Golden Country

Golden Country

3.0 1
by Jennifer Gilmore
     
 

View All Available Formats & Editions

Golden Country, Jennifer Gilmore's masterful and irreverent reinvention of the Jewish American novel, captures the exuberance of the American dream while exposing its underbelly -- disillusionment, greed, and the disaffection bred by success. As Gilmore's charmingly flawed characters witness and shape history, they come to embody America's greatness, as well as

Overview

Golden Country, Jennifer Gilmore's masterful and irreverent reinvention of the Jewish American novel, captures the exuberance of the American dream while exposing its underbelly -- disillusionment, greed, and the disaffection bred by success. As Gilmore's charmingly flawed characters witness and shape history, they come to embody America's greatness, as well as its greatest imperfections.

Spanning the first half of the twentieth century, Golden Country vividly brings to life the intertwining stories of three immigrants seeking their fortunes -- the handsome and ambitious Seymour, a salesman-turned-gangster-turned-Broadway-producer; the gentle and pragmatic Joseph, a door-to-door salesman who is driven to invent a cleanser effective enough to wipe away the shame of his brother's mob connections; and the irresistible Frances Gold, who grows up in Brooklyn, stars in Seymour's first show, and marries the man who invents television. Their three families, though inex-tricably connected for years, are brought together for the first time by the engagement of Seymour's son and Joseph's daughter. David and Miriam's marriage must endure the inheritance of not only their parents' wealth but also the burdens of their past.

Epic and comic, poignant and wise, Golden Country introduces readers to an extraordinary new voice in fiction.

Editorial Reviews

Allegra Goodman
At its best, however, Golden Country is an ingeniously plotted family yarn. Gilmore’s careful planning results in a satisfying blend of story lines, and her refusal to settle on one simple perspective enlivens the myth of the American Dream.
— The New York Times
Publishers Weekly
In a powerfully moving and ambitious debut, Gilmore follows the lives of three immigrant families, the Brodskys, the Verdoniks and the Blooms, who all begin their American journeys in shtetl-like Brooklyn and end up somewhere unexpected between the 1920s and the 1960s. Struggling door-to-door salesman Joseph Brodsky invents Essoil, the world's first two-in-one cleaner, and makes his childhood friend Frances Verdonik-whose husband, Vladimir, invents the television-its first TV spokesperson. Meanwhile, Joseph's brother, Solomon Brodsky, works his way up through New York's Prohibition-era underworld to become a powerful bootlegger known as the Terrier. When he marries Pauline Verdonik, Frances's sister, and draws Seymour Bloom, whose son eventually marries Joseph Brodsky's daughter, into organized crime, the lives of all three families are inextricably linked. Gilmore's large cast allows her to take a panoramic look at the period of intense change spurred by waves of immigration and the television, which brought celebrities and products into living rooms throughout America. She also delves into the daily goings-on in three generations of families as they are forged in the 20th-century crucible. Talented and compassionate, Gilmore is a writer to watch. (Sept. 5) Copyright 2006 Reed Business Information.
Library Journal
With major political debate focusing on immigration, Gilmore's affecting debut seems particularly timely. The narrative explicates the travails of two Jewish immigrant families, the Blooms and the Brodskys, as it assesses the reality the "golden country" offered them in the early to mid-20th century. While Joseph Brodsky struggles as a door-to-door salesman, brother Solomon becomes a leading bootlegger, drawing in Seymour Bloom; Bloom eventually becomes a Broadway producer, and his son marries Joseph's daughter. While assimilation, from nose jobs to New England colleges, comes into play, Gilmore's sweeping narrative goes much further, covering the political and social markers of almost five decades. Gender relations, as well as the impact of class ascendance on both individuals and families, are deftly and sensitively covered. Although these are not new themes, the novel's historical backdrop-the lure of the Mafia in Brooklyn's impoverished Williamsburg community, the Great Depression, the 1939 World's Fair, the invention of television, the magic of Broadway musicals-makes this a memorable and often powerful book. Highly recommended for all contemporary fiction collections. [See Prepub Alert, LJ 5/15/06.]-Eleanor J. Bader, Brooklyn, NY Copyright 2006 Reed Business Information.
Kirkus Reviews
Gilmore debuts with a familiar yet evocative multigenerational epic intertwining the lives of Jewish immigrants as they rise from humble beginnings in Brooklyn to positions of power in science, business and the theater. After his older brother, Solomon, disgraces his family by becoming a bootlegging gangster during Prohibition, Joseph Brodsky makes himself into the perfect mensch. He marries up, to a lawyer's daughter, earns a decent living selling cleaning products and invents "Essoil," a revolutionary two-in-one solution. Solomon, aka Terry the Terrier, has run off with the Brodskys' beautiful neighbor Pauline, leaving behind Pauline's younger, plainer sister Francis to provide for her heartbroken parents. Working as a letter-writer for illiterate immigrants, Francis finds her calling as an actress. Despite her secret love for Joseph, she ends up in a happy marriage with Vladimir, a scientist at Westinghouse who creates the first television camera. Francis tries to convince Solomon, then Joseph, to back Vladimir's work. Both say no, but Solomon's well-spoken henchman, Seymour, quickly recognizes the possibilities. Married to an educated but increasingly insane Long Island girl, Seymour, whose Jewish mother emigrated from France, started out as a salesman, eventually settling into mob work. He invests in television as a way out of the gangster life. Soon, he's pursuing his dream of becoming a Broadway producer, though Joseph will always consider him a mobster. After a failed turn in Seymour's first production, Francis becomes the star of TV commercials for Essoil, which makes Joseph millions. Meanwhile, Solomon goes to prison and Pauline disappears. Years later, Joseph's daughter andSeymour's son fall in love and marry. After Joseph's death, Pauline shows up with a surprising new identity. In an overstuffed plot studded with historical minutiae, the story's small domestic and internal moments are what ring true.
From the Publisher
"Gilmore has crafted a fine, sweeping novel of Jewish immigrant America, a 'golden country' in which History made people, while people struggled and made History. Deftly written, continuously interesting, and enjoyable, Gilmore's novel illuminates the rewards — and the cost — of the American dream." — Yann Martel, author of Life of Pi

"In Jennifer Gilmore's gleeful overthrow of the Jewish American novel, the most significant force in her characters' lives isn't guilt, or God, but the gilded temptations of organized crime, and redemption is attained through such unexpected means as a household cleaning solution. As tender as it is irreverent, Golden Country is a glittering debut." — Susan Choi, author of American Woman

"Sharp and funny, Jennifer Gilmore's debut novel roller-coasters through the first half of the twentieth century, showcasing not only her intelligence, her wit, and her intimate knowledge of Jewish culture but also an uncommon depth and humanity." — Adam Langer, author of Crossing California and The Washington Story

"Golden Country is a brilliant re-creation of mid-twentieth-century New York City and the way it shaped and was shaped by Jews who came to seek their fortunes in a land that turned out to be paved not with gold, but with comedy and tragedy, unexpected success and not always undeserved failure. Like E. L. Doctorow's Ragtime, Golden Country manages to catch the spirit of history through the lives of individuals. Jennifer Gilmore's characters are wonderfully human, and it is exciting to watch their lives change as they move from the slums into the interconnected worlds of school, business, crime, and the theater." — Alison Lurie, author of Foreign Affairs and Truth and Consequences

"[A] powerfully moving and ambitious debut. . . Talented and compassionate, Gilmore is a writer to watch." — Publishers Weekly (starred review)

Product Details

ISBN-13:
9780786293032
Publisher:
Gale Group
Publication date:
02/28/2007
Edition description:
Large Print Edition
Pages:
591
Product dimensions:
5.60(w) x 8.60(h) x 1.30(d)

Read an Excerpt

Chapter One

Irving Berlin! 1957

It was Joseph Brodsky, the one person who had never caused any trouble, who did not want his daughter to marry David Bloom.

"I will not have my grandchildren brought up on filthy money," Joseph told his wife the evening after Miriam had called from New York with the news.

Married! Miriam had screamed so happily into the phone. Instantly Joseph remembered her, a girl in a yellow bathing suit on the dock by Sebago Lake, her hands on her hips. When had her bones grown into a woman's body? He imagined her limbs elongating before his eyes as if he were watching the time-lapse film of a flower blooming, a crystal forming: his daughter growing up and away from him.

Joseph had been readying for sleep before the phone call. Now, sitting on the edge of his bed, he paused a moment before removing his shoes. Then he set upright the milk carton he had taken to putting by the bed so he wouldn't have to get up to urinate so many times during the night. Joseph was beginning to feel the effects of age -- the real effects, ones that seemed to rise up from that strange place deep within him where his faith was stored -- and to refuse the marriage troubled him. He wanted to be sure his daughters were taken care of. But David Bloom? Of all the men on earth. He didn't know the boy well, it was true, but history is history. End of story.

"What are you talking about, Joe?" Esther sat at her vanity slathering her face with cold cream.

"Mob ties." Joseph nodded his head to emphasize the gravity of this statement. He thought of his own brother, the day he left Brooklyn for that gang of thugs and how his mother gave all of Solomon's belongings -- his comic books, shirts, his telescope with the broken lens -- to Henrietta Szold. For the Hadassah, his mother had said. And that woman had sent the package back -- a clean cardboard box tied tightly with twine -- without so much as a note.

"How do you know for sure?" Esther asked Joseph.

"I know because I know," he told her.

Only once had Joseph discussed Solomon, and that had been when he'd come home late from a terribly hard day on the long selling road. Frustrated by how little such a long day had yielded, Joseph walked in the door, drank three glasses of peach schnapps, told Esther the story, wept, and then tried unsuccessfully to undo his wife's bra in the kitchen.

"And how's that?" Esther watched in the mirror as her husband dipped his feet into his leather slippers. "For Christ's sake, Joe. Miriam can't be running around that city -- single and loose in Manhattan -- forever."

If only from the state of her daughter's bitten nails, Joseph knew that Esther was right. He could see that Miriam had anxieties. She'd been neurotic since she was a girl -- once they'd had to drag her out of a child's bathtub filled with chemicals. Esther had found her in a ball, coiled as tightly as a pin curl. I'm getting clean, Miriam had said when questioned as to what on earth she had been doing. But what did that mean? My little girl, Joseph had thought when he was confronted with the image of that pink, raw body. And then the image much later, of the girl in New York, a brand-new nose hidden beneath seeping bandages. Her eyes were two bruises on the moon of that blanched, frightened face. This had been the only time Joseph had questioned his wife's intentions.

Miriam might have anxiety, but some of the Brodskys' friends' kids had been true problems. Ethel Cohen's daughter was institutionalized. Drugs, they'd said. Imagine. And Arthur Friedman's boy was a no-good drunk. No matter how Art tried, that boy was always showing up at his doorstep at all hours, inebriated. Joseph knew he had been blessed with two good girls, who had not given them a moment's real worry.

"I just know, Es." Joseph spoke softly, rubbing his head. "Please believe me." His scalp shone brightly, shiny as linoleum, through his thinning hair.

Esther turned away from the mirror to look directly at her husband, one arm hooked over the back of the chair. Her face was a mask of white, but for her eyes, black as ebony buttons, and her pink mouth, drawn up like a change purse. Even like this, like a snowman she looks, thought Joseph, she was a treasure to him.

"Whatever you say," Esther said. "Evidently he's not a gangster anymore. Now the man hangs around with Irving Berlin. Broadway, Joe." Esther paused, uncharacteristically hesitant about what she was about to say. She held her head high as she looked in the mirror. "Do you want your daughter to be one of those girls in that terrible city who gets a reputation as a tramp in her youth and as a lesbian in her old age? And that, mind you, is only if she ages well."

"Now come on, Esther," Joseph said. The previous day Esther had read him something about the problem of single girls in the city, from "Dear Maggie," the syndicated etiquette column that his wife and her friends phoned one another over daily. Especially since the war, Esther had read, pointing her chin toward Joseph, as if it had all been his fault. She's your daughter too, Joseph had told her.

Now Joseph turned away from his wife and to the window, the boughs of the evergreen at the side of the yard sagging with last night's snow. Beyond his yard and down the hill was Casco Bay, where last week Joseph had seen a seal at low tide. Looking up the habits of the harbor seal at the Portland library hours after the sighting, he had had to laugh at himself. How on earth did I get here? he had thought happily, knocking a pencil to the side of his head as he read about molting seasons.

Broadway, thought Joseph. Irving Berlin. Esther went down to New York City all the time now to see Miriam and catch a matinee, and Joseph knew this thrilled her. But Joseph, who'd had to be begged by his wife to move so far north, rarely liked to go back to New York. He liked the peace of his new little town, where he walked to the Penny Wise for milk, removing his hat for the neighbors he passed in the street. He liked his walks through the woods, stomping over moss and earth, the pleasant smell of pine, the call of the lighthouse that blinked in the distance through the fog.

The one time Esther had gone with Seymour and Sarah Bloom, she had come home chattering about the house seats and how the Blooms knew the very best places to eat on Broadway. When they came in from the street, a table by a window was waiting just for them, a flickering candle in its center. She made it clear to Joseph that though she didn't want to live anywhere else but Portland, dinner and a show in that beautiful, beckoning city was a perfect evening.

"Not just off zhe Mob," Joseph said. "Off a people like you and me." He slapped his chest. "Good people."

But Irving Berlin! Joseph got up from the bed, and Esther noticed he did so a bit wearily. He looked up to see his wife rub her own throbbing hands -- she'd had to get her wedding ring loosened last month just so it could slide over the knuckles of her once-slender fingers -- and clutch the bedpost to stand up. Joseph knew he was no longer the handsome and strong man Esther had once walked arm in arm with by the Charles in the late autumn afternoon, scarlet and mustard-colored leaves swish-swishing in the breeze. And he knew his wife had not planned on a man with a mother who spent most of her time on her cracked front stoop dreaming about Poland, a man whose speech would always betray them. And yet, here she was, still with him.

And Esther? She was no longer the slim girl he'd waited for on the stairwell in that boardinghouse in Cambridge, only to walk with her out into the street. Joseph had tried to make her feel that he would always be waiting for her. Slim. That had been before the kids and before the gallbladder had come out; before she couldn't stop with the cream cheese and jelly, with the damn Hershey's. Joseph could see her now, the young girl who left Portland, Maine, for Boston to work at Filene's Basement. The shoes! And the folding folding folding. She complained she would go mad from it and the way the women pushed their way through her just-folded clothes, snapping them open to check for irregularities.

"Irvink Berlin." Joseph leaned down to his wife. "It's true." He kissed her on the forehead, lingering for a moment to feel the mentholated smell of her cold cream traveling up his nostrils and into his sinuses. When he took his mouth from her face, his mouth was a ring of white and Esther's forehead was marked with the impression of his lips.

"Nowhere could you have that happy feeling when you aren't stealing that extra bow," sang Esther, slightly off-key as always.

My Irving Berlin is different, thought Joseph. "From the mountains to the prairies to the ocean," he sang to himself. "My home sweet home." He had been born a million miles away. But this country had been good to him, and though his mother would raise her fist from her new apartment on Riverside Drive and spit on him to hear it, it was true.

"And such a nice family," Esther said of the Blooms. "Very intellectual." She wiped the cold cream from her face.

"They are nice," Joseph said again. "Vestern European." He shook his head as he said this, remembering his neighborhood, block upon block of Eastern Europeans, and how they all longed to be from music, and art, from the land where they drank tea out of the most delicate of china cups. He was walking toward the bathroom. That side of Europe, they had the culture, it's true, he thought, one really can't deny it. And Miriam is in love. But the past. The past.

At the threshold of their bedroom, he turned. "It's a good match?" he asked his wife.

"It's a good match, Joe," Esther said, nodding her head slowly.

Joseph blocked the idea of his daughter's future father-in-law at the "right" end of a gun. Perhaps all the rumors of Seymour's involvement with Solomon had not been true, he reasoned. Perhaps Seymour, thanks to his exceptionally good fortune and his high profile on Broadway, was only a victim of bad publicity.

Walking down the hallway to the bathroom, Joseph whistled "God Bless America." Maybe Mr. Berlin will be at the wedding, he thought. What would I say if I were to meet him? Tell him: our lives are parallel fairy tales. Or perhaps I should prepare a rhyming greeting. Joseph had begun to devise a limerick to make Irving Berlin smile when, upon reaching the bathroom, the image of his brother overwhelmed him.

Bangbangbangbang went his heart. Only it wasn't love now, as when he saw Esther laughing for the very first time. Who cared she'd laughed at him as his hat spun away into traffic? This was an age-old grief, and for a moment Joseph thought the pain of it would split him in half. His brother. It was unbearable how he missed Solomon. Solomon, who'd left South Fifth Street and come back with more money than God. Joseph remembered the kids pitching pennies on the cracked sidewalk and a horse-drawn ice wagon knocking by as Solomon walked the block in a purple suit that shone when the smallest crease caught the light. Even from here, Joseph could see the Williamsburg Bridge rising out of the East River, tethering his neighborhood to the world.

Sol came in throwing cash from his enormous wads of bills clasped in silver clips, and their mother screamed and ran from it. Joseph laughed now to remember his mother trying not to step in the horse manure on the street as she ran from Solomon's money. Selma Brodsky had told Joseph that her elder son's dirty money would scald them both, that their skin would burn as if from acid and would shrink back from their bands of muscle, and what, then, would people see? Joseph had wondered then about his mother's insides, saddened, ruled by fear. His insides? Hope.

As a boy, Joseph had followed his older brother down the street, crowded with horses and carts and boys playing stickball, on the way to Mr. Berkowitz's candy store: Wait for me! he'd called out to him. Solly! he'd screamed. And then, just as soon as it had come, the memory was gone again and Joseph was left gripping the cold, clean marble of the counter.

Joseph splashed cold water on his face and looked into the mirror, shaking the image of his mother screeching like a dying animal as she tried to dodge Solomon's money. Destroyed, she'd say in Yiddish. Mekhule. That was when Joseph had decided he would work hard for money so clean his mother could wrap a baby -- his someday -- in the bills he would earn for her. And he had.

"Joe?" Esther screamed from the bedroom. "Are you coming to bed?"

"In a moment," Joseph said, staring into the glass.

Copyright © 2006 by Jennifer Gilmore

Meet the Author

Jennifer Gilmore is the author Golden Country, a 2006 New York Times Notable Book and a finalist for the Los Angeles Times Book Prize and the National Jewish Book Award, and Something Red, a New York Times Notable Book of 2010. Her work has appeared in Allure, the Los Angeles Times, The New York Times, The New York Times Book Review, Vogue, and The Washington Post. She lives in Brooklyn.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

Golden Country 3 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
I have read many sagas and this one is about average but it is worth reading. The characters are well developed but the problems of assimilation is not as well developed as I had hoped.