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| Ellis Hooks | Primary Artist, Acoustic Guitar, Vocals, Background Vocals |
| Marty Brown | Vocals |
| Steve Cropper | Guitar |
| Bobby Womack | Vocals |
| Chester Thompson | Drums |
| Essra Mohawk | Background Vocals |
| Billy Block | Drums |
| Wayne Jackson | Trombone, Trumpet |
| Jon Tiven | Harmonica, Piano, Drums, Electric Guitar, Harp, Hammond Organ, Alto Saxophone, Hammond B3 |
| Sally Tiven | Bass Guitar |
| Laurence Singer | Background Vocals |
| Mason Casey | Harp |
| Marty Brown | Composer |
| Steve Cropper | Composer |
| Jim DeMain | Mastering |
| Jon Tiven | Composer, Producer, Audio Production |
| Charlie Feldman | Composer |
| Sally Tiven | Composer |
| Steve Rogers | Cover Photo |
| Ellis Hooks | Composer |
Editorial Reviews
All Music Guide - Michael G. Nastos
Ellis Hooks had parents who, on either side of his heritage, were involved in theology, or were liquor runners. Coming from the heart of Alabama and heading to Europe, Japan, and New York to find his stardom, Hooks has become a classic soul singer in the mode of Arthur Alexander, Sam Cooke, Otis Redding, and Otis Clay. He uses a rock & roll or funk base in his rhythm, as there is more an emphasis on the down strokes rather than traditional back porch or rural sounds. He sports solid, unspectacular vocal chops, very good range, a gritty but not raw quality, and a repertoire that does reflect the up and down blues of life. Hooks wrote or co-wrote all of the material...