Gold

Gold

by B.B. King
     
 

Compiling a double-disc set ranging across the long recording career of an artist like B.B. King, who has a longevity in the business that is not only startling but awe-inspiring, is a challenge indeed. Universal's Gold representation of B.B. King covers the years 1963 (14 years after he began) to 1999, so tracks from his platinum See more details below

Overview

Compiling a double-disc set ranging across the long recording career of an artist like B.B. King, who has a longevity in the business that is not only startling but awe-inspiring, is a challenge indeed. Universal's Gold representation of B.B. King covers the years 1963 (14 years after he began) to 1999, so tracks from his platinum Riding with the King collaborative album with Eric Clapton are not represented. That's healthy, actually, since the latter album has been so widely heard that it's unnecessary. The material here -- 34 cuts in total -- is all stellar. Beginning with the ABC single "How Blue Can You Get?," the picture of King as a guitar-slinging genius is expanded by his wondrous ability as a singer, making him a double threat. King's voice on these early tracks is simply heart-stopping, whether he's growling the blues as he does on the Louis Jordan (B.B.'s inspiration) classic "Never Trust a Woman," backed by a full-on horn section, or crooning them as he does on the shimmering "Help the Poor" by Jessie Mae Robinson, where his guitar, backing vocalists, and the horn section turn a minor-key blues tune into something soulful and elegant. Sure, the big cuts are here, such as "Every Day I Have the Blues" and "Sweet Little Angel" from Live at the Regal, "The Thrill Is Gone" from Completely Well, and "Lucille" from 1967. But those tracks are expected to be here and don't tell the story so much as crystallize it. When listening to "Don't Answer the Door" (off the album of the same name from 1966) with the instruments muted and King just playing in his inimitable tone and moanin' the blues with ferocity, the story of the big smiling man begins to expand. When he covers Leon Russell, as he does on the funky read of "Hummingbird," or dips Carole King in the blues with his version of "Chains and Things," or even records one of his own as on "Nobody Loves Me But My Mother," where he plays only the piano and sings (all of the aforementioned originally appeared on Indianola Mississippi Seeds from 1970, by the way), the story begins to sprawl and change shape as it begins to fill in the outline. Disc two moves into the deep soul territory of "Ain't Nobody Home" and the slippery post-Chicago blues of "Ghetto Woman," both from In London, as well as the slick studio production on the single "I Got Some Help I Don't Need," which B.B. wrote with Dave Clark. The music here just blows it up and scratches it in the earth indelibly: B.B. King is the blues and the blues are B.B. King. No matter the setting, no matter the strangeness of a studio production, arrangement, or session musicians, King's sound is to imprint his version of the blues -- one he created -- onto everything he records. This is especially true of tracks like the single version of "When Love Comes to Town," recorded with U2 for their Prattle and Drone, er, um, Rattle and Hum set. So disc two presents the beautiful, such as his read of Jesse Belvin's early R&B classic "Guess Who," and the nearly absurd, but the grain of King's voice and the tone of his guitar keep everything back from that edge. And the blues themselves -- such as in the long, previously unreleased version of "Call It Stormy Monday" by T-Bone Walker recorded for the Blues Summit album in 1993 with Albert Collins and the Memphis Horns -- speak through him rhythmically and even spiritually without reservation. For the beginning King fan, for those who got off the wagon sometime ago, and for those who happened to find King's train late, this collection is for you.

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Product Details

Release Date:
06/27/2006
Label:
Geffen Records
UPC:
0602498551257
catalogNumber:
000658702
Rank:
7543

Tracks

Disc 1

  1. How Blue Can You Get?
  2. Sneakin' Around
  3. Help the Poor
  4. Stop Leadin' Me On
  5. Never Trust a Woman
  6. Every Day I Have the Blues
  7. Sweet Little Angel
  8. All Over Again
  9. Don't Answer the Door
  10. Gambler's Blues
  11. Sweet Sixteen, Pts. 1-2
  12. Paying the Cost to Be the Boss
  13. Lucille
  14. Why I Sing the Blues
  15. Please Accept My Love
  16. The Thrill Is Gone
  17. Nobody Loves Me But My Mother
  18. Hummingbird
  19. Chains and Things

Disc 2

  1. Ain't Nobody Home
  2. Ghetto Woman
  3. I Got Some Help I Don't Need
  4. Guess Who
  5. To Know You Is to Love You
  6. I Like to Live the Love
  7. Let the Good Times Roll
  8. Never Make Your Move Too Soon
  9. Better Not Look Down
  10. There Must Be a Better World Somewhere
  11. Into the Night
  12. When Love Comes to Town
  13. Call It Stormy Monday
  14. Playing with My Friends
  15. I'll Survive

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Album Credits

Performance Credits

B.B. King   Primary Artist

Technical Credits

Robert Cray   Composer
Memphis Slim   Composer
Jesse Belvin   Composer
Leon Russell   Composer
Joe Sample   Composer
Roy Hawkins   Composer
T-Bone Walker   Composer
Edge   Composer
Charles Mann   Composer
Bono   Composer
Adam Clayton   Composer
Will Jennings   Composer
B.B. King   Composer
Larry Mullen   Composer
Ira Newborn   Composer
Doc Pomus   Composer
Dennis Walker   Composer
Stevie Wonder   Composer
Syreeta Wright   Composer
Johnny Pate   Composer
Dr. John   Composer
Joe Josea   Composer
Jules Taub   Composer
Jessie Mae Robinson   Composer
Sam Ling   Composer
Sam Theard   Composer
JoAnne Belvin   Composer
Rick Darnell   Composer
Jane Feather   Composer

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