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Marriage can be a real killer.
One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously ...
Marriage can be a real killer.
One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.
“A great crime novel, however, is an unstable thing, entertainment and literature suspended in some undetermined solution. Take Gillian Flynn’s Gone Girl, the third novel by one of a trio of contemporary women writers (the others are Kate Atkinson and Tana French) who are kicking the genre into a higher gear… You couldn’t say that this is a crime novel that’s ultimately about a marriage, which would make it a literary novel in disguise. The crime and the marriage are inseparable. As Gone Girl works itself up into an aria of ingenious, pitch-black comedy (or comedic horror — it’s a bit of both), its very outlandishness teases out a truth about all magnificent partnerships: Sometimes it’s your enemy who brings out the best in you, and in such cases, you want to keep him close.”
“Ms. Flynn writes dark suspense novels that anatomize violence without splashing barrels of blood around the pages… But as in her other books, Ms. Flynn has much more up her sleeve than a simple missing-person case. As Nick and Amy's alternately tell their stories, marriage has never looked so menacing, narrators so unreliable.”
—Wall Street Journal
“A portrait of a marriage so hilariously terrifying, it will make you have a good hard think about who the person on the other side of the bed really is. This novel is so bogglingly twisty, we can only give you the initial premise: on their fifth anniversary, Nick Dunne’s beloved wife Amy disappears, and all signs point to very foul play indeed. Nick has to clear his name before the police finger him for Amy’s murder.”
“Readers who prefer more virulent strains of unreality will appreciate the sneaky mind games of Gillian Flynn’s Gone Girl, a thriller rooted in the portrait of a tricky and troubled marriage.”
—New York Times
“[Flynn has] quite outdone herself with a tale of marital strife so deliciously devious that it moves the finish line on The War of the Roses… A novel studded with disclosures and guided by purposeful misdirection… Flynn delivers a wickedly clever cultural commentary as well as a complex and driven mystery… What fun this novel is.”
—New York Daily News
“Flynn’s brilliantly constructed and consistently absorbing third novel begins on the Dunnes’ fifth wedding anniversary… The novel, which twists itself into new shapes, works as a page-turning thriller, but it’s also a study of marriage at its most destructive.”
“Gillian Flynn's barbed and brilliant Gone Girl has two deceitful, disturbing, irresistible narrators and a plot that twists so many times you'll be dizzy. This "catastrophically romantic" story about Nick and Amy is a "fairy tale reverse transformation" that reminded me of Patricia Highsmith in its psychological suspense and Kate Atkinson in its insanely clever plotting.”
“For a creepy, suspenseful mystery, Ms. Pearl suggested Gone Girl by Gillian Flynn, a novel due out this week. "You will not be able to figure out the end at all. I could not sleep the night after I read it. It's really good," Ms. [Nancy] Pearl said. "It's about the way we deceive ourselves and deceive others."”
“Gillian Flynn's new novel, Gone Girl, is that rare thing: a book that thrills and delights while holding up a mirror to how we live… Through her two ultimately unreliable narrators, Flynn masterfully weaves the slow trickle of critical details with 90-degree plot turns… Timely, poignant and emotionally rich, Gone Girl will peel away your comfort levels even as you root for its protagonists—despite your best intuition.”
—San Francisco Chronicle
“Flynn’s third noir thriller recently launched to even more acclaim than the first two novels, polishing her reputation for pushing crime fiction to a new literary level and as a craftsman of deliciously twisting and twisted plots.”
—Kansas City Star
“I picked up Gone Girl because the novel is set along the Mississippi River in Missouri and the plot sounded intriguing. I put it down two days later, bleary-eyed and oh-so-satisfied after reading a story that left me surprised, disgusted, and riveted by its twists and turns… A good story presents a reader with a problem that has to be resolved and a few surprises along the way. A great story gives a reader a problem and leads you along a path, then dumps you off a cliff and into a jungle of plot twists, character revelations and back stories that you could not have imagined. Gone Girl does just that.”
—St. Louis Post-Dispatch
“To call Gillian Flynn's new novel almost review-proof isn't a put-down, it's a fact. That's because to give away the turn-of-the-screw in this chilling portrait of a marriage gone wrong would be a crime. I can say that Gone Girl is an ingenious whodunit for both the Facebook generation and old-school mystery buffs. Whoever you are, it will linger, like fingerprints on a gun… Flynn's characters bloom and grow, like beautiful, poisonous plants. She is a Gothic storyteller for the Internet age.”
—Cleveland Plain Dealer
“The setup of Gone Girl lulls readers with what appears to be a done-too-often plot, but, oh, how misleading that is. This thriller is told in alternating voices, a risky form of narrative that works masterfully here because the characters are so distinct and convincing…. The first half of the story leads readers on a merry chase and gives the term "red herring" new meaning. The second half takes readers on a calculated descent into madness. The ending…is one of the most chilling we've seen in recent years.”
—The Sacramento Bee, Allen Pierleoni
“If you do have room in your summer reading for new mysteries, pack Gillian Flynn's Gone Girl. It's my pick for one of the summer's best.”
“In this fast-paced thriller, Flynn tracks the disintegration of a marriage and asks: How does a couple go from uttering passionate vows to living separate lives?”
“Gillian Flynn’s terrific psychological thriller, Gone Girl, wanders into an alternate criminality, to the darkest corners of mind and matrimony, using Occam’s razor to slit its own throat… Aside from the plot’s high entertainment value, Flynn has buttressed her book with humor and great writing.”
—The Daily Beast
“Gone Girl is a dark, satisfying, psychological thriller… Gone Girl is at times brilliant, compelling, surprising, diabolical, and it’s definitely dark and twisted… It ranks as one of the best books I’ve read in the past year…I’d highly recommend it if you’re a fan of psychological thrillers or just plain great fiction.”
“Pick up the sharp, mercilessly entertaining psychological thriller Gone Girl, written by Gillian Flynn as though with a razor, giggling all the while.”
“Gone Girl [is] a thriller with an insane twist and an insidiously realistic take on marriage.”
—New York magazine
“A twisting, turning, zooming-up-the-charts thriller.”
—Real Simple, announcing their book club pick
“An unnerving, gorgeously written marital thriller that features one of the most compelling narrators in recent memory… Anyway, go read Gone Girl. It's quite good.”
—The Atlantic Wire
“Buy Gone Girl and don't settle down for a long winter's nap or any kind of nap. I read it in two days, nonstop, useless for anything but my own incredible pleasure.”
—Liz Smith, New York Social Diary
“Gillian Flynn’s killer thriller is unputdownable, and just when you think you know where she’s going, she’s gone.”
“A satisfyingly scathing take on a marriage so broken even the truth is built on lies.”
“If, instead, you're a fan of gripping, well-crafted tales about complex relationships, try Gone Girl by Gillian Flynn.”
“After a chilling, bombshell twist, you won’t know which clues to trust nor whom to believe.”
Flynn’s ability to reach further and further into the deep, dark recesses of the human psyche brings a much greater edge and feeling of suspense to this novel. Gone Girl is a fast-paced, always surprising page-turner of a book…Gone Girl is a superbly crafted novel by a talented and daring young writer and it will keep you guessing until the very last sentence.”
—Cincinnati City Beat, John Kelly
“A highly original thriller that’s also a razor-sharp depiction of a relationship gone off the rails.”
“Dark yet funny with a devious twist, this is everything that made Flynn’s Sharp Objects a bestseller—but better.”
“The story unfolds in precise and riveting prose…even while you know you're being manipulated, searching for the missing pieces is half the thrill of this wickedly absorbing tale.”
“Full of midnight-black wit and gorgeous writing…About halfway through the book, something happens…That’s the moment you should check the clock and firmly put the book down if you have to rise early the next day. Because trust me, if you keep reading, you won’t stop till you finish it.”
—Dallas Morning News, Joy Tipping
“Gillian Flynn's third mystery is burned-coffee black and flavored with cyanide. (As far as I'm concerned, those are compliments of the highest order.)…Flynn is a master manipulator, deftly fielding multiple unreliable narrators, sardonic humor, and social satire in a story of a marriage gone wrong that makes black comedies like “The War of the Roses” and “Who's Afraid of Virginia Woolf” look like scenes from a honeymoon. Veteran mystery readers may see as far as the opening of the second act, but Flynn has more surprises in store on her way to the sucker-punch of an ending. It is, in a word, amazing.”
—Christian Science Monitor, Yvonne Zipp
“A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death… One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.”
—Kirkus (starred review)
“[W]hat looks like a straightforward case of a husband killing his wife to free himself from a bad marriage morphs into something entirely different in Flynn’s hands. As evidenced by her previous work (Sharp Objects, 2006, and Dark Places, 2009), she possesses a disturbing worldview, one considerably amped up by her twisted sense of humor. Both a compelling thriller and a searing portrait of marriage, this could well be Flynn’s breakout novel. It contains so many twists and turns that the outcome is impossible to predict.”
—Booklist (starred review)
"Flynn cements her place among that elite group of mystery/thriller writers who unfailingly deliver the goods...Once again Flynn has written an intelligent, gripping tour de force, mixing a riveting plot and psychological intrigue with a compelling prose style that unobtrusively yet forcefully carries the reader from page to page."
—Library Journal (starred review)
"Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsively readable, creepily unforgettable, this is a must read for any fan of bad girls and good writing."
—Publishers Weekly (starred review)
“Gone Girl is one of the best and most frightening portraits of psychopathy I've ever read. Nick and Amy manipulate each other with savage, merciless and often darkly witty dexterity. This is a wonderful and terrifying book about how the happy surface normality and the underlying darkness can become too closely interwoven to separate.”
—Tana French, New York Times bestselling author of Faithful Place and Into the Woods
“The plot has it all. I have no doubt that in a year’s time I’m going to be saying that this is my favorite novel of 2012. Brilliant.”
—Kate Atkinson, New York Times bestselling author of Started Early, Took My Dog and Case Histories
“Gone Girl builds on the extraordinary achievements of Gillian Flynn's first two books and delivers the reader into the claustrophobic world of a failing marriage. We all know the story, right? Beautiful wife disappears; husband doesn't seem as distraught as he should be under the circumstances. But Flynn takes this sturdy trope of the 24-hour news cycle and turns it inside out, providing a devastating portrait of a marriage and a timely, cautionary tale about an age in which everyone's dreams seem to be imploding.”
—Laura Lippman, New York Times bestselling author of The Most Dangerous Thing and I’d Know You Anywhere
“Gillian Flynn’s Gone Girl is like Scenes from a Marriage remade by Alfred Hitchcock, an elaborate trap that’s always surprising and full of characters who are entirely recognizable. It’s a love story wrapped in a mystery that asks the eternal question of all good relationships gone bad: How did we get from there to here?”
—Adam Ross, New York Times bestselling author of Mr. Peanut
“Just this minute I finished a week of feeling betrayed, misled, manipulated, provoked, and misjudged, not to mention having all my expectations confounded. Considering how compulsively I kept coming back for more, I am seriously thinking of going back to page one and doing it all again.”
—Arthur Phillips, author of The Tragedy of Arthur
“I cannot say this urgently enough: you have to read Gone Girl. It’s as if Gillian Flynn has mixed us a martini using battery acid instead of vermouth and somehow managed to make it taste really, really good. Gone Girl is delicious and intoxicating and delightfully poisonous. It’s smart (brilliant, actually). It’s funny (in the darkest possible way). The writing is jarringly good, and the story is, well...amazing. Read the book and you'll discover—among many other treasures—just how much freight (and fright) that last adjective can bear.”
—Scott Smith, New York Times bestselling author of The Ruins and A Simple Plan
“Gillian Flynn’s Gone Girl reminds me of Patricia Highsmith at the top of her game. With Gone Girl, she’s placed herself at the top of the short list of authors who have mastered the art of crafting a tense story with terrifyingly believable characters.”
—Karin Slaughter, New York Times bestselling author of Fallen
"Gone Girl manages to be so many stellar things all at once—suspenseful, inventive, chilling, funny, unsettling—as well as beautifully plotted and fiercely well-written. Gillian Flynn is a thrilling writer.”
—Kate Christensen, author of The Great Man
“Reminds suspense readers of the old Alfred Hitchcock stories...This is one puzzle you do not want to miss.”
—Amy Lignor, Suspense Magazine
“Absorbing thriller…In masterly fashion, Flynn depicts the unraveling of a marriage – and of a recession-hit Midwest – by interweaving the wife’s diary entries with the husband’s first person account.”
“A psychological thriller reminiscent of Hitchcock.”
—Aspen Daily News
“Devilishly clever he said/she said thriller.”
—AJC.com, Atlanta Journal Constitution
“Flynn’s sly and rippingly suspenseful novel, Gone Girl, is one of those novels it’s hard not to try and shanghai other people into reading, as in immediately. Flynn (Sharp Objects, Dark Places) lays down a vivid and plainspoken narrative that can read like the most jet-fueled of airport thrillers but is still bejeweled with sparkling asides and dead-on commentary. Her writing is, as needed, funny, perceptive, headslappingly honest, or sometimes an amalgam of the three. That this all happens in a book whose plot seems at first ripped from a Dateline NBC true crime is all the more impressive.”
“A riveting novel, a Midwestern noir with completely unreliable narrators.”
—Knoxville Metro Plus
“Part thriller, part macabre love story…The book is told deliciously…The twists and turns are never obvious.”
—New York Post
“Dark yet funny with a devious twist, this is everything that made Flynn’s Sharp Objects a bestseller—but better.”
The summer thriller is filled with enough suspense and twists to keep any beach reader happy, but it is also a book about writing. The main characters are avid readers, and they write letters, articles, journals, kid’s books and memoirs. The novel references other books, little Easter eggs nestled in the plot.”
“A fiendishly clever tale of a marriage gone toxic, and revenge exacted to a disturbingly lethal degree.”
“Flynn keeps us guessing with equal parts charm and menace. An addictive read.”
—More magazine, Alice LaPlante
“After a chilling, bombshell twist, you won’t know which clues to trust nor whom to believe. Told from two perspectives, Gone Girl forces you to ask yourself, what would you do and who dunnit?”
Flynn’s ability to reach further and further into the deep, dark recesses of the human psyche brings a much greater edge and feeling of suspense to this novel. Gone Girl is a fast-paced, always surprising page-turner of a book. It’s not only a murder mystery, but a commentary on the disappearance in the last decade of nearly everything we hold near and dear, from jobs to our parents’ health and welfare to the landscape of our cities and towns…Beginning with Amy’s sudden disappearance, to the local police department’s slipshod investigation and the media’s obsessive coverage, Gone Girl is a thrilling roller coaster of a ride with enough twists and turns to give the reader whiplash…Flynn deserves credit for creating not just an exciting murder mystery, but also forcing us to look at the lies we tell ourselves. Gone Girl is a superbly crafted novel by a talented and daring young writer and it will keep you guessing until the very last sentence.”
—Cincinnati City Beat
“Gone Girl is a superbly constructed, ingeniously paced and absolutely terrifying. You begin by thinking that all marriages are a bit like this: they start with high hopes and get bogged down in nagging and money worries. But then the psycho-drama creeps up on you with chilling power. A five-star suspense mystery.”
—A.N. Wilson, Reader’s Digest (UK)
“Gone Girl is as skillfully creepy as her previous work… A chilling, stylish read about another unknowable woman.”
“The married duo in Gillian Flynn’s superb third novel takes the idea of unreliable narrators to a whole new level. When Nick Dunne’s lovely wife Amy is violently abducted on their fifth wedding anniversary, the police and the press immediately put Nick in the frame for her murder. Amy’s friends testify that she was afraid of her husband, and the missing woman’s diary backs up their impressions. Nick’s computer is full of inexplicable searches, his mobile phone is plagued by mysterious calls and his own inner monologue offers a darker perspective on amazing Amy and the state of their turbulent marriage. Flynn keeps the accelerator firmly to the floor, ratcheting up the tension with wildly unexpected plot twists, contradictory stories and the tantalizing feeling that nothing is as it seems. Deviously good.”
—Marie Claire (UK)
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From the Hardcover edition.
Posted June 6, 2012
For those Anonymous users that gave this one star without any text explaining that low rating...you suck. And you make the rest of us that want to remain anonymous look bad.
This is a smart, clever thriller that dissects the marriage of Amy and Nick Dunne. It's a dark, twisted story that will leave you shocked. (At least, I was shocked...and I can't stop talking about how much I loved it.)
I should mention, I didn't like Flynn's first novel, I only picked this one up because I only heard good things from people I trust.
357 out of 412 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 8, 2012
I refuse to summarize this story. I believe this is a fantastic book that should be relished without any prior knowledge of its plot. Wonderful prose. Insightful observations. Great character development. There are so many comments I would like to make, but I would ruin the suspense for others. I was/am so emotionally charged at the ending that I want to become a character in the story. Without spoiling the plot for those who chose to enjoy this incredible book, I suspect that many readers will have a similar reaction and would like to join me as residents of Carthage, Missouri.
252 out of 279 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 8, 2012
I read...a lot. Like, I need to read. After reading "Gone Girl," I know why. Very seldom will you come across a book that finishes so well. The story keeps you reading...so many stories can do that. This one, however, does what so few can accomplish by ending well. Satisying, is the best word I can think of. I realized I keep looking for a book that will satisfy all my cravings in a good story: suspense, humor, anger, sadness, relief. A fine book doesn't have to leave you guessing throughout the plot to keep you wanting more. Flynn keeps it straight to the point with enough twists to make it twisted without becoming too complicated to follow.
This book will grab you like a hyped-up media headline and won't let you go! We all get caught up in the mainstream, bombshell news casts, and this book takes you right there in the middle of it. Love the technique and can't wait to see what Gillian Flynn comes up with next!
192 out of 216 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 23, 2012
It is interesting to me--but not surprising--that a tiny segment of this book's readers give it low marks. I detect two consistent themes in those reviews. Before I get to that, let me put in writing my FIRST reactions to this novel: creative and complex story, daring approach, flawless context, remarkably courageous personal insight, glib-witty-brutal-unflinching narrative. I thoroughly enjoyed this book, even when it made me itchy and twitchy and feel uncomfortably exposed. And THAT brings me to the second theme in those negative reviews. (I'll get to the first one in a moment). Be assured, if you decide to read this book you're going to find little pieces of yourself and of people you know or care about woven through the cast of characters. And it won't be the best pieces, either. It will be the quirks and traits and harsh sentiments that all of us hope to keep hidden, not only from others but from ourselves, as well. Not everyone can look at that kind of naked emotion and see it as powerful, revelatory writing. Some of us are going to find it uncomfortable enough to dislike the book and to find flimsy complaints on which to blame that dislike: characters, language, writing style. And some of us are going find it uncomfortable enough to dislike the book but recognize nonetheless that it is a riveting story told with skill, imagination, and intelligence, and therefore we have to go for criticism number one... the ending. Those are the criticisms that make the least sense to me. I can't imagine, after nearly 500 pages of wandering around in the skulls of these characters, what sort of happy or tragic or poetically just ending the critics might have anticipated. The end of the book (but certainly not the end of the story) is as natural and logical as all that leads us to it. Granted, that's not very natural or logical for most of us, but it's what THESE characters would do; it's what they DESERVE. And in that there is a sort of literary integrity. It's not a Hurray! or a Yahoo! or a Gotcha! It's not TV. It's a continuation of the lives these pathetically twisted people have knowingly, willingly, compulsively built for themselves.
156 out of 179 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 9, 2012
This book grabbed me from page 1 and didn't let go until the end! It was one of those novels that made me hurry and put the kids to bed so i could find out what happened next. Didn't want it to end! So glad i discovered this author and look forward to reading her other two books.
102 out of 121 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 29, 2012
I really enjoyed this book, and like everybody else, couldn't wait to finish to see what happened. The twists and turns just kept on coming. Is it "Brilliant"? - not so much. Is it "awful"? No. it's not that either. It's a fun read, and I would recommend it, but the comments about the ending are valid. Yes, it's what they both deserved, and it's predictable in retrospect; i just wanted something a little more satisfying and wrapped up neatly. I wanted the character who deserved to be exposed to be exposed - and I wanted the character who deserved to get revenge to get it
86 out of 104 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 10, 2012
It was difficult to like any of the characters. By the end I was wanting my time and money back. Awful.
77 out of 226 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 26, 2012
Sarts slow, picks up and gets better and then TOTALLY ANTI-CLIMATIC. I regret wasting my time and would not recommend it. Spare yourself.
67 out of 134 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 27, 2012
I think that the story is well written however, none of the main characters (and very few of the supporting characters) are likable - at all. I kept waiting for someone, anyone, to show even the tiniest bit of humanity or redemption. The world is not populated entirely by egotistical sociopaths. This was a horribly, unsatisfying read.
64 out of 110 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 23, 2012
Why do some reviewers feel the need to either reveal the entire plot line, or write complete dissertations on each and every plot point? They go on and on and on. That is not helpful. I personally hate it when a review reveals everything about the book. I read to be surprised but some posters feel they have to tell everything. That is not a helpful review. Let the readers discover for themselves the secrets of the book. Dont ruin it for us by telling everything.
59 out of 141 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 4, 2012
Beginning was mediocre but a great twist in the middle. Ending was horrible. Almost like the author gave up. Wouldn't suggest spending your $$.
52 out of 72 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 25, 2012
After reading the reviews, I purchased this book with high hopes. Four hundred and some pages later when I finished the last page, I sat there and thought, really, that's how it ends?? I was disappointed. Definitely not a happy ending.
49 out of 65 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 16, 2012
just awful! Made no sense, characters under developed, the many good reviews make me wonder if I missed something.
41 out of 92 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 11, 2012
We've all read the stories in newspapers - a woman goes missing and the husband is the prime suspect. And he loudly proclaims his innocence....even as the evidence mounts....
Gillian Flynn put her own spin on this idea in her latest book - Gone Girl.
It is the day of Nick and Amy's fifth anniversary. It is also the day Amy disappears. Left behind - the first cryptic clue in a treasure hunt Amy always sets up for Nick.
The first part of Gone Girl is told in alternating chapters from Nick's present time viewpoint, with flashbacks to memories. Amy's voice is heard from the pages of a diary, starting from seven years ago and building up to the day she disappears. The narratives each tell a completely different story. Who is telling the truth? The second part - well, I'm not going to spoil the plot for you, so I'll stop there.
I am a huge fan of psychological thrillers and with Gone Girl, Gillian Flynn has crafted one of the best I've ever read. Really. The plot line is completely unpredictable. It's rare for me to be completely surprised at the direction a book takes, but I was this time. Flynn toys with us in a completely delicious and devious manner. You'll want to read carefully - there are lies, secrets and omissions scattered throughout the book and each revelation ratchets up the stakes just a little higher.
While Gone Girl is a razor edged thriller, Flynn also explores marriage, attraction, family relationships and the media with that same sharp edged eye. Flynn's prose are are arresting, painting vivid images that crackle with intensity.
"....the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don't they? She's a cool girl. Being the cool girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want."
This is the first book I've read by Flynn, although I have since picked up her second book Dark Places. I loved the dedication to her husband...."What can I say about a man who knows how I think and still sleeps next to me with the lights off?"
The buzz you've been hearing about Gone Girl? All true and more. This is THE book to read this summer. I guarantee you won't be disappointed. Just bleary eyed - 'cause you won't be able to put it down!
38 out of 62 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 7, 2012
I guess that for me, this was more of a "good" book than a book that I liked. The characters were certainly engaging, there was a good amount of suspense, and the author nicely balanced the narrative voices of very different characters. I can certainly appreciate the fact that it was well-written (if a bit slow at points). I think there were a few issues for me that would make me remove one star: I am not personally interested in "missing women" news sensationalism, I have a hard time enjoying unpleasant characters, and by the last third of the book, I felt things were getting a bit ludicrous (and then I found the ending rather unsatisfying). Having said that, I am still thinking about this book a couple of days later, so that says something good.
34 out of 40 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 10, 2012
If you like the wave of new books that don't have an ending, then read this. Otherwise, don't waste your money.
32 out of 57 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 10, 2012
This might be the FIRST book I have ever read that truly kept me enthralled until the final word. There were so many twists and turns in the plot of "Gone Girl" that I could hardly find a good stopping point to take a shower... and this is not a short book! I just couldn't put it down! I don't want to put a single spoiler, but I will share the general plot. Nick and Amy are a young married couple, living the Manhattan life when they are caught up in the recession. Facing the loss of their jobs and the news of Nick's mother's devastating illness, they decide to move to the midwest to help her in her final days. The foundation of their marriage begins to show cracks that have been there for some time, and what follows is an incredible mystery that is horrifying and unbelievable, and will keep you up all night.
27 out of 35 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 8, 2012
Posted June 11, 2012
The story line becomes so far fetched that it is hard to take seriously. At best, this would have worked best as a story line for the television show "Law & Order".
21 out of 41 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.