The Golden Dream of Carlo Chuchio

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Overview

A beautiful Kirkassi girl, cold-eyed villains and smiling killers, a bazaar merchant peddling slightly used dreams—could any young adventurer ask for more? Not Carlo Chuchio, who is seeking hidden treasure on the legendary Road of Golden Dreams.

With Baksheesh, the world’s worst camel-puller, Carlo leads a caravan through the realm of Keshavar. Robbed of all but his underdrawers, mistaken for a mighty warrior and then for a crown prince, Carlo ...

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The Golden Dream of Carlo Chuchio

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Overview

A beautiful Kirkassi girl, cold-eyed villains and smiling killers, a bazaar merchant peddling slightly used dreams—could any young adventurer ask for more? Not Carlo Chuchio, who is seeking hidden treasure on the legendary Road of Golden Dreams.

With Baksheesh, the world’s worst camel-puller, Carlo leads a caravan through the realm of Keshavar. Robbed of all but his underdrawers, mistaken for a mighty warrior and then for a crown prince, Carlo risks his life for a prize that may not even exist.

Newbery medalist Lloyd Alexander weaves a glorious tale of adventure, love, and the treasures that matter most.

 

The Golden Dream of Carlo Chuchio is a 2008 Bank Street - Best Children's Book of the Year.

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Editorial Reviews

From the Publisher
“An exuberant and compassionate tale of adventure . . . will keep readers enthralled every step of Alexander's final literary journey.”—Publishers Weekly, Starred Review

 

“A consummate storyteller, Alexander takes readers on a memorable journey.”—Booklist, Starred Review

“Masterful storytelling tinged with romance and humor makes this an engaging read.”—Kirkus Reviews

Publishers Weekly

This posthumously published novel from Alexander, who died this spring, is an exuberant and compassionate tale of adventure. Kicked out of his merchant uncle's house, inveterate daydreamer Carlo leaves the island of Magenta (not far from Campania, the mythical setting of The Rope Trick) to head east on the Road of Golden Dreams. He travels through Sidya, Marakand and Keshavar (the evocative names are vintage Alexander, subtly blending cartography and legend), all the way to Cathai, where he expects to make his fortune, thanks to the treasure map he found tucked into a book of fantastic tales given him by a mysterious bookseller. Themes that call to mind Alexander's landmark Prydain Chronicles reappear here, telescoped into a single potent volume: Starting as a callow youth, Carlo gains wisdom and the capacity to love deeply, thanks to his adventures on the road and what he learns from his fellow travelers. The buoyant fantasy is counterpointed by the war and destruction that lurk beyond nearly every bend in the road; the interplay between these elements will keep readers enthralled every step of Alexander's final literary journey. Ages 10-up. (Aug.)

Copyright 2007 Reed Business Information
VOYA - Lucy Schall
Accompanied by a charming rogue, a beautiful maiden, and a wise man, orphan Carlo Cuchio, thrown out of his uncle's house and business after ruining the accounts, seeks gold, defeats a villain, and finds true love. Carlo discovers a treasure map in an adventure book, begins his quest, and is robbed by a man who becomes Carlo's camel puller. The robber's assistant, a runaway slave named Shira, seeks revenge for her parents' murders. The three constantly encounter threats. Should they attack, flee, or outthink their opponents? Joining them, the wise man counsels Carlo in choosing his reaction and advises them that wandering is better than arriving. The original bookseller magically reappears throughout the novel as a storyteller, clairvoyant, and dream seller who inspires, guides, and reveals the characters. Eventually, the four return to Shira's village and encounter the man who killed her parents. The killer attempts to burn Carlo alive, but a nomad band, Carlo's allies, attacks. Carlo capitalizes on the diversion, and the killer dies by his own evil weapon. The gold Carlo seeks lies under Shira's home, but he decides to leave the village in peace and journey with Shira, his true treasure. Filled with wit, charm, suspense, humor, and stock characters, this Arabian Nights tale shares many themes with the more solemn The Legend of the Wandering King (Arthur A. Levine Books/Scholastic, 2005) and will appeal to a broad range of middle, teen, and adult readers. [Editor's Note: This prolific author of The Chronicles of Prydain finished this last book before he died at the age of eighty-three in May 2007 after a long illness. He said of this book before passing, "I have finished my lifework."]
KLIATT - Janis Flint-Ferguson
Alexander was a master storyteller, and his story of orphaned Carlo Chuchio is no exception. After failing to rise to the work assigned to him by his uncle, Carlo meets a bookseller who sells him a book with a map to a treasure. With a little money from his uncle, Carlo takes off on his adventure. Camel puller Baksheesh meets the young man and though he seems to be taking advantage of him, he proves to be a worthy traveling companion. As is Shira, the young woman who had been kidnapped from her home by the villain Charkosh. Their adventures take them into bustling bazaars where they meet a dream seller, into the desert where they meet a hermit painting scenes on the cave wall, and on to the feisty tribe of Bashir who takes Carlo in as a brother, after a fight to the death where nobody dies. Finally they return to the former caravan stop that is Shira's home, only to come face to face with Charkosh. The fight to the death here has more serious consequences. Carlo realizes his love for Shira and both realize their love for adventure. Though the novel ends happily, there is a hint of more adventures to come; although sadly, with the death of Alexander, this may be the only adventure of Carlo Chuchio. The novel is beautifully written with exotic locations, colorful characters and clever chapter endings. The suspense mounts and the story builds to its satisfying conclusion.
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Product Details

  • ISBN-13: 9781250005618
  • Publisher: Square Fish
  • Publication date: 5/8/2012
  • Edition description: STRIPPABLE
  • Pages: 336
  • Sales rank: 1,082,380
  • Age range: 10 - 14 Years
  • Product dimensions: 5.20 (w) x 7.50 (h) x 1.00 (d)

Meet the Author

Lloyd Alexander (1924–2007) was the author of more than forty books for children and adults, including the beloved children’s fantasy series, the Chronicles of Prydain, one of the most widely read series in the history of fantasy and the inspiration for the animated Disney film, The Black Cauldron. His books have won numerous awards, including the Newbery Medal, the Newbery Honor, and the National Book Award for Juvenile Literature.

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Read an Excerpt

I

Shira

1

When the world starts falling about your ears and intensely disagreeable things are happening to you, it’s always a comfort to blame somebody else. But—who? In my case, not Uncle Evariste. No, he did the sensible thing. Certainly not my fellow clerks and scriveners. None of it was their fault. I’m casting around trying to think of someone other than myself.

Ah. I have it. Of course. The bookseller. If he ever existed in the first place. But I know he did. Should I curse him? Or thank him for all that came later?

To begin, then, on a sparkling blue afternoon in our port city of Magenta. I had taken a stack of receipts and shipping records for deposit with Casa Galliardi, the merchant bankers. It was no more than a few hundred yards from my uncle’s office and warehouse, but such errands took a long time. Instead of promptly going back, I would loiter at the docks.

Moored at the wharves or anchored in the harbor, there must have been anything and everything that could float: cargo vessels; often a galleon big as a house; long, slender craft with three-cornered sails; a flock of little fishing boats. Our Isle of Serrano was a horn of plenty, overflowing with fruits and vegetables to feed mainland Campania. But our real cash crop came from Eastern ports. Silk. Jade. Carpets. Cinnamon, cloves, nutmeg—I could smell them in the air. Uncle Evariste imported and resold these precious goods. He did well. Except for me.

When he had nothing more urgent to do, he would yell. Usually on Mondays, Wednesdays, and Fridays. He was a methodical man.

“Carlo, Carlo, what’s to become of you?” he would burst out. Then, once he got into the spirit of the occasion, he would pull his beard with one hand and fling the other heaven-ward.

“Why? What have I done to be plagued with a thankless daydreamer? Eh? Eh? I’m asking. You tell me.”

“Truly, Uncle,” I said, though his question was not specifically directed to me, “I don’t know.”

I was, in fact, more or less grateful to him. He and my father had been partners until, years ago, a vicious fever took away my parents along with many of our islanders. Uncle Evariste gave me board and lodging; and, such as it was, my occupation in life.

“Oh, I’ve seen you—don’t think I haven’t,” he ranted on. “Sitting with your nose in some book of rubbish. Like an idiot. Carlo Chuchio—Carlo the jackass. The dimwit. Carlo the chooch.”

Here, he used the vulgar street pronunciation of “chuchio.” He thrust his beard at me. “Do you know? That’s what they call you behind your back.”

“Sometimes to my face,” I said.

“Keep on like that,” he said. “You’ll amount to—to what? Nothing!”

Then he would go off muttering to himself. And that was mainly all we had to say to each other.

Now, the bookseller. Yes, that day. On my long way back from Casa Galliardi, I left the quayside, the sailors bawling in every language, and wandered through the market square. My mouth watered at the mounds of blood oranges, lemons, figs, olives. The best on the island. (We sold the second best to Campania.)

Next to the melon vendor stood an open-air bookstall with an array of old engravings pinned to a length of clothesline. Shelves leaned every which way, with shabby volumes crammed one against the other. Surprisingly, I had never before noticed it. Naturally, I had to stop.

Rubbing his hands, the bookseller stepped over to me. A little man with a stringy beard, a narrow, beaky face. A total stranger.

“My good messire,” he began. “And what does the worthy gentleman fancy?”

He spoke with an unfamiliar accent. I said nothing. For one thing, I was taken aback—but hardly displeased—at being called a worthy gentleman. For another, I had no idea what I fancied.

“A tractatus on mathematics? Military engineering? No? Geometry? Architecture? No, again?” He gestured at the sagging shelves. “Perhaps the art of writing love letters, with examples to be copied. Useful phrases for every circumstance, to woo your lady fair.”

He drew closer, cocking his head, studying me like a tailor calculating my measurements for a suit of clothes.

“No, messire, I see none that fits.”

I was about to turn away when his eyes lit up. He snapped his fingers.

“Of course. Exactly.”

Without looking, he reached behind him and pulled a small, thick volume from a shelf. The leather cover was scuffed, the stitching had come loose. The pages were mottled and dog-eared, nearly falling out of the binding. He fondled it with obvious affection.

“A curious collection of old tales. I promise you will find it most enjoyable.”

He pressed the book into my hands. Truth to tell, I wasn’t all that much interested. After a few moments, though, I was spellbound. I couldn’t take my eyes away. Leafing through, I saw these were tales of amazing voyages, carpets that flew in the air, caves of glittering treasures. If, at first, I had no idea what I fancied, I knew now. This.

The bookseller must have sensed my excitement. He beamed and bobbed his head. “A gentleman of fine taste and judgment. A rare volume, messire. And what a joy to match the perfect book with the perfect reader. These days, alas, it seldom happens.

“For you,” he went on, “I make a special price. Less than I paid. But, after all, what is profit?” He sighed. “And yet—and yet I hate to part with it.”

“You won’t have to,” I told him.

He blinked at me. “Eh? Why so?”

I answered simply and sadly that I had no money.

His smile collapsed. “There’s the trouble with these young gallants,” he muttered. “Empty pockets. It’s a contagious disease.”

I would have given back the volume, but he raised his hands.

“Ah—no. You like it too well. I haven’t the heart—aie, my generous nature will be the ruin of me. So, so—Keep it, then. Yours. Free.”

I had to protest—a little. Purely as a formality. My refusal was neither strong nor convincing. Especially since I did not loosen my grip on this prize and had no sincere intention of doing so. When he disregarded my feeble show of reluctance, I deluged him—several times over—with wholehearted thanks for his kindness.

“That remains to be seen,” he said. “Go away. Before I come to my senses and change my mind.”

Never had I made the journey back to the office at such breathtaking speed. Not that I was eager to do my work. I could not wait to examine my gift more closely.

The copying clerks, Simone and Melchiorre, dutifully scribbling away, barely glanced at me. I climbed onto my stool, pushed aside the bills of lading, the manifests and inventories, and plunged into the book. It was even more thrilling than I’d supposed.

To the shock and astonishment of my colleagues, I stayed perched at my desk until sundown. They left me still poring over the tales.

At dinnertime, with my prize tucked safely inside my jacket, I pleaded vaporish ailments, a headache, an upset stomach, and begged to be excused from the evening meal. Uncle Evariste, mumbling something like “What a chooch,” was glad enough to grant my request.

I bounded up to my quarters in the low-ceilinged attic, lit the candle on the table beside my cot, and flung myself onto the straw mattress. In case I had missed so much as a word here and there, I began reading again from the first page.

Later, Silvana, our housekeeper, worried I might be fatally ill or starving to death, carried in a tray of leftovers. Seeing me alive but preoccupied, she warned me to stop whatever I was up to or I would do myself a mischief, and went back downstairs.

I had never suffered from lack of appetite; nor been so caught up by tales of gigantic birds, genies popping out of lamps to grant every wish. How to choose between eating and reading? I resolved that knotty question by doing both at the same time.

The pages, however, kept falling loose. They soon parted company with the cracked leather binding. The spine had split down the middle. It was then I noticed something had been stuffed into it.

It was a rolled piece of parchment covered with crisscrossing lines and squiggles. A diagram? A map of some sort? But I saw no directions, no bearings. Curious, I laid aside the book to study it.

I realized I had been looking at the back of the sheet. When I turned the parchment over and smoothed it out, I saw indications of mountain ranges, rivers, towns.

At first, I judged it too vague to have any use or meaning. But, no, as far as it went, it was fairly precise. There was an inset drawn at one corner, an enlargement of a portion of the area. My heart began racing.

It showed, in some detail, what appeared to be a city of considerable size—or what had once been a city. The sketch depicted only the ruins of a wall circling the jagged stump of a tower, perhaps a fortress, and the rubble of a central square. What set my heart pounding was a notation in a spidery, almost unreadable hand: “Royal Treasury.” That was enough to make my thoughts gallop as fast as my pulse. I had, by now, convinced myself this was a map of hidden riches. If my book was a treasure, I had found yet another treasure inside it.

But there was a difficulty.

Whoever drew the map had known the region very well; so well, indeed, he had not troubled to name the location. What city? What mountain range? What lake? What river? They could have been anywhere in the world.

My candle guttered out. I lit another. I tried to stay calm and make sense of what I was dealing with. My eyes fell on a single word squeezed onto the edge of the parchment.

That word was “Marakand.”

Excerpted from The Golden Dream of Carlo Chuchio by Lloyd Alexander.

Copyright © 2007 by Lloyd Alexander.

Published in 2007 by Henry Holt and Company.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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  • Anonymous

    Posted August 2, 2012

    Ok

    Ok

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  • Posted October 15, 2011

    more from this reviewer

    Alexander does it again

    With his final book, Lloyd does it perfectly again. I enjoyed the book very much and anyone who has read his past books will enjoy this book very much!

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    Posted May 15, 2009

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    Posted January 11, 2012

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