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Janet Maslin[Prose's] modest-sounding book turns out to be beautifully wrought. And it blossoms into a smart, gimlet-eyed account of what 13-year-old Nico sees happening around her after the loss of the more alluring, glamorous and manipulative Margaret. Nico's experience goes well beyond the realms of adolescence and family dynamics and yields an unexpectedly rich, tart, eye-opening sense of Nico's world…Goldengrove is one of Ms. Prose's gentler books—far more so than the bitingly satirical A Changed Man. But it's not a sentimental one. It draws the reader into and then out of "that hushed and watery border zone where we live alongside the dead," and it does this with mostly effortless narrative verve. And it scorns the bathos of its genre, so it does not become an invitation to wallow in suffering. It prefers the comforts of strength, growth and forward motion.
—The New York Times