Going Postal (Discworld Series #33)

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Overview

Terry Pratchett puts his stamp on the new Discworld novel.

Moist von Lipwig was a con artist and a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork’s ailing postal service back on its feet. It was a tough decision. But he’s got to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer. Getting a date with Adora Bell...

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Going Postal (Discworld Series #33)

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Overview

Terry Pratchett puts his stamp on the new Discworld novel.

Moist von Lipwig was a con artist and a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork’s ailing postal service back on its feet. It was a tough decision. But he’s got to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too. Maybe it’ll take a criminal to succeed where honest men have failed, or maybe it’s a death sentence either way. Or perhaps there’s a shot at redemption in the mad world of the mail, waiting for a man who’s prepared to push the envelope...

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
Going Postal, the 29th novel in Terry Pratchett's hilarious Discworld series -- a saga that parodies, well, everything! -- chronicles the life, execution, and glorious rebirth of Moist von Lipwig, a career criminal who is sentenced to a fate worse than death: He's named Postmaster of Ankh-Morpork!

Given the option between being hanged or accepting a job to get Ankh-Morpork's nonexistent postal service up and running again, Moist chooses the latter. But he has no intention of working for the government; the first chance Moist gets he's escaping Ankh-Morpork, unearthing a hidden fortune, and hightailing it to points unknown. The only drawback to his plan is that Lord Havelock Vetinari, the supreme ruler of Ankh-Morpork, has assigned a golem as Moist's parole officer. Golems, giant supernatural entities made from clay, don't need to eat, sleep, or breathe. No matter where Moist goes, the golem (named Mr. Pump) can and will follow. With no hope of escape, Moist glumly accepts his fate. With only two employees left -- an old man with nowhere else to go and a mentally unstable boy obsessed with pins -- Moist must somehow deliver literally mountains of old mail, compete against the technologically superior clack tower message system, and survive the postal curse that has killed all his predecessors.

The two major reasons why Pratchett's Discworld saga continues to be wildly popular after an amazing 29 novels are simple: His outlandish sense of humor never gets old, and with every new novel he throws new and captivating characters -- like Moist von Lipwig, Adora Bella Dearheart, and Iodine Maccalariat -- into the mix. Discworld fans will not only delight in this extremely funny novel, they'll never look at (or lick!) stamps the same way again. Paul Goat Allen

Publishers Weekly
British fantasist Pratchett's latest special-delivery delight, set in his wonderfully crazed city of Ankh-Morpork, hilariously reflects the plight of post offices the world over as they struggle to compete in an era when e-mail has stolen much of the glamour from the postal trade. Soon after Moist von Lipwig (aka Alfred Spangler), Pratchett's not-quite-hapless, accidental hero, barely avoids hanging, Lord Havelock Vetinari, the despotic but pretty cool ruler of Ankh-Morpork, makes him a job offer he can't refuse postmaster general of the Ankh-Morpork Post Office. The post office hasn't been open for 20 years since the advent of the Internet-like clacks communication system. Moist's first impulse is to try to escape, but Mr. Pump, his golem parole officer, quickly catches him. Moist must then deal with the musty mounds of undelivered mail that fill every room of the decaying Post Office building maintained by ancient and smelly Junior Postman Groat and his callow assistant, Apprentice Postman Stanley. The place is also haunted by dead postmen and guarded by Mr. Tiddles, a crafty cat. Readers will cheer Moist on as he eventually finds himself in a race with the dysfunctional clacks system to see whose message can be delivered first. Thanks to the timely subject matter and Pratchett's effervescent wit, this 29th Discworld novel (after 2003's Monstrous Regiment) may capture more of the American audience he deserves. Agent, Ralph M. Vicinanza. (On sale Sept. 28) Forecast: Despite sales of more than 35 million copies of his books worldwide, Pratchett has yet to become a U.S. bestseller. This one may finally break him out of category. Copyright 2004 Reed Business Information.
VOYA
The incredibly prolific Pratchett does it again, producing yet another entry in the amazing Discworld series. The number of books in this series is upwards of twenty or so, and the author's wit and imagination does not desert him here, although nowadays Discworld is perhaps a little less magical than it was in the earlier titles. Confidence trickster Moist Van Lipwig is rescued from the gallows by Lord Vetinari, dictator of Ankh-Morpork-but only on the condition that he run the long moribund Post Office. No mail has been delivered from the Post Office for decades, but a skeleton staff still remains, overwhelmed by tons of undelivered letters. Meanwhile the telegraph, "the clacks," has become a poorly run monopoly owned by a ruthless scoundrel and a group of greedy investors. To this crowd, a viable post office is a personal threat, and they quickly arrange to burn down the old building, trying to include the postal staff in the bonfire. The reluctant new Post Master struggles to outwit a band of swindlers just as unprincipled as he and only succeeds by pulling off his ultimate scam. Although his humor and allusions are quite British, Pratchett's novels for youth and adults have a devoted worldwide following. The Discworld books, beneath their comic veneer, are increasingly concerned with universal issues such as power, equal rights, law, and justice. This novel will be greedily welcomed by Pratchett fans and should garner new ones. VOYA CODES: 4Q 2P S A/YA (Better than most, marred only by occasional lapses; For the YA with a special interest in the subject; Senior High, defined as grades 10 to 12; Adult-marketed book recommended for Young Adults). 2004, HarperCollins, 377p., Ages 15 toAdult.
—Rayna Patton
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Product Details

  • ISBN-13: 9780552152280
  • Publisher: Transworld Publishers Limited
  • Publication date: 11/1/2004
  • Series: Discworld Series , #33
  • Format: CD
  • Product dimensions: 5.12 (w) x 4.87 (h) x 0.94 (d)

Meet the Author

Terry Pratchett

Terry Pratchett is one of the world's most popular authors. His acclaimed novels are bestsellers in the United States and the United Kingdom, and have sold more than 85 million copies worldwide. In January 2009, Queen Elizabeth II appointed Pratchett a Knight Bachelor in recognition of his services to literature. Sir Terry lives in England.

Biography

Welcome to a magical world populated by the usual fantasy fare: elves and ogres, wizards and witches, dwarves and trolls. But wait—is that witch wielding a frying pan rather than a broomstick? Has that wizard just clumsily tumbled off the edge of the world? And what is with the dwarf they call Carrot, who just so happens to stand six-foot six-inches tall? Why, this is not the usual fantasy fare at all—this is Terry Pratchett's delightfully twisted Discworld!

Beloved British writer Pratchett first jump-started his career while working as a journalist for Bucks Free Press during the '60s. As luck would have it, one of his assignments was an interview with Peter Bander van Duren, a representative of a small press called Colin Smythe Limited. Pratchett took advantage of his meeting with Bander van Duren to pitch a weird story about a battle set in the pile of a frayed carpet. Bander van Duren bit, and in 1971 Pratchett's very first novel, The Carpet People, was published, setting the tone for a career characterized by wacky flights of fancy and sly humor.

Pratchett's take on fantasy fiction is quite unlike that of anyone else working in the genre. The kinds of sword-and-dragon tales popularized by fellow Brits like J.R.R. Tolkein and C. S. Lewis have traditionally been characterized by their extreme self-seriousness. However, Pratchett has retooled Middle Earth and Narnia with gleeful goofiness, using his Discworld as a means to poke fun at fantasy. As Pratchett explained to Locus Magazine, "Discworld started as an antidote to bad fantasy, because there was a big explosion of fantasy in the late '70s, an awful lot of it was highly derivative, and people weren't bringing new things to it."

In 1983, Pratchett unveiled Discworld with The Color of Magic. Since then, he has added installments to the absurdly hilarious saga at the average rate of one book per year. Influenced by moderately current affairs, he has often used the series to subtly satirize aspects of the real world; the results have inspired critics to rapturous praise. ("The most breathtaking display of comic invention since PG Wodehouse," raved The Times of London.) He occasionally ventures outside the series with standalone novels like the Johnny Maxwell Trilogy, a sci fi adventure sequence for young readers, or Good Omens, his bestselling collaboration with graphic novelist Neil Gaiman.

Sadly, in 2008 fans received the devastating news that Pratchett had been diagnosed with early onset Alzheimer's. He has described his own reaction as "fairly philosophical" and says he plans to continue writing so long as he is able.

Good To Know

Pratchett's bestselling young adult novel Only You Can Save Mankind was adapted for the British stage as a critically acclaimed musical in 2004.

Discworld is not just the subject of a bestselling series of novels. It has also inspired a series of computer games in which players play the role of the hapless wizard Rincewind.

A few fun outtakes from our interview with Pratchett:

"I became a journalist at 17. A few hours later I saw my first dead body, which was somewhat…colourful. That's when I learned you can go on throwing up after you run out of things to throw up."

"The only superstition I have is that I must start a new book on the same day that I finish the last one, even if it's just a few notes in a file. I dread not having work in progress.

"I grow as many of our vegetables as I can, because my granddad was a professional gardener and it's in the blood. Grew really good chilies this year.

"I'm not really good at fun-to-know, human interest stuff. We're not ‘celebrities', whose life itself is a performance. Good or bad or ugly, we are our words. They're what people meet.

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    1. Also Known As:
      Terence David John Pratchett
    2. Hometown:
      Salisbury, Wiltshire, England
    1. Date of Birth:
      April 28, 1948
    2. Place of Birth:
      Beaconsfield, Buckinghamshire, England
    1. Education:
      Four honorary degrees in literature from the universities of Portsmouth, Bristol, Bath and Warwick

Read an Excerpt

Chapter One

The Angel

In which our Hero experiences Hope, the Greatest GiftThe Bacon Sandwich of RegretSombre Reflections on Capital Punishment from the HangmanFamous Last WordsOur Hero DiesAngels, conversations aboutInadvisability of Misplaced Offers regarding BroomsticksAn Unexpected RideA World Free of Honest MenA Man on the HopThere is Always a Choice

They say that the prospect of being hanged in the morning concentrates a man's mind wonderfully; unfortunately, what the mind inevitably concentrates on is that it is in a body that, in the morning, is going to be hanged.

The man going to be hanged had been named Moist von Lipwig by doting if unwise parents, but he was not going to embarrass the name, in so far as that was still possible, by being hung under it. To the world in general, and particularly on that bit of it known as the death warrant, he was Albert Spangler.

And he took a more positive approach to the situation and had concentrated his mind on the prospect of not being hanged in the morning, and most particularly on the prospect of removing all the crumbling mortar from around a stone in his cell wall with a spoon. So far the work had taken him five weeks, and reduced the spoon to something like a nail file. Fortunately, no one ever came to change the bedding here, or else they would have discovered the world's heaviest mattress. It was the large and heavy stone that was currently the object of his attentions, and at some point a huge staple had been hammered into it as an anchor for manacles.

Moist sat down facing the wall, gripped the iron ring in both hands, braced his legs against the stones on either side, and heaved.

His shoulders caught fire and a red mist filled his vision but the block slid out, with a faint and inappropriate tinkling noise. Moist managed to ease it away from the hole and peered inside.

At the far end was another block, and the mortar around it looked suspiciously strong and fresh.

Just in front of it was a new spoon. It was shiny.

As he studied it, he heard the clapping behind him. He turned his head, tendons twanging a little riff of agony, and saw several of the warders watching him through the bars.

'Well done, Mr Spangler!' said one of them. 'Ron here owes me five dollars! I told him you were a sticker! He's a sticker, I said!'

'You set this up, did you, Mr Wilkinson?' said Moist weakly, watching the glint of light on the spoon.

'Oh, not us, sir. Lord Vetinari's orders. He insists that all condemned prisoners should be offered the prospect of freedom.'

'Freedom? But there's a damn great stone through there!'

'Yes, there is that, sir, yes, there is that,' said the warder. 'It's only the prospect, you see. Not actual free freedom as such. Hah, that'd be a bit daft, eh?'

'I suppose so, yes,' said Moist. He didn't say 'you bastards.' The warders had treated him quite civilly this past six weeks, and he made a point of getting on with people. He was very, very good at it. People skills were part of his stock-in-trade; they were nearly the whole of it. Besides, these people had big sticks. So, speaking carefully, he added: 'Some people might consider this cruel, Mr Wilkinson.'

'Yes, sir, we asked him about that, sir, but he said no, it wasn't. He said it provided-' his forehead wrinkled '-occ-you-pay-shun-all ther-rap-py, healthy exercise, prevented moping and offered that greatest of all treasures which is Hope, sir.'

'Hope,' muttered Moist glumly.

'Not upset, are you, sir?'

'Upset? Why should I be upset, Mr Wilkinson?'

'Only the last bloke we had in this cell, he managed to get down that drain, sir. Very small man. Very agile.'

Moist looked at the little grid in the floor. He'd dismissed it out of hand. 'Does it lead to the river?' he said.

The warder grinned. 'You'd think so, wouldn't you? He was really upset when we fished him out. Nice to see you've entered into the spirit of the thing, sir. You've been an example to all of us, sir, the way you kept going. Stuffing all the dust in your mattress? Very clever, very tidy. Very neat. It's really cheered us up, having you in here. By the way, Mrs Wilkinson says ta very much for the fruit basket. Very posh, it is. It's got kumquats, even!'

'Don't mention it, Mr Wilkinson.'

'The Warden was a bit green about the kumquats 'cos he only got dates in his, but I told him, sir, that fruit baskets is like life: until you've got the pineapple off'f the top you never know what's underneath. He says thank you, too.'

'Glad he liked it, Mr Wilkinson,' said Moist absent-mindedly. Several of his former landladies had brought in presents for 'the poor confused boy', and Moist always invested in generosity. A career like his was all about style, after all.

'On that general subject, sir,' said Mr Wilkinson, 'me and the lads were wondering if you might like to unburden yourself, at this point in time, on the subject of the whereabouts of the place where the location of the spot is where, not to beat about the bush, you hid all that money you stole . . .?'

The jail went silent. Even the cockroaches were listening.

'No, I couldn't do that, Mr Wilkinson,' said Moist loudly, after a decent pause for dramatic effect. He tapped his jacket pocket, held up a finger and winked. The warders grinned back.

'We understand totally, sir. Now I'd get some rest if I was you, sir, 'cos we're hanging you in half an hour,' said Mr Wilkinson.

'Hey, don't I get breakfast?'

'Breakfast isn't until seven o'clock, sir,' said the warder reproachfully. 'But, tell you what, I'll do you a bacon sandwich. 'cos it's you, Mr Spangler.'

***

And now it was a few minutes before dawn and it was him being led down the short corridor and out into the little room under the scaffold. Moist realized he was looking at himself from a distance, as if part of himself was floating outside his body like a child's balloon ready, as it were, for him to let go of the string.

The room was lit by light coming through cracks in the scaffold floor above, and significantly from around the edges of the large trapdoor. The hinges of said door were being carefully oiled by a man in a hood.

He stopped when he saw the party arrive and said, 'Good morning, Mr Spangler.' He raised the hood helpfully. 'It's me, sir, Daniel "One Drop" Trooper. I am your executioner for today, sir. Don't you worry, sir. I've hanged dozens of people. We'll soon have you out of here.'

'Is it true that if a man isn't hanged after three attempts he's reprieved, Dan?' said Moist, as the executioner carefully wiped his hands on a rag.

'So I've heard, sir, so I've heard. But they don't call me One Drop for nothing, sir. And will sir be having the black bag today?'

'Will it help?'

'Some people think it makes them look more dashing, sir. And it stops that pop-eyed look. It's more a crowd thing, really. Quite a big one out there this morning. Nice piece about you in the Times yesterday, I thought. All them people saying what a nice young man you were, and everything. Er . . . would you mind signing the rope beforehand, sir? I mean, I won't have a chance to ask you afterwards, eh?'

'Signing the rope?' said Moist.

'Yessir,' said the hangman. 'It's sort of traditional. There's a lot of people out there who buy old rope. Specialist collectors, you could say. A bit strange, but it takes all sorts, eh? Worth more signed, of course.' He flourished a length of stout rope. 'I've got a special pen that signs on rope. One signature every couple of inches? Straightforward signature, no dedication needed. Worth money to me, sir. I'd be very grateful.'

'So grateful that you won't hang me, then?' said Moist, taking the pen. This got an appreciative laugh. Mr Trooper watched him sign along the length, nodding happily.

'Well done, sir, that's my pension plan you're signing there. Now . . . are we ready, everyone?'

'Not me!' said Moist quickly, to another round of general amusement.

'You're a card, Mr Spangler,' said Mr Wilkinson. 'It won't be the same without you around, and that's the truth.'

'Not for me, at any rate,' said Moist. This was, once again, treated like rapier wit. Moist sighed. 'Do you really think all this deters crime, Mr Trooper?' he said.

'Well, in the generality of things I'd say it's hard to tell, given that it's hard to find evidence of crimes not committed,' said the hangman, giving the trapdoor a final rattle. 'But in the specificality, sir, I'd say it's very efficacious.'

'Meaning what?' said Moist.

'Meaning I've never seen someone up here more'n once, sir. Shall we go?'

There was a stir when they climbed up into the chilly morning air, followed by a few boos and even some applause. People were strange like that. Steal five dollars and you were a petty thief. Steal thousands of dollars and you were either a government or a hero.

Moist stared ahead while the roll call of his crimes was read out. He couldn't help feeling that it was so unfair. He'd never so much as tapped someone on the head. He'd never even broken down a door. He had picked locks on occasion, but he'd always locked them again behind him. Apart from all those repossessions, bankruptcies and sudden insolvencies, what had he actually done that was bad, as such? He'd only been moving numbers around.

'Nice crowd turned out today,' said Mr Trooper, tossing the end of the rope over the beam and busying himself with knots. 'Lot of press, too. What Gallows? covers 'em all, o' course, and there's the Times and the Pseudopolis Herald, prob'ly because of that bank what collapsed there, and I heard there's a man from the Sto Plains Dealer, too. Very good financial section - I always keep an eye on the used rope prices. Looks like a lot of people want to see you dead, sir.'

Moist was aware that a black coach had drawn up at the rear of the crowd. There was no coat of arms on the door, unless you were in on the secret, which was that Lord Vetinari's coat of arms featured a sable shield. Black on black. You had to admit that the bastard had style-

'Huh? What?' he said, in response to a nudge.

'I asked if you have any last words, Mr Spangler?' said the hangman. 'It's customary. I wonder if you might have thought of any?'

'I wasn't actually expecting to die,' said Moist. And that was it. He really hadn't, until now. He'd been certain that something would turn up.

'Good one, sir,' said Mr Wilkinson. 'We'll go with that, shall we?'

Moist narrowed his eyes. The curtain on a coach window had twitched. The coach door had opened. Hope, that greatest of all treasures, ventured a little glitter.

'No, they're not my actual last words,' he said. 'Er . . . let me think . . .' A slight, clerk-like figure was descending from the coach.

'Er . . . it's not as bad a thing I do now . . . er . . .' Aha, it all made some kind of sense now. Vetinari was out to scare him, that was it. That would be just like the man, from what Moist had heard. There was going to be a reprieve!

'I . . . er . . . I . . .'

Down below, the clerk was having difficulty getting through the press of people. 'Do you mind speeding up a bit, Mr Spangler?' said the hangman. 'Fair's fair, eh?'

'I want to get it right,' said Moist haughtily, watching the clerk negotiate his way around a large troll.

'Yes, but there's a limit, sir,' said the hangman, annoyed at this breach of etiquette. 'Otherwise you could go ah, er, um for days! Short and sweet, sir, that's the style.'

'Right, right,' said Spangler. 'Er . . . oh, look, see that man there? Waving at you?'

The hangman glanced down at the clerk, who'd struggled to the front of the crowd.

'I bring a message from Lord Vetinari!' the man shouted.

'Right!' said Moist.

'He says to get on with it, it's long past dawn!' said the clerk.

'Oh,' said Moist, staring at the black coach. That damn Vetinari had a warder's sense of humour, too.

'Come on, Mr Spangler, you don't want me to get into trouble, do you?' said the hangman, patting him on the shoulder. 'Just a few words, and then we can all get on with our lives. Present company excepted, obviously.'

So this was it. It was, in some strange way, rather liberating. You didn't have to fear the worst that could happen any more, because this was it, and it was nearly over. The warder had been right. What you had to do in this life was get past the pineapple, Moist told himself. It was big and sharp and knobbly, but there might be peaches underneath. It was a myth to live by and so, right now, totally useless.

'In that case,' said Moist von Lipwig, 'I commend my soul to any god that can find it.'

'Nice,' said the hangman, and pulled the lever.

Albert Spangler died.

It was generally agreed that they had been good last words.

'Ah, Mr Lipwig,' said a distant voice, getting closer. 'I see you are awake. And still alive, at the present time.'

There was a slight inflection to that last phrase which told Moist that the length of the present time was entirely in the gift of the speaker.

He opened his eyes. He was sitting in a comfortable chair. At a desk opposite him, sitting with his hands steepled reflectively in front of his pursed lips, was Havelock, Lord Vetinari, under whose idiosyncratically despotic rule Ankh-Morpork had become the city where, for some reason, everyone wanted to live. An ancient animal sense also told Moist that other people were standing behind the comfortable chair, and that it could be extremely uncomfortable should he make any sudden movements. But they couldn't be as terrible as the thin, black-robed man with the fussy little beard and the pianist's hands who was watching him.

'Shall I tell you about angels, Mr Lipwig?' said the Patrician pleasantly. 'I know two interesting facts about them.'

Moist grunted. There were no obvious escape routes in front of him, and turning round was out of the question. His neck ached horribly.

'Oh, yes. You were hanged,' said Vetinari. 'A very precise science, hanging. Mr Trooper is a master. The slippage and thickness of the rope, whether the knot is placed here rather than there, the relationship between weight and distance . . . oh, I'm sure the man could write a book. You were hanged to within half an inch of your life, I understand. Only an expert standing right next to you would have spotted that, and in this case the expert was our friend Mr Trooper. No, Albert Spangler is dead, Mr Lipwig. Three hundred people would swear they saw him die.' He leaned forward. 'And so, appropriately, it is of angels I wish to talk to you now.'

Moist managed a grunt.

'The first interesting thing about angels, Mr Lipwig, is that sometimes, very rarely, at a point in a man's career where he has made such a foul and tangled mess of his life that death appears to be the only sensible option, an angel appears to him, or, I should say, unto him, and offers him a chance to go back to the moment when it all went wrong, and this time do it right. Mr Lipwig, I should like you to think of me as . . . an angel.'

Moist stared. He'd felt the snap of the rope, the choke of the noose! He'd seen the blackness welling up! He'd died!

'I'm offering you a job, Mr Lipwig. Albert Spangler is buried, but Mr Lipwig has a future. It may, of course, be a very short one, if he is stupid. I am offering you a job, Mr Lipwig. Work, for wages. I realize the concept may not be familiar.'

Only as a form of hell, Moist thought.

'The job is that of Postmaster General of the Ankh-Morpork Post Office.'

Moist continued to stare.

'May I just add, Mr Lipwig, that behind you there is a door. If at any time in this interview you feel you wish to leave, you have only to step through it and you will never hear from me again.'

Moist filed that under 'deeply suspicious'.

'To continue: the job, Mr Lipwig, involves the refurbishment and running of the city's postal service, preparation of the international packets, maintenance of Post Office property, et cetera, et cetera-'

'If you stick a broom up my arse I could probably sweep the floor, too,' said a voice. Moist realized it was his. His brain was a mess. It had come as a shock to find that the afterlife is this one.

Lord Vetinari gave him a long, long look.

'Well, if you wish,' he said, and turned to a hovering clerk. 'Drumknott, does the housekeeper have a store cupboard on this floor, do you know?'

'Oh, yes, my lord,' said the clerk. 'Shall I-'

'It was a joke!' Moist burst out.

'Oh, I'm sorry, I hadn't realized,' said Lord Vetinari, turning back to Moist. 'Do tell me if you feel obliged to make another one, will you?'

'Look,' said Moist, 'I don't know what's happening here, but I don't know anything about delivering post!'

'Mr Moist, this morning you had no experience at all of being dead, and yet but for my intervention you would nevertheless have turned out to be extremely good at it,' said Lord Vetinari sharply. 'It just goes to show: you never know until you try.'

'But when you sentenced me-'

Vetinari raised a pale hand. 'Ah?' he said.

Moist's brain, at last aware that it needed to do some work here, stepped in and replied: 'Er . . . when you . . . sentenced . . . Albert Spangler-'

'Well done. Do carry on.'

'-you said he was a natural born criminal, a fraudster by vocation, an habitual liar, a perverted genius and totally untrustworthy!'

'Are you accepting my offer, Mr Lipwig?' said Vetinari sharply.

Moist looked at him. 'Excuse me,' he said, standing up, 'I'd just like to check something.'

There were two men dressed in black standing behind his chair. It wasn't a particularly neat black, more the black worn by people who just don't want little marks to show. They looked like clerks, until you met their eyes. They stood aside as Moist walked towards the door which, as promised, was indeed there. He opened it very carefully. There was nothing beyond, and that included a floor. In the manner of one who is going to try all possibilities, he took the remnant of spoon out of his pocket and let it drop. It was quite a long time before he heard the jingle.

Then he went back and sat in the chair.

'The prospect of freedom?' he said.

'Exactly,' said Lord Vetinari. 'There is always a choice.'

'You mean . . . I could choose certain death?'

'A choice, nevertheless,' said Vetinari. 'Or, perhaps, an alternative. You see, I believe in freedom, Mr Lipwig. Not many people do, although they will of course protest otherwise. And no practical definition of freedom would be complete without the freedom to take the consequences. Indeed, it is the freedom upon which all the others are based. Now . . . will you take the job? No one will recognize you, I am sure. No one ever recognizes you, it would appear.'

Moist shrugged. 'Oh, all right. Of course, I accept as natural born criminal, habitual liar, fraudster and totally untrustworthy perverted genius.'

'Capital! Welcome to government service!' said Lord Vetinari, extending his hand. 'I pride myself on being able to pick the right man. The wage is twenty dollars a week and, I believe, the Postmaster General has the use of a small apartment in the main building. I think there's a hat, too. I shall require regular reports. Good day.'

He looked down at his paperwork. He looked up.

'You appear to be still here, Postmaster General?'

'And that's it?' said Moist, aghast. 'One minute I'm being hanged, next minute you're employing me?'

'Let me see . . . yes, I think so. Oh, no. Of course. Drumknott, do give Mr Lipwig his keys.'

The clerk stepped forward and handed Moist a huge, rusted keyring full of keys, and proffered a clipboard. 'Sign here, please, Postmaster General,' he said. Hold on a minute, Moist thought, this is only one city. It's got gates. It's completely surrounded by different directions to run. Does it matter what I sign?

'Certainly,' he said, and scribbled his name.

'Your correct name, if you please,' said Lord Vetinari, not looking up from his desk. 'What name did he sign, Drumknott?'

The clerk craned his head. 'Er . . . Ethel Snake, my lord, as far as I can make out.'

'Do try to concentrate, Mr Lipwig,' said Vetinari wearily, still apparently reading the paperwork.

Moist signed again. After all, what would it matter in the long run? And it would certainly be a long run, if he couldn't find a horse.

'And that leaves only the matter of your parole officer,' said Lord Vetinari, still engrossed in the paper before him.

'Parole officer?'

'Yes. I'm not completely stupid, Mr Lipwig. He will meet you outside the Post Office building in ten minutes. Good day.'

When Moist had left, Drumknott coughed politely and said, 'Do you think he'll turn up there, my lord?'

'One must always consider the psychology of the individual,' said Vetinari, correcting the spelling on an official report. 'That is what I do all the time and lamentably, Drumknott, you do not always do. That is why he has walked off with your pencil.'

Always move fast. You never know what's catching you up.

Ten minutes later Moist von Lipwig was well outside the city. He'd bought a horse, which was a bit embarrassing, but speed had been of the essence and he'd only had time to grab one of his emergency stashes from its secret hiding place and pick up a skinny old screw from the Bargain Box in Hobson's Livery Stable. At least it'd mean no irate citizen going to the Watch.

No one had bothered him. No one had looked at him twice; no one ever did. The city gates had indeed been wide open. The plains lay ahead of him, full of opportunity. And he was good at parlaying nothing into something. For example, at the first little town he came to he'd go to work on this old nag with a few simple techniques and ingredients that'd make it worth twice the price he'd paid for it, at least for about twenty minutes or until it rained. Twenty minutes would be enough time to sell it and, with any luck, pick up a better horse worth slightly more than the asking price. He'd do it again at the next town and in three days, maybe four, he'd have a horse worth owning.

But that would be just a sideshow, something to keep his hand in. He'd got three very nearly diamond rings sewn into the lining of his coat, a real one in a secret pocket in the sleeve, and a very nearly gold dollar stitched cunningly into the collar. These were, to him, what his saw and hammer are to a carpenter. They were primitive tools, but they'd put him back in the game.

There is a saying 'You can't fool an honest man' which is much quoted by people who make a profitable living by fooling honest men. Moist never knowingly tried it, anyway. If you did fool an honest man, he tended to complain to the local Watch, and these days they were harder to buy off. Fooling dishonest men was a lot safer and, somehow, more sporting. And, of course, there were so many more of them. You hardly had to aim.

Half an hour after arriving in the town of Hapley, where the big city was a tower of smoke on the horizon, he was sitting outside an inn, downcast, with nothing in the world but a genuine diamond ring worth a hundred dollars and a pressing need to get home to Genua, where his poor aged mother was dying of Gnats. Eleven minutes later he was standing patiently outside a jeweller's shop, inside which the jeweller was telling a sympathetic citizen that the ring the stranger was prepared to sell for twenty dollars was worth seventy-five (even jewellers have to make a living). And thirty-five minutes after that he was riding out on a better horse, with five dollars in his pocket, leaving behind a gloating sympathetic citizen who, despite having been bright enough to watch Moist's hands carefully, was about to go back to the jeweller to try to sell for seventy-five dollars a shiny brass ring with a glass stone that was worth fifty pence of anybody's money.

The world was blessedly free of honest men, and wonderfully full of people who believed they could tell the difference between an honest man and a crook. He tapped his jacket pocket. The jailers had taken the map off him, of course, probably while he was busy being a dead man. It was a good map, and in studying it Mr Wilkinson and his chums would learn a lot about decryption, geography and devious cartography. They wouldn't find in it the whereabouts of AM$150,000 in mixed currencies, though, because the map was a complete and complex fiction. However, Moist entertained a wonderful warm feeling inside to think that they would, for some time, possess that greatest of all treasures, which is Hope. Anyone who couldn't simply remember where he'd stashed a great big fortune deserved to lose it, in Moist's opinion. But, for now, he'd have to keep away from it, while having it to look forward to . . .

Moist didn't even bother to note the name of the next town. It had an inn, and that was enough. He took a room with a view over a disused alley, checked that the window opened easily, ate an adequate meal, and had an early night. Not bad at all, he thought. This morning he'd been on the scaffold with the actual noose round his actual neck, tonight he was back in business. All he need do now was grow a beard again, and keep away from Ankh-Morpork for six months. Or perhaps only three.

Moist had a talent. He'd also acquired a lot of skills so completely that they were second nature. He'd learned to be personable, but something in his genetics made him unmemorable. He had the talent of not being noticed, for being a face in the crowd. People had difficulty describing him. He was . . . he was 'about'. He was about twenty, or about thirty. On Watch reports across the continent he was anywhere between, oh, about six feet two inches and five feet nine inches tall, hair all shades from mid-brown to blond, and his lack of distinguishing features included his entire face. He was about . . . average. What people remembered was the furniture, things like spectacles and moustaches, so he always carried a selection of both. They remembered names and mannerisms, too. He had hundreds of those.

Oh, and they remembered that they'd been richer before they met him. At three in the morning, the door burst open. It was a real burst; bits of wood clattered off the wall. But Moist was already out of bed and diving for the window before the first of them hit the floor. It was an automatic reaction that owed nothing to thought. Besides, he'd checked before lying down, and there was a large water butt outside that would break his fall.

It wasn't there now.

Whoever had stolen it had not stolen the ground it stood on, however, and it broke Moist's fall by twisting his ankle.

He pulled himself up, keening softly in agony, and hopped along the alley, using the wall for support. The inn's stables were round the back; all he had to do was pull himself up on to a horse, any horse-

'Mr Lipwig?' a big voice bellowed.

Oh, gods, it was a troll, it sounded like a troll, a big one too, he didn't know you got any down here outside the cities-

'You Can't Run And You Can't Hide, Mr Lipwig!'

Hold on, hold on, he hadn't given his real name to anyone in this place, had he? But all this was background thinking. Someone was after him, therefore he would run. Or hop.

He risked a look behind him when he reached the back gate to the stables. There was a red glow in his room. Surely they weren't torching the place over a matter of a few dollars? How stupid! Everyone knew that if you got lumbered with a good fake you palmed it off on to some other sucker as soon as possible, didn't they? There was no helping some people.

His horse was alone in the stable, and seemed unimpressed to see him. He got the bridle on, while hopping on one foot. There was no point in bothering with a saddle. He knew how to ride without a saddle. Hell, once he'd ridden without pants, too, but luckily all the tar and feathers helped him stick to the horse. He was the world champion at leaving town in a hurry.

He went to lead the horse out of the stall, and heard the clink.

He looked down, and kicked some straw away.

There was a bright yellow bar, joining two short lengths of chain with a yellow shackle attached, one for each foreleg. The only way this horse would go anywhere was by hopping, just like him.

They'd clamped it. They'd bloody clamped it . . .

'Oh, Mr Lipppppwig!' The voice boomed out across the stable yard. 'Do You Want To Know The Rules, Mr Lipwig?'

He looked around in desperation. There was nothing in here to use as a weapon and in any case weapons made him nervous, which was why he'd never carried one. Weapons raised the ante far too high. It was much better to rely on a gift for talking his way out of things, confusing the issue and, if that failed, some well-soled shoes and a cry of 'Look, what's that over there?'

But he had a definite feeling that while he could talk as much as he liked, out here no one was going to listen. As for speeding away, he'd just have to rely on hop.

There was a yard broom and a wooden feed bucket in the corner. He stuck the head of the broom under his armpit to make a crutch and grabbed the bucket handle as heavy footsteps thudded towards the stable door. When the door was pushed open he swung the bucket as hard as he could, and felt it shatter. Splinters filled the air. A moment later there was the thump of a heavy body hitting the ground. Moist hopped over it and plunged unsteadily into the dark.

Something as tough and hard as a shackle snapped round his good ankle. He hung from the broom handle for a second, and then collapsed.

'I Have Nothing But Good Feelings Towards You, Mr Lipwig!' boomed the voice cheerfully.

Moist groaned. The broom must have been kept as an ornament, because it certainly hadn't been used much on the accumulations in the stable yard. On the positive side, this meant he had fallen into something soft. On the negative side, it meant that he had fallen into something soft.

Someone grabbed a handful of his coat and lifted him bodily out of the muck. 'Up We Get, Mr Lipwig!'

'It's pronounced Lipvig, you moron,' he moaned. 'A v, not a w!'

'Up Ve Get, Mr Lipvig!' said the booming voice, as his broom/ crutch was pushed under his arm.

'What the hell are you?' Lipwig managed.

'I Am Your Parole Officer, Mr Lipvig!'

Moist managed to turn round, and looked up, and then up again, into a gingerbread man's face with two glowing red eyes in it. When it spoke, its mouth was a glimpse into an inferno.

'A golem? You're a damn golem?'

The thing picked him up in one hand and slung him over its shoulder. It ducked into the stables and Moist, upside down with his nose pressed against the terracotta of the creature's body, realized that it was picking up his horse in its other hand. There was a brief whinny.

'Ve Must Make Haste, Mr Lipvig! You Are Due In Front Of Lord Vetinari At Eight O'Clock! And At Vork By Nine!'

Moist groaned.

'Ah, Mr Lipwig. Regrettably, we meet again,' said Lord Vetinari.

It was eight o'clock in the morning. Moist was swaying. His ankle felt better, but it was the only part of him that did.

'It walked all night!' he said. 'All damn night! Carrying a horse as well!'

'Do sit down, Mr Lipwig,' said Vetinari, looking up from the table and gesturing wearily to the chair. 'By the way, "it" is a "he". An honorific in this case, clearly, but I have great hopes of Mr Pump.'

Moist saw the glow on the walls as, behind him, the golem smiled. Vetinari looked down at the table again, and seemed to lose interest in Moist for a moment. A slab of stone occupied most of the table. Little carved figurines of dwarfs and trolls covered it. It looked like some kind of game. 'Mr Pump?' said Moist.

'Hmm?' said Vetinari, moving his head to look at the board from a slightly different viewpoint.

Moist leaned towards the Patrician, and jerked a thumb in the direction of the golem.

'That,' he said, 'is Mr Pump?'

'No,' said Lord Vetinari, leaning forward likewise and suddenly, completely and disconcertingly focusing on Moist. 'He . . . is Mr Pump. Mr Pump is a government official. Mr Pump does not sleep. Mr Pump does not eat. And Mr Pump, Postmaster General, does not stop.'

'And that means what, exactly?'

'It means that if you are thinking of, say, finding a ship headed for Fourecks, on the basis that Mr Pump is big and heavy and travels only at walking pace, Mr Pump will follow you. You have to sleep. Mr Pump does not. Mr Pump does not breathe. The deep abyssal plains of the oceans present no barrier to Mr Pump. Four miles an hour is six hundred and seventy-two miles in a week. It all adds up. And when Mr Pump catches you-'

'Ah, now,' said Moist, holding up a finger. 'Let me stop you there. I know golems are not allowed to hurt people!'

Lord Vetinari raised his eyebrows. 'Good heavens, wherever did you hear that?' 'It's written on . . . something inside their heads! A scroll, or something. Isn't it?' said Moist, uncertainty rising.

'Oh, dear.' The Patrician sighed. 'Mr Pump, just break one of Mr Lipwig's fingers, will you? Neatly, if you please.'

'Yes, Your Lordship.' The golem lumbered forward.

'Hey! No! What?' Moist waved his hands wildly and knocked game pieces tumbling. 'Wait! Wait! There's a rule! A golem mustn't harm a human being or allow a human being to come to harm!'

Lord Vetinari raised a finger. 'Just wait one moment, please, Mr Pump. Very well, Mr Lipwig, can you remember the next bit?'

'The next bit? What next bit?' said Moist. 'There isn't a next bit!'

Lord Vetinari raised an eyebrow. 'Mr Pump?' he said.

'". . . Unless Ordered To Do So By Duly Constituted Authority",' said the golem. 'I've never heard that bit before!' said Moist.

'Haven't you?' said Lord Vetinari, in apparent surprise. 'I can't imagine who would fail to include it. A hammer can hardly be allowed to refuse to hit the nail on the head, nor a saw to make moral judgements about the nature of the timber. In any case, I employ Mr Trooper the hangman, whom of course you have met, and the City Watch, the regiments and, from time to time . . . other specialists, who are fully entitled to kill in their own defence or in protection of the city and its interests.' Vetinari started to pick up the fallen pieces and replace them delicately on the slab. 'Why should Mr Pump be any different just because he is made of clay? Ultimately, so are we all. Mr Pump will accompany you to your place of work. The fiction will be that he is your bodyguard, as befits a senior government official. We alone will know that he has . . . additional instructions. Golems are highly moral creatures by nature, Mr Lipwig, but you may find their morality a shade . . . old-fashioned?'

'Additional instructions?' said Moist. 'And would you mind telling me exactly what his additional instructions are?'

'Yes.' The Patrician blew a speck of dust off a little stone troll and put it on its square.

'And?' said Moist, after a pause.

Vetinari sighed. 'Yes, I would mind telling you exactly what they are. You have no rights in this matter. We have impounded your horse, by the way, since it was used in the committing of a crime.'

'This is cruel and unusual punishment!' said Moist.

'Indeed?' said Vetinari. 'I offer you a light desk job, comparative freedom of movement, working in the fresh air . . . no, I feel that my offer might well be unusual, but cruel? I think not. However, I believe we do have down in the cellars some ancient punishments which are extremely cruel and in many cases quite unusual, if you would like to try them for the purposes of comparison. And, of course, there is always the option of dancing the sisal two-step.'

'The what?' said Moist.

Drumknott leaned down and whispered something in his master's ear.

'Oh, I apologize,' said Vetinari. 'I meant of course the hemp fandango. It is your choice, Mr Lipwig. There is always a choice, Mr Lipwig. Oh, and by the way . . . do you know the second interesting thing about angels?'

'What angels?' said Moist, angry and bewildered.

'Oh, dear, people just don't pay attention,' said Vetinari. 'Remember? The first interesting thing about angels? I told you yesterday? I expect you were thinking about something else. The second interesting thing about angels, Mr Lipwig, is that you only ever get one.'

From the Hardcover edition.

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Table of Contents

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First Chapter

Going Postal
A Novel of Discworld

The Angel

  • In which our hero experiences Hope, the greatest gift
  • The bacon sandwich of regret
  • Somber reflections on capital punishment from the hangman
  • Famous last words
  • Our hero dies
  • Angels, conversations about
  • Inadvisability of misplaced offers regarding broomsticks
  • An unexpected ride
  • A world free of honest men
  • A man on the hop
  • There is always a choice

They say that the prospect of being hanged in the morning concentrates a man's mind wonderfully; unfortunately, what the mind inevitably concentrates on is that, in the morning, it will be in a body that is going to be hanged. The man going to be hanged had been named Moist von Lipwig by doting if unwise parents, but he was not going to embarrass the name, insofar as that was still possible, by being hung under it. To the world in general, and particularly on that bit of it known as the death warrant, he was Alfred Spangler.

And he took a more positive approach to the situation and had concentrated his mind on the prospect of not being hanged in the morning, and, most particularly, on the prospect of removing all the crumbling mortar from around a stone in his cell wall with a spoon. So far the work had taken him five weeks and reduced the spoon to something like a nail file. Fortunately, no one ever came to change the bedding here, or else they would have discovered the world's heaviest mattress.

It was a large and heavy stone that was currently the object of his attentions, and, at some point, a huge staple had been hammered into it as an anchor for manacles. Moist sat down facing the wall, gripped the iron ring in both hands, braced his legs against the stones on either side, and heaved.

His shoulders caught fire, and a red mist filled his vision, but the block slid out with a faint and inappropriate tinkling noise. Moist managed to ease it away from the hole and peered inside. At the far end was another block, and the mortar around it looked suspiciously strong and fresh.

Just in front of it was a new spoon. It was shiny. As he studied it, he heard the clapping behind him. He turned his head, tendons twanging a little riff of agony, and saw several of the wardens watching him through the bars.

"Well done, Mr. Spangler!" said one of them. "Ron here owes me five dollars! I told him you were a sticker! 'He's a sticker,' I said!"

"You set this up, did you, Mr.Wilkinson?" said Moist weakly, watching the glint of light on the spoon.

"Oh, not us, sir. Lord Vetinari's orders. He insists that all condemned prisoners should be offered the prospect of freedom."

"Freedom? But there's a damn great stone through there!"

"Yes, there is that, sir, yes, there is that," said the warden. "It's only the prospect, you see. Not actual free freedom as such. Hah, that'd be a bit daft, eh?"

"I suppose so, yes," said Moist. He didn't say "you bastards." The wardens had treated him quite civilly these past six weeks, and he made a point of getting on with people. He was very, very good at it. People skills were part of his stock-in-trade; they were nearly the whole of it.

Besides, these people had big sticks. So, speaking carefully, he added: "Some people might consider this cruel, Mr.Wilkinson." "Yes, sir, we asked him about that, sir, but he said no, it wasn't. He said it provided"—his forehead wrinkled—"occ-you-pay-shunall ther-rap-py, healthy exercise, prevented moping, and offered that greatest of all treasures, which is Hope, sir."

"Hope," muttered Moist glumly.

"Not upset, are you, sir?"

"Upset? Why should I be upset, Mr.Wilkinson?"

"Only the last bloke we had in this cell, he managed to get down that drain, sir. Very small man. Very agile."

Moist looked at the little grid in the floor. He'd dismissed it out of hand.

"Does it lead to the river?" he said.

The warden grinned. "You'd think so, wouldn't you? He was really upset when we fished him out. Nice to see you've entered into the spirit of the thing, sir. You've been an example to all of us, sir, the way you kept going. Stuffing all the dust in your mattress? Very clever, very tidy. Very neat. It's really cheered us up, having you in here. By the way, Mrs.Wilkinson says thanks very much for the fruit basket. Very posh, it is. It's got kumquats, even!"

"Don't mention it, Mr.Wilkinson."

"The warden was a bit green about the kumquats, 'cos he only got dates in his, but I told him, sir, that fruit baskets is like life— until you've got the pineapple off of the top you never know what's underneath. He says thank you, too."

"Glad he liked it, Mr.Wilkinson," said Moist absentmindedly. Several of his former landladies had brought in presents for "the poor, confused boy," and Moist always invested in generosity. A career like his was all about style, after all.

"On that general subject, sir," said Mr.Wilkinson, "me and the lads were wondering if you might like to unburden yourself, at this point in time, on the subject of the whereabouts of the place where the location of the spot is where, not to beat about the bush, you hid all that money you stole . . . ?"

The jail went silent. Even the cockroaches were listening. "No, I couldn't do that, Mr. Wilkinson," said Moist loudly, after a decent pause for dramatic effect. He tapped his jacket pocket, held up a finger, and winked.

The warders grinned back.

"We understand totally, sir. Now I'd get some rest if I was you, sir, 'cos we're hanging you in half an hour," said Mr.Wilkinson. "Hey, don't I get breakfast?"

"Breakfast isn't until seven o'clock, sir," said the warder reproachfully. "But, tell you what, I'll do you a bacon sandwich. 'Cos it's you, Mr. Spangler."

AND NOW IT WAS A FEW MINUTES before dawn and it was him being led down the short corridor and out into the little room under the scaffold. Moist realized he was looking at himself from a distance, as if part of himself was floating outside his body like a child's balloon, ready, as it were, for him to let go of the string.

The room was lit by light coming through cracks in the scaffold floor above, and, significantly, from around the edges of the large trapdoor. The hinges of said door were being carefully oiled by a man in a hood.

He stopped when he saw the party had arrived and said, "Good morning,Mr. Spangler." He raised the hood helpfully. "It's me, sir, Daniel 'One Drop' Trooper. I am your executioner for today, sir. Don't you worry, sir. I've hanged dozens of people.We'll soon have you out of here."

"Is it true that if a man isn't hanged after three attempts he's reprieved, Dan?" said Moist, as the executioner carefully wiped his hands on a rag.

"So I've heard, sir, so I've heard. But they don't call me 'One Drop' for nothing, sir. And will sir be having the black bag today?" "Will it help?"

"Some people think it makes them look more dashing, sir. And it stops that pop-eyed look. It's more a crowd thing, really. Quite a big one out there this morning. Nice piece about you in the Times yesterday, I thought. All them people saying what a nice young man you were, and everything. Er . . . would you mind signing the rope beforehand, sir? I mean, I won't have a chance to ask you afterwards, eh?"

"Signing the rope?" said Moist.

"Yessir," said the hangman. "It's sort of traditional. There's a lot of people out there who buy old rope. Specialist collectors, you could say. A bit strange, but it takes all sorts, eh? Worth more signed, of course." He flourished a length of stout rope. "I've got a special pen that signs on rope. One signature every couple of inches? Straightforward signature, no dedication needed. Worth money to me, sir. I'd be very grateful."

"So grateful that you won't hang me, then?" said Moist, taking the pen.

This got an appreciative laugh. Mr. Trooper watched him sign along the length, nodding happily.

"Well done, sir, that's my pension plan you're signing there. Now . . . are we ready, everyone?"

"Not me!" said Moist quickly, to another round of general amusement.

"You're a card,Mr. Spangler," said Mr.Wilkinson. "It won't be the same without you around, and that's the truth."

"Not for me, at any rate," said Moist. This was, once again, treated like rapier wit. Moist sighed.

"Do you really think all this deters crime,Mr.Trooper?" he said.

"Well, in the generality of things I'd say it's hard to tell, given that it's hard to find evidence of crimes not committed," said the hangman, giving the trapdoor a final rattle. "But in the specificality, sir, I'd say it's very efficacious."

"Meaning what?" said Moist.

"Meaning I've never seen someone up here more'n once, sir. Shall we go?"

There was a stir when they climbed up into the chilly morning air, followed by a few boos and even some applause. People were strange like that. Steal five dollars and you were a petty thief. Steal thousands of dollars and you were either a government or a hero.

Moist stared ahead while the roll call of his crimes was read out. He couldn't help feeling that it was so unfair. He'd never so much as tapped someone on the head. He'd never even broken down a door. He had picked locks on occasion, but he'd always locked them again behind him. Apart from all those repossessions, bankruptcies, and sudden insolvencies, what had he actually done that was bad, as such? He'd only been moving numbers around.

"Nice crowd turned out today," said Mr.Trooper, tossing the end of the rope over the beam and busying himself with knots. "Lot of press, too. What Gallows? covers 'em all, o'course, and there's the Times and the Pseudopolis Herald, prob'ly because of that bank what collapsed there, and I heard there's a man from the Sto Plains Dealer, too. Very good financial section, I always keep an eye on used-rope prices. Looks like a lot of people want to see you dead, sir." Moist was aware that a black coach had drawn up at the rear of the crowd. There was no coat of arms on the door, unless you were in on the secret, which was that Lord Vetinari's coat of arms featured a sable shield. Black on black. You had to admit, the bastard had style—

Going Postal
A Novel of Discworld
. Copyright © by Terry Pratchett. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Reading Group Guide

Discussion Questions from the Publisher
1. When the character of Moist is first introduced, his virtues are described in the language of business and money. "Moist always invested in generosity"; "he made a point of getting on with people." What is the effect of this device?

2. Discuss the role of golems in Ankh-Morpork society. While they glaringly exhibit inhuman characteristics - they never sleep, they never eat, they have glowing red eyes - they are nevertheless made up of earthy material and are frequently referred to as moral and honest. In the text, Miss Dearheart attributes this morality to their lack of "existential angst" (63). What does Pratchett seem to be saying here? Can we blame our uncertainty about our purpose in life for much of our immoral behavior? For any of it?

3. In this first section of the book we meet Stanley, a self-professed "pinhead." What would be the most popular modern equivalent of collecting pins? And what can we therefore infer about the system used by the "moribund" post office?

4. "Stupidity had a limited life in this city" (110). In Ankh-Morpork, intelligence seems to be crucial for survival, even if it can lead to people being conned and otherwise hurt. How do you think this relates to Terry Pratchett's statement that he likes the theory of evolution because he finds the idea of a "risen ape" more beautiful than that of a "fallen angel"?

5. Referring back to last week's discussion about the golems, how does the human need for intelligence (with all its guile and dishonesty) in order to survive reflect on golems' apparent morality? Is it the case that golems are able to be moral not because they have no "existential angst", as Miss Dearheart claimed, but because they are not vulnerable like humans to injury, starvation or disease? Does the combination of intelligence and mortality introduce a species to moral dilemmas?

6. "You have to be clever to refrain from doing [magic] when you knew how easy it was" (148). Pratchett satirically equates magic in Discworld with aspects of experimental science in our own - particularly by having the magicians deal with seemingly fantastical knowledge that is actually perfectly respectable modern physics, like possible worlds and quantum unpredictability. Do you think there are scientific experiments we should "refrain from doing"?

7. Going Postal tackles the subject of corporate greed and corruption, contrasting the "modern" clacks communication giant with the "old-fashioned" post office. What do you think Pratchett is trying to say about today's work environment in his portrayal of the two entities? On the subject of the clacks, Moist muses that "maybe it was something so big that no one could run it at a profit. […] maybe the profit turned up spread around the whole of society" (366). Do you agree that companies should not pursue money alone? Are there some services which should lie outside the free market?

8. Terry Pratchett has said that he is writing about what happens "after fantasy," when golems are put to work pumping water and werewolves make good police officers because they can track down criminals. To what uses might you put these fantastical creatures in modern America?

9. Reacher Gilt, unofficial head of the clacks company, 'spins' the failure of the clacks in the newspaper by using "meaningless" corporate jargon like "core competencies," "change management," "systemic" and "synergistically" to confuse the public (287). Later, Moist reflects that this is like dragging innocent words into the gutter, but concedes that "synergistically" had "probably been a whore from the start." Are there any words currently used in business or politics that you think belong "in the gutter" with it?

10. One of the book's central themes is hope. Lord Vetinari says that "hope is the curse of humanity" (292) and Moist repeatedly cites hope as the reason that glass can be made to look so much more like diamond than diamond does. He also claims that "people enjoy the experience of being fooled, if it promises a certain amount of entertainment" (307). On a number of occasions, Moist dupes the Ankh-Morporkian public. But on the whole, do you think the hope they gave him was misplaced? Do you think he chose not to destroy the clacks for the public good, or because his alternative was more dramatic? Does it matter?

As a side question, why do you think the image of a glass diamond which looks more real than a real one is repeated so often in the book? Does it work as a metaphor for something (or someone)?

12. Terry Pratchett has said that Going Postal is about the "redemption of a basically good man." In what ways is that redemption made manifest? Moist reconciles himself to the prospect of an honest life by resolving that "All he had to do was remind himself, every few months, that he could quit anytime. Provided he knew he could, he'd never have to. (370)" Do you think that's a realistic portrayal of redemption? 13. Another overriding theme is choice - a concept which is intimately bound up with that of freedom. Specifically, we see a lot of choices being offered which turn out not to be choices at all. Moist is given a choice between a(nother) drop to his death and a job. He even jokes about it to Dearheart: Dearheart: "Why did you take it?" Moist: "It was a job for life" And Lord Vetinari tells the clacks company that "the only choice your customers have is between you and nothing." But Moist makes at least two very important choices entirely of his own volition. What are they? And what does Pratchett seem to be saying? Is freedom a universal right, or is the freedom to choose tied up with self-sacrifice? (Literally, in the case of Vetinari's door!) The golems 'buy' their freedom. Ultimately, is that all any of us can do?

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See All Sort by: Showing 1 – 20 of 111 Customer Reviews
  • Posted June 11, 2010

    more from this reviewer

    I Also Recommend:

    Absolutely not What I was Expecting

    I bought the book as a test of my new Nook and because it was the only Terry Pratchett book in digital format that sounded even remotely interesting. I'd only read a few of Pratchett's books before but I liked his style and decided to give it another go on the bus ride home.

    The book starts out, continues strong, and ends funny yet insightful. Many of the jokes are dark but they add to the tone of the book.

    While it's not the sort of thing that would hold up in a book club discussion, there aren't a lot of brilliant insights, it's a wonderful book for a Saturday morning or a bus ride, it'll keep you laughing and certainly interested.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 28, 2006

    old time Discworld with a new villainous hero!

    The hero, or at least main character, is clever but not egoistical, unwilling but not running away, fraudulent and yet with some ethical standards of his own. Long-time Discworld fans have been commenting that, for the last few years, the series has been getting 'dark', heavy-going with very serious social issues (war, torture, dictatorship) (which I think is what satire is for, satire is social commentary wrapped in humor). 'Going Postal' deals with the slightly lighter issues of the enslavement of Artificial Intelligence (golems), the downfall of a major government office (the Post Office), serious financial fraud, unsafe work environments, and the thoughts of the employees. This novel, however, seamlessly incorporates the requisite humor. Readers new to Discworld may find this book more enjoyable than if they started the series with the two previous books 'Night Watch' or 'Monstrous Regiment'. Old time fans who have felt 'Night Watch' to be too bloody and psychological, or 'Monstrous Regiment' to be too grossly humorous while treating the subject matter inadequately, might have a happy nostalgic trip with 'Going Postal'.

    2 out of 2 people found this review helpful.

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  • Posted February 7, 2010

    A fun read

    Very similar to Making Money, but as with all of the Discworld novels, they are fun stories to read even when a story line is being reproduced. Few writers can make an autocratic tyrant a noble character, but that is the charm of Terry Prachett's novels. The heroes come from unlikely sources and the characters, even the minor ones are always engaging send-ups of "stereo-types" that go beyond the typical stereo-type.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 14, 2009

    Never read anything like it!

    Characters are interesting and there are lots of subplots. Leaves me thoughful whether I'll read another or not.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 29, 2005

    Pretty Funny....

    Going Postal was a pretty fun book. At first it was kind of slow, but after a while I couldn't put the book down. The characters were pretty funny (in that weird, very strange way). I would recommended it to a friend.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 21, 2005

    One of the Best

    If you have ever read another discworld novel you will notice right away this one has chapters! I was so shocked, the only other discworld novels that have chapters are his Tiffany Aching books 'A Hat Full of Sky' and 'The Wee Free Men'. But chapters are not that bad and of course it is a wonderful read just like everything else in the discworld series. And Moist is now a definite favorite.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 13, 2004

    The Most Fun You'll Have at a Post Office

    Moist van Lipwig is very surprised to wake up from his hanging to an assignment as postmaster to the dilapidated Ankh-Morpork postal service. Lord Vetinari has given the con-man a second chance, and the perfect parole officer ¿ a golem who will never be distracted and will never sleep. But the post office is buried in undelivered mail and staffed by an ancient 'junior' postman and a young pin-collecting fanatic. Moist puts his scamming skills to good use in reviving the post office in the hopes that real progress will follow if he gets the look just right. But a hint of success brings the ire of the dastardly head of the Grand Trunk clacks company, Reacher Gilt. This telegraph-like service was victim to a hostile takeover and is being run into the ground by greedy moguls. The competition between the clacks and the mail turns into a battle of wits and publicity between the two con-men, Moist and Reacher. Thanks to a flashy gold suit and some inside information, Moist certainly seems to be on top of the battle. But will he prevail in a seemingly impossible race to be the first to deliver a message thousands of miles away? And more importantly, will he win the affection of the chain-smoking, crossbow-totting, golem-rights activist Adora Dearheart? Pratchett effectively skewers corporate greed and technology without driving his points down your throat. He excels at using humor and fantasy to shine a light on the underlying ridiculousness of modern-day life. Fans of the series will love the cameos of established characters, while also enjoying getting to know the new players in Ankh-Morpork. New readers may miss some of the Discworld insider jokes, but will find this to be stand-alone enough to enjoy. Pratchett has used the fish-out-of-water redemption plot before, and uses it again here with great success.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 22, 2013

    10/10 would read again

    A fabulous introduction to one of my favorite characters of all time. You should definitily give this book a chance. It will have you laughing out loud as you read all about Ankh-Morpork's postal system.

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  • Posted December 21, 2013

    Fantastic Stuff

    I have yet to read a Discworld book I didn't like, and Sir Pterry has done it again with this one. The characters are all great -- the newest protagonist is wonderfully written, as is his love interest and all the other characters around him -- and the plot is engaging from beginning to end. You'll probably feel the same glow Moist does near the climax as he works to pull off the impossible. Trust me, if you love the Discworld, this is a great read.

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  • Posted August 3, 2013

    I highly recommend this book. This book is one of my all-time fa

    I highly recommend this book. This book is one of my all-time favorite books. I remember going into the bookstore in the local mall and I had heard of Terry Pratchett before but I didn’t put two and two together. I just saw the cover (I’m so shallow, I know) and I am like, what is this? Well this looks interesting and I bought it, took it home and could not put it down. This was my first exposure to the Discworld books and it didn’t even matter. The later Discworld books are written so you can pick up and read without having read the previous ones. This book was just so much fun and the humor was invigorating. Once again, another book about restoring something old. The state of the old post office and its description almost had me in tears of laughter. The characters described are just too funny, my favorite being Stanley, a fine collector of pins.
    Terry Pratchett is an interesting author, he actively discourages people from reading his early work. My friend in Ohio was lucky enough to go to a book signing and he told them, “Yeah, don’t read the early books, they’re rubbish.” I have since gone back and read some of his earlier books and can see where he is coming from. They are very rough and you can see the spark of brilliance but through age he has honed his ability as a writer and manages to make simple things seem so extraordinary in his later books. He has way in his books of making simple concepts in our lives seem so magical and his concepts of the postal system actually made me think in a different way.
    This book is a straight fun melodrama about getting second chances and learning to make the most with what you have. Mistakes will be made but through work and endurance you can overcome past lives. Do you believe in Angels?
    This book is on the Green Embers’ Recommended List.

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  • Anonymous

    Posted November 29, 2012

    One of Pratchett's best

    Im an avid Discworld reader and have to say that this is a welcome addition to the Anhk Morpork centered books.

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  • Posted June 19, 2011

    0 out of 4 people found this review helpful.

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  • Posted May 20, 2010

    I Also Recommend:

    Out Loud Laughing is Embarrassing

    This is the best of the 9 Discworld novels that I read this year. Pratchet's wit is so brilliant that I've found myself quoting him at work.
    On virtually every page, I find myself laughing aloud...much to my embarassment. - Jim... barbour@aai.textron.com

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  • Posted February 10, 2009

    I Also Recommend:

    A fun and imaginative continuation of the disc world series.

    In this book Terry Prachett outdoes himself with a new character who is just enough of a rouge to attach the reader to him. The satirical look at the system of gov't and its different problems is real enough to attract even slightly more serious readers. If you get a chance make sure to give it a try.

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  • Anonymous

    Posted August 31, 2008

    Sucks

    I really disliked this book! I thought that it was poorly written and the plot went nowhere. I would never recommend this book to anyone

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 26, 2007

    The Discworld has gone postal . . .

    Moist von Lipwig is a con-man, but he does have morals. For instance, he always makes sure that the people he swindles money from can afford it, and he never kills anyone. Nevertheless, he still finds himself being hung for his crimes. He wakes up later to find that he is not, in fact, dead. Sadly his fate is much worse. He is forced to choose between going back to the noose or working at the post office, a place where mail has not been dilivered from in decades and the two other people who work there are both crazy in their own little ways. On top of that, he has to contend with the greedy owner of the clacks towers, Mr. Reacher Gilt. After all, who would want to send a message by mail when there is a much faster and more reliable way to do so. . . Once more Terry Pratchett has written an excellent and hilarious satire that nevertheless manages to have a very serious message and a plot that would keep you gripped humour or not.

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  • Anonymous

    Posted November 30, 2005

    Strong themes and amazing storytelling

    For me, Pratchett has nearly single-handedly steered genre fiction into deeper and theme-ier waters. I love his guards and witches and Nac Mac Feegle, but the last couple of books to come out of his head, Monstrous Regiment and Going Postal have forced me to construct a dais on top of the old one for his new throne. Brilliant writing and storytelling.

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  • Anonymous

    Posted September 10, 2005

    Very weird, but very good

    This was definitely one of the strangest books I've ever read, and I loved every minute of it. From the almost absurd parts about pins, to the more exciting parts about Moist's conflicts with Reacher Gilt, this was an amazing and funny book. I'd recommend it to everyone--just don't expect anything normal.

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  • Anonymous

    Posted April 3, 2005

    Yay for Pratchett!

    As I said, Yay for Terry Pratchett! I could not wait to read this book and almost ordered my dad to get it for me for my birthday. Moist is so cool! And when you meet Vetinari again you laugh so hard! Remember, there is always the prospect of freedom....

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  • Anonymous

    Posted December 5, 2004

    HILARIOUS

    Terry Pratchett is getting better with each Discworld book he writes. Enjoy

    Was this review helpful? Yes  No   Report this review
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