Gold [Bonus Track]

Editorial Reviews

All Music Guide - Mark Deming
One would think that being Ryan Adams would be a pretty good deal at the time of this album's release; he had a major-label contract, critics were in love with him, he got to date Winona Ryder and Alanis Morissette, Elton John went around telling everyone he was a genius, and his record company gave him carte blanche to do whatever he wanted. But to listen to Gold, Adams' first solo album for his big-league sponsors at Lost Highway, one senses that there are about a dozen other musicians Adams would love to be, and nearly all of them were at their peak in the early to mid-'70s. Adams' final album with Whiskeytown, Pneumonia, made it clear that he was moving beyond the ...
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Editorial Reviews

All Music Guide - Mark Deming
One would think that being Ryan Adams would be a pretty good deal at the time of this album's release; he had a major-label contract, critics were in love with him, he got to date Winona Ryder and Alanis Morissette, Elton John went around telling everyone he was a genius, and his record company gave him carte blanche to do whatever he wanted. But to listen to Gold, Adams' first solo album for his big-league sponsors at Lost Highway, one senses that there are about a dozen other musicians Adams would love to be, and nearly all of them were at their peak in the early to mid-'70s. Adams' final album with Whiskeytown, Pneumonia, made it clear that he was moving beyond the scruffy alt-country of his early work, and Gold documents his current fascination with '70s rock. Half the fun of the album is playing "Spot the Influence": "Answering Bell" is a dead ringer for Van Morrison (with fellow Morrison enthusiast Adam Duritz on backing vocals), "Tina Toledo's Street Walkin' Blues" is obviously modeled on the Rolling Stones, "Harder Now That It's Over" sounds like Harvest-period Neil Young, "New York, New York" resembles Stephen Stills in his livelier moments (Stephen's son, Chris Stills, plays on the album), and "Rescue Blues" and "La Cienega Just Smiled" suggest the influence of Adams' pal Elton John. Of course, everyone has their influences, and Adams seems determined to make the most of them on Gold; it's a far more ambitious album than his solo debut, Heartbreaker. The performances are polished, Ethan Johns' production is at once elegant and admirably restrained, he is in strong voice throughout, and several of the songs are superb, especially the swaggering but lovelorn "New York, New York," the spare and lovely "When the Stars Go Blue," and the moody closer, "Goodnight, Hollywood Blvd." But while Gold sounds like a major step forward for Adams in terms of technique, it lacks the heart and soul of Heartbreaker or Pneumonia; the album seems to reflect craft rather than passion, and while it's often splendid craft, the fire that made Whiskeytown's best work so special isn't evident much of the time. Gold sounds like an album that could win Ryan Adams a lot of new fans (especially with listeners whose record collections go back a ways), but longtime fans may be a bit put off by the album's richly crafted surfaces and emotionally hollow core. [The 2007 import edition includes one bonus track.]
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Product Details

  • Release Date: 6/5/2007
  • Label: Mca Uk
  • UPC: 008817026220
  • Catalog Number: 170262
  • Sales rank: 183,936

Album Credits

Performance Credits
Ryan Adams Primary Artist
Julianna Raye Background Vocals, Choir, Chorus
Bucky Baxter Steel Guitar
Benmont Tench Piano, Hammond Organ
Jennifer Condos Bass
Ethan Johns Acoustic Guitar, Bass, Guitar, Mandolin, Celeste, Conga, Drums, Electric Guitar, Harmonium, Hammond Organ, Electric Piano, Background Vocals, 12-string Guitar, Slide Guitar, Vibes, chamberlain, Mandocello
Rob McDonald Choir, Chorus
Sid Paige Concert Master
Adam Duritz Background Vocals, Choir, Chorus
C.C. White Vocals, Background Vocals, Choir, Chorus, Soloist
Milo Decruz Bass
Keith Hunter Choir, Chorus
Chris Stills Acoustic Guitar, Bass, Electric Guitar, Background Vocals, Guitar (12 String Acoustic)
Andre "Big Dre" Carter Trumpet
Richard Causon Piano
Kamasi Washington Saxophone
Technical Credits
Ethan Johns Composer, Producer, Engineer, String Arrangements
Doug Sax Mastering
Gillian Welch Composer
David Rawlings Composer
Steven Rhodes Engineer
Chris Stills Composer
Ryan Adams Composer
Robert Hadley Mastering
Karen Naff Art Direction
Richard Causon Composer
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