice and the world since Apollog has collapsed into a coma, no longer commanding the sun.

    The book is funny and has a clever premise. However, it can be crude (at least in my opinion) in places.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 1, 2009

    I Also Recommend:

    Fun, fun, fun!

    This is such a great book when you need to escape, have fun, and laugh. The writing is simple but sometimes you don't want to have to think too much. If you love Greek mythology; love to read; and want something for pure guilty pleasure then this is the book for you.

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  • Posted August 28, 2009

    more from this reviewer

    Awesome! Wonderful! 12 Olympian Thumbs Up!

    OMG! A-W-E-S-O-M-E Book. The cussing (hilarious!), the romance (sweet), the sexual content (funny!). It's a perfect book if you know just a little about the greek gods. Aphrodite. A Phone Sex Operator. That's what made me want to get this book. I knew, so funny! It does not get boring. I read fast because of the short chapters. There's like 40. But only 4 or 5 page chapters. Couldn't put the book down. The book cover raised alot of questions with the guy in smily face speedos. But you know what your momma sats "don't judge a book by its cover!" But literally. Wow! Apollo going OFF on his twin sister. Aphrodite talking to her son in a funny sexual way. Artemis finding a woman turned into a tree because she wouldn't give Apollo a b.j. This is a real fun book. I truly recomend this great-ending book! I could read it 5 times. Oops, too late!

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  • Anonymous

    Posted June 14, 2009

    Witty and creative

    This book is filled with interesting characters and dynamics that I wouldn't want to compare to anything else I've read. I appreciate the uniqueness and creativity that this author brought to the table and look forward to her next book.

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  • Posted March 2, 2009

    Good for a rainy afternoon

    Good fun, an easy read with a fun twist on classic Greek mythology. Based on this one, I will read her next one.

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  • Posted October 19, 2008

    more from this reviewer

    One of the most enjoyable books I've read in awhile

    I've read both Gods Behaving Badly and American Gods. The only similarity between the two are the fact that the stories are about Gods in modern day life. The tone, plot, writing, characters - everything is completely different. I enjoyed both books, but I have to say - I enjoyed Gods Behaving Badly more. There was plenty of humor and enjoyable chaos that made me unable to put the book down. Some of it was dirty humor, but it was done in the best, undeniably British way. It's not the type of book that will be labled as a classic years down the road, but it will forever be on my bookshelf, and I am sure that I will read it again from time to time. After finishing it a few months ago, I still have to laugh about some of the moments in it.

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  • Anonymous

    Posted April 13, 2008

    LAUGHING WITH TEARS

    Artemis-walking dogs, Apollo-TV psychic, Aphrodite-phone sex operator - what a cast of characters! I laughed and cried from the first chapter to the last. It's light-hearted and fun. This book will let your brain rest for a while.

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  • Anonymous

    Posted December 21, 2007

    A reviewer

    this is quite clearly a ripoff of neil gaiman's American Gods, in which the deities of yesterday are forced to get 'average' jobs - gas station attendant, prostitute, etc - and accomplishes itself a bit better by being far less MTV reality show.

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  • Anonymous

    Posted January 4, 2008

    not appalled

    I did enjoy Marie Phillips book. She was able to fictionally describle what it would be like for a God/Goddess to exist in present day. Just because there are other books of the same subject, doesn't mean that it's a 'rip-off'. Judge for yourself, read the book.

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  • Anonymous

    Posted May 2, 2009

    No text was provided for this review.

  • Anonymous

    Posted July 25, 2009

    No text was provided for this review.

  • Anonymous

    Posted March 12, 2011

    No text was provided for this review.

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