Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection

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Golden accompanies the first major exhibition in the United States of one of the finest private collections of 17th-century Dutch and Flemish paintings in the world, assembled over the past two decades by Rose-Marie and Eijk van Otterloo. In this beautifully illustrated book, works by Rembrandt, Jacob van Ruisdael, Frans Hals, and Jan Brueghel the Elder, among others, represent a wide range of subjects such as land and water, cityscapes and landmarks, still lifes, foreign travels, and burghers, peasants, and ...

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2011 Hardcover Good Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access ... codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Read more Show Less

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0300169736 Yale/Peabody; Salem, 2011. Hardcover. First edition. Binding slightly shaky else Fine in oversize pictorial boards[No Dustwrapper as issued]. 404pp, 4to[quarto or aprx ... 9.5 x 12 inches], colour illustrations. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire. Read more Show Less

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Overview

Golden accompanies the first major exhibition in the United States of one of the finest private collections of 17th-century Dutch and Flemish paintings in the world, assembled over the past two decades by Rose-Marie and Eijk van Otterloo. In this beautifully illustrated book, works by Rembrandt, Jacob van Ruisdael, Frans Hals, and Jan Brueghel the Elder, among others, represent a wide range of subjects such as land and water, cityscapes and landmarks, still lifes, foreign travels, and burghers, peasants, and painters. In addition, fine examples of furniture and decorative arts shed light on the astounding range of this artistic period.

Known as the Golden Age, the 17th century was a time of unparalleled prosperity in the Netherlands, where the emerging merchant class eagerly commissioned and collected paintings, furniture, and other decorative arts. Essays by leading scholars address the context of 17th-century Dutch and Flemish painting, and the history and development of this unparalleled collection. The quality and breadth of the Van Otterloos' holdings illuminate one of the greatest artistic and cultural chapters in European history.

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Editorial Reviews

Art + Auction

“Filled with eminently readable connoisseurship.”—Eric Bryant, Art + Auction

— Eric Bryant

Art + Auction - Eric Bryant
“Filled with eminently readable connoisseurship.”—Eric Bryant, Art + Auction
Renaissance Quarterly - Jacqueline N. Coutre
"Duparc synthesizes the rigor of a serious catalogue with the charm of personal history in a record of one of the major private collections of seventeenth-century Northern art. . . . an excellent overview with wonderfully detailed color illustrations and thorough catalogue entries."—Jacqueline N. Coutre, Renaissance Quarterly
Library Journal
The van Otterloos' personal assemblage of art represents two decades of astute collecting. Items represented are from the Dutch/Flemish golden age of the 17th century, created during a time of "rapidly changing opportunity and rich circumstances." The collectors have a great eye and were assisted by Simon Levie, former director of the Rijksmuseum (Amsterdam), as well as Duparc, former director of the Mauritshuis (The Hague). The van Otterloos' passion and Levie's skill are evident in this collection of portraits, history paintings, landscapes, genre scenes, still lifes, and furniture from more than 60 artists. Each work has a meticulous listing of provenance, exhibitions, and literature so you can research whether or not you've seen it displayed (the owners frequently lend to museums). Duparc writes of the van Otterloos' blunder of purchasing a copy (thinking it was an original) and enlightens readers about the importance of balancing paintings with objects to create a substantial and impressive collection. VERDICT Armchair art collectors can relish works such as Adriaen Coorte's still life, with its painterly yet straightforward simplicity, or Frans van Mieris the Elder's portrait surrounded by ivy that looks more like a photograph than a painting. Scholars will appreciate the detailed applied art history.—Nadine Dalton Speidel, Cuyahoga Cty. P.L., Parma, OH
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Product Details

  • ISBN-13: 9780300169737
  • Publisher: Yale University Press
  • Publication date: 3/22/2011
  • Pages: 404
  • Product dimensions: 10.00 (w) x 12.80 (h) x 1.90 (d)

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